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Lot 485: Baudrin Yvart Boulogne-sur-Mer, 1611 - Paris, 1690 La Sculpture travaillant au buste du roi Louis XIV Huile sur toile

Est: €80,000 EUR - €120,000 EURSold:
ArtcurialParis, FranceNovember 14, 2017

Item Overview

Description

Baudrin Yvart Boulogne-sur-Mer, 1611 - Paris, 1690
La Sculpture travaillant au buste du roi Louis XIV
Huile sur toile
Une étiquette portant le numéro '184' sur le cadre en bas à droite

The Allegory of Sculpture working on the bust of Louis XIV, oil on canvas, by B. Yvart
h: 193 w: 130,50 cm

Provenance : Morceau de réception de l'artiste à l'Académie royale le 11 août 1663, le tableau sera finalement livré en 1666 ;
Mentionné dans l'Inventaire des tableaux appartenant à l'Académie royale de Peinture et de Sculpture fait et donné par messieurs les académiciens à leurs réceptions… réalisé en 1682 par de Sève à la demande de Beaubrun, sous le n° 40 (ENSBA, Ms. 37) ;
Fait l'objet d'une conférence à l'Académie royale par Guillet de Saint-Georges lors de la séance du 4 mai 1686 ;
Mentionné en 1715 dans la 'Description de l'Académie royale' de Guérin dans la "salle séparée des autres" : "un tableau de 5 pieds sur 4. représentant la Sculpture, la masse et la pointe en main, travaillant au buste du roi Louis XIV.(...) Plusieurs vestiges de l'art antique gisent aux pieds de la Sculpture, comme si ce génie personnifié avait conçu le dessin de s'inspirer de ce que l'antiquité présente de plus excellent pour perfectionner le portrait auquel il travaille" ;
Mentionné en 1781 dans la 'Description sommaire (...)' de Dézallier d'Argenville parmi les oeuvres exposées dans la Galerie d'Apollon "vis à vis des fenêtres" ;
Disparu lors de la Révolution française

Bibliographie : Nicolas Guérin, 'Description de l'Académie royale des Arts de peinture et de sculpture', Paris, 1715, p. 209-210, n° 2
[Antoine-Nicolas Dezallier d'Argenville], 'Description sommaire des ouvrages de peinture, sculpture et gravure exposés dans les salles de l'Académie royale', Paris, 1781, p. 77
'Archives historiques et littéraires du Nord de la France et du midi de la Belgique', Valenciennes, 1850, p. 361
Philippe de Chennevières, Eugène Daudet et Anatole de Montaiglon, "Sujets des morceaux de réception des membres de l'ancienne Académie de peinture, sculpture et gravure. 1648 à 1793", in 'Archives de l'Art français', Paris, 1852-1853, p. 391
Louis Dussieux, Eudore Soulié, Philippe de Chennevières, Paul Mantz et Anatole de Montaiglon, 'Mémoires inédits sur la vie et les ouvrages des membres de l'Académie royale de peinture et de sculpture', t. II, Paris, 1854, p. 81
Victor-Jules Vaillant, 'Deux peintres boulonnais: Baudren Yvart (1610-1690), Joseph Yvart (1649-1728)', Boulogne-sur-Mer, 1884, p.47-51
Eugène Muntz, "Le musée de l'ecole des Beaux-Arts", in 'Gazette des Beaux-Arts', juillet 1890, p. 287
André Fontaine, 'Les collections de l'Académie royale de peinture et de sculpture', Paris, 1910, p. 137
Michel Faré, 'Le Grand siècle de la nature morte en France', Fribourg-Paris, 1974, p. 242
'Les peintres du roi 1648-1793', cat. exp. Tours-Toulouse, 2000, p. 225, n° R.28
Jacqueline Lichtenstein et Christian Michel (dir.), 'Conférences de l'Académie royale de peinture et de sculpture. T. II, vol. 1, Les Conférences au temps de Guillet de Saint-Georges, 1682-1699', Paris, 2008, p. 148, 154, 206 et 417

