Vadim Zakharov Paintings & Artwork for Sale | Vadim Zakharov Art Value Price Guide

Nov. 09, 2024
Vadim Zakharov – Ohne Titel
Est: - €400
Ohne Titel Metallschild mit gefräster Schrift. 1998. 42 x 29,7 cm. Rückseitig signiert, datiert und nummeriert. (49) Exemplar 1/8. - Die große und stets bedenkenswerte Hauptfrage der menschlichen Existenz in der sprachlich etwas eigenwilligen Fügung des "Kölnischen Pastors" auf goldbeschichtetem Aluminium. - In den Ecken mit vier Bohrungen. - Vorzüglich erhalten.
Dr. Andreas Sturies Moderne Kunst & Auktionen
Apr. 28, 2022
Vadim ZAKHAROV (né en 1959) Pastor, 1992
Est: €300 - €500
Vadim ZAKHAROV (né en 1959) Pastor, 1992 Technique mixte sur papier, signée et datée en bas à droite Mixed media on paper, signed and dated lower right 21 x 30 cm 8 17/64 x 11 13/16 in.
Aguttes
Apr. 28, 2022
Vadim ZAKHAROV (né en 1959) Pastor, 1992
Est: €300 - €500
Vadim ZAKHAROV (né en 1959) Pastor, 1992 Technique mixte sur papier, signée et datée en bas à droite Mixed media on paper, signed and dated lower right 21 x 30 cm 8 17/64 x 11 13/16 in.
Aguttes
Apr. 28, 2022
Vadim ZAKHAROV (né en 1959) Pastor, 1992
Est: €300 - €500
Vadim ZAKHAROV (né en 1959) Pastor, 1992 Technique mixte et collage sur papier, signée et datée en bas à droite Mixed media and collage on paper, signed and dated lower right 21 x 30 cm 8 17/64 x 11 13/16 in.
Aguttes
Apr. 28, 2022
Vadim ZAKHAROV (né en 1959) Pastor, 1992
Est: €300 - €500
Vadim ZAKHAROV (né en 1959) Pastor, 1992 Technique mixte sur papier, signée et datée en bas à droite Mixed media on paper, signed and dated lower right 21 x 30 cm 8 17/64 x 11 13/16 in.
Aguttes
Apr. 28, 2022
VADIM ZAKHAROV (né en 1959) Fontein
Est: €6,000 - €8,000
VADIM ZAKHAROV (né en 1959) Fontein Classeur, céramique, pompe, plastique, eau Folder, ceramic, pump, plastic, water 80 x 35 x 25 cm 31 1/2 x 13 25/32 x 9 27/32 in.
Aguttes
Oct. 14, 2020
Vadim Zakharov (1959)
Est: €2,500 - €3,500
Nordchen-Westfälische Pastorale (Königen), signed and dated 'Vadim Zakharov -92' and titled (on the reverse), acrylic and charcoal on canvas, unframed, 150x105 cm,
Venduehuis der Notarissen
Jun. 21, 2017
Vadim Zakharov
Est: CHF2,000 - CHF3,000
Ohne Titel, unten rechts kyrillisch signiert, unten links nummeriert 4/100
Artcurial Beurret Bailly Widmer
Dec. 19, 2016
Vadim Zakharov (né en 1950) C-3, 1988 Huile sur toile. Signée, titrée et
Est: €5,000 - €8,000
Vadim Zakharov (né en 1950) C-3, 1988 Huile sur toile. Signée, titrée et datée au dos. Olieverf op doek. Gesigneerd, getiteld en gedateerd op de achterkant. 200 x 300 cm
Cornette de Saint-Cyr-Bruxelles
Dec. 19, 2016
Vadim Zakharov (né en 1950) Mon Dieu, pardonne moi, 1985 Technique mixte.
