Lot 463: 1936, KONG XIAOYU FLORAL VASE PAINTING SCROLL

Kong Xiaoyu (孔小瑜; 1899 - 1984) Chinese traditional scroll painting, ink and color on paper laid to silk, hanging scroll. Signed and dated, in the Ninth month in Bingzi year (ca. 1936). Hanging scroll still life painting of potted bamboo and cherry blossom amongst several scholar’s objects by Kong Xiaoyu (1899-1984). Her artwork is very realistic and many modern western painting techniques were used in conjunction with traditional Chinese artistic methods. For example, a singular light source is evident in this painting which is indictive of western technique. The Taoist idea of a miniature cosmos is created by combining the bamboo and scholar stone in a single pot. A balance is formed between the hard scholar stone and the flexible bamboo which is representative of the yin and yang. Below the bamboo scene scholarly utensils are strewn about such as the ink stone, talisman coins, and censer. Semi-cursive script is delineated in the upper right-hand corner followed by two red seals.

Scroll Height: 84 3/4" Width: 26 1/2" Painting Height: 42 3/4" Width: 16 5/8"

ink, watercolor, paper

20th Century

Natural imperfection on the medium (paper or silk), regardless from any major damages; includes light blooms, discoloration and minor fading. Consider normal due to the ages. All lots are sold as is and where is. Lauren Galleries provides condition reports upon request to aide in your bidding decision. No statement regarding age, condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this catalog or elsewhere, shall be construed to be an express or implied warranty, representation, or assumption of liability. All sales are final, Lauren Galleries does not give refunds based on condition. Lauren Galleries does not perform any shipping or packing services. We do have a list of suggested shippers who gladly provide quotes prior to your bidding. Please visit our webpage for a list of recommended shippers.

From the heirloom collections of Wu Guozhen (吳國楨; October 21, 1903-June 6, 1984) was a Chinese political figure and historian, government official who served as mayor of Hankow (1932-1938), mayor of Chung-king (1939-1941), political vice minister of foreign affairs (1943-45), mayor of Shanghai (1946-1948), and governor of Taiwan (1950-1952) and the former Chairman of Taiwan Provincial Government. He resigned in 1953 and went to the United States, charging that Taiwan was becoming a police state.
K.C. Wu lived in the United States where he served as professor of Chinese history at Armstrong Atlantic State University in Savannah, Chatham County, Georgia. During his time in the United States, he wrote various works, including a detailed analysis on Chinese culture in the context of mythology and early history in his book The Chinese Heritage.
Wu is remembered mainly for his vital role in the formation of a liberal modern Taiwan and his anti-communist beliefs typical of a member of Kuomintang, but he is also remembered for his brave anti-Kuomintang rhetoric and turbulent disagreements with the more Russian-styled second President of Taiwan.

The Collections of Wu Guozhen (吳國楨) presented and offered up to auctions
ON DAY-1: from Lot-97 through Lot-127, continued from Lot-219 through Lot-255.
ON DAY-2: from Lot-354 through Lot-377, continued from Lot-451 through Lot-480.

Kong Xiaoyu (孔小瑜; 1899 - 1984) formerly known as Xianying 憲英, was born in Kongjia Village, Zhuangqiao, Cixi. After working in Shanghai for the first time, he went to Hong Kong. In 1951, he resolutely returned to the mainland to participate in the construction of the mainland. After 1955, he was invited to teach at the Anhui Art School and served as the vice president of the Anhui Painting Academy. He was elected as the representative of the Anhui Provincial People's Congress. In his later years, he served as a professor at the Anhui Art School, a vice president of the Anhui Painting Academy, and a representative of the Provincial People's Congress. He is good at flower Bogu, pursuing vivid image and loose feelings. And hard work hard to remember the ability to write in silence, from the three generations of bronzes, wide-ranging figures, mane, beasts, fish and insects to the shape of the body, ready to come out, everything is fine. His Bogu paintings are also called the lions of Zhang Shanyu ’s tiger and Xiong Songquan . Its outstanding expressiveness is called the first person after the year of Ren, and is one of the representatives of the " Marine Painting School ".