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Lot 11: HILDA RIX NICHOLAS, LA RÉCUREUSE (THE SCULLERY MAID), c.1914

Est: $25,000 AUD - $35,000 AUDSold:
Deutscher and HackettMelbourne, AustraliaNovember 10, 2021

Item Overview

Description


HILDA RIX NICHOLAS
(1884 - 1961)
LA RÉCUREUSE (THE SCULLERY MAID), c.1914
oil on canvas
59.0 x 46.0 cm
signed lower right: E H Rix

PROVENANCE
Private collection, France
Sotheby’s, Melbourne, 21 December 1999, lot 122 (as ‘A Woman Cleaning’)
Private collection, Melbourne

ESSAY
In the years before World War One, a great number of Australian artists travelled to Europe to study, a large contingent of whom were women. All were determined to expand their creative possibilities beyond that provided by their home country; and Hilda Rix Nicholas was one of their most successful. By 1913, the local press hailed her as ‘one of the most brilliant hopes of our younger contemporary school ... (with) the right idea of movement and character.’1 Accepted into the 1911 and 1913 Paris Salon, her entries had been hung ‘on the line’, with the result that she was invited to join the membership of the Société des Peintres Orientalistes Français, also known as the Orientalists. This was an incredible achievement for a young Australian woman, as was the purchase of her work for the French Government; and La Récureuse, c.1914, dates from this remarkable phase of the artist’s early career.

Rix Nicholas was disciplined, talented and hard-working. She studied first at the National Gallery School in Melbourne between 1902 and 1905 with Frederick McCubbin as Drawing Master.2 In 1906, Hilda, her mother Elizabeth and older sister Elsie, mounted their own shared exhibition in Melbourne and the following year, all three departed for Europe with the express intention of Hilda gaining further tuition with a variety of teachers in London and Paris. Even though these were radical days for modernism’s avant-garde, Rix Nicholas aspired instead ‘to traditional values. Her dream was to be hung in the exhibitions of the conservative institutions.’3

Between 1910 and 1914, Rix Nicholas spent significant time each year in Étaples in north-west France, and La Récureuse was most likely created there using a local model. It is also likely that Iso Rae, a gallery school colleague of Elizabeth Rix, invited them to this town where she had lived for nearly twenty years (other Australian artists had also painted there previously, including Rupert Bunny and Arthur Streeton). The Rix studio was one of four built in the gardens of the Monthuys-Pannier family and Hilda was delighted to discover one of the others was occupied by the venerable and highly respected Jules Adler, an artist she considered ‘one of the greatest genre painters of France’.4 Adler was celebrated for his images which focussed on the daily lives of ordinary people, particularly workers, and Rix Nicholas benefited from his camaraderie and ‘invaluable criticisms’, as had Iso Rae before her.5 In 1912, Rix Nicholas travelled to Morocco and the local market stall-holders were impressed by the sketches she made of them, plus – importantly – by her interest in them as people, not just aesthetic tropes. This empathetic compassion extends to La Récureuse. Seated in three-quarter pose at yet another laborious chore, the young récureuse (‘she who scours’) wears a traditional starched cloth hat, work-clothes and wooden-soled slippers.6 Mostly subdued in palette, flourishes such as the violet hues in the shadows of the headwear give increased warmth to the composition. Three other paintings by Rix Nicholas of similarly dressed women can also be dated to 1914: Grandmère (Art Gallery of New South Wales); In Picardy (National Gallery of Victoria); and A mother of France Australian War Memorial). When viewed alongside, La Récureuse adds further depths of understanding to this powerful trio of women’s portraits.

1. Quote from Notre Gazette, Paris, c.1912 re-reprinted in Hilda Rix Nicholas 1884-1961: Retrospective exhibition of paintings and drawings, exhibition catalogue, Joseph Brown Gallery, Melbourne, 1971
2. Elizabeth Rix had also studied at the Gallery School between 1880 and 1883, with McCubbin as a fellow student. Other students included Arthur Streeton, Rupert Bunny and Iso Rae.
3. Travers, R., Hilda: the life of Hilda Rix Nicholas, Thames and Hudson, Melbourne, 2021, p.38
4. Ibid., p.47
5. Ibid., p.48
6. The author thanks Lucie Reeves-Smith for this translation