Est: €2,000 - €3,000
Vadim Zakharov (né en 1950) Mon Dieu, pardonne moi, 1985 Technique mixte. Gemengde techniek. 40 x 150 cm
Cornette de Saint-Cyr-Bruxelles
Apr. 23, 2010
Vadim Zakharov
Est: £50,000 - £70,000
Reproductions, N1; N3; N4; N5 Each signed, titled in Cyrillic and dated ‘V. Zakharov Reproduction 87–88’ on the reverse.
Phillips
Jun. 09, 2009
- Vadim Zakharov , b.1959 Painting-1 (Two) oil on canvas
Est: £10,000 - £15,000
signed and titled in Cyrillic and dated 1986 on the reverse oil on canvas
Sotheby's
Apr. 15, 2008
Vadim Zakharov , Russian b.1959 A collection of five photographs documenting performances, 1981 gelatin-silver prints
Est: $7,000 - $9,000
each of four numbered 1 , 2 , 3 , and 4 respectively (on the reverse) gelatin-silver prints
Sotheby's
Mar. 12, 2008
m - Vadim Zakharov , b.1959 N-5 oil on canvas
Est: £10,000 - £15,000
signed, titled in Cyrillic and dated 1986 on reverse oil on canvas
Sotheby's
Mar. 12, 2008
m - Vadim Zakharov , b.1959 B-4 oil on canvas
Est: £10,000 - £15,000
signed in Cyrillic and dated 85; signed, titled in Cyrillic and dated 1985 on reverse oil on canvas
Sotheby's
Mar. 12, 2008
m - Vadim Zakharov , b.1959 beware of the Papuans gelatin silver prints
Est: £6,000 - £8,000
one signed in Cyrillic on the reverse gelatin silver prints Quantity: 4
Sotheby's
Oct. 13, 2007
VADIM ZAKHAROV B-5, 1986
Est: £15,000 - £25,000
VADIM ZAKHAROV B-5, 1986
Phillips
Feb. 15, 2007
m - VADIM ZAKHAROV, B.1959
Est: £20,000 - £30,000
G.5. each canvas 200 by 150cm., 78¾ by 59in. signed in Cyrillic, titled in Latin and dated 1987 on reverse oil on canvas PROVENANCE Sotheby's Moscow, Modern and Contemporary Russian Art, 7 July 1988, Lot 116; Hapsburg, Feldman, Inc., New York, Soviet Contemporary Art: The Property of the Kniga Collection, Paris, 5 May 1990, Lot 116 LITERATURE Eric A. Peschler, Künstler in Moskau, Die Neue Avant-garde, Schaffhausen, 1988, p.193 (illustrated) NOTE The translation of the Russian is as follows: ''You, one-eyed creature! You ugly brute! I curse your vulgar hypocrisy'' LABO possibly an abbreviation for laboratory This painting was originally sold in Sotheby's sale of Russian Avant-Garde and Soviet Contemporary Art held in Moscow in 1988. Vadim Zakharov introduced his paintings in the catalogue with the line: ''When you speak too often of one thing only, you begin to realise the absurdity of what is spoken about and of what is passed over in silence''. This is a theme addressed time and again in the harsh slogans included in his early works. The use of the written word in art was popularised by the Moscow Conceptualists from the circle of Ilya Kabakov and Vladimir Sorokin in the 1980s. Zakharov has since worked using almost every artistic medium including: painting, photography, and video to book art, performance, and installation. His dark sense of humour pervades all of his work and he takes on many personas for the process of their creation. The persona identified with this work and other similar paintings from the 1980s is that of the one-eyed author. Others include the dwarf, the owner of the Madame Schlyuz ballet school and most recently Foolish Pastor Zond from Cologne, who unwisely attempts gets in a fight with a Japanese Sumo-wrestler dressed in a cassock. Zakharov addresses the application of humour in his art in an interview in 2006: ''If an artist has a sense of humour, in the first place he's understandable and in the second he retains a certain distance to himself. All my artist friends from the Moscow Conceptualist School have a good sense of humour, but producing humorous pieces isn't our main objective. It's the inclusion of different or strange points of view that brings in the humour. Humour is a door opener, but underneath it all there are levels that even I don't understand. It's impossible to open all the doors. For me, it's very important to acknowledge that fact and to keep certain territories that I don't understand closed - I really cultivate this. I just leave those areas untouched and integrate them into my work. This is something I would call the ''conceptual unconscious.''
Sotheby's
Feb. 15, 2007
m - VADIM ZAKHAROV, B.1959
Est: £10,000 - £15,000
PROPERTY OF AN ENGLISH NOBLEMAN A-4 A-4 200 by 150cm., 78¾ by 59in. signed in Cyrillic and dated 85 l.m.; signed, titled in Cyrillic and dated 1985 on reverse oil on canvas PROVENANCE Sotheby's Russian Avant-Garde and Soviet Contemporary Art, Moscow, 7 July 1988, Lot 112 EXHIBITED Moscow, 1st Exhibition of the Avant-gardist's Club, 1987 Moscow, Hermitage Association, 1987 LITERATURE V. Zakharov, Elefanten stören das Leben, Durch 2, Graz 1987, p.44 (illustrated) E.A. Peschler (ed.), Künstler in Moskau, Edition Stemmle, Zürich, 1988 NOTE The translation of the Russian lettering in the painting is as follows: ''You one-eyed creature! You ugly brute! I curse your vulgar hypocrisy.'' (left)
Sotheby's
Apr. 26, 2006
VADIM ZAKHAROV
Est: $5,000 - $6,000
COURTESY OF THE ARTIST RUSSIAN, B. 1959 UNTITLED, 1986 measurements 13 3/4 by 19 1/8 in. alternate measurements 35 by 49 cm oil on board
Sotheby's
Apr. 26, 2006
VADIM ZAKHAROV
Est: $10,000 - $15,000
RUSSIAN, B. 1959 APOCRYPHA measurements 19 3/4 by 189 in. alternate measurements 50 by 480 cm signed in Cyrillic (on the reverse) wood, paper, photographs EXHIBITED Jerusalem, The Israel Museum, Pilgrimages with A Flying Video Camera, August 30th -- December 7th, 2002 CHILUFIM. Cat., Ausst.: Israel Museum, Jerusalem/Herzliya Museum of Art/ Kunstmuseum Bonn/Kaiser Wilhelm Museum, Krefeld/Museum am Ostwall, Dortmund. - Kultursekretarieat NRW, Wupperthal, 2002 LITERATURE Tretyakov State Gallery and Stella Art Gallery, Vadim Zakharov, 25 Years on One Page, Interros Bookpublishing Program, Moscow, 2006, pp. 89-103, pp.101-103, illustrated NOTE Practically all the works I did in my one-and-a-half month stay in Israel were based on searching for depth in material that was already familiar, trivial, and spent, in spaces that have long since been abandoned by the producers of contemporary culture. I addressed narratives and themes that are no longer of interest to contemporary commentary, as it were, places that no one pays attention to anymore because they have already been described so exhaustively. This is why I devoted my attention to a theme that everyone is sick of, namely the Bauhaus in Tel Aviv. With my video camera, I filmed around seventy Bauhaus buildings in "old style" mode. This material was then transformed into the Bauhaus Torah. The Apocrypha series stems from the same technique. I visited places on which millions of volumes have already been written, where millions of people have already been and taken millions of photos and video films. At these places -- the Church of the Nativity, the Garden of Gethsemane, the Masada fortress, etc. -- I threw the switched-on video camera into the air, improvising (while it flew up and fell) a video report, in which everything that is already well-known was described in a completely different way. What was important to me was to relate the following things to one another: tradition and modern technology, absurdity and religious experience, humor and kitsch, the stupidity of actions and their clever results and, lastly, the joy in companionship and the felicity of solitude. --Vadim Zakharov
Sotheby's