Lot 7: CADY NOLAND

PROPERTY FROM THE COLLECTION OF MARCEL BRIENT, PARIS
B.1956
OOZEWALD
silkscreen ink on aluminum plate and two
72 x 36 x 7 in. 182.9 x 91.4 x 17.8 cm.
Executed in 1989, this work is number one from an edition of four plus one artist's proof.

Milan, Massimo de Carlo, Cady Noland, 1990 (edition unknown)
Hamburg, Hamburg Kunsthalle, Family Values, American Art in the Eighties and Nineties, The Scharpff Collection at the Hamburg Kunsthalle, 1996 (extended loan from 1996 - 2004), p. 65, illustrated in color and pp. 66 and 67, illustrated in color (installation photographs)
Antwerp, Museum van Hedendaagse Kunst Antwerpen, The Collection VII - spring 2004, February - May 2004 (another example)
Antwerp, Museum van Hedendaagse Kunst Antwerpen, The Collection VIII - summer 2004, May - August 2004 (another example)
Antwerp, Museum van Hedendaagse Kunst Antwerpen, The Order of Things, September 2008 - January 2009 (another example)

Michele Cone, "Cady Noland," Shift Magazine, #9, 1990, p. 32, illustrated (1990 Massimo de Carlo exhibition photograph) (edition unknown)
Exh. Cat., New York, The Whitney Museum of American Art, Whitney 1991 Biennial Exhibition, 1991, p. 200, illustrated (1990 Massimo de Carlo exhibition photograph) (edition unknown)
Tokyo, The Museum, Strange Abstraction: Robert Gober, Cady Noland, Philip Taaffe, Christopher Wool, 1991, fig. A, p. 33, illustrated in color (1990 Massimo de Carlo exhibition photograph) (edition unknown)
Exh. Cat., Paris, Palais de Tokyo, The Third Mind: Carte Blanche à Ugo Rondinone, 2007, n.p., illustrated (example from the collection of Museum van Hedendaagse Kunst Antwerpen, Antwerp)
Alison M. Gingeras & Jack Bankowsky eds., "Where Are we Going?" Selections from the François Pinault Collection, 2006, p. 231, illustrated in color (detail) (another example) and p. 233, illustrated (installation view, Art Cologne, 1991) (ed. no. unknown) and p. 233, illustrated in color (verso) (another example)
Exh. Cat., Chicago, The Art Institute of Chicago, Contemporary Collection: The Donna and Howard Stone Collection, 2010, pp. 95 and 149, illustrated in color (another example)

Massimo de Carlo, Milan
Ute and Rudolf Scharpff, Stuttgart
Galerie Max Hetzler, Berlin
Acquired by the present owner from the above in 2004