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Lot 185: FRANCISCO GUTIÉRREZ CABELLO. Oil on canvas

Est: €0 EUR - €0 EURPassed
Isbilya Subastas SLSevilla, SpainJanuary 25, 2017

Item Overview

Description

FRANCISCO GUTIÉRREZ CABELLO Madrid, h. 1616-h. 1670 La toma de Jerusalén por las legiones de Tito Óleo sobre lienzo Sobre este interesante artista de la escuela de Madrid, habitual colaborador, en tiempos de Diego Velázquez, en la decoración de obras reales como el Palacio del Buen Retiro, apenas disponemos de datos biográficos que nos permitan asegurar cómo fue su formación y su periplo artístico. Es frecuente ver su nombre como tasador en inventarios de mediados de siglo y sus obras, a su vez, aparecen ocasionalmente mencionadas en algunas de las tasaciones de colecciones de la nobleza y el alto funcionariado de la Corte. También sabemos que fue uno de los pintores que testificó en 1658 a favor de la concesión del hábito de Santiago a Diego Velázquez en el procedimiento que se abrió, según las indicaciones del rey Felipe IV. Ese testimonio señala una cierta cercanía y familiaridad entre ambos pintores ya que declara conocer a Diego Velázquez desde 1630 aproximadamente.

Lo que sí podemos afirmar es que en el género en el que destacó, la pintura de perspectivas, debió estar en contacto con algún maestro flamenco que importara el género, bien a través de óleos, bien a través de estampas. Su proximidad a dicho género tal y como se desarrolló en la pintura flamenca de fines del siglo XVI y del primer tercio del siglo XVII, nos permite suponer que su maestro debió ser algún pintor como Juan de la Corte, e incluso mejor, su hermano Francisco de la Corte, ambos de origen flamenco y establecidos en Madrid en la primera mitad del siglo XVII. De Francisco de la Corte, Lázaro Díaz del Valle, autor de una serie de biografías de pintores, escritas en 1657, nos asegura que éste era “pintor de perspectivas”, precisamente el género en el que se especializó Francisco Gutiérrez. También tuvo mucha importancia el conocimiento de las estampas de Hans Vredeman de Vries (Leeuwarden, 1527-Amberes, 1604), pintor y grabador nórdico, cuyas arquitecturas debieron inspirar a Francisco Gutiérrez.

Podemos dividir la actividad de Francisco Gutiérrez en dos etapas: una primera, más cercana formalmente a la obra conservada de Juan de la Corte, con escenarios más sencillos sin complejas arquitecturas fantásticas y con una tonalidad en la que dominan los colores terrosos u ocres; y una segunda, a partir de fines de la década de 1650 donde aclara su paleta, con colores más brillantes de ecos venecianos y con un enriquecimiento de motivos fantásticos en sus arquitecturas, más espectaculares y teatrales, en línea con la evolución de toda la escuela madrileña hacia un estilo más decorativo y caprichoso.

La arquitectura que presentamos forma parte con claridad del conjunto de arquitecturas de este segundo periodo de actividad. Delante de un escenario de arquitecturas fingidas de fantasía, Francisco Gutiérrez ha situado varios grupos de soldados, la mayoría jinetes, luchando entre sí. Son los personajes habituales de Gutiérrez en este tipo de escenas: muy movidos y variados, en actitudes muchas veces en escorzo, paños agitados y formando grupos numerosos que acaban perdiéndose en el horizonte.

