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Lot 187: KATRINA CHAYTOR (1962 - ), UNTITLED, 15" x 17.5" x 7.25" - 38.1 x 44.5 x 18.4 cm.

Est: $500 CAD - $800 CADPassed
Waddington'sToronto, ON, CAApril 21, 2015

Item Overview

Description

KATRINA CHAYTOR (1962 - ) UNTITLED clay earthenware, 15" x 17.5" x 7.25" -- 38.1 x 44.5 x 18.4 cm., signed and dated 89 in black Sharpie Provenance: Purchased directly from the artist Note: KATRINA CHAYTOR (1962 - ) "My pottery embraces utility, a craft concept that engages an intimate connection to daily life. The concept of utility is one of accommodation and collaboration between maker and user. In my work, I explore the symbiotic relationship of form, containment and surface decoration. I make pots to serve, to heighten daily experience and through the action of use, mediate between art and life." - Katrina Chaytor - Katrina Chaytor is an internationally renowned ceramic artists, best known for her hand-built functional ware. Her work is held in private and public collections in Canada, the US and China. Katrina Chaytor was born St. John's, Newfoundland in 1962. She received her BFA from the Nova Scotia College of Art and Design in Halifax in 1983 and her MFA from New York State College of Ceramics at Alfred University, Alfred, New York, in 1986. Chaytor has participated in numerous exhibitions both nationally and internationally and, in 2007, was one of ten Canadian ceramic artists invited to participate in a month-long residency at the Fule International Ceramics Art Museums at FuPing, Shaanxi, China. Chaytor has been a permanent member of the Ceramics faculty at the Alberta College of Art and Design since 2001. She has lectured and taught workshops both nationally and internationally, and is the recipient of several awards and grants, including the Award of Honour from the Alberta Craft Council in 2010. Chaytor's work is of slab construction, incorporating complex patterns onto her surfaces with plaster moulds and accentuating them with luminous glazes. She continues to research the role of ornament as a "mediator between art and life" in contemporary culture. Selected Corporate, Private and Public Collections Alberta Foundation For the Arts Art Gallery of Nova Scotia Calgary Allied Arts Foundation Canadian Ceramic Artists Charter Ceramics Collection, Fule International Ceramics Art Museums, FuPing, Shaanxi, China Claridge Collection Comcheq Esplanade Art Gallery, Medicine Hat, Alberta New Brunswick Museum Raphael Yu - major private collection Shanghai Arts and Crafts Museum, Shanghai, China The Canada Council Art Bank Visual Art Bank - Manitoba Arts Council Burlington Art Centre 3M Canada Inc. Selected Solo/Duo Exhibitions 2015 Come Home, Craft Council Gallery, St. John's, NL Calgary Outside the Box, Toronto Design Offsite Festival, ON 2008 The Decorative Device, with Rory MacDonald, Esplanade Art Gallery, Medicine Hat, AB 2007 Solo show, Boulder Mountain Art Gallery, Ketchum, Sun Valley, ID 2005 Domestic, with Greg Payce, Nickle Arts Museum, Calgary, AB 2001 Days of Wine and Red Roses, Electrum Design Studio, Edmonton, AB 2000 New Pots, Electrum Design Studio, Edmonton, AB 1999 Katrina Chaytor - Recent Ceramics, Electrum Design Studio, Edmonton, AB 1999 K.Chaytor-Rozman - Clay, Generations Gallery, Stony Plain, AB 1995 Solo Exhibition, Muttart Art Gallery, Calgary, AB 1994 Dryburgh - PAPER/ Chaytor-Rozman - CLAY, Main Access Gallery, Winnipeg, MB 1991 Solo Exhibition, Galerie Franklin Silverstone, Montreal, QC Selected Group Exhibitions 2015 15 on 35, Alberta