ANDREW GAYNOR

Artist or Maker

Payment & Shipping

Payment

Accepted forms of payment: American Express, COD (cash on delivery), MasterCard, Personal Check, Visa, Wire Transfer

Shipping

Deutscher and Hackett's Registrar is happy to assist with advice about preferred carriers, if required. Email: ep@deutscherandhackett.com

Auction Details

IMPORTANT WOMEN ARTISTS + SELECTED AUSTRALIAN AND INTERNATIONAL FINE ART

by
Deutscher and Hackett
November 10, 2021, 07:00 PM AEDT

105 Commercial Road South Yarra, Melbourne, VIC, 3141, AU

Terms

Buyer's Premium

22.73%

Bidding Increments

From:To:Increment:
$0$999$50
$1,000$1,999$100
$2,000$3,199$200
$3,200$3,799$300
$3,800$4,199$200
$4,200$4,799$300
$4,800$4,999$200
$5,000$9,999$500
$10,000$19,999$1,000
$20,000$31,999$2,000
$32,000$37,999$3,000
$38,000$41,999$2,000
$42,000$47,999$3,000
$48,000$49,999$2,000
$50,000$99,999$5,000
$100,000$199,999$10,000
$200,000$319,999$20,000
$320,000$379,999$30,000
$380,000$419,999$20,000
$420,000$479,999$30,000
$480,000$499,999$20,000
$500,000$999,999$50,000
$1,000,000+$100,000

Conditions of Auction and Sale

The terms and conditions of business set forth below are subject to amendment by verbal or written notice prior to and during the auction and sale. They constitute the entire contractual agreement with the buyer in respect to any lot offered at auction.
By bidding at auction in any manner compliant with bidding procedures, the buyer and all bidders agree to be bound by these terms and conditions and the terms of the prospective buyers and sellers guide contained in this catalogue, as amended. To the extent that an agent acts on behalf of the buyer, liability for obligations arising from these conditions of business will pass to the buyer. Multiple buyers are jointly and severally liable for obligations arising from this agreement.

DEFINITIONS

1. Definition of terms:
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at auction and/or such party's principal where bidding as agent.
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123 119 022, its subsidiaries, officers, employees and agents.
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accepted by the auctioneer, or in the case of a post-auction sale, the
agreed sale price (including any GST).
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payable by the buyer calculated as a percentage of the hammer price.
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the consignor will accept for a lot.
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PRELIMINARY CONDITIONS AND DISCLAIMER

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All factual information provided by the vendor is merely passed on by Deutscher and Hackett from the vendor or other source. Deutscher and Hackett has made no attempt to verify this information. All additional statements of opinion represent the specialist opinions of Deutscher and Hackett employees and should not be relied upon as statements of fact.
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CONDITIONS AT AUCTION

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7. Bidding: Deutscher and Hackett may sell each lot to the highest bidder at auction provided the reserve price has been met or where the net amount accounted to the vendor is at least equivalent to the net amount that would have been achieved for a sale at the reserve price. The fall of the auctioneer's hammer marks the acceptance of the highest bid and the conclusion of a contract for sale between the vendor and the buyer. Unless otherwise agreed in writing with Deutscher and Hackett, the individual physically present at the auction who signals the bid accepts personal liability to pay the purchase price, including the buyer's premium and all additional fees, taxes and charges.

GOODS AND SERVICES TAX

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a. included in the final bid prices where buying from a GST registered vendor (a list of lots consigned by GST Registered Entities is set out in our catalogue); and
b. included in buyer's premiums and any additional fees charged by
Deutscher and Hackett.
If a buyer is classified as a "non-resident" for the purpose of GST, the buyer may be able to recover GST paid on the final purchase price if certain conditions are met.

