Franziska Zach Paintings & Artwork for Sale | Franziska Zach Art Value Price Guide

May. 28, 2024
FRANZISKA ZACH (Losenstein 1900 - 1930 Paris)
Est: €400 - €600
FRANZISKA ZACH (Losenstein 1900 - 1930 Paris) Hilly landscape watercolor/paper, 17,4 x 22 cm verso estate stamp Franziska Zach exhibited 2000 in the Zach-Personale at the Anton Hanak Museum provenance: family of the artist, collection Chrastek ESTIMATE °€ 400 - 600 STARTING PRICE °€ 400 Franziska Zach attended the College for the Textile Industry/Fachschule für Textilindustrie in Vienna. After that, she received her artistic education at the School of Applied Art/Kunstgewerbeschulefrom 1917 to 1924 from Oskar Strnad, Alfred Böhm, Alfred Roller, Erich Mallina, Wilhelm Müller-Hofmann, and Adele Stark and in 1923/24 from Josef Hoffmann at the workshop for enamel painting. She acquired her own furnace and produced enamel vessels and later mostly enamel pictures. In 1926, she was commissioned to decorate a little chapel near Heiligenblut with frescoes. The women artists' association "Wiener Frauenkunst" accepted her as a member. She regularly participated in the exhibitions of "Wiener Frauenkunst", some of which were held in the space of the Hagenbund. In 1929, she exhibited at the Hagenbund on a guest ticket. For her works created in Paris she received the Prize of the City of Vienna/Preis der Stadt Wien in the summer of 1930. The Hagenbund co-opted her as a member while she was already considered a great new hope among young artists. In 1927, she stayed in southern France, and in 1928 she travelled to England, invited by friends. There, she made the acquaintance of a lady who became her patron. This enabled her to spend some time in Ireland and, starting in 1930, to afford a studio in Paris. Immediately before her first one-person show in Fance, she died of a gastric disease. The art world largely forgot about her, until she was duely rediscovered in connection with the great Hagenbund exhibition of the Austrian Gallery/to the high quality of the artist's work, are known to exist. Literature: Sabine Plakolm-Forsthuber: Künstlerinnen in Österreich 1897 - 1938, Vienna 1994; exhibition catalogue, Blickwechsel und Einblick. Sonderausstellung des Historischen Museums der Stadt Wien, Vienna 1999; exhibition catalogue, Die verlorene Moderne. Der Künstlerbund Hagen 1900-1938, Ausstellung der Österreichischen Galerie im Schloß Halbturn, Vienna 1993; exhibition catalogue, Enthüllt. Ein Jahrhundert Akte Österreichischer Künstlerinnen; Frauenbad Baden und Galerie im Stadthaus Klagenfurt, Klagenfurt 1998 PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
Widder Auctions
May. 28, 2024
FRANZISKA ZACH (Losenstein 1900 - 1930 Paris)
Est: €150 - €250
FRANZISKA ZACH (Losenstein 1900 - 1930 Paris) Playing boy woodcut/paper, 16,4 x 16 cm estate stamp Zach provenance: family of the artist, collection Chrastek ESTIMATE °€ 150 - 250 STARTING PRICE °€ 150 Franziska Zach attended the College for the Textile Industry/Fachschule für Textilindustrie in Vienna. After that, she received her artistic education at the School of Applied Art/Kunstgewerbeschulefrom 1917 to 1924 from Oskar Strnad, Alfred Böhm, Alfred Roller, Erich Mallina, Wilhