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Lot 50: KEN WHISSON, FACE AND FLAG FACE OR DEEP DREAM, 1976

Est: $25,000 AUD - $35,000 AUDSold:
Deutscher and HackettMelbourne, AustraliaApril 21, 2021

Item Overview

Description


KEN WHISSON
born 1927
FACE AND FLAG FACE OR DEEP DREAM, 1976
oil on composition board
82.0 x 109.0 cm
signed, dated, and inscribed with title verso: “FACE AND FLAG FACE” / OR “DEEP DREAM” / PAINTED 24 / 3 / 76 / KEN WHISSON.
bears inscription verso: TITANIUM WHITE / TO RAY HUGHES … BRISBANE / “FACE AND FLAG – FACE”/ OR “DEEP DREAM” / 24 / 3 / 76

PROVENANCE
Ray Hughes Gallery, Brisbane
Ray Hughes, Sydney (bears label verso)
The Estate of Ray Hughes, Sydney

EXHIBITED
probably: Ray Hughes Gallery, Brisbane, 1976
Ken Whisson, As If, Heide Museum of Modern Art, Melbourne, 17 March – 15 July 2012; Museum of Contemporary Art, Sydney, 28 September – 25 November 2012, cat. 90

LITERATURE
Barkley G., and Harding, L., Ken Whisson. As If. ,Heide Museum of Modern Art, Melbourne and Museum of Contemporary Art, Sydney, 2012, p. 154 (illus.)

ESSAY
There is an almost cult status around Ken Whisson and his work. To own a Whisson is to belong to a club which reflects collectors’ shared commitment to a form of painting that is not simply fashionable, but deeply seated in ideas and painterly possibilities. Born in Lilydale in 1927, Ken Whisson was part of a generation of artists that included Albert Tucker, Sidney Nolan, Arthur Boyd, and the European migrant Danila Vassilieff, who as his teacher, had a profound influence on the young artist.

Face and Flag Face or Deep Dream, 1976, belongs to a fascinating group of works created prior to Whisson’s departure from Australia for Italy in 1977, and is typical of his St Kilda period. As well as the current work, paintings of that time included Disembarkation at Cythera (Idiot Wind), 1976, held in the collection of National Gallery of Australia and What Should we Do When we Get to Illyria, 1974, which was notably owned by the artist, Rosalie Gascoigne.

From his flat in Acland Street, St Kilda, Whisson had a view of the maritime traffic coming and going from Port Melbourne, and consequently these works are all characterised by motifs of ships, clouds, figures and flags. Two ships feature prominently in Face and Flag Face or Deep Dream; one sits on the horizon beneath a soft grey cloud and a second ship appears to be turned toward the viewer. The latter abruptly breaks the horizon line in a manner that flattens the picture plane and disrupts the conventional idea of western pictorial perspective.

In Disembarkation at Cythera (Idiot Wind) Whisson depicts migrants arriving at Port Melbourne, commenting, “My people were more like poor Italian migrants who have come from a splendid, beautiful place to the awful environment of Port Melbourne … an industrial place.”1 Whisson was clearly sensitive to the experience of migrants coming to Australia from Europe with its centuries of painting, literature and architecture – a world to which he was about to permanently move – and arriving in a foreign country, carrying with them hopes and dreams of life in a new world.

In Face and Flag Face or Deep Dream, we have a similar arrangement, however here the artist has painted a clean, titanium white rectangle which dominates the foreground. Above and around it the forms appear to hover and float, as though trying to find their place, both in the new world in which they have arrived, and in the painting. The white area is suggestive of both a fresh beginning for the migrants as well as the artist’s blank surface. The notion of the flag face in the title perhaps speaks to the individual identity of migrants.

The current example is consigned from the Estate of the gallery owner Ray Hughes, who exhibited Ken Whisson’s work from 1973 onwards. Hughes’ long association with Whisson helped define his Gallery as one that took pride in representing artists who existed outside the fashionable mainstream of curatorial elites.

Whisson’s painting represents the antithesis of painterly conventions, he abandons any preconceived expectations, which frees his mind to expand onto the canvas. No matter how suggestive these interpretations are, it is of course all conjecture, Whisson’s works are complex personal images, which puzzle many and polarise opinion. In the end its all a matter of memory and which memories matter in the mind of the artist.

1. Blackman, B., Interview with the artist, 20 April 1984, National Library of Australia Oral History Program, tape 1:2

HENRY MULHOLLAND

© Ken Whisson

Artist or Maker

Payment & Shipping

Payment

Accepted forms of payment: American Express, COD (cash on delivery), MasterCard, Personal Check, Visa, Wire Transfer

Shipping

Buyers are required to make their own arrangements for packing, handling, shipping and transit insurance for their property.

