Loading Spinner
Don’t miss out on items like this!

Sign up to get notified when similar items are available.

Lot 1181: DAMRONG WONG-UPARAJ (Thailand 1936-2002)

Est: $150,000 HKD - $250,000 HKDSold:
Christie'sHong Kong, Hong KongMay 30, 2010

Item Overview

Description

DAMRONG WONG-UPARAJ (Thailand 1936-2002)
Wan 5 canal
signed and dated 'Damrong W 1961' (upper right)
oil on board
32 x 48 in. (81 x 122 cm.)

Artist or Maker

Provenance

Acquired directly from the artist by the original owner, Mr Cyrus Nims, the United States Overseas Mission's City Planning Advisor to the Thai government from 1961 to 1963.
Thence by descent to the present owner.

Notes

Having emerged onto the Thai artworld in the later half of the1950s, Damrong Wong-Uparaj embodies the archetypal image of the Thai modern painter conscious of tradition, one who upholds the values of traditional Thai everyday life while competently working with western imported methods of painting. The single question - what is constitutive of the essential character of modern Thai art? - preoccupied many artists working in the decade of the mid-1950s to the 1960s. Damrong's answer to this question lies in the idealised depiction of the Thai rural and traditional deployed through a modern palette.

Wan 5 Canal shows a forceful and dynamic scene of a pier. Damrong had titled the scene simply, giving no clue as to the precise location of the pier. Strong and well-etched angular lines criss-cross the canvas, forming an intricate lattice. Looking closely at the canvas, one observes that the lattice of lines are heavily textured and superbly preserved. The paint layer is heavily laid on, but not compromising the clarity and lightness of appearance of the pictorial elements. Colour accents are distributed judiciously throughout the canvas. The open-top boats that Damrong is depicting are supremely detailed; the careful observer is duly rewarded. The traditional is rendered a fresh breath of modernity in this work.

On the reverse of Wan 5 Canal is an unfinished painting, most likely an earlier composition that the artist had began but had abandoned. The unfinished work reveals the dominant character of Damrong's practice, where compositional lines are devised, rendered visible as lines demarcating pictorial elements before colour is layered on.


Auction Details

Southeast Asian Modern and Contemporary Art

by
Christie's
May 30, 2010, 10:30 AM ChST

2203-8 Alexandra House 16-20 Chater Road, Hong Kong, HK