Commentaire : La chance de pouvoir faire, années après années, de singulières et passionnantes découvertes est l'une des plus belles récompenses de notre métier. Le nom de Baudrin Yvart n'est certes pas le premier qui nous soit venu en tête lorsque nous avons vu pour la première fois la grande allégorie que nous présentons. Le format de cette toile et surtout son sujet ne laissaient cependant guère de doutes quant à son origine et une recherche parmi la liste des morceaux de réception à l'Académie royale de peinture et de sculpture nous permit de retrouver la mention de " La Sculpture travaillant au portrait de Louis XIV ", présentée par Baudrin Yvart devant la compagnie. Une description plus précise par Guérin en 1715, indiquant les dimensions du tableau toujours accroché dans l'une des salles de l'Académie (fig. 1) et détaillant un peu mieux la composition, acheva de nous convaincre que nous avions sous les yeux le tableau livré par le collaborateur de Le Brun en 1666, et sans doute la seule composition autonome de cette ambition qui puisse lui être pleinement rendue.

La production de Baudrin Yvart est en effet indissociable de celle du peintre le plus important du règne de Louis XIV, Charles Le Brun, dont il fut le " bras droit " dès Vaux-le-Vicomte. Tout au long de la carrière de Le Brun, au fil de ses chantiers de décoration, de ses responsabilités et des échelons successivement atteints, le nom de de Baudrin Yvart apparaît sur les documents d'archives, jalon précieux et constant de ses succès. Yvart semble avoir suffisamment apprécié cette collaboration avec le Premier Peintre pour ne pas rechercher la réussite individuelle - il mettra trois ans à livrer son morceau de réception - raison pour laquelle son nom est peu à peu tombé dans l'oubli.
Ce tableau fera l'objet d'une conférence de Guillet de Saint-Georges en 1686, dont le manuscrit a malheureusement disparu1, et restera exposé à l'Académie jusqu'à la Révolution où sa trace, comme celle de nombreux autres tableaux, se perd. Il n'apparaît pas dans l'inventaire de l'an II² et nous n'avons pu retracer sa destinée depuis, le nom de son auteur ayant sans doute assez rapidement été oublié.
Pour faire face à ses multiples responsabilités, des décors de Versailles à la manufacture des Gobelins, Charles Le Brun se devait d'être entouré de talentueux collaborateurs et de les faire intervenir dans les domaines dans lesquels ils étaient le plus habiles. En ce qui concerne Baudrin Yvart, il participa notamment à la réalisation de nombreux cartons de tapisserie, à Maincy comme aux Gobelins, et les archives le mentionnent régulièrement comme celui qui peignait à l'échelle des tapisseries des compositions ambitieuses, d'après les dessins de Le Brun ou d'après les maîtres, et qui était en charge des " grandes figures " lorsqu'une collaboration entre différents peintres spécialisés était en cours.
La Sculpture travaillant au buste de Louis XIV s'inscrit pleinement dans le contexte particulièrement fécond pour les arts des premières décennies du règne personnel du Roi Soleil. Comme Baudrin Yvart, de nombreux peintres et sculpteurs se virent dicter pour leurs morceaux de réception des sujets allégoriques, relevant du genre supérieur de la peinture d'histoire, à la gloire du souverain, en écho à la politique des arts qui se mettait alors progressivement en place - ces œuvres étant en outre destinées à être bien en vue sur les murs de l'institution où était formée la future génération d'artistes. La réalisation de Baudrin Yvart satisfait à tous les critères du genre : assise au pied d'une colonne et mise en scène par un épais rideau vert, la puissante figure féminine personnifiant la Sculpture, drapée à l'antique, tient dans ses mains les instruments de son art avec lesquels elle a fait surgir du marbre le buste de Louis XIV vêtu en empereur romain et coiffé d'une couronne de lauriers. Pour compléter cette glorification du roi, la figure d'un dieu de l'Olympe, probablement Apollon tenant son arc, se distingue sur le bas-relief du socle sur lequel est posé le buste. Une tête du philosophe Sénèque, symbolisant la sagesse antique, est également visible au pied de la sculptrice. Chacune des références à l'antiquité classique était immédiatement compréhensible pour le spectateur du XVIIe siècle et le tableau de Baudrin Yvart fait écho aux nombreuses allégories à la gloire de Louis XIV qui peuplaient les grands décors.
Quelques années après sa réception à l'Académie débutera le chantier des décors du château de Versailles. Parmi les compositions qui ornaient le plafond de l'escalier des Ambassadeurs, réalisé entre 1674 et 1679 et détruit en 1752, quatre allégories peintes en bas-reliefs de bronze doré feint - la Poésie, la Peinture, l'Histoire et la Sculpture - venaient s'intercaler entre des tableaux représentant les actions du roi. Les cartons aujourd'hui conservés au département des Arts graphiques du Louvre3 et les gravures conservent le témoignage de ce que fut ce décor. La grande proximité entre l'allégorie de la Sculpture de l'escalier des Ambassadeurs (fig. 2) et notre morceau de réception témoigne de la fortune de la composition de Baudrin Yvart et de sa possible contribution à ce décor. Il est à espérer que la redécouverte de son morceau de réception permettra de mieux connaitre et de remettre à l'honneur la production de cet important acteur de la politique artistique du Roi Soleil.

