Loading Spinner

Petr Zacharovic Zacharov Sold at Auction Prices

Portrait painter

Pyotr Zakharovich Zakharov-Chechenets (1816 – 1846) was a Russian painter of Chechen origin. He is believed to be the only professional painter of Chechen origin in the 19th century.

In 1819, during the Caucasian War Russian troops found a dead woman and a dying wounded three-year-old baby in the Chechen aul Dady-Yurt. The commander-in-chief of the Russian army Aleksey Petrovich Yermolov ordered military medics to do everything possible to save this baby despite all medical advice saying that it was impossible. Against all the odds, the baby survived.[3] The baby was given for nursing to Cossack Zakhar Nedonosov. From the name of this Cossack, the baby got his surname and patronymic.[4] Later Pyotr appended the word Chechenets to his surname in order to show his ethnic identity.

At the age of seven, Pyotr was adopted by Major-General Pyotr Yermolov, Commander of a Georgian Grenadier regiment and a cousin of Aleksey Petrovich Yermolov.[3] Pyotr Yermolov liked Zakharov very much and, despite having seven children of his own, treated him as his own son.[2]

The boy showed talent in painting and Pyotr Yermolov tried to send him to the Imperial Academy of Arts in Saint Petersburg but the president of the Academy, Aleksey Olenin, claimed that the 10-year-old boy was too young to study at the Academy and recommended hiring a private teacher. So, the boy got lessons from the portraitist Lev Volkov.

Eventually, at the age of 17, Zakharov entered the Academy. He graduated in 1835 with a diploma of Free Artist and was recommended for a scholarship to study art in Italy. The trip might have been helpful for both his artistic growth and for his health, which had begun to show signs of tuberculosis. However, his name was withdrawn from the list for the scholarship by Emperor Nicholas I of Russia who insisted that national minorities (inorodtsy) should not benefit from the Academy's scholarships.[4] Another misfortune followed as Zakarov's first teacher, Lev Volkov, refused to allow his daughter to marry Zakharov despite the young people being in love. Instead Volkov had her sent to relatives in the Caucasus with an order to marry her off to any first-comer just to stop the affair.[4]

Zakharov soon became a fashionable portraitist. His clients included the favorite daughter of Nicholas I, Grand Duchess Maria Nikolayevna and her future husband Maximilian, Duke of Leuchtenberg.[3] In 1837, he was admitted to the state service as an Artist in the Military Department.[3] In 1842, his Portrait of Aleksey Petrovich Yermolov qualified him to become a member of the Academy of Arts.[5]

On 14 January 1846, Zakharov married, but their happiness was short. On 13 June 1846, his wife died from tuberculosis. Zakharov died from the same disease a few months later.[3]

Many works of Zakharov-Chechenets are kept in the Tretyakov Gallery and in the Russian Museum. The Art Museum in the capital of Chechnya, Grozny also used to have many of his works including his Selfportrait, and Portrait of I.F. Ladygensky. In 1995 during the First Chechen War the Grozny Museum was heavily damaged and the paintings were all but destroyed. Since 1995, they are being restored at the Grabar Restoration Center in Moscow.[1]

Read Full Artist Biography

0 Lots

Sort By:

Categories

    Auction Date

    Seller

    Seller Location

    Price Range

    to
    • ZAKHAROV, PETR (1816-1846) Family Portrait
      Nov. 29, 2017

      ZAKHAROV, PETR (1816-1846) Family Portrait

      Est: £200,000 - £300,000

      ZAKHAROV, PETR (1816-1846) Family Portrait, signed "Zakharov.Da=/daiurtskii.-" and dated "18 IV/X 40". Oil on canvas, 67 by 54.5 cm. Provenance: Collection of Yan Shapiro, Moscow. Important private collection, Europe. Authenticity of the work has been confirmed by the experts L. Markina and I. Lomize. Exhibited: Vystavka P. Z. Zakharova-Chechentsa, Museum of V. A. Tropinin and Moscow Artists of His Time, Moscow, December 1986–June 1987 (label on the stretcher). Literature: N. Shabaniants, “Poiski i nakhodki. Taina zagadochnykh bukv”, Groznenskii rabochii, No. 266, 19 November 1978, illustrated and mentioned in the text. T. Mazaeva, The Artist Petr Zakharov (Chechenets), PhD thesis, Leningrad, 1982, pp. 334–335, illustrated. L. Markina, “Raboty khudozhnika Petra Zakharova v sobranii Tretiakovskoi galerei”, The Tretyakov Gallery Magazine, No. 3, 2011, p. 90, illustrated. K. Ibragimov, Akademik Petr Zakharov, Grozny, Izdatelstvo M. i V. Kotliarovykh, 2013, pp. 167 and 168, illustrated. Related literature: For similar works, see N. Shabaniants, Akademik zhivopisi P. Z. Zakharov, Grozny, 1974, p. 16, mentioned in the text. Portraits of members of the family of General Petr Ermolov occupy a special place in the oeuvre of the remarkable 19th century artist Petr Zakharov. His work has long been dispersed among the major museum collections – the Hermitage, the Russian Museum, the Tretyakov Gallery, the Tropinin Museum and others – but is extremely rarely encountered in private collections. Accordingly, the appearance on the market of this portrait of Anna Grigorievna Ermolova may be regarded as a unique phenomenon. If we are to believe the words of a contemporary of Zakharov, “Briullov regarded him as the best portrait painter after himself”. Family Portrait, however, is a work that certainly bears the stamp of “The Great Karl’s” influence. The portrait’s composition with its mass of carefully-rendered details, despite a certain constraint in the treatment of the children, is distinguished by its exquisite pearlised palette and may be considered one of the artist’s best works. The work boasts exceptional provenance – it belonged to the famous Moscow art collector Yan Shapiro.