POST-SALE CONDITIONS

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11. Payment: The buyer will not acquire title until payment has cleared in full. Interest at a rate of 17.5% p.a. will be charged over outstanding accounts where no extension of terms has been granted. Interest will be payable from the payment due date. With respect to each lot purchased, the buyer agrees to make the following payments within seven days from the date of sale:
a. The hammer price.
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indicated in the prospective buyers and sellers guide.
Payment must be made within seven days of the date of sale in Australian dollars by cash, cheque, direct deposit, approved credit cards or electronic funds transfer using the form and/or trust account details provided at the back of this catalogue. In certain circumstances, extension of payment may be granted at the discretion of Deutscher and Hackett. Once funds have cleared, the proceeds of the sale less the buyer's Premium, GST and any commission or costs charged as agreed will be remitted to the vendor within thirty-five days of the date of sale provided payment has been received in full. Funds will be held in an interest bearing account by Deutscher and Hackett until remitted to the vendor. Deutscher and Hackett will be entitled to any interest earned during this period. Application for a cultural heritage export licence or any other licence in no way affects the buyer's obligation to make payment or collection within the periods specified in sections 10 and 13a.
12. Risk and Title: Risk in the lot, including risk of loss or damage, will pass to the buyer on the earlier of:
a. the date payment is due, whether or not it has been made; and
b. collection by the buyer.
The buyer assumes risk for the property in all respects from this date and neither Deutscher and Hackett nor the vendor will be liable for loss or damage occurring after the payment due date. The buyer is encouraged to make arrangements to ensure comprehensive cover is maintained from this date. Title in the lot does not pass to the buyer, even if the lot is released to the buyer, until the buyer has paid all sums owing to Deutscher and Hackett. If a buyer makes a claim against Deutscher and Hackett for damage or loss after sale, the buyer's premium and the final bid price shall be payable notwithstanding.
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For a lot to be established as a forgery, the following conditions must be satisfied:
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the forgery. Deutscher and Hackett is entitled to request further expert
evidence where it deems the evidence provided to be unsatisfactory;
b. there must be no conflict of opinion among accepted experts in the
field; and
c. the forgery must be able to be proven through means that at the time of
publication of the catalogue were commonly employed and that will not
damage or otherwise put the lot in jeopardy.
The limited warranty and the right to rescind the sale is not assignable and the buyer must have retained title to the lot without disposing of any interest in it up until the buyer notifies Deutscher and Hackett of the forgery allegations. The buyer acknowledges that it has no rights directly against Deutscher and Hackett if a lot is established to be a forgery.
15. Termination, Breach and Legalities:
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and maximum remedy to a buyer for breach of warranty is a refund of
original purchase price, including buyer's premium. In such an event
the sale contract shall be rescinded and all costs associated with
returning the property (in the state in which it was sold) to the premises
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Hackett is not liable for any indirect or consequential loss or damage for
any matter arising directly or indirectly as a result of the sale.
b. Buyer breach: Deutscher and Hackett may, in addition to other remedies
available by law, exercise one or more of the following rights or remedies
for breach:
i. Cancel the sale and retain any payment or property in Deutscher
and Hackett custody as collateral or liquidated damages.
ii. Charge the buyer interest at the rate of 2% above the rate fixed
under section 2 of the Penalty Interest Rates Act 1984 (Vic).
iii. Resell the property without reserve at the next auction or privately
on five days notice. Any disparity between sale and resale prices,
including associated costs such as, but not limited to, legal, storage
and sale expenses, will be to the account of the defaulting buyer.
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16. No Refund Policy: Unless otherwise permitted by law or reasons outlined in sections 14 and 15 Deutscher and Hackett do not allow refund of purchase.
176. Governing law and jurisdiction: These terms and conditions and any matters concerned with the foregoing fall within the exclusive jurisdiction of the courts of the country and state in which the auction is held.
187. Severability: In the event that any provisions of this agreement should be found unenforceable in a court of law, that part shall be discounted and the remaining conditions shall continue in full force and effect to the extent permitted by law.

prospective buyers and sellers guide

1. PRIOR TO AUCTION

CATALOGUE SUBSCRIPTIONS
Catalogues can be obtained at Deutscher and Hackett offices or by online subscription (see the Catalogue Subscription Form at the back of this catalogue or online for more information go to www.deutscherandhackett.com).

PRE-SALE ESTIMATES
The price range estimated against each lot reflects the opinion of our art specialists as to the hammer price expected for the lot at auction and is informed by realised prices for comparable works as well as the particularities of each lot including condition, quality, provenance and rarity. While presale estimates are intended as a guide for
prospective buyers, lots can be sold outside of these ranges. Pre-sale estimates include GST (if any) on a lot but do not include the buyer's premium or other charges where applicable.

RESERVES
The reserve is the minimum price including GST (if any) that the vendor will accept for a lot and below which the lot will not normally be sold.

