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Lot 77: JACK SURES (1934 - ), O.C., LARGE PLATE, height 2.5" - 6.4 cm., diameter 11" - 27.9 cm.

Est: $500 CAD - $600 CADSold:
Waddington'sToronto, ON, CAApril 21, 2015

Item Overview

Description

JACK SURES (1934 - ), O.C. LARGE PLATE clay, height 2.5" -- 6.4 cm., diameter 11" -- 27.9 cm., incised signature and dated 98 Provenance: Susan Whitney Gallery, Regina, SK Note: JACK SURES (1934 - ), O.C. "My love of clay as an expressive material, with its innate ability to create any and all other materials, its ability to reinvent itself every time it is touched, has endowed my life with a richness and completeness that few people seem to achieve in their lifetimes. My hope is that this richness and completeness is reflected in the work and this spirit is transferred to the viewer." - Jack Sures - Manitoban Jack Sures is one of Canada's most celebrated ceramic artists and educators, known for his ceramic sculpture and murals in diverse media including stoneware, porcelain and raku. His work is both whimsical and humorous, often portraying a caricature of human behavior. His trademark bandicoots, or "beasts" as Sures refers to them, often figure in many of his ceramic works. Jack Joseph Sures was born in Brandon, Manitoba, in 1934, the son of Russian Jewish immigrants. He attended the Winnipeg School of Art under the tutelage of Canadian artists, George Swinton (RCA) and Robert Nelson. He received his Bachelor of Fine Arts in 1959 from the University of Manitoba and continued on to obtain a Master of Arts, with a double major in painting and printmaking, from Michigan State University. During this time, he took one ceramics course, which was the impetus that initiated his largely self-taught career in clay. Sures moved to London, England in 1960, where he worked part-time at the Chelsea Pottery, practicing his skills as a thrower. After traveling throughout Europe and the Middle East, he returned to Winnipeg in 1962 to set up his own pottery studio. Within two years of opening, he received a commission to create a mural for the School of Architecture at the University of Manitoba. In 1965, Sures was given the opportunity to establish the Printmaking and Ceramics programs at the University of Saskatchewan's Regina Campus. In 1969, Sures became the Chair of the Department of Visual Arts at the University, shifting his focus from teaching to printmaking, all the while continuing to create ceramics, including murals. He also exhibited across Canada and the United States. It was also during the late 1960's to the mid 1970's that the Regina Clay Movement was started. Sures, along with Joe Fafard, David Gilhooly, Lorne Beug, Marilyn Levine and others, dissociated themselves with the mid-twentieth century modernism, in favor of the pop movement style that emerged from California. Sarcasm, wit, and personal expression were the essence of their art. Sures received numerous accolades and awards during his career. Supported by a Canada Council grant, only the third such grant to be awarded to a ceramic artist, he travelled to Japan in 1966 to study its culture and ceramics. In 1972, Sures received his second Canada Council Grant to work at the French studio of Albert Diato, a friend of Picasso's, and in 1973, he was appointed by the United Nations International