En cuanto a las arquitecturas, éstas dominan casi tres cuartas partes de la composición. El centro es una explanada sobre la que se levantan sendas columnas conmemorativas doradas, fuste con decoración helicoidal con relieves, que recuerdan vagamente a los de la columna trajana, y capitel corintio. A la izquierda, se levanta un imponente templo cuya fachada que da al foro o plaza central está formado por varias logias divididas en dos pisos, unidas por un arco de triunfo, a su vez flanqueado por dos torres y rematadas con tejados con mansarda y balaustrada. A un lado y otro de las torres, dos remates semejantes a los de una iglesia jesuítica; y, finalmente, culmina dicha arquitectura una gran cúpula semejante a la del Monasterio de San Lorenzo del Escorial. A la derecha, vemos lo que parece un palacio dividido en dos pisos y a cuya fachada se abren tres pórticos, dos de los cuales presentan columnas salomónicas en el primer piso. Al fondo, se interrumpe la línea de horizonte con otro arco de triunfo, alto y estilizado. Detrás, a la izquierda, se ven edificios incendiados, posible alusión a la destrucción del templo de Salomón por las legiones romanas; mientras que a la derecha, se ve una esbelta torre muy frecuente en las obras de Francisco Gutiérrez, casi una firma.

Estas arquitecturas están muy relacionadas con las que podemos ver en cuadros como El hallazgo de Moisés del Museo de Bellas Artes de Bilbao, o con José recibido en Heliópolis, del Museo de Bellas Artes de Sevilla. En definitiva, una feliz incorporación al catálogo de este artista representado en los mejores museos (Museo Nacional del Prado, el Museo de Bellas Artes de Bilbao, el Museo de Bellas Artes de Sevilla, el Musée du Louvre, etcétera) y colecciones del mundo. 121 x 182 cm

Payment & Shipping

Accepted forms of payment: Money Order / Cashiers Check, Wire Transfer

Shipping

CARRIAGE

Carriage of property knocked down shall be arranged by the vendor at his/her own risk and expense. In the event of the successful bidder requesting arrangement of such services, the packing and carriage costs for the property knocked down shall be borne by the successful bidder and paid in advance.

Auction Details

Fine Art & Decorative Art

by
Isbilya Subastas SL
January 25, 2017, 06:00 PM CET

C/ Jesús de las Tres Caídas nº 3 local 2B, Sevilla, Andalucia, 41004, ES

Terms

Buyer's Premium

23.0%

Bidding Increments

From:To:Increment:
€0€99€5
€100€199€10
€200€499€20
€500€999€50
€1,000€1,999€100
€2,000€4,999€200
€5,000€9,999€500
€10,000€19,999€1,000
€20,000€49,999€2,000
€50,000+€5,000

How to buy

How to buy
IDENTIFICATION OF BIDDERS

Persons wishing to take part in the auction will need to provide:

In the case of individuals, their Spanish National Identity Document or valid identity document bearing photograph. If individuals are bidding on behalf of a third party, they will need to provide written authorisation to act on their behalf in addition to Spanish National Identity Document or valid identity document.
In the case of companies, the public deed of incorporation, the official Tax Identification Number (N.I.F) card and documentation proving sufficient powers to act on behalf of the company.
KNOCKING DOWN OF LOTS

Lots will be knocked down to the highest bidder. The Auction Room will appoint an auctioneer in charge of managing the auction who will knock down lots to the highest bidder. The highest bidder will automatically be bound to buy the lot for the amount bid, plus taxes, fees and any costs, and may not subsequently back out of the purchase.

The State may exercise first refusal and pre-emptive rights on all the pieces included in the auction.

FEES PAYABLE BY SUCCESSFUL BIDDER TO THE AUCTION ROOM

The buyer/successful bidder will pay the Auction Room a brokerage fee of eighteen per cent (18%) of the auction price, VAT not included. Internet bids incurs on extra 3% over the hammer price.

PAYMENT AND STORAGE COSTS

The buyer/successful bidder must pay for fees, costs and applicable taxes and collect lots within a maximum of ten (10) calendar days, after which time he/she will be charged interest for delayed payment as provided for by Law 3/2004 of 29 December. After this period has elapsed, he/she will also be liable to pay the amount of two (2) euros per day per painting and object and three (3) euros per day for other personal property to cover the costs of storage, insurance and safekeeping.

HANDOVER

The Auction Room will only hand over the lots knocked down once these and any amounts outstanding in respect of same have been paid in full.