1. Voir J. Lichtenstein et C. Michel (dir.), Conférences de l'Académie royale de peinture et de sculpture. T. II, vol. 1, Les Conférences au temps de Guillet de Saint-Georges, 1682-1699, Paris, 2008, p. 148
2. A. Fontaine, Les collections de l'Académie royale de peinture et de sculpture, Paris, 1910, p. 137
3. Inv. 29890, 29894, 29898 et 29942

Estimation 80 000 - 120 000 €


Artist or Maker

Payment & Shipping

Payment

Accepted forms of payment: American Express, MasterCard, Visa, Wire Transfer

Shipping

A lot will be handed to its bidder once Artcurial has received full payment of its invoice. Lots which are not withdrawn within seven days after a sale (including Saturdays-Sundays and Bank holidays) will be stored at the buyer's expenses, in our storage located outside Paris.

Each client has to provide his shipping instructions at the account department with his payment.

Artcurial's shipping department can provide shipping fares wich include softpacking and express courriers.

For any heavy or fragile item, we can recommend the shipping companies which are more likely to provide the best service according to the country where you live.

For bidder living outside the EEC, the shipping and delivery expenses depend from the customs regulations of the country of residence. Each bidder has to pay local taxes, on top of the shipping costs. The importation of certain goods depends from on the customs regulations of the country of residence.
For less than 10 bottles, Artcurial's shipping department can provide shipping fares which include softpacking and express couriers.
Otherwise, Artcurial can advise appropriate clearing agent and shippers. Please notice that shipping wines towards some specific countries as USA is very difficult (various constraints related to customs regulation) or impossible.

Contact : département Transport- par email :
shipping@artcurial.com +33 1 42 99 16 57

Auction Details

Old Master & 19<sup>th</sup> Century Art

by
Artcurial
November 14, 2017, 06:00 PM CET

7 rond-point des Champs Elysées, Paris, 75008, FR

Terms

Live bidding may start higher or lower

Buyer's Premium

€1 - 150,000:25.0%
€150,001 - 1,800,000:20.0%
€1,800,001+:12.0%

Bidding Increments

From:To:Increment:
€0€99€10
€100€499€50
€500€999€100
€1,000€3,999€200
€4,000€19,999€500
€20,000€49,999€1,000
€50,000+€5,000

Conditions of Purchase

Artcurial SAS
is an operator of voluntary auction sales regulated by the law articles L321-4 and following of the Code de Commerce. In such capacity Artcurial SAS acts as the agent of the seller who contracts with the buyer. The relationships between Artcurial SAS and the buyer are subject to the present general conditions of purchase which can be modified by saleroom notices or oral indications before the sale, which will be recorded in the official sale record.