PRE-AUCTION VIEWINGS
In both Sydney and Melbourne pre-auction viewings are scheduled for several days in advance of each auction. Deutscher and Hackett specialists are available to give obligation free advice at viewings or by appointment and prospective buyers are strongly encouraged to thoroughly examine and request condition reports for potential purchases. Pre-auction viewings are open to the public and are free to attend.

SYMBOL KEY
? Unless ownership is clearly stated in the provenance, this symbol is used where a lot is offered which Deutscher and Hackett or an affiliate owns in whole or in part.
In these instances, Deutscher and Hackett has a direct financial interest in the property or means that Deutscher and Hackett has guaranteed a minimum price.
? Used to indicate lots for sale without a reserve.

EXPLANATION OF CATALOGUING PRACTICE AND TERMS
All information published in Deutscher and Hackett catalogues represent statements of opinion and should not be relied upon as fact. All dimensions are listed in centimetres, height before width and are approximate. All prices are in Australian dollars.

ARTIST'S NAMES
All reference to artists make use of common and not full names in accordance with the standards outlined in the National Gallery of Australia reference publication Australian Art: Artist's working names authority list. For instance, John Brack rather than Cecil John Brack; Roy de Maistre rather than Leroy Leveson Laurent De Maistre; Rosalie Gascoigne rather than Rosalie Norah Gascoigne.
Terms used in this catalogue have the meanings ascribed to them below:
a. NICHOLAS CHEVALIER: in the opinion of Deutscher and Hackett, a work
by the artist.
b. Attributed to NICHOLAS CHEVALIER: in the opinion of Deutscher and Hackett, probably a work by the artist, in whole or in part.
c. Circle of NICHOLAS CHEVALIER: in the opinion of Deutscher and Hackett, a work showing the influence and style of the artist and of the artist's period.
d. Studio/Workshop of NICHOLAS CHEVALIER: in the opinion of Deutscher and Hackett, a work possibly executed under the supervision of the artist.
e. School of NICHOLAS CHEVALIER: in the opinion of Deutscher and Hackett, a work by a follower or student of the artist.
f. Manner of NICHOLAS CHEVALIER: in the opinion of Deutscher and Hackett, a work created in the style, but not necessarily in the period, of the artist.
g. After NICHOLAS CHEVALIER: in the opinion of Deutscher and Hackett, a copy of a work by the artist.
h. "signed" / "dated" in the opinion of Deutscher and Hackett, the work has been signed/dated by the artist.
i. "bears signature" / "bears date" in the opinion of Deutscher and Hackett, the work has possibly been signed/dated by someone other than the artist.

PROVENANCE
Where appropriate, Deutscher and Hackett will include the known provenance, or history of ownership of lots. Non disclosure may indicate that prior owners are unknown or that the seller wishes to maintain confidentiality.

2. THE AUCTION

Auctions are open to the public and are free to attend. Deutscher and Hackett may exclude any person at any time in its discretion.

REGISTRATION
Bidders must register to bid prior to the commencement of an auction. Deutscher and Hackett may impose other obligations on the registration of bidders in its discretion.

CONDUCT OF AUCTION
Lots are offered for sale on a consecutive basis. Deutscher and Hackett will determine the conduct of the auction in its absolute discretion, including the regulation of bidding. Consecutive or responsive bids may be placed by the auctioneer on behalf of the vendor up to the reserve.

ABSENTEE OR COMMISSION BIDS AND TELEPHONE BIDS
As a courtesy service, Deutscher and Hackett will make reasonable efforts to place bids for prospective buyers in absentia provided written or verbal instructions (as indicated on absentee bid forms included at the back of this catalogue or online) are received 24 hours prior to auction. Where successful, lots will be purchased at the lowest possible bid and in the event of identical absentee bids, the bid received earliest will take precedence. Deutscher and Hackett accepts no responsibility for errors and omissions in relation to this courtesy service and reserves the right to record telephone bids.

RESERVE
Unless indicated otherwise, all lots are subject to a confidential reserve price determined by the vendor. Deutscher and Hackett or the auctioneer may place any number of bids on behalf of the vendor below the reserve price and is not obliged to identify that the bids are being placed on behalf of the vendor.

