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Lot 109: Anthony Frederick Augustus Sandys (1806-1883)

Est: £10,000 GBP - £15,000 GBPSold:
Christie'sLondon, United KingdomNovember 08, 2009

Item Overview

Description

Anthony Frederick Augustus Sandys (1806-1883)
Portrait of Mrs Elizabeth Clabburn (1786/5-1862), bust-length
signed with a monogram (lower left) and inscribed 'Elizabeth Clabburn/Aged. 75' (upper right)
oil on panel
24 x 19 5/8 in. (60.9 x 49.8 cm.)

Artist or Maker

Exhibited

Rome, Royal Commission International Fine-Arts Exhibition, British Section, 1911, no. 88, lent by Edmund Meredith Crosse.
Brighton, Brighton Museum and Art Gallery and Sheffield, Mappin Art Gallery, 1974, no. 85, pl. 85.
Norwich, Norwich Castle Museum and Art Gallery, Frederick Sandys and the Pre-Raphaelites, October 2001 - January 2002, no. 115.

Literature

Art Journal, London, 1862, p. 137.
J. Comyns Carr, Coasting Bohemia, London, 1914, p. 126.
T. Crombie, 'Some portraits by Frederick Sandys', Apollo, November 1965, p. 400.
B. Elzea, Frederick Sandys: A catalogue raisonée, Woodbridge, Antique Collectors Club, 1999, cat. 2.A.29, pp. 162-3, illustrated.

Provenance

London, Royal Academy, 1862, no. 350.
London, Royal Academy, Winter Exhibition, 1905, no. 271, lent by Edmund Meredith Crosse.
W. H. Clabburn, and by descent to his eldest daughter Mary Louisa (Mrs Edmund Meredith Crosse) and her husband (until at least 1911).
Anonymous sale; Sotheby's, London, 13 November 1963, lot 347, and thence by descent.

Notes

No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.
All lots removed to off-site warehouse the day after the sale - 2 weeks free storage
Elizabeth Denn Clabburn was the wife of Thomas Clabburn of Norwich (1788-1858), a shawl manufacturer. The present picture was undoubtedly painted at the request of their eldest son, William H. Clabburn, who commissioned multiple portraits of his wife, daughters and of himself from Sandys throughout the 1860s. The 17th Century Dutch costume and presentation of the sitter won the praise of the audience at the Royal Academy where it was exhibited in 1862. The Art Journal described the work as 'a vigorous example of pencilling - firm, with much life-like expression.'

Auction Details

The Sunday Sale - The Collection of the Late Christopher Wood

by
Christie's
November 08, 2009, 11:30 AM GMT

85 Old Brompton Road, London, LDN, SW7 3LD, UK