Description
Ensemble de deux ouvrages :
JAAR, ALFREDO (1956)
* Gold in the morning. Installation.
Veenezia : biennale de Venezia, 1986. broché. 24 x 24 cm. 24 p.
édition originale. Minimes défauts.
textes anglais et brésilien avec une introduction de thomas W. soklowski. Dore shlon,
« l'age d'or » et Patricia C. Philip, « It is Public Information ».
ouvrage réalisé pour « XlIII an International exhibition. the Venice biennal. aperto '86 »
exemplaire signé par l'artiste, « 86 ».
. The idea for the Venice Biennal came from a trip the artist took to Brazil in 1985.
He visited a desolate, hard-to-reach plateau in Serra Pellada, Eastern Amazon. (...)
Jaar made videos of the men at work, interviewed them, and took hundreds of slides
(...) This was obviously an important and life confi rming experience for the artist and
has inspired the installation in Venice .
SEBASTIÃO SALgADO (1944)
*La mine d'or de Serra Pelada.
Paris galerie Debret, 1994. agrafé. 21 x 21 cm. 24 p. édition originale.
Photos prises en octobre 1986, mine d'or de serra Pelada, etat du Para, brésil.
la mine a été fermé en 1990.
Notes
SERRA PELADA
Alfredo Jaar is a Chilean-born artist, architect, and filmmaker who lives in New York. He was born in 1956 in Santiago de Chile. He is mostly known as an installation artist, often incorporating photography and covering socio-political issues and war - the best known perhaps being the 6-year long The Rwanda Project about the 1994 Rwandan genocide. He has also made numerous public intervention works, like The Skoghall Konsthall one-day paper museum in Sweden, an early electronic billboard intervention A Logo For America, and The Cloud, a performance project on both sides of the Mexico-USA border. He has been featured on Art:21.
The art of Alfredo Jaar is usually politically motivated, strategies of representation of real events, the faces of war or the globalized world, and sometimes with a certain level of viewer participation (in the case of many public interventions and performances). "There's this huge gap between reality and its possible representations. And that gap is impossible to close. So as artists, we must try different strategies for representation. [...] [A] process of identification is fundamental to create empathy, to create solidarity, to create intellectual involvement."
His work has been shown extensively around the world, notably in the Biennales of Venice (1986, 2007), São Paulo (1987, 1989, 2010), Istanbul (1995), Kwangju (1995, 2000), Johannesburg (1997), and Seville (2006). His work, Park of the Laments, was part of the 100 Acres: The Virginia B. Fairbanks Art and Nature Park which opened in 2010 at the Indianapolis Museum of Art.[3] Important individual exhibitions include the New Museum of Contemporary Art, New York (1992); Whitechapel Gallery, London (1992); Museum of Contemporary Art, Chicago (1992); Moderna Museet, Stockholm (1994); Museum of Contemporary Art of Rome (2005); Fundación Telefónica, Santiago (2006); Musée des Beaux Arts, Lausanne (2007); and the South London Gallery in 2008.
Sebastião Salgado (born February 8, 1944) is a Brazilian social documentary photographer and photojournalist.
Salgado was born on February 8, 1944 in Aimorés, in the state of Minas Gerais, Brazil. After a somewhat itinerant childhood, Salgado initially trained as an economist, earning a master's degree in economics from the University of São Paulo in Brazil. He began work as an economist for the International Coffee Organization, often traveling to Africa on missions for the World Bank, when he first started seriously taking photographs. He chose to abandon a career as an economist and switched to photography in 1973, working initially on news assignments before veering more towards documentary-type work. Salgado initially worked with the photo agency Sygma and the Paris-based Gamma, but in 1979 he joined the international cooperative of photographers, Magnum Photos. He left Magnum in 1994 and with his wife Lélia Wanick Salgado formed his own agency, Amazonas Images, in Paris to represent his work. He is particularly noted for his social documentary photography of workers in less developed nations. They reside in Paris. He has traveled in over 100 countries for his photographic projects. Most of these, besides appearing in numerous press publications, have also been presented in books such as Other Americas (1986), Sahel: l'homme en détresse (1986), Sahel: el fin del camino (1988), Workers (1993), Terra (1997), Migrations and Portraits (2000), and Africa (2007). Touring exhibitions of this work have been, and continue to be, presented throughout the world. Longtime gallery director Hal Gould considers Salgado to be the most important photographer of the early 21st century, and gave him his first show in the United States. Salgado has been awarded numerous major photographic prizes in recognition of his accomplishments. He is a UNICEF Goodwill Ambassador, and an honorary member of the Academy of Arts and Sciences in the United States. Together, Lélia and Sebastião have worked since the 1990s on the restoration of a small part of the Atlantic Forest in Brazil. In 1998 they succeeded in turning this land into a nature reserve and created the Instituto Terra. The Instituto is dedicated to a mission of reforestation, conservation and environmental education. In 2004, Sebastião Salgado began a project named "Genesis," aiming at the presentation of the unblemished faces of nature and humanity. It consists of a series of photographs of landscapes and wildlife, as well as of human communities that continue to live in accordance with their ancestral traditions and cultures. This body of work is conceived as a potential path to humanity's rediscovery of itself in nature. Salgado works on long term, self-assigned projects many of which have been published as books: The Other Americas, Sahel, Workers, and Migrations. The later two are mammoth collections with hundreds of images each from all around the world. His most famous pictures are of a gold mine in Brazil called Serra Pelada. He is presently working on a project called Genesis, photographing the landscape, flora and fauna of places on earth that have not been taken over by man. In September and October 2007, Salgado displayed his photographs of coffee workers from India, Guatemala, Ethiopia and Brazil at the Brazilian Embassy in London. The aim of the project was to raise public awareness of the origins of the popular drink.
