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Lot 86: Josef Breitenbach, Summer garden, Munich, c. 1932

Est: €900 EUR - €1,080 EURPassed
Kunsthaus Lempertz KGKöln, GermanyMay 30, 2014

Item Overview

Description

Photographer's stamp on the verso.Josef Breitenbach (1896 - 1984) was already in his mid-thirties when he opened his own photo studio in Munich. As the son of a Jewish wine wholesaler, he first took over his parent's business, but as an autodidact he had also been engaged in photography from an early age and participated in competitions and exhibitions for amateur photographers. His close contacts with the Munich artist and literati scene - which went back to his time with the pacifist youth movement during the First World War and his time in the republic of councils of 1918/19 - helped him in getting his first commissions as a portrait photographer. In the autumn of 1932, he was employed at the Munich Kammerspiele but he emigrated to Paris - shortly after the coming into power of the National Socialists - where he was admitted to the artistic circle surrounding André Breton and exhibited together with Man Ray, Brassaï, Eli Lotar and Henri Cartier-Bresson. Here, Breitenbach took pictures of emigrated artist colleagues such as Helene Weigel, Bert Brecht, Max Ernst and Lyonel Feininger and participated in several solo as well as group exhibitions. In 1938, he was expatriated. In 1941, Breitenbach managed to emigrate to the USA via Marseille where he devoted himself to reporting and documentary photography and also worked as a photographer for various UN organisations.The pictures shown here, most of which are vintage copies, originate from the early 1930s - when Breitenbach got professionally established as a photographer in Munich - and from his early exile years in Paris. They are largely portrait shots of which several exhibit characteristics typical for Breitenbach such as double exposure (lot 94) and the use of mirrors (lot 88). At the same time, they document the great importance that Breitenbach ascribed to working in the darkroom: the imprinting of photo frames (lot 87-89, 91, 92 and 94) and the use of warm coloured, matt velvety photo paper (lot 85, 89, 96) are typical characteristics of Breitenbach's photographs of that time. Literature (at choice) Wanderung. 250 Photographien 1930 bis 1965 von Joseph Breitenbach, exhib.cat. Filmmuseum im Münchner Stadtmuseum, Munich n.d. [around 1966]Josef Breitenbach. Photographer. Essay by Holborn Mark, New York 1986T. O. Immisch, Ulrich Pohlmann, Klaus E. Göltz (ed.), Josef Breitenbach. Photographien, exhib.cat. Staatliche Galerie Moritzburg Halle, Fotomuseum im Münchner Stadtmuseum. Munich, Paris, London 1996Keith Holz, Wolfgang Schopf (ed.), Im Auge des Exils. Josef Breitenbach und die Freie Deutsche Kultur in Paris 1933-1941, Berlin 2001Larissa Dryansky, Josef Breitenbach. 1896-1984. Une photographie impure, exhib.cat. Musée Nicéphore Niépce, Paris 2001

Dimensions

16.5 x 22.3 cm (17.9 x 23.8 cm)

Artist or Maker

Medium

Vintage gelatin silver print.

Date

c. 1932

Provenance

Estate of Joseph Breitenbach

Notes

Droit de suite according to conditions of sale

Payment & Shipping

Payment

Accepted forms of payment: American Express, MasterCard, Visa, Wire Transfer

Shipping

Auction House will ship, at Buyer's expense

Auction Details

Photography

by
Kunsthaus Lempertz KG
May 30, 2014, 02:30 PM CET

Neumarkt 3, Köln, 50667, DE

Terms

Live bidding may start higher or lower

Buyer's Premium

€0 - 399,999:25.0%
€400,000+:23.0%

Bidding Increments

From:To:Increment:
€0€999€50
€1,000€1,999€100
€2,000€3,999€200
€4,000€5,499€300
€5,500€14,999€500
€15,000€29,999€1,000
€30,000€49,999€2,000
€50,000€64,999€3,000
€65,000+€50,000