Labour Office, Handcraft Development Program to set up a ceramics program on the Caribbean Island of Grenada. Sures' ingenuity shone through when he engineered a kiln that could use nutmeg shells from the abundant local resource as its fuel. Sures returned to Regina in 1975 to teach ceramics. He continued to exhibit his work and received large commissions including an outdoor mural at the Sturdy-Stone Building in Saskatoon in 1978, that was a huge project covering 884 square meters. In 1987, he won a competition for a mural at the new Canadian Museum of Civilization in Gatineau, Quebec, and in 1989, Sures received the Grand Prize at the Second International Ceramics Competition in Mino, Japan, the foremost international ceramic competition held in Japan every three years. He had created a thirty by twenty-four meter wall sculpture using the leftover tiles from his mural at the Canadian Museum of Civilization. In 1991, he was appointed a Member of the Order of Canada, being recognized for a lifetime of outstanding achievement and dedication to the community and service to the nation. He was elected to the International Academy of Ceramics that year as well. In 1998, Jack Sures retired from the University of Regina, having served thirty years teaching, with the honorary title Professor Emeritus. In 2003, he was awarded the Award of Merit, Saskatchewan's highest honor. Sures lives in Regina, where he continues to create in his own studio and exhibit his work. Selected Corporate, Public and Private Collections Burlington Art Centre, Burlington, ON Canadian Guild of Crafts, Montreal, QC Canadian Guild of Potters, Toronto, ON Canadian Museum of Civilization, Gatineau, QC Claridge Collection, Montreal, QC Confederation Centre of the Arts, Charlottetown, PE Department of Foreign Affairs and International Trade, Ottawa, ON Janus Pannonius Museum, Pécs, Hungary Mackenzie Art Gallery, Regina, SK Mendel Art Gallery, Saskatoon, SK Montreal Museum of Fine Arts, Montreal, QC Musée national des beaux-arts du Québec Quebec, QC Saskatchewan Arts Board, SK University of Moncton, Moncton, NB University of Regina, Saskatoon, SK University of Saskatchewan, Saskatoon, SK Winnipeg Art Gallery, Winnipeg, MB Selected Solo Exhibitions 2013 Tactile Desires: The Work of Jack Sures Art Gallery of Southwestern Manitoba, Brandon, MN 2012 Tactile Desires: The Work of Jack Sures, the MacKenzie Art Galerie, Regina, SK; touring to Tom Thomson Art Gallery, Owen Sound, ON; Canadian Clay & Glass Gallery, Waterloo, ON; Art Gallery of Southwestern Manitoba, Brandon, MN, Confederation Centre Art Gallery, Charlottetown, PEI Sures 2012, The Hand Wave Gallery, Meacham, SK 2011 Tactile Desires: The Work of Jack Sures, MacKenzie Art Gallery, Regina, SK 2000 The Pottery Workshop, Central, Hong Kong 1998 Jack Sures & Cara Gay Driscoll, Rosemont Art Gallery, Neil Balkwill Civic Arts Centre, Regina, SK 1991 Jack Sures: Recent Work, Ashton's Gallery, Toronto, ON 1987 The Personal Imagery of Jack Sures 1967-1987, Moose Jaw Museum and National Exhibition centre, Moose Jaw, SK; touring, Regina, SK 1984 Jack Sures, Neil Balkwill Civic Arts Centre Gallery, Regina, SK 1976 Jack Sures, Norman Mackenzie Art Gallery, Regina, SK 1972 Jack Sures: Clay and Paper, Regina Public Art Gallery, Regina, SK International Ceramics 1972, Victoria and Albert