Auction Details

Important Australian + International Fine Art

by
Deutscher and Hackett
April 21, 2021, 07:00 PM AEST

105 Commercial Road South Yarra, Melbourne, VIC, 3141, AU

Terms

Buyer's Premium

22.73%

Bidding Increments

From:To:Increment:
$0$999$50
$1,000$1,999$100
$2,000$3,199$200
$3,200$3,799$300
$3,800$4,199$200
$4,200$4,799$300
$4,800$4,999$200
$5,000$9,999$500
$10,000$19,999$1,000
$20,000$31,999$2,000
$32,000$37,999$3,000
$38,000$41,999$2,000
$42,000$47,999$3,000
$48,000$49,999$2,000
$50,000$99,999$5,000
$100,000$199,999$10,000
$200,000$319,999$20,000
$320,000$379,999$30,000
$380,000$419,999$20,000
$420,000$479,999$30,000
$480,000$499,999$20,000
$500,000$999,999$50,000
$1,000,000+$100,000

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prospective buyers and sellers guide

1. PRIOR TO AUCTION

CATALOGUE SUBSCRIPTIONS
Catalogues can be obtained at Deutscher and Hackett offices or by online subscription (see the Catalogue Subscription Form at the back of this catalogue or online for more information go to www.deutscherandhackett.com).

PRE-SALE ESTIMATES
The price range estimated against each lot reflects the opinion of our art specialists as to the hammer price expected for the lot at auction and is informed by realised prices for comparable works as well as the particularities of each lot including condition, quality, provenance and rarity. While presale estimates are intended as a guide for
prospective buyers, lots can be sold outside of these ranges. Pre-sale estimates include GST (if any) on a lot but do not include the buyer's premium or other charges where applicable.

RESERVES
The reserve is the minimum price including GST (if any) that the vendor will accept for a lot and below which the lot will not normally be sold.

PRE-AUCTION VIEWINGS
In both Sydney and Melbourne pre-auction viewings are scheduled for several days in advance of each auction. Deutscher and Hackett specialists are available to give obligation free advice at viewings or by appointment and prospective buyers are strongly encouraged to thoroughly examine and request condition reports for potential purchases. Pre-auction viewings are open to the public and are free to attend.

SYMBOL KEY
? Unless ownership is clearly stated in the provenance, this symbol is used where a lot is offered which Deutscher and Hackett or an affiliate owns in whole or in part.
In these instances, Deutscher and Hackett has a direct financial interest in the property or means that Deutscher and Hackett has guaranteed a minimum price.
? Used to indicate lots for sale without a reserve.

EXPLANATION OF CATALOGUING PRACTICE AND TERMS
All information published in Deutscher and Hackett catalogues represent statements of opinion and should not be relied upon as fact. All dimensions are listed in centimetres, height before width and are approximate. All prices are in Australian dollars.

ARTIST'S NAMES
All reference to artists make use of common and not full names in accordance with the standards outlined in the National Gallery of Australia reference publication Australian Art: Artist's working names authority list. For instance, John Brack rather than Cecil John Brack; Roy de Maistre rather than Leroy Leveson Laurent De Maistre; Rosalie Gascoigne rather than Rosalie Norah Gascoigne.
Terms used in this catalogue have the meanings ascribed to them below:
a. NICHOLAS CHEVALIER: in the opinion of Deutscher and Hackett, a work
by the artist.
b. Attributed to NICHOLAS CHEVALIER: in the opinion of Deutscher and Hackett, probably a work by the artist, in whole or in part.
c. Circle of NICHOLAS CHEVALIER: in the opinion of Deutscher and Hackett, a work showing the influence and style of the artist and of the artist's period.
d. Studio/Workshop of NICHOLAS CHEVALIER: in the opinion of Deutscher and Hackett, a work possibly executed under the supervision of the artist.
e. School of NICHOLAS CHEVALIER: in the opinion of Deutscher and Hackett, a work by a follower or student of the artist.
f. Manner of NICHOLAS CHEVALIER: in the opinion of Deutscher and Hackett, a work created in the style, but not necessarily in the period, of the artist.
g. After NICHOLAS CHEVALIER: in the opinion of Deutscher and Hackett, a copy of a work by the artist.
h. "signed" / "dated" in the opinion of Deutscher and Hackett, the work has been signed/dated by the artist.
i. "bears signature" / "bears date" in the opinion of Deutscher and Hackett, the work has possibly been signed/dated by someone other than the artist.

PROVENANCE
Where appropriate, Deutscher and Hackett will include the known provenance, or history of ownership of lots. Non disclosure may indicate that prior owners are unknown or that the seller wishes to maintain confidentiality.

2. THE AUCTION

Auctions are open to the public and are free to attend. Deutscher and Hackett may exclude any person at any time in its discretion.

REGISTRATION
Bidders must register to bid prior to the commencement of an auction. Deutscher and Hackett may impose other obligations on the registration of bidders in its discretion.

CONDUCT OF AUCTION
Lots are offered for sale on a consecutive basis. Deutscher and Hackett will determine the conduct of the auction in its absolute discretion, including the regulation of bidding. Consecutive or responsive bids may be placed by the auctioneer on behalf of the vendor up to the reserve.