BIDDING INCREMENTS
Bidding usually opens below the listed pre-sale estimate and proceeds in the following increments (the auctioneer may vary the bidding increments at his or her discretion):

$500 - 1,000 by $50
$1,000 - 2,000 by $100
$2,000 - 3,000 by $200
$3,000 - 5,000 by $200 / $500 / $800
$5,000 - 10,000 by $500
$10,000 - 20,000 by $1,000
$20,000 - 30,000 by $2,000
$30,000 - 50,000 by $2,000 / $5,000 / $8,000
$50,000 - 100,000 by $5,000
$100,000 - 200,000 by $10,000
$200,000 - 300,000 by $20,000
$300,000 - 500,000 by $20,000 / $50,000 / $80,000
$500,000 - 1,000,000 by $50,000
$1,000,000+ by $100,000

SUCCESSFUL BIDS
The fall of the auctioneer's hammer indicates the final bid and the buyer assumes full responsibility for the lot from this time.

UNSOLD LOTS
Where a lot is unsold, the auctioneer will announce that the lot is "bought in", "passed", "withdrawn" or "returned to owner".

3. AFTER THE AUCTION

PAYMENTS
Payment must be made within seven days of the date of sale in Australian dollars by cash, cheque, direct deposit, approved credit cards or electronic funds transfer. If payment is made by credit card the price will increase by any merchant fees payable by Deutscher and Hackett (1.15% (including GST) for Visa and Mastercard and 3.10% (including GST) for American Express). In certain circumstances, extension of payment may be granted at the discretion of Deutscher and Hackett. Cleared funds will be held in an interest bearing trust account by Deutscher and Hackett until remitted to the vendor. Deutscher and Hackett will be entitled to retain any interest earned during this period. Payment by the vendor of any charge to Deutscher and Hackett is to be made within fourteen days of invoice.

PURCHASE PRICE AND BUYER'S PREMIUM
The purchase price will be the sum of the final bid price (including any GST) plus a buyer's premium set at 22% (plus GST) of the final bid price. An Invaluable service fee of 5% of the final bid price will also be charged. Buyers may be liable for other charges reasonably incurred once ownership has passed.
GOODS AND SERVICES TAX
Auctions are conducted on a GST inclusive basis (where GST applies). GST is payable on some lots. A list of those lots is set out in the catalogue. Buyers are required to pay a 10% G.S.T which sum is:
a. included in the final bid prices where buying from a GST registered vendor; and
b. included in buyer's premiums and any additional fees charged by Deutscher and Hackett.
If a buyer is classified as a "non-resident" for the purpose of GST, the buyer may be able to recover GST paid on the final purchase price if certain conditions are met.

COLLECTION
Lots paid for in full may be collected from Deutscher and Hackett premises the day after the auction occurs but lots paid for by cheque may not be collected until all funds have cleared. Proof of identification is required upon collection and lots not collected within seven days of the sale may incur costs associated with external storage and freight.

LOSS OR DAMAGE
Risk in the lot, including risk of loss or damage, will pass to the buyer on either the date payment is due, whether or not it has been made, or on collection by the buyer, whichever is earlier. The buyer is therefore encouraged to make arrangements to ensure comprehensive cover is maintained from the payment due date.

TRANSPORT AND SHIPPING
Deutscher and Hackett directly offers services including storage, hanging and display, appraisals and valuations, collection management and research and in all instances will endeavour to coordinate or advise upon shipping and handling, insurance, transport, framing and conservation at the request and expense of the client. Deutscher and Hackett does not accept liability for the acts or omissions of contracted third parties.

EXPORT
Prospective bidders are advised to enquire about export licences -- including endangered species licences and cultural heritage permits, where relevant -- prior to bidding at auction. Telephone the Maritime and Movable Heritage Unit on 02 6274 1810 for further information. The delay or denial of such a licence will not be grounds for a rescission of sale.

COPYRIGHT
The copyright in the images and illustrations contained in this catalogue may be owned by third parties and used under licence by Deutscher and Hackett. As between Deutscher and Hackett and the buyer, Deutscher and Hackett retains all rights in the images and illustrations. Deutscher and Hackett retains copyright in the text contained in this catalogue. The buyer must not reproduce or otherwise use the images, illustrations or text without prior written consent.

Shipping Terms

Deutscher and Hackett's Registrar is happy to assist with advice about preferred carriers, if required. Email: ep@deutscherandhackett.com