Museum, London, England 1970 Jack Sures, Atlantic Provinces Art Gallery Association, Canada; touring, Halifax, NS, Moncton, NB, Fredericton, NB, St. John's, NF 1969 Jack Sures, Canadian Guild of Crafts and the Ontario Craft Foundation, Toronto, ON 1968 University of Manitoba, Winnipeg, MB Canadian Guild of Potters, Toronto, ON 1967, 1971, Dunlop Gallery, Regina Public Library, Regina, SK 1966 Technical Institute, Kelowna, BC 1965 Saskatoon Art Centre, Saskatoon, SK Selected Group Exhibitions 2009 Sturdy Stone Center Ceramic Murals, Affinity Gallery, Saskatoon, SK 2005 Regina Clay: Worlds in the Making, Mackenzie Art Gallery, Regina, SK: travelling, Museum London, London, ON; Burlington Art Centre, Burlington, ON; Kelowna Art Gallery, Kelowna, BC Harbinger Gallery, Waterloo, ON 1997-2002 FIRE+EARTH: Contemporary Canadian Ceramics, Burlington Art Centre, Burlington, ON; traveling to Itabashi Art Museum, Tokyo, Japan; Rosemont Art Gallery, Regina, SK; Gallery of Nova Scotia, Halifax, NS; Mackenzie Art Gallery, Regina, SK; Thunder Bay Art Gallery, Thunder Bay, ON 1995-97 White on White: Contemporary Canadian Ceramics, Canadian Clay and Glass Gallery, Waterloo, ON; Canadian Embassy, Tokyo, Japan, George R. Gardiner 1989 2nd International Ceramics Competition, Mino, Japan 1987 Clay Today: The Inaugural Exhibition of the Permanent Collection, Burlington Art Centre, Burlington, ON 1985 Thresholds, 4th International Ceramic Symposium, Toronto, ON 1983 Making Art in Saskatchewan: Five Approaches, Neil Balkwill Civic Arts Centre, Regina, SK Regina High Tea, Rosemount Art Gallery, Regina, SK 1979 Artisan '78, Dunlop Art Gallery, Regina Public Library, Regina, SK 1976 Frank Hulf & Jack Sures, Norman Mackenzie Art Gallery, University of Regina, Regina, SK 1969 Ceramics '69, Vancouver, BC Craft Dimensions Canada, Toronto, ON Calgraphics, Calgary, AB 1968-70 Invitation 1, Canadian Guild of Potters, Toronto, ON; travelling, Ontario, Manitoba, Saskatchewan, British Columbia, Prince Edward Island, Nova Scotia, New Brunswick, Newfoundland, Quebec Fourth National Invitational Craft Exhibit, University of Indiana, Bloomington, ID, USA 1967 Fine Crafts, National Gallery of Canada, Ottawa, ON Expo 67, Canadian Pavilion, Montreal, QC Expo, New Brunswick and Canadian Pavilion, Fredericton, NB 1966 American Pottery, Syracuse, NY, USA '65 Sarnia, Sarnia, ON Selected Awards and Memberships 2003 Saskatchewan Order of Merit 2002 Saidye Bronfman Award for Excellence in Fine Craft, Canada Council for the Arts 1992 Member, International Academy of Ceramics, Geneva, Switzerland 1991, 1992 Alumni Association Awards, Excellence in Undergraduate Teaching and Research 1991 Order of Canada 1989 Mino '89, Grand Prize, Second International Ceramics Competition, Mino, Japan 1980 Member, Keksckemet, International Group of Ceramicists 1968 Kit Ross Memorial Prize, Canadian National Exhibition, Toronto, ON 1967 Canadian Crafts '67, First Prize for pottery, Expo '67, Montreal, QC Ceramics '67, First Prize, R. Simpson Company Ltd., and Simpson-Sears Ltd. 1966 Médaille d'honneur, Geneva International Ceramics Exhibition, Geneva, Switzerland 1966, Best Stoneware, Canadian Handicrafts Guild 1963 Manitoba Society of Artists Selected Links Ceramics Today The Encyclopedia of Saskatchewan ArtSask, Jack Sures Video of Tactile Desires: The Work of Jack Sures