1. GOODS FOR AUCTION
a) The prospective buyers are invited to examine any goods in which they may be interested, before the auction takes place, and notably during the exhibitions. Artcurial SAS is at disposal of the prospective buyers to provide them with reports about the conditions of lots.
b) Description of the lots resulting from the catalogue, the reports, the labels and the verbal statements or announcements are only the expression by Artcurial SAS of their perception of the lot, but cannot constitute the proof of a fact.
c) The statements by made Artcurial SAS about any restoration, mishap or harm arisen concerning the lot are only made to facilitate the inspection thereof by the prospective buyer and remain subject to his own or to his expert's appreciation. The absence of statements Artcurial SAS by relating to a restoration, mishap or harm, whether made in the catalogue, condition reports, on labels or orally, does not imply that the item is exempt from any current, past or repaired defect. Inversely, the indication of any defect whatsoever does not imply the absence of any other defects.
d) Estimates are provided for guidance only and cannot be considered as implying the certainty that the item will be sold for the estimated price or even within the bracket of estimates. Estimates cannot constitute any warranty assurance whatsoever. The estimations can be provided in several currencies; the conversions may, in this case or, be rounded off differently than the legal rounding

2 . THE SALE
a) In order to assure the proper organisation of the sales, prospective buyers are invited to make themselves known to Artcurial SAS before the sale, so as to have their personal identity data recorded. Artcurial SAS reserves the right to ask any prospective buyer to justify his identity as well as his bank references and to request a deposit. Artcurial SAS reserves the right to refuse admission to the auction sales premises to any prospective buyer for legitimate reasons.
b) Any person who is a bidder undertakes to pay personally and immediately the hammer price increased by the costs to be born by the buyer and any and all taxes or fees/expenses which could be due. Any bidder is deemed acting on his own behalf except when prior notification, accepted by Artcurial SAS, is given that he acts as an agent on behalf of a third party.
c) The usual way to bid consists in attending the sale on the premises. However, Artcurial SAS may graciously accept to receive some bids by telephone from a prospective buyer who has expressed such a request before the sale. Artcurial SAS will bear no liability / responsability whatsoever, notably if the telephone contact is not made, or if it is made too late, or in case of mistakes or omissions relating to the reception of the telephone. For variety of purposes, Artcurial SAS reserves its right to record all the telephone communications during the auction. Such records shall be kept until the complete payment of the auction price, except claims.
d) Artcurial SAS may accept to execute orders to bid which will have been submitted before the sale and by Artcurial SAS which have been deemed acceptable. Artcurial SAS is entitled to request a deposit which will be refunded within 48hours after the sale if the lot id not sold to this buyer. Should Artcurial SAS receive several instructions to bid for the same amounts, it is the instruction to bid first received which will be given preference. Artcurial SAS will bear no liability/responsibility in case of mistakes or omission of performance of the written order.
e) In the event where a reserve price has been stipulated by the seller, Artcurial SAS reserves the right to bid on behalf of the seller until the reserve price is reached. The seller will not be admitted to bid himself directly or through an agent. The reserve price may not be higher than the low estimate for the lot printed in or publicly modified before the sale.
f) Artcurial SAS will conduct auction sales at their discretion, ensuring freedom auction and equality among all bidders, in accordance with established practices. Artcurial SAS reserves the right to refuse any bid, to organise the bidding in such manner as may be the most appropriate, to move some lots in the course of the sale, to withdraw any lot in the course of the sale, to combine or to divide some lots in the course of the sale. In case of challenge or dispute, Artcurial SAS reserves the right to designate the successful bidder, to continue the bidding or to cancel it, or to put the lot back up for bidding.
g) Subject to the decision of the person conducting the bidding for Artcurial SAS, the successful bidder will be the bidder would will have made the highest bid provided the final bid is equal to or higher than the reserve price if such a reserve price has been stipulated. The hammer stroke will mark the acceptance of the highest bid and the pronouncing of the word "adjugé" or any equivalent will amount to the conclusion of the purchase contract between the seller and the last bidder taken in consideration. No lot will be delivered to the buyer until full payment has been made.In case of payment by an ordinary draft/check, payment will be deemed made only when the check will have been cashed. h) So as to facilitate the price calculation for prospective buyers, a currency converter may be operated by Artcurial SAS as guidance. Nevertheless, the bidding cannot be made in foreign currency and Artcurial SAS will not be liable for errors of conversion.