Terms and Conditions

Conditions of Sale
1. The art auction house, Kunsthaus Lempertz (henceforth referred to as Lempertz), conducts public auctions in terms of § 383 paragraph 3 sentence 1 of the Civil Code as commissioning agent on behalf of the accounts of submitters, who remain anonymous. With regard to its auctioneering terms and conditions drawn up in other languages, the German version remains the official one.
2. The auctioneer reserves the right to divide or combine any catalogue lots or, if it has special reason to do so, to offer any lot for sale in an order different from that given in the catalogue or to withdraw any lot from the sale.
3. All lots put up for sale may be viewed and inspected prior to the auction. The catalogue specifications and related specifications appearing on the internet, which have both been compiled in good conscience, do not form part of the contractually agreed to conditions. These specifications have been derived from the status of the information available at the time of compiling the catalogue. They do not serve as a guarantee in legal terms and their purpose is purely in the information they provide. The same applies to any reports on an item's condition or any other information, either in oral or written form. Certificates or certifications from artists, their estates or experts relevant to each case only form a contractual part of the agreement if they are specifically mentioned in the catalogue text. The state of the item is generally not mentioned in the catalogue. Likewise missing specifications do not constitute an agreement on quality. All items are used goods.
4. In the event of variances from the catalogue descriptions, which result in negation or substantial diminution of value or suitability, and which are reported with due justification within one year after handover, Lempertz nevertheless undertakes to pursue its rights against the seller through the courts; in the event of a successful claim against the seller, Lempertz will reimburse the buyer only the total purchase price paid. German is the official language for the catalogue text. Over and above this, Lempertz undertakes to reimburse its commission within a given period of two years after the date of the sale if the object in question proves not to be authentic. Liability of Lempertz for faults or defects is otherwise excluded.

5. Claims for compensation as the result of a fault or defect in the object auctioned or damage to it or its loss, regardless of the legal grounds, or as the result of variances from the catalogue description or statements made elsewhere are excluded unless Lempertz acted with wilful intent or gross negligence; in other regards, point 4 applies.

6. Submission of bids. Bids in attendance: The floor bidder receives a bidding number on presentation of a photo ID. Lempertz reserves the right to grant entry to the auction. If the bidder is not known to Lempertz, registration must take place 24 hours before the auction is due to begin in writing on presentation of a current bank reference. Bids in absentia: Bids can also be submitted either in writing, telephonically or via the internet. The placing of bids in absentia must reach Lempertz 24 hours before the auction to ensure the proper processing thereof. The item must be mentioned in the bid placed, together with ticket number and item description. In the event of ambiguities, the listed ticket number becomes applicable. The placement of a bid must be signed by the applicant. The regulations regarding revocations and the right to return the goods in the case of long distance agreements (§ 312b - d of the Civil Code) do not apply. Telephonic bids: Establishing and maintaining a connection cannot be vouched for. In submitting a bid placement, the bidder declares that he agrees to the recording of the bidding process. Bids via the internet: They will only be accepted by Lempertz if the bidder registered himself on the internet website beforehand. Lempertz will treat such bids in the same way as bids in writing.

7. Carrying out the auction. The hammer will come down when no higher bids are submitted after three calls for a bid. In extenuating circumstances, the auctioneer reserves the right to bring down the hammer or he can refuse to accept a bid. If several individuals make the same bid at the same time, and after the third call, no higher bid ensues, then the ticket becomes the deciding factor. The auctioneer can retract his acceptance of the bid and auction the item once more if a higher bid that was submitted on time, was erroneously overlooked and immediately queried by the bidder, or if any doubts regarding its acceptance arise (§ 2 point 4 VerstVO). Bids are only played to an absolute maximum by Lempertz if this is deemed necessary to outbid another bid. The auctioneer can bid on behalf of the submitter up to the agreed limit, without revealing this and irrespective of whether other bids are submitted. Even if bids have been placed and the hammer has not come down, the auctioneer is only liable to the bidder in the event of premeditation or gross negligence.