      MacDougall's
    • ZAKHAROV, PETR (1816-1846) - Portrait of Anna Grigorievna Ermolova with Her Children
      Jun. 05, 2013

      ZAKHAROV, PETR (1816-1846) - Portrait of Anna Grigorievna Ermolova with Her Children

      Est: £350,000 - £500,000

      ZAKHAROV, PETR (1816-1846) Portrait of Anna Grigorievna Ermolova with Her Children , signed "Zakharov.Da=/dayurtskii.-" and dated "18 IV/X 40". Oil on canvas, 67 by 54.5 cm. Provenance: Collection of Ya.M. Shapiro, Moscow. Private collection, Europe. Authenticity of the work has been confirmed by the experts L. Markina and I. Lomize. Exhibited: Vystavka P.Z. Zakharova-Chechentsa, Museum of V.A. Tropinin, Moscow, December 1986 - June 1987 (label on the stretcher). Literature: N. Shabanyants, "Poiski i nakhodki. Taina zagadochnykh bukv", Groznenskiy rabochiy, No. 266, 19 November 1978, illustrated and mentione T. Mazaeva, The Artist Petr Zakharov (Chechenets), PhD thesis, Leningrad, 1982, pp. 334-335, illustrated. L. Markina, "Raboty khudozhnika Petra Zakharova v sobranii Tretyakovskoi galerei", The Tretyakov Gallery Magazine, No. 3, 2011, p. 90, illustrated. Related Literature: N. Shabanyants, Akademik zhivopisi P.Z. Zakharov, Grozny, 1974, the work is mentioned on p. 16. Portraits of members of the family of General Petr Ermolov occupy a special place in the oeuvre of the remarkable 19th century artist Petr Zakharov. His work has long been dispersed among the major museum collections - the Hermitage, the Russian Museum, the Tretyakov Gallery, the Tropinin Museum and others - but is ex- tremely rarely encountered in private collections. Accordingly, the appearance on the market of this portrait of Anna Grigorievna Ermolova, which comes from the famous Moscow collector Yan Moiseevich Shapiro, may be regarded as a unique phenomenon. The political story of the Caucasus and the private story of the Ermolov family were closely intertwined in the life and work of the artist who, academics believe, served as the prototype for Lermontov's poem Mtsyri (The Novice). Neither his original name, nor his exact date of birth is known. The boy had been found in 1819 as a three year-old in the Chechen village Dadi-Yurt, destroyed by Russian troops in the course of a punitive expedition. He was brought to the Commander-in-Chief, Aleksey Petrovich Ermolov who ordered the army medics to do everything possible to save the wounded child and, when the boy was better, handed over his upbringing to his Cossack batman Zakhar Nedonosov, from whom the future artist Petr Zakharovich Zakharov received his surname and patronymic. Soon after military operations ended, the boy's upbringing was taken over by Major General Petr Nikolaevich Ermolov, a cousin of the Proconsul of the Caucasus. He soon noticed his adopted son's propensity for drawing and before long sent Petr to St Petersburg for artistic training. On graduating from the Academy and receiving the title "free artist", he settled in St Petersburg, where he painted commissioned portraits, signing them "Zakharov of the Chechens" or "Zakharov the Chechen". All his life the artist remained devoted to his guardian family and he created a whole gallery of images of the Ermolovs - a portrait of Petr Nikolaevich Ermolov, a portrait of his children, the portrait here at auction of his wife Anna Grigorievna Ermolova, née Obolenskaya, with the children, a group portrait of the Ermolov family and, lastly, the famous portrait of Aleksey Petrovich Ermolov, that hero of the 1812 war and Proconsul of the Caucasus who had once decided the fate of the captive Chechen boy. It was for this portrait that Zakharov received the title of Academician. If we are to believe the words of a contemporary of Zakharov, "Briullov regarded him as the best portrait painter after himself". Portrait of Anna Grigorievna Ermolova with Her Children, however, is a work that certainly bears the stamp of "The Great Karl's" influence. The portrait's composition with its mass of carefully-rendered details, despite a certain constraint in the treatment of the children, is distinguished by its exquisite pearlised palette and may be considered one of the artist's best works.

      MacDougall's
    Lots Per Page: