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Lot 50: Akseli Gallen-Kallela

Est: CHF 30,000 - CHF 40,000Sold:
Beurret Bailly Widmer Auktionen AGBasel, SwitzerlandJune 21, 2017

Item Overview

Description

Wundfieber, unten rechts signiert und datiert Axel Gallén 1889, rückseitig nummeriert No. 6, auf dem Rahmen (wohl vom Künstler) beschriftet Axel Gallén, Mute Suffering

Dimensions

62 x 72.5 cm

Artist or Maker

Medium

Öl auf Leinwand

Date

1889

Exhibited

Summer exhibition of paintings, The Continental Gallery, London, 1890 (Mute suffering). Exposition de 1891, Ouvrages de peinture, sculpture, dessins, gravure et objets d'art, Société nationale des Beaux-Arts, Champ-de-Mars, Paris, 15.5.1891, Nr. 384 (Souffrance muette). Sonder-Ausstellung des Axel Gallén, Ugo Barroccio, Berlin, 3.–24.3.1895, Nr. 6 (Wundfieber).

Literature

Teppo Jokinen, Debütieren – und weiter arbeiten. Axel Galléns Aufenthalt in Berlin 1895, in: Akseli Gallen-Kallela und Berlin. Die historischen Schichten der Gemälde, Gallen-Kallela Museum (Hrsg.), Espoo, 2014, S. 38–53.

Provenance

Galerie Ugo Barroccio, Berlin Privatbesitz, Berlin (1895 bei obiger Galerie erworben) Privatbesitz, Strassburg (ab ca. 1919) durch Erbfolge seither in Privatbesitz, Basel

Notes

Bei diesem Ölgemälde handelt es sich um das seit über 100 Jahren verschollene Werk Haavakuume (Wundfieber). Eine Bestätigung der Authentizität von Teppo Jokinen, Universität zu Helsinki, vom 27.3.2017 liegt vor. Axel Gallén, später besser bekannt unter dem Namen Akseli Gallen-Kallela, malt das Bild während seiner realistisch-naturalistischen Schaffensphase, einer Zeit, in der zahlreiche Arbeiten mit Motiven aus dem Leben der finnischen Bauern entstehen. Das Werk zeigt einen ärmlichen Landwirt, der mit heftigem Wundfieber auf seinem Lager liegt. Seine linke Hand steckt in einem dicken Verband, die Augen sind fiebrig glänzend, der Blick ist intensiv und direkt auf den Betrachter gerichtet. Mehrere Elemente der Komposition verleihen dem Gesicht zusätzlich Bedeutung: ein rotes Tuch, ein heller Stoffbeutel, ein Holzkessel, gestreifte Kissen und eine Tabakpfeife. Der Künstler präsentiert Wundfieber 1895 anlässlich einer ihm gewidmeten Sonderausstellung der Galerie Ugo Barroccio in Berlin. Eine zeitgenössische Quelle berichtet: "Das ist so ausserordentlich gut gemalt, das Wundfieber ist auf den ersten Blick so gut zu erkennen, dass das übrigens von einer Pariser Marsfeld-Ausstellung preisgekrönte Gemälde einen Platz verdiente in einer Klinik. In einem Salon möchte man's kaum gern sehen." (Kleines Feuilleton, Aus den Kunst-Ausstellungen, Germania Nr. 60, 13.3.1895). Die Ausstellung selbst ist recht erfolgreich und wird um eine Woche verlängert. Während dieser Zeit erwirbt Wilhelm Filehne aus Breslau (1848-1927) das Ölgemälde Wundfieber. Er ist ein hoch angesehener Professor für Pharmakologie und arbeitet vor allem an synthetischen Fiebermitteln. Es ist bis dato unbekannt, was in den darauffolgenden Jahren mit dem Werk geschehen ist. Etwa 20 bis 25 Jahre später wird das Bild von einem Mitarbeiter des Professors gekauft, der 1919 von Strassburg nach Basel zieht und das Gemälde mitnimmt. Seither ist es im Besitz der gleichen Familie.Wundfieber ist zweifellos das eines der wichtigsten Werke aus Axel Galléns früher Schaffensphase. Der Umstand, dass es über 100 Jahre lang als verschollen gegolten hat und erst vor Kurzem in einer Basler Sammlung entdeckt worden ist, verleiht Wundfieber zusätzliche Bedeutung. Wir danken Teppo Jokinen und dem Gallen-Kallela Museum, Espoo, für die Unterstützung bei der Katalogisierung.

Payment & Shipping

Accepted forms of payment: Wire Transfer

Shipping

We do not arrange shipping.

Auction Details

Terms

Buyer's Premium

25.0%

Bidding Increments

From:To:Increment:
CHF0CHF1,999CHF100
CHF2,000CHF4,999CHF200
CHF5,000CHF9,999CHF500
CHF10,000CHF19,999CHF1,000
CHF20,000CHF49,999CHF2,000
CHF50,000CHF99,999CHF5,000
CHF100,000CHF299,999CHF10,000
CHF300,000CHF499,999CHF20,000
CHF500,000CHF999,999CHF50,000
CHF1,000,000+CHF100,000

Terms

TERMS AND CONDITIONS OF AUCTION
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2. The buyer shall pay a buyer's premium of 20% of the hammer price per lot. For successful internet live bidders there is an additional fee of 3%.

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10. The auction house insists that all bidders use a number instead of their name when bidding.









11. Bidders who do not attend the auction in person may leave their bids in writing with the auction house. The prices indicated on the relevant auction forms do not include the buyer's premium and other charges. Amendments can only be submitted in writing and no later than the day before the auction.

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18. The seller accepts the applicability of Swiss law and the selection of jurisdiction in Basel-Stadt.

19. Only the German version of these auction terms and conditions shall prevail.

20. The auctioneer in charge is: Georges de Bartha (route de Tannay 3, 1296 Coppet).

21. Auction management: Gantbeamtung Basel-Stadt (Basel-Stadt Auction Management)

Shipping Terms

We do not arrange shipping.

Payment

The payment is to be made to the auction house's bank account.

Tax

In each case, value-added tax amounting to 8% shall be payable on the buyer's premium. In the case of items which are indicated with "*" in the catalogue or on a supplementary sheet (or which are referred to accordingly during the auction), VAT shall also be charged on the hammer price. If these items are exported abroad, the buyer shall be refunded the VAT, if he produces a legally valid export declaration bearing the original stamp of the Swiss customs office for the relevant object of purchase.