DEPOSIT

The Auction Room may require payment of a deposit by bidders in order for them to take part in the auction; this requirement will be notified in the announcement of the auction and will never be more than 5% of the starting price of the lot. Successful bidders' deposits will be considered, where applicable, as payment on account against amounts owed. Unsuccessful bidders' deposits will be returned to them within three (3) days of the date the auction was held. The Auction Room may, when it deems appropriate, request bidders to provide bank references proving their solvency.

PAYMENT METHODS

Payment of lots successfully bid for may be made in the following ways:

In cash for amounts up to 2500 euros, in accordance with Law 7/2012 of 29 October.
Via bank transfer to the Auction Room's current account.
Via banker's cheque.
BIDDING AT AUCTIONS

Persons wishing to bid at auctions will need to fill in a request form for the bidding paddle for purchases in accordance with the terms of the auction. These forms are available on the tables set up for this purpose, where bidders will be given the corresponding numbered bidding paddle.

BIDS MADE IN WRITING AND BY TELEPHONE

Bids in writing and by telephone may be accepted; to do so the forms provided for this purpose by the Auction Room must be fully filled in. In the event of various written bids for the same amount being received for the same lot, the written bid which arrived first will be given priority. Similarly, in the event of a tie between a bid made in the Auction Room or by telephone and a bid made in writing, the bid in writing will be given priority. Bids in writing will be managed by the auctioneer or Auction Room staff who will bid up to the maximum amount authorised, attempting to knock down the lot at the lowest price permitted by competing bids and reserve prices, if these have been set. This system will not reveal that it is distance selling, in accordance with the provisions of article 38 of the Act on a Regulatory Framework for Retail Trade. The Auction Room reserves the right to refuse bids in writing received during the three (3) hours prior to the auction starting, without being required to give any justification or explanation whatsoever. In addition, telephone bids will only be permitted for lots whose starting price is five hundred (500) euros or more. The order to take part in the auction by telephone means that the bidder undertakes to cover the starting price as a minimum.

DISAGREEMENTS

In the event of uncertainty or disagreement regarding the successful bid or auction price between two or more bidders and, in general, any discrepancy between bidders at an auction, the auctioneer has the final say and will decide who has made the winning bid. Furthermore, if the auctioneer is unable to settle any disagreement or discrepancy between bidders there and then, the Auction Room will have the powers to arrange a new auction for the lot in question.

CARRIAGE

Carriage of property knocked down shall be arranged by the vendor at his/her own risk and expense. In the event of the successful bidder requesting arrangement of such services, the packing and carriage costs for the property knocked down shall be borne by the successful bidder and paid in advance.

EXHIBITION

During the period leading up to the auction when items are on display, the buyer may check and assess him/herself the condition of pieces in which interested, check the reliability of the catalogue and form his/her own opinion in this respect. The data and information in the catalogue represent a judgement/opinion made in good faith by the Auction Room's experts having undertaken study and research and taking into account the statements of the owners and/or vendors of property. However, the Auction Room accepts no responsibility whatsoever for the accuracy and precision of such judgements/opinions, the catalogue being merely for guidance and non-binding. Lots will be auctioned as-is, and no claims will be accepted regarding imperfections, broken items, restored items, etc., which already existed during the period in which the property in question was on display, even if not stated in the catalogue.

EXPORT LICENCES

All customers must ascertain if the pieces purchased require export licences before being taken out of Spain. The customer will bear the cost of any duties payable, where applicable, to the Ministry of Culture. The customer is responsible for obtaining the aforementioned export licence, and not obtaining it or a delay in obtaining it will not exempt them under any circumstances from paying for the piece, which they must do within ten days following the auction.

Shipping Terms

CARRIAGE

Carriage of property knocked down shall be arranged by the vendor at his/her own risk and expense. In the event of the successful bidder requesting arrangement of such services, the packing and carriage costs for the property knocked down shall be borne by the successful bidder and paid in advance.

Buyer´s Premim

FEES PAYABLE BY SUCCESSFUL BIDDER TO THE AUCTION ROOM

The buyer/successful bidder will pay the Auction Room a brokerage fee of eighteen per cent (18%) of the auction price, VAT not included. Internet bids incurs on extra 3% over the hammer price.