8. Once a lot has been knocked down, the successful bidder is obliged to buy it. If a bid is accepted conditionally, the bidder is bound by its bid until four weeks after the auction unless it immediately withdraws from the conditionally accepted bid. From the fall of the hammer, possession and risk pass directly to the buyer, while ownership passes to the buyer only after full payment has been received.

9. A premium of 22 % calculated on the hammer price plus 19 % value added tax calculated on the surcharge only is levied (margin scheme). On the lots which are characterized by an *, the buyer shall pay a premium of 22% on the hammer price; onto this (hammer price and premium) the statutory VAT of 7 per cent for paintings, original prints, sculptures and collection pieces and 19 per cent for decorative art and photography will be added. (Regelbesteuerung = regular scheme). For original works of art and photographies whose author died after 31.12.1941, a charge of 1.9% on the hammer price will be levied fort he droit de suite. Invoices may be issued for buyers who are entitled to a Pre-Tax Deduction for art and decorative art for all lots according to the existing »Regelbesteuerung« (regular scheme). These buyers must identify themselves when receiving their bidding paddle. Exports to third (i.e. non-EU) countries will be exempt from VAT, and so will be exports made by companies from other EU member states if they state their VAT identification number.

10. Successful bidders attending the auction in person shall forthwith upon the purchase pay to Lempertz the final price (hammer price plus premium and VAT) in Euro. Payments by foreign buyers who have bid in writing or by proxy shall also be due forthwith upon the purchase, but will not be deemed to have been delayed if received within ten days of the invoice date. Cheques cannot be accepted. The request for an alteration of an auction invoice to a person other than the bidder has to be made immediately after the auction. Lempertz however also reserves the right to refuse such a request if it is deemed appropriate.

11. In the case of payment default, Lempertz will charge interest on the outstanding amount at a rate of 1 % of the gross price per month or part month. If payment is made in a foreign currency, any exchange rate losses and bank charges will be borne by the buyer. If the buyer defaults in payment, Lempertz may at its discretion insist on performance of the purchase contract or, after allowing a period of grace, claim damages for non-performance. In the latter case, Lempertz may determine the amount of the damages by putting the lot or lots up for auction again, in which case the defaulting buyer will bear the amount of any reduction in the proceeds compared with the earlier auction, plus the cost of resale, including the premium.

12. Buyers must take charge of their purchases immediately after the auction. Once a lot has been sold, the auctioneer is liable only for wilful intent or gross negligence. Lots will not, however, be surrendered to buyers until full payment has been received. Without exception, shipment will be at the expense and risk of the buyer. Purchases which are not collected within four weeks after the auction may be stored and insured by Lempertz on behalf of the buyer and at its expense in the premises of a freight agent. If Lempertz stores such items itself, it will charge 1 % of the hammer price for insurance and storage costs.

13. As far as this can be agreed, the place of performance and jurisdiction is Cologne. German law applies; the provisions of the United Nations Convention on Contracts for the International Sale of Goods, CISG are not applicable. Should any provision herein be wholly or partially ineffective, this will not affect the validity of the remaining provisions.

14. As far as this can be agreed, the place of performance and jurisdiction is Cologne. German law applies; the provisions of the United Nations Convention on Contracts for the International Sale of Goods, CISG are not applicable. Should any provision herein be wholly or partially ineffective, this will not affect the validity of the remaining provisions.
Henrik Hanstein, sworn public auctioneer.

Shipping Terms

Auction House will ship, at Buyer's expense

Bidder registration

Please note that in order to participate in our auction you need to register 24 hours before the sale. Please be aware; we reserve the right to ask bidders for a deposit prior to the sale.

Buyers Premium

A premium of 22 % calculated on the hammer price plus 19 % value added tax calculated on the surcharge only is levied (margin scheme). On the lots which are characterized by an *, the buyer shall pay a premium of 22% on the hammer price; onto this (hammer price and premium) the statutory VAT of 7 per cent for paintings, original prints, sculptures and collection pieces and 19 per cent for decorative art and photography will be added. (Regelbesteuerung = regular scheme). For original works of art and photographies whose author died after 31.12.1941, a charge of 1.9% on the hammer price will be levied fort he droit de suite.