3 . THE PERFORMANCE OF THE SALE
a) In addition of the lot's hammer price, the buyer must pay the different stages of following costs and fees/taxes:
1) Lots from the EU :
• From 1 to 150 000 euros: 25% + current VAT.
• From 150 001 to 1 800 000 euros: 20% + current VAT.
• Over 1 800 001 euros: 12% + current VAT.
2) Lots from outside the EU: (identified by an ¤ on the website).In addition to the commissions and taxes indicated above, an additional import fees will be charged (5,5% of the hammer price, 20% for jewelry and watches, motorcars, wines and spirits and multiples).
3) VAT on commissions and import fees can be retroceded to the purchaser on presentation of written proof of exportation outside the EU. An EU purchaser who will submit his intra-community VAT number and a proof of shipment of his purchase to his EU country home address will be refunded of VAT on buyer's premium. The payment of the lot will be made cash, for the whole of the price, costs and taxes, even when an export licence is required. The purchaser will be authorized to pay by the following means:
- In cash : up to 1 000 euros, costs and taxes included, for French citizens and people acting on behalf of a company, up to 15 000 euros, costs and taxes included, for foreign citizens on presentation of their identity papers;
- By cheque drawn on a French bank on presentation of identity papers and for any company, a KBis dated less than 3 months (cheques drawn on a foreign bank are not accepted);
- By bank transfer;
- By credit card : VISA, MASTERCARD or AMEX (in case of payment by AMEX, a 1,85% additional commission corresponding to cashing costs will be collected).
b) Artcurial SAS will be authorized to reproduce in the official sale record and on the bid summary the information that the buyer will have provided before the sale. The buyer will be responsible for any false information given. Should the buyer have neglected to give his personal information before the sale, he will have to give the necessary information as soon as the sale of the lot has taken place. Any person having been recorded by Artcurial SAS has a right of access and of rectification to the nominative data provided to Artcurial SAS pursuant to the provisions of Law of the 6 July 1978.
c) The lot must to be insured by the buyer immediately after the purchase. The buyer will have no recourse against Artcurial SAS, in the event where, due to a theft, a loss or a deterioration of his lot after the purchase, the compensation he will receive from the insurer of Artcurial SAS would prove unsufficient.
d) The lot will be delivered to the buyer only after the entire payment of the price, costs and taxes. If payment is made by cheque, the lot will be delivered after cashing, eight working days after the cheque deposit. In the meantime Artcurial SAS may invoice to the buyer the costs of storage of the lot, and if applicable the costs of handling and transport. Should the buyer fail to pay the amount due, and after notice to pay has been given by Artcurial SAS to the buyer without success, at the seller's request, the lot is re-offered for sale, under the French procedure known as "procédure de folle enchère". If the seller does not make this request within three months from the date of the sale, the sale will be automatically cancelled, without prejudice to any damages owed by the defaulting buyer. In addition, Artcurial SAS reserves the right to claim against the defaulting buyer, at their option: - interest at the legal rate increased by five points,
- the reimbursement of additional costs gene- rated by the buyer's default,
- the payment of the difference between the initial hammer price and the price of sale after "procédure de folle enchère" if it is inferior as well as the costs generated by the new auction. Artcurial SAS also reserves the right to set off any amount Artcurial SAS may owe the defaulting buyer with the amounts to be paid by the defaulting buyer. Artcurial SAS reserves the right to exclude from any future auction, any bidder who has been a defaulting buyer or who has not fulfil- led these general conditions of purchase.
e) For items purchased which are not collected within seven days from after the sale (Saturdays, Sundays and public holidays included), Artcurial SAS will be authorized to move them into a storage place at the de- faulting buyer's expense, and to release them to same after payment of corresponding costs, in addition to the price, costs and taxes.
f) The buyer can obtain upon request a certificate of sale which will be invoiced € 60.

