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Lot 122: A large First Rate, thought to be the Royal William (formerly the Prince), lying at her anchorage, surrounded by other vessels and preparing to receive a distinguished - possibly Royal - visitor

Est: £40,000 GBP - £60,000 GBP
Christie'sLondon, United KingdomJuly 08, 2015

Item Overview

Description

Samuel Scott (c.1701/2-1772) A large First Rate, thought to be the Royal William (formerly the Prince), lying at her anchorage, surrounded by other vessels and preparing to receive a distinguished - possibly Royal - visitor oil on canvas 50 x 72 in. (127 x 183 cm.) in a carved and gilded frame

Dimensions

127 x 183 cm.

Artist or Maker

Literature

The Connoisseur, London, February 1954.

Provenance

Sir Walter George Stirling, Bt. (1802-1888), Borthwood, Isle of Wight; Christie's, London, 29 June 1878, lot 66, (sold for 15 ½ guineas to Rudd.) as 'W. van de Velde, A calm, with a fleet at anchor'. M. Bernard, London. Anonymous sale; Sotheby's, London, 13 November 1996, lot 3A.

Notes

Samuel Scott, born in London in 1701/2, was with Peter Monamy, one of the two principal English marine painters in the first generation which followed the van de Veldes. His earliest sea painting dates from 1726 and his first recorded commission came in 1732, when he was invited by the East India Company to 'embellish with ships' six views of their settlements which were being executed by George Lambert. Some of his earliest paintings of naval engagements were done for the Vernon family, documenting Admiral Vernon's celebrated capture of Porto Bello in 1739 and subsequent operations, and these were so well received that other commissions for the so-called 'War of Jenkin's Ear' (1739) and the War of the Austrian Succession (1740-48) soon followed. His final naval scenes date from the Seven Years' War (1756-63). Scott admired the paintings of Canaletto and that influence can be seen in the exactness of his work. Painting from his studio in Covent Garden, he attracted many commissions through his social connections, but was plagued greatly by sea-sickness and thus did not make many sea voyages. Designed and built at Chatham under the direction of Sir Phineas Pett, great nephew of the builder of Charles I's fabled Sovereign of the Seas, the Prince was one of three First Rates dating from 1670, all of which were laid down to replace the capital ships destroyed or captured by the Dutch during their infamous raid on the Medway in June 1667. Prince was measured at 1,395 tons and was 167 feet in length with a 44 ½ foot beam. Mounting 100 guns, she was a powerful as well as handsome vessel and was first commissioned in 1672, on the outbreak of the Third [and last] Anglo-Dutch War. Her Lieutenant - later her Captain - Sir John Narbrough called her 'a great and brave-contrived ship' and found that she 'wrought very well in staying and bearing up, and steereth mighty well'. Throughout the Third Dutch War (1672-74), Prince acted as flagship for several high-ranking officers including the Duke of York, the King's brother and the future James II, and thereby attracted the enemy's special attention. At the battle of the Texel (11th August 1673) she was subjected to a particularly determined assault by a group of Dutch ships and barely avoided destruction in what proved an epic defence that soon became the stuff of legend within the Royal Navy. Extensively rebuilt at Chatham in 1691-2, which increased her beam to 47 feet 10 ins., she was renamed Royal William upon completion of the work and saw her first action under her new name at Barfleur on 19th May 1692; this and the even more decisive action at La Hogue a few days later effectively ended French naval superiority in the Channel and thereby greatly influenced the successful outcome of the so-called 'War of the English Succession' (1689-97). Rebuilt a second time in 1719, this essentially new ship - but one which incorporated all the usable parts of the original Prince - then achieved her own fame by her remarkable longevity. After participating in the capture of the great Canadian fortress of Louisburg in 1758 and then the city of Quebec the following year, she was last in action at the battle off Cape Spartel when Lord Howe defeated a large Franco-Spanish fleet on 20th October 1782. Hulked in 1790, 'Old Billy' as she had become affectionately known was finally broken up in 1813 at which time her ancient timbers were said to be 'tough enough to turn the strongest nails'.

Auction Details

Victorian, Pre Raphaelite & British Impressionist Art, Sporting and Maritime Art

by
Christie's
July 08, 2015, 10:30 AM UTC

85 Old Brompton Road, London, LDN, SW7 3LD, UK