Craft Council, Calgary, AB 2014 May Cups, Willock and Sax Gallery, Banff, AB Continuum, Alberta Craft Council, Calgary, AB 2012 Comfort and Joy 2012, Newfoundland and Labrador Craft Council, St. John's, NL Feast of Pottery III, curated by Alexis Templeton, Quidi Vidi Plantation Village, St. John's, NL 2011 The Recipients Show-ACC 2011 Awards, Alberta Craft Council, Edmonton, AB Feast of Pottery II, curated by Alexis Templeton, Geo Centre, St. John's, NL 1000 Miles Apart Faculty and Student exhibition, Gallery One One One, Winnipeg, MB A Matter of Clay III, Jonathon-Bancroft-Snell Galleries, London, ON The Makings, Willock and Sax Gallery, Banff, AB Comfort and Joy 2011, Newfoundland and Labrador Craft Council, St. John's, NL 2010 Feast of Pottery, curated by Alexis Templeton, Geo Centre, St. John's, NL Clay 2010, Alberta Craft Council, Edmonton, AB West Meets East, curated by Ann Roberts, Harbinger Gallery, Waterloo, ON The Art of Craft; Selected Works of Unity & Diversity, Cultural Olympiad, Museum of Vancouver, Vancouver, BC Comfort and Joy 2010, Newfoundland and Labrador Craft Council, St. John's, NL 2009 Teapots... No Drips Allowed, group exhibition, Jonathon Bancroft Snell Gallery, London, ON Masterpiece Contemporary 2009, Art Gallery of Calgary, Calgary, AB 2008 International Biennial Exhibition of Contemporary Teapot Art, Invitational, Shanghai Arts and Crafts Museum, Shanghai, China Trio: 3, sponsored by Alberta Craft Council at Art Gallery of Calgary, Calgary, AB The Recipients exhibition, Alberta Craft Council Awards, ACC Gallery, Edmonton, AB 2007 Affinity: Alberta Ceramics, Illingworth Kerr Gallery, Alberta College of Art and Design, Calgary, AB Brew Ha-Ha, Alberta Craft Council, Edmonton, AB 2006 A Matter of Clay II; Repeats and the Occasional Pots, Jonathon-Bancroft-Snell Galleries, London, ON Contemporary Canadian Ceramics, Invitational Group exhibition, Esplanade Art Gallery, Medicine Hat, AB (catalogue) 2005 Studio Ceramics in Canada, Invitational Exhibition of ACC members included in book publication Studio Ceramics in Canada, In the Margins; Canadian Women Working in Clay, curated by Alexandra McCurdy, Mary E. Black Gallery, Halifax, NS In the Margins; Canadian Women Working in Clay, Jonathon Bancroft-Snell Gallery, London, ON Guilty Pleasure, curated by Melanie Egan, Harbour Front Centre, Toronto, ON 2004 Tea and Roses, curated by Evelyn Grant, Leighton Art Centre, Calgary, AB 2003 Genius Loci, Invitational Exhibition, Canadian Clay and Glass Gallery, Waterloo, ON Mugs and Jugs; Vessels of Libation, Alberta Craft Council, Edmonton, AB 2002 1000 Miles Apart, Allied Arts Centre, Red Deer, AB Virtuosity, Participant Exhibition, 'Aesthetics of Skill' Ceramics Conference, Red Deer College, Red Deer, AB 2001 Tea Party III, Prime Gallery, Toronto, ON Ceramica del Norte, The Works Visual Arts Festival, Edmonton, AB 2000 Mexico/ Canada International Ceramics Exchange Exhibition, Museo Poblano de Arte Virreinal, Puebla, Mexico Air - O - Dynamics, Group Exhibition, Medalta Residency Program, Medicine Hat Public Library, Medicine Hat, AB Renewal, Electrum Design Studio, Edmonton, AB 1999 Legacies, Medalta International Artists in Residence Program's AIR Show 99, Medicine Hat, AB Curio, Case Studies, York Quay Gallery, Harbour Front/York Quay Centre, Toronto, ON 1998 Faculty Exhibition, Faculty of Extensions- Fine Arts, University of Alberta, Edmonton, AB Keramos, The Works- A Visual Arts Celebration, Edmonton, AB SERIES '98, Old Courthouse Gallery, Red Deer, AB 1997 Blast from the Past, Past Artists' in