4. THE INCIDENTS OF THE SALE
In case of dispute, Artcurial SAS reserves the right to designate the successful bidder, to continue the sale or to cancel it or to put the lot up for sale.
a) In case two bidders have bidden vocally, by mean of gesture or by telephone for the same amount and both claim title to the lot, after the bidding the lot, will immediately be offered again for sale at the previous last bid, and all those attending will be entitled to bid again.
b) So as to facilitate the presentation of the items during the sales, Artcurial SAS will be able to use video technology. Should any error occur in operation of such, which may lead to show an item during the bidding which is not the one on which the bids have been made, Artcurial SAS shall bear no liability/responsibility whatsoever, and will have sole discretion to decide whether or not the bidding will take place again.

5 . PRE-EMPTION OF THE FRENCH STATE
The French state in entitled to use a right of pre-emption on works of art, pursuant to the rules of law in force. The use of this right comes immediately after the hammer stroke, the representative of the French state expressing then the intention of the State to substitute for the last bidder, provided he confirms the pre-emption decision within fifteen days. Artcurial SAS will not bear any liability/ responsibility for the conditions of the pre-emption by the French State.

6 . INTELLECTUAL PROPERTY RIGHT - COPYRIGHT
The copyright in any and all parts of the catalogue is the property of Artcurial SAS. Any reproduction thereof is forbidden and will be considered as counterfeiting to their detriment. Furthermore, Artcurial SAS benefits from a legal exception allowing them to reproduce the lots for auction sale in their catalogue, even though the copyright protection on an item has not lapsed. Any reproduction of Artcurial SAS catalogue may therefore constitute an illegal reproduction of a work which may lead its perpetrator to be prosecuted for counterfeiting by the holder of copyright on the work.The sale of a work of art does not transfer to its buyer any reproduction or representation rights thereof.

7 . ITEMS FALLING WITHIN THE SCOPE OF SPECIFIC RULES
The International regulation dated March 3rd 1973, protects endangered species and specimen. Each country has its own lawmaking about it. Any potential buyer must check before bidding, if he is entitled to import this lot within his country of residence. Any lot which includes one element in ivory, rosewood…cannot be imported in the United States as its legislation bans its trade whatever its dating may be. It is indicated by a (?).

8. REMOVAL OF PURCHASES
The buyer has to insure its purchase, and Artcurial SAS assumes no liability for any damage items which may occur after the sale. All transportation arrangements are the sole responsibility of the buyer.

9. SEVERABILITY
The clauses of these general conditions of purchase are independent from each other. Should a clause whatsoever be found null and void, the others shall remain valid and applicable.

10. LAW AND JURISDICTION
In accordance with the law, it is added that all actions in public liability instituted on the occasion of valuation and of voluntary and court-ordered auction sales are barred at the end of five years from the hammer price or valuation. These Conditions of purchase are governed by French law exclusively. Any dispute relating to their existence, their validity and their binding effect on any bidder or buyer shall be submitted to the exclusive jurisdiction of the Courts of France.

PROTECTION OF CULTURAL PROPERTY
Artcurial SAS applies a policy to prevent the sale of looted or stolen cultural property.

Contract

The hammer stroke will mark the acceptance of the highest bid and the pronouncing of the word "adjugé" or any equivalent will amount to the conclusion of the purchase contract between the seller and the last bidder taken in consideration.

The internet bid live constitutes a bidding contract between the bidder and Artcurial.

Artcurial Live Bid Online Terms of Use
Execution of online internet bids is a free service undertaken subject to other commitments at the time of the sale and Artcurial Live Bid does not accept liability for failing to execute an online internet bid or for errors or omissions in connection with this activity, including, without limitation, errors or failures caused by:
- a loss of connection on Artcurial's or your end
- a breakdown or problems with the online bidding software and/or
- a breakdown or problems with a client's internet connection, computer or system.


