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Lot 33: Manuel Ocampo (b. 1965) - Why I Hate Europeans

Est: ₱1,800,000 PHP - ₱2,340,000 PHPSold:
Leon GalleryMakati City , PhilippinesFebruary 27, 2021

Item Overview

Description

Manuel Ocampo (b. 1965)

Why I Hate Europeans

signed (verso)
1992

oil and paper on canvas

72” x 76 1/2” (183 cm x 194 cm)

 

Provenance:

Acquired directly from the Tom Patchett collection

Accompanied by a certificate signed by the artist and issued by Archivo, 1984 confirming the authenticity of
this lot

 

Literature:

Giant robot: Sheer Art Attack, By Martin Wong Issue 39, p. 67

Heridas De La Lengua by Pilar Perez and Kevin Power
(1997), p. 13

Double Trouble: The Tom Patchett Collection, 1998, by Elizabeth Armstrong (Author), Ralph Rugoff (Author), Auditorio De Galicia (Corporate Author). San Diego Museum of Contemporary Art (Corporate Author), Pilar Perez (Editor), pp. 189

Exhibited:

Guggenheim gallery, “Same Difference”, Chapman University, March, 1998 57th Venice Biennale Philippine Pavillion at the Museum of Contemporary Art and Design (MCAD), “Spectre of Comparison”, May 23, 2019 - July 2019

 

WRITE UP:

In a recent conversation Manuel Ocampo points out, “the scene depicted in the painting is that of a group of freaks and monsters prancing around in jubilation of an unspecified party or event.“ He elucidates that the painting can be clearly seen within the context of a game changing international art exhibition—Magiciens de la Terre, 1989 (curated by Jean Hubert Martin), a groundbreaking exhibition of international artists mainly from non-western countries. It was seen as a paradigm shift in the way how art from countries like Africa, South America, Asia and the eastern bloc countries are becoming visible and are gaining art market reputation and dominating the art discourse.


Painted in the 90s when he was hailed as the hottest young Filipino artist in America, he was invited to exhibit in Documenta in Kassel, Germany in 1992. He submitted four paintings, but three were excluded because they featured swastikas. Why I Hate Europeans is a reaction to the excised work. But he also shares that he is recalling his intentions and is aware that people read paintings in a certain way. His early work references political art maybe because he doesn‘t like politics especially political art. “I wanted to mash it up, reconfigure it and expose it ‘s ridiculousness. Now everything is politicized and political art is prevalent and is the dominant language in the visual arts so maybe my attitude is to just deal with it and see how one can work with it.” The painting is left ambiguous or maybe not—the intention of the artist is never known. Ocampo ‘s concern too is to evoke a look—maybe one of an old painting that brings up memories of a different time and place.


Why I Hate Europeans was part of the 1998 landmark exhibition titled “Same Difference“ held at Chapman University‘s Guggenheim Gallery. Curator Maggi Owens assembled work about minority cultures featuring artists William Anastasi, Judy Baca, Tom of Finland, Michael Ray Charles, David Levinthal, Manuel Ocampo, Alfred Quitoz, Bruce and Norman Yonemoto. (Jerome Gomez)

Dimensions

72” x 76 1/2” (183 cm x 194 cm)

Artist or Maker

Medium

oil and paper on canvas

Condition Report

Accompanied by a certificate signed by the artist and issued by Archivo, 1984 confirming the authenticity of this lot

Exhibited

Exhibited: Guggenheim gallery, “Same Difference”, Chapman University, March, 1998 57th Venice Biennale Philippine Pavillion at the Museum of Contemporary Art and Design (MCAD), “Spectre of Comparison”, May 23, 2019 - July 2019

Literature

Literature: Giant robot: Sheer Art Attack, By Martin Wong Issue 39, p. 67 Heridas De La Lengua by Pilar Perez and Kevin Power (1997), p. 13 Double Trouble: The Tom Patchett Collection, 1998, by Elizabeth Armstrong (Author), Ralph Rugoff (Author), Auditorio De Galicia (Corporate Author). San Diego Museum of Contemporary Art (Corporate Author), Pilar Perez (Editor), pp. 189

Provenance

Provenance: Acquired directly from the Tom Patchett collection

Payment & Shipping

Payment

Accepted forms of payment: COD (cash on delivery), MasterCard, Money Order / Cashiers Check, Personal Check, Visa, Wire Transfer

Shipping

Auction house will help to arrange shipment at buyer's expense.