Residence of Red Deer College, Red Deer, AB Another Group of Seven, Newzones Art Gallery, Calgary, AB Vessels in Celebration, Alberta Potters' Association 25th Commemorative Exhibition, Medicine Hat Museum, Medicine Hat, AB 1996 Vessels in Celebration, The Canadian Clay and Glass Gallery, Waterloo, Ontario and Glenbow Museum, Calgary, AB Paperclay, Group Exhibition of works produced by participants of Greek/ Canadian Intercultural Ceramic Symposium - Phase I, Banff Centre on 8th Gallery, Calgary, AB Walter Ostrom - The Advocacy of Pottery, Art Gallery of Nova Scotia, Halifax, NS 1995 Ground Connection, Joan MacNeil, Therese Chabot, Trudy Golley, Grace Nickel, Sally Barbier and Katrina Chaytor, Mentoring Artists' for Women's Art Inc., St. Norbert Arts and Cultural Centre, Winnipeg, MB North by Northwest; Clay in Canada, Alberta Selection, Nickle Arts Museum, Calgary and Alberta Crafts Council, Edmonton, AB Art at Terminal 3, Franklin Silverstone/ Canadian Airlines, Pearson International Airport, Toronto, ON 1994 Faculty Exhibition, Illingworth Kerr Gallery, Alberta College of Art and Design, Calgary, AB Containment- The Space Within, Canadian Clay and Glass Gallery, Waterloo, ON 1992 North; Hot Clay from Cold Climates, Group Exhibition of selected artists from Alaska/ U.S.A., Finland, Sweden, Norway, Latvia, Estonia, Russia, Lithuania and Canada, The Works Arts Festival, Edmonton, AB Selected Artists of Franklin Silverstone Gallery, at Olga Korpur Gallery, Toronto, ON Selected International Group Exhibitions 2012 Ceramics from Four Continents, The Studio Gallery, Yallingup, Western Australia Potober, conference presenters exhibition, Ceramic Arts Association of Western Australia, Showcase Gallery, North Perth, WA 2009 Unity and Diversity, Cheongju International Craft Biennale, (organized by Canadian Crafts Federation and Alberta Craft Councils for Alberta section) Cheongju, Korea 2006 30/30, Invitational, Lill Street Art Center, Chicago, IL The Ceramic Surface- Four Approaches, with John Glick, Susanne Stephenson & Matthew Metz, Opus 6ix Gallery, Eugene, OR Tea: Engaging the senses-From Cuppa to Ceremony, Teapot Invitational, White Lotus Gallery, Eugene, OR Clay Lane, Lane Community College Gallery, Eugene, OR 2004 Canadian Potters, Red Star Sudios, Kansas City, Missourri 2004 Cup 2001, Fifth Element Gallery, Portland, OR 1998 Teapots, Nancy Margolis Gallery, Portland, Maine 1997 Labyrinth, The Center for Contemporary Art, Rethymnon, Crete Another Group of Seven, Community College of Southern Nevada, National Council on Education for the Ceramic Arts Annual 1995 Ground Connection, Wyman Building, N.C.E.C.A. '95; Borderline Clay Conference, Minneapolis, MN 1993 Clay North: 10 Artists from the Canadian Prairies, Northern Arizona University Art Museum, Flagstaff, Arizona 1991 A House of Clay, Lill Street Gallery, Chicago, IL Kanadisk Keramik; Canadian Ceramics, Galleri Aktvel Kunst, Oslo, Norway Selected Grants and Awards 2012 Alberta Foundation for the Arts Grant 2010 Award of Honour, Alberta Craft Council Awards, Edmonton, AB 2007 Alberta Foundation for the Arts Grant 2012/10/06/05/04/03/02 ACAD Professional Development and Research Grant 2001 Crafts B Grant, The Canada Council for the Arts 2000 and 1997 Travel Grant, The Canada Council for the Arts 1997 Alberta Potters' Association Scholarship 1999 and 1997 Visual Arts Project Grant, Alberta Foundation for the Arts 1994 and 1992 Crafts Grant, Manitoba Arts Council 1993/1990 and 1989 Short Term Project Grant, Manitoba Arts Council Selected Links katrinachaytor.com