Artist or Maker

Payment & Shipping

Payment

Accepted forms of payment: MasterCard, Money Order / Cashiers Check, Paypal, Visa, Wire Transfer

Shipping

The Auctioneers will not undertake packing or shipping. The purchaser
must designate and arrange for the services of an independent shipper
and be responsible for all shipping and insurance expenses. The
Auctioneers will, upon request, provide names of professional packers and
shippers but will not be held responsible for the service or have any liability
for providing this information. Reliable pre-auction estimates of shipping
costs of lots offered in this sale may be obtained from:
Pak Mail
Attn: Taurus Chan
4981 Hwy 7 East, Unit 12A, Markham, ON L3R 1N1
Tel: 905.470.6874; 416.293.8225
Fax: 905.470.6875
taurus@pakmailmarkham.ca
www.pakmailmarkham.ca

Permits may be required for international shipments due to export restrictions on endangered species.

Auction Details

Charles Bronfman's Claridge Collection Auction: Part V

by
Waddington's
April 21, 2015, 01:00 PM EST

275 King Street E 2nd Floor, Toronto, ON, M5A 1K2, CA

Terms

Live bidding may start higher or lower

Buyer's Premium

$0 - 49,999:23.0%
$50,000+:18.0%

Bidding Increments

From:To:Increment:
$0$199$10
$200$499$20
$500$999$50
$1,000$1,999$100
$2,000$4,999$200
$5,000$9,999$500
$10,000$19,999$1,000
$20,000$49,999$2,000
$50,000$99,999$5,000
$100,000$199,999$10,000
$200,000$499,999$20,000
$500,000$999,999$25,000
$1,000,000+$50,000

Terms & Conditions

All lots are sold "AS IS". Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly.

Each lot sold is subject to a premium of 20% of the successful bid price of each lot up to and including $50,000 and 15% on any amount in excess of $50,000 as part of the purchase price. Invaluable Live! clients will be charged a buyer's premium of 23% of the successful bid price of each lot up to and including $50,000 and 18% on any amount in excess of $50,000 as part of the total purchase price.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer's premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST (Goods and Services
Tax) is charged based on the tax status of that province.

The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.
The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.

The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer's decision in all cases shall be final.
Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.
The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or
the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed
within 10 days from the date of sale , after which storage charges may be incurred.

Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the
buyer until fully paid for and taken away.

Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14 days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer.

Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers
cheque, bank draft, electronic transfer (fee applies), and VISA, Mastercard (up to $25,000). As Waddington's requires written
authorization for all credit card purchases, credit cards must be presented in person by the cardholder and therefore cannot be accepted over the
telephone. However, fax authorization arrangements can be made.

In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for:
(a) any deficiency in price between the re-sale amount and the
amount to have been paid by the original buyer;
(b) any reasonable charge by the auctioneer for the storage of such
articles until payment and removal by the subsequent buyer; and
(c) the amount of commission which the auctioneer would have
earned had payment been made in full by the original buyer.

It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the
auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).
The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or
oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington's™, and the consignor (seller) of the lot.

Descriptions or photographs of lots are not warranties and each lot is sold "as is" in accordance with the Conditions of Sale.

Frames on artwork are not included as part of purchase or condition.

Contract Information

By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington's™, and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold "as is" in accordance with the Conditions of Sale.

Payment Information

Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA, Mastercard (up to $25,000). As Waddington's requires written authorization for all credit card purchases, credit cards must be presented in person by the cardholder and therefore cannot be accepted over the telephone. However, fax authorization arrangements can be made.

The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale , after which storage charges may be incurred.

Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

Shipping Information

The Auctioneers will not undertake packing or shipping. The purchaser
must designate and arrange for the services of an independent shipper
and be responsible for all shipping and insurance expenses. The
Auctioneers will, upon request, provide names of professional packers and
shippers but will not be held responsible for the service or have any liability
for providing this information. Reliable pre-auction estimates of shipping
costs of lots offered in this sale may be obtained from:
Pak Mail
Attn: Taurus Chan
4981 Hwy 7 East, Unit 12A, Markham, ON L3R 1N1
Tel: 905.470.6874; 416.293.8225
Fax: 905.470.6875
taurus@pakmailmarkham.ca
www.pakmailmarkham.ca

Permits may be required for international shipments due to export restrictions on endangered species.

Buyer's Premium

A buyer's premium of 20% of the successful bid price of each lot up to and including $50,000 and 15% on any amount in excess of $50,000 is paid by buyer as part of the total purchase price. Invaluable clients will be charged a buyer's premium of 23% of the successful bid price of each lot up to and including $50,000 and 18% on any amount in excess of $50,000 as part of the total purchase price.

Taxes on your purchase

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer's premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

Condition Notice

All of the items are to be considered, unless otherwise noted in the
description, in good condition. The definition of "good" when used in
reference to condition, describes an object as having had no major damage
or repair but as with the nature of the material, may show minor surface
wear, discolouration etc., which indicates the acceptable wear that the piece
may acquire with age. If you are particular about minor flaws, you should
examine the pieces in person or have our staff answer any questions before
bidding. Sizes are approximate. It is the sole responsibility of the bidder to
inquire as to the condition of a lot before bidding. Condition reports are
available upon request by phone, fax, email or in person. You are advised
to make any requests well in advance of the sale.