Internet Fee:
Please note that the Internet fee is included in our premium. There are no additional Internet charges.

Payment

No lot will be transferred to the purchaser before it has been paid for in full.

The purchaser will be authorized to pay by the following means:
- In cash : up to 1 000 euros, costs and taxes included, for French citizens and people acting on behalf of a company, up to 15 000 euros, costs and taxes included, for foreign citizens on presentation of their identity papers;
- By cheque drawn on a French bank on presentation of identity papers and for any company, a KBis dated less than 3 months (cheques drawn on a foreign bank are not accepted);
- By bank transfer;
- By credit card : VISA, MASTERCARD or AMEX (in case of payment by AMEX, a 1,85% additional commission corresponding to cashing costs will be collected).

Shipping

A lot will be handed to its bidder once Artcurial has received full payment of its invoice. Lots which are not withdrawn within seven days after a sale (including Saturdays-Sundays and Bank holidays) will be stored at the buyer's expenses, in our storage located outside Paris.

Each client has to provide his shipping instructions at the account department with his payment.

Artcurial's shipping department can provide shipping fares wich include softpacking and express courriers.

For any heavy or fragile item, we can recommend the shipping companies which are more likely to provide the best service according to the country where you live.

For bidder living outside the EEC, the shipping and delivery expenses depend from the customs regulations of the country of residence. Each bidder has to pay local taxes, on top of the shipping costs. The importation of certain goods depends from on the customs regulations of the country of residence.
For less than 10 bottles, Artcurial's shipping department can provide shipping fares which include softpacking and express couriers.
Otherwise, Artcurial can advise appropriate clearing agent and shippers. Please notice that shipping wines towards some specific countries as USA is very difficult (various constraints related to customs regulation) or impossible.

Contact : département Transport- par email :
shipping@artcurial.com +33 1 42 99 16 57

Premium

From €1 to €150,000: 25%
From €150,001 to €1,800 000: 20%
Over 1,800,001: 12%

Internet Fee:
Please note that the Internet fee is included in our premium. There are no additional Internet charges.

Taxes and VAT

In addition of the lot's hammer price, the buyer must pay the different stages of following costs and fees/taxes:
1) Lots from the EU :
• From 1 to 150 000 euros: 25% + current VAT.
• From 150 001 to 1 800 000 euros: 20% + current VAT.
• Over 1 800 001 euros: 12% + current VAT.
2) Lots from outside the EU: (identified by an ¤ on the website).In addition to the commissions and taxes indicated above, an additional import fees will be charged (5,5% of the hammer price, 20% for jewelry and watches, motorcars, wines and spirits and multiples).
3) VAT on commissions and import fees can be retroceded to the purchaser on presentation of written proof of exportation outside the EU. An EU purchaser who will submit his intra-community VAT number and a proof of shipment of his purchase to his EU country home address will be refunded of VAT on buyer's premium. The payment of the lot will be made cash, for the whole of the price, costs and taxes, even when an export licence is required. The purchaser will be authorized to pay by the following means:
- In cash : up to 1 000 euros, costs and taxes included, for French citizens and people acting on behalf of a company, up to 15 000 euros, costs and taxes included, for foreign citizens on presentation of their identity papers;
- By cheque drawn on a French bank on presentation of identity papers and for any company, a KBis dated less than 3 months (cheques drawn on a foreign bank are not accepted);
- By bank transfer;
- By credit card : VISA, MASTERCARD or AMEX (in case of payment by AMEX, a 1,85% additional commission corresponding to cashing costs will be collected).

Condition Reports

Artcurial is happy to provide condition reports for individual lots upon request (PLEASE NOTE THAT WE DO NOT SEND CONDITION REPORT FOR THE LOT UNDER THE ESTIMATE OF 500 euros).

In accordance with the French law, Artcurial is responsible for the information provided in his catalogues and not liable for the English translation, a courtesy to his English speaking clients. We recommended to our clients to see the objects during the sale's exhibition. A preliminary exposure making it possible to the purchasers to realize the state of the objects put on sale.