Artist or Maker

Payment & Shipping

Payment

Accepted forms of payment: MasterCard, Money Order / Cashiers Check, Paypal, Visa, Wire Transfer

Shipping

The Auctioneers will not undertake packing or shipping. The purchaser
must designate and arrange for the services of an independent shipper
and be responsible for all shipping and insurance expenses. The
Auctioneers will, upon request, provide names of professional packers and
shippers but will not be held responsible for the service or have any liability
for providing this information. Reliable pre-auction estimates of shipping
costs of lots offered in this sale may be obtained from:
Pak Mail
Attn: Taurus Chan
4981 Hwy 7 East, Unit 12A, Markham, ON L3R 1N1
Tel: 905.470.6874; 416.293.8225
Fax: 905.470.6875
taurus@pakmailmarkham.ca
www.pakmailmarkham.ca

Permits may be required for international shipments due to export restrictions on endangered species.

Auction Details

Charles Bronfman's Claridge Collection Auction: Part V

by
Waddington's
April 21, 2015, 01:00 PM EST

275 King Street E 2nd Floor, Toronto, ON, M5A 1K2, CA

Terms

Live bidding may start higher or lower

Buyer's Premium

$0 - 49,999:23.0%
$50,000+:18.0%

Bidding Increments

From:To:Increment:
$0$199$10
$200$499$20
$500$999$50
$1,000$1,999$100
$2,000$4,999$200
$5,000$9,999$500
$10,000$19,999$1,000
$20,000$49,999$2,000
$50,000$99,999$5,000
$100,000$199,999$10,000
$200,000$499,999$20,000
$500,000$999,999$25,000
$1,000,000+$50,000

Terms & Conditions

All lots are sold "AS IS". Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly.

Each lot sold is subject to a premium of 20% of the successful bid price of each lot up to and including $50,000 and 15% on any amount in excess of $50,000 as part of the purchase price. Invaluable Live! clients will be charged a buyer's premium of 23% of the successful bid price of each lot up to and including $50,000 and 18% on any amount in excess of $50,000 as part of the total purchase price.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer's premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST (Goods and Services
Tax) is charged based on the tax status of that province.

The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.
The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.

The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer's decision in all cases shall be final.
Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.
The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or
the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed
within 10 days from the date of sale , after which storage charges may be incurred.

Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the
buyer until fully paid for and taken away.

Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14 days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer.

Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers
cheque, bank draft, electronic transfer (fee applies), and VISA, Mastercard (up to $25,000). As Waddington's requires written
authorization for all credit card purchases, credit cards must be presented in person by the cardholder and therefore cannot be accepted over the
telephone. However, fax authorization arrangements can be made.

In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for:
(a) any deficiency in price between the re-sale amount and the
amount to have been paid by the original buyer;
(b) any reasonable charge by the auctioneer for the storage of such
articles until payment and removal by the subsequent buyer; and
(c) the amount of commission which the auctioneer would have
earned had payment been made in full by the original buyer.

It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the
auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).
The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or
oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington's™, and the consignor (seller) of the lot.

Descriptions or photographs of lots are not warranties and each lot is sold "as is" in accordance with the Conditions of Sale.

Frames on artwork are not included as part of purchase or condition.

Contract Information

By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington's™, and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold "as is" in accordance with the Conditions of Sale.

Payment Information

Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA, Mastercard (up to $25,000). As Waddington's requires written authorization for all credit card purchases, credit cards must be presented in person by the cardholder and therefore cannot be accepted over the telephone. However, fax authorization arrangements can be made.

The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale , after which storage charges may be incurred.

Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

Shipping Information

The Auctioneers will not undertake packing or shipping. The purchaser
must designate and arrange for the services of an independent shipper
and be responsible for all shipping and insurance expenses. The
Auctioneers will, upon request, provide names of professional packers and
shippers but will not be held responsible for the service or have any liability
for providing this information. Reliable pre-auction estimates of shipping
costs of lots offered in this sale may be obtained from:
Pak Mail
Attn: Taurus Chan
4981 Hwy 7 East, Unit 12A, Markham, ON L3R 1N1
Tel: 905.470.6874; 416.293.8225
Fax: 905.470.6875
taurus@pakmailmarkham.ca
www.pakmailmarkham.ca

Permits may be required for international shipments due to export restrictions on endangered species.

Buyer's Premium

A buyer's premium of 20% of the successful bid price of each lot up to and including $50,000 and 15% on any amount in excess of $50,000 is paid by buyer as part of the total purchase price. Invaluable clients will be charged a buyer's premium of 23% of the successful bid price of each lot up to and including $50,000 and 18% on any amount in excess of $50,000 as part of the total purchase price.

Taxes on your purchase

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer's premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

Condition Notice

All of the items are to be considered, unless otherwise noted in the
description, in good condition. The definition of "good" when used in
reference to condition, describes an object as having had no major damage
or repair but as with the nature of the material, may show minor surface
wear, discolouration etc., which indicates the acceptable wear that the piece
may acquire with age. If you are particular about minor flaws, you should
examine the pieces in person or have our staff answer any questions before
bidding. Sizes are approximate. It is the sole responsibility of the bidder to
inquire as to the condition of a lot before bidding. Condition reports are
available upon request by phone, fax, email or in person. You are advised
to make any requests well in advance of the sale.