Auction Details

The Asian Cultural Council Art Auction 2021

by
Leon Gallery
February 27, 2021, 02:00 PM PST

G/F Corinthian Plaza 121 Paseo de Roxas, Legazpi Village, Makati City , PH

Terms

Buyer's Premium

22.0%

Bidding Increments

From:To:Increment:
₱0₱9,999₱1,000
₱10,000₱19,999₱2,000
₱20,000₱59,999₱5,000
₱60,000₱199,999₱10,000
₱200,000₱399,999₱20,000
₱400,000₱799,999₱50,000
₱800,000₱1,999,999₱100,000
₱2,000,000₱4,999,999₱200,000
₱5,000,000₱9,999,999₱500,000
₱10,000,000+₱1,000,000

Terms & Conditions

The following are the terms and conditions that Leon Gallery has set for the auction. Kindly read carefully.

Leon Gallery, all the participants of the event, processes, and transactions shall be guided accordingly by these rules:

GENERAL:

a. Each item (lot) in this catalog is offered for sale dependent on the terms exhibited below.

b. All lots are numbered according to the catalog unless otherwise stated by the auctioneer.

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BIDDING:

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PAYMENT:

a. The balance of the invoice must be paid in full and merchandise picked up within three (3) days from the date of the sale. One week after the auction, left items may be moved to an off-site facility for pick-up. A storage fee will be charged if merchandise is left longer than two (2) weeks of One Hundred Pesos (Php 100) per lot per day. If the property is left longer than four (4) weeks, it will be considered abandoned. We are not responsible for shipping, but if packing and handling of purchased lots will be done by us, it is done at the entire risk of the purchaser. A refundable deposit may be required.

b. Cash, cashier's check, wire transfer, personal check (items may be held until the check clears). If any legal action is commenced to enforce these Conditions of Sale, the prevailing party shall be entitled to recover its reasonable attorney's fees and costs. Time is of the essence.

Payments shall be wired to:

Account Name: Leon Gallery
Account Number: 2166008845
Address: G/F Corinthian Plaza, 121 Paseo de Roxas, Legazpi Village, Makati City, Philippines
Swift Code: MBTCPHMM

LITIGATION:

In case if litigation between Leon Gallery and the buyer, the parties must submit to the Law Courts of Makati.

Shipping Terms

Auction house will help to arrange shipment at buyer's expense.

Payment

a. The balance of the invoice must be paid in full and merchandise picked up within three (3) days from the date of the sale. One week after the auction, left items may be moved to an off-site facility for pick-up. A storage fee will be charged if merchandise is left longer than two (2) weeks of One Hundred Pesos (Php 100) per lot per day. If the property is left longer than four (4) weeks, it will be considered abandoned. We are not responsible for shipping, but if packing and handling of purchased lots will be done by us, it is done at the entire risk of the purchaser. A refundable deposit may be required.

b. Cash, cashier's check, wire transfer, personal check (items may be held until the check clears). If any legal action is commenced to enforce these Conditions of Sale, the prevailing party shall be entitled to recover its reasonable attorney's fees and costs. Time is of the essence.

Payments shall be wired to:

Account Name: Leon Gallery
Account Number: 2166008845
Address: G/F Corinthian Plaza, 121 Paseo de Roxas, Legazpi Village, Makati City, Philippines
Swift Code: MBTCPHMM