ABSENTEE OR COMMISSION BIDS AND TELEPHONE BIDS
As a courtesy service, Deutscher and Hackett will make reasonable efforts to place bids for prospective buyers in absentia provided written or verbal instructions (as indicated on absentee bid forms included at the back of this catalogue or online) are received 24 hours prior to auction. Where successful, lots will be purchased at the lowest possible bid and in the event of identical absentee bids, the bid received earliest will take precedence. Deutscher and Hackett accepts no responsibility for errors and omissions in relation to this courtesy service and reserves the right to record telephone bids.

RESERVE
Unless indicated otherwise, all lots are subject to a confidential reserve price determined by the vendor. Deutscher and Hackett or the auctioneer may place any number of bids on behalf of the vendor below the reserve price and is not obliged to identify that the bids are being placed on behalf of the vendor.

BIDDING INCREMENTS
Bidding usually opens below the listed pre-sale estimate and proceeds in the following increments (the auctioneer may vary the bidding increments at his or her discretion):

$500 - 1,000 by $50
$1,000 - 2,000 by $100
$2,000 - 3,000 by $200
$3,000 - 5,000 by $200 / $500 / $800
$5,000 - 10,000 by $500
$10,000 - 20,000 by $1,000
$20,000 - 30,000 by $2,000
$30,000 - 50,000 by $2,000 / $5,000 / $8,000
$50,000 - 100,000 by $5,000
$100,000 - 200,000 by $10,000
$200,000 - 300,000 by $20,000
$300,000 - 500,000 by $20,000 / $50,000 / $80,000
$500,000 - 1,000,000 by $50,000
$1,000,000+ by $100,000

SUCCESSFUL BIDS
The fall of the auctioneer's hammer indicates the final bid and the buyer assumes full responsibility for the lot from this time.

UNSOLD LOTS
Where a lot is unsold, the auctioneer will announce that the lot is "bought in", "passed", "withdrawn" or "returned to owner".

3. AFTER THE AUCTION

PAYMENTS
Payment must be made within seven days of the date of sale in Australian dollars by cash, cheque, direct deposit, approved credit cards or electronic funds transfer. If payment is made by credit card the price will increase by any merchant fees payable by Deutscher and Hackett (1.15% (including GST) for Visa and Mastercard and 3.10% (including GST) for American Express). In certain circumstances, extension of payment may be granted at the discretion of Deutscher and Hackett. Cleared funds will be held in an interest bearing trust account by Deutscher and Hackett until remitted to the vendor. Deutscher and Hackett will be entitled to retain any interest earned during this period. Payment by the vendor of any charge to Deutscher and Hackett is to be made within fourteen days of invoice.

PURCHASE PRICE AND BUYER'S PREMIUM
The purchase price will be the sum of the final bid price (including any GST) plus a buyer's premium set at 22% (plus GST) of the final bid price. An Invaluable service fee of 5% of the final bid price will also be charged. Buyers may be liable for other charges reasonably incurred once ownership has passed.
GOODS AND SERVICES TAX
Auctions are conducted on a GST inclusive basis (where GST applies). GST is payable on some lots. A list of those lots is set out in the catalogue. Buyers are required to pay a 10% G.S.T which sum is:
a. included in the final bid prices where buying from a GST registered vendor; and
b. included in buyer's premiums and any additional fees charged by Deutscher and Hackett.
If a buyer is classified as a "non-resident" for the purpose of GST, the buyer may be able to recover GST paid on the final purchase price if certain conditions are met.

COLLECTION
Lots paid for in full may be collected from Deutscher and Hackett premises the day after the auction occurs but lots paid for by cheque may not be collected until all funds have cleared. Proof of identification is required upon collection and lots not collected within seven days of the sale may incur costs associated with external storage and freight.

LOSS OR DAMAGE
Risk in the lot, including risk of loss or damage, will pass to the buyer on either the date payment is due, whether or not it has been made, or on collection by the buyer, whichever is earlier. The buyer is therefore encouraged to make arrangements to ensure comprehensive cover is maintained from the payment due date.

TRANSPORT AND SHIPPING
Deutscher and Hackett directly offers services including storage, hanging and display, appraisals and valuations, collection management and research and in all instances will endeavour to coordinate or advise upon shipping and handling, insurance, transport, framing and conservation at the request and expense of the client. Deutscher and Hackett does not accept liability for the acts or omissions of contracted third parties.

EXPORT
Prospective bidders are advised to enquire about export licences -- including endangered species licences and cultural heritage permits, where relevant -- prior to bidding at auction. Telephone the Maritime and Movable Heritage Unit on 02 6274 1810 for further information. The delay or denial of such a licence will not be grounds for a rescission of sale.

COPYRIGHT
The copyright in the images and illustrations contained in this catalogue may be owned by third parties and used under licence by Deutscher and Hackett. As between Deutscher and Hackett and the buyer, Deutscher and Hackett retains all rights in the images and illustrations. Deutscher and Hackett retains copyright in the text contained in this catalogue. The buyer must not reproduce or otherwise use the images, illustrations or text without prior written consent.

Shipping Terms

Buyers are required to make their own arrangements for packing, handling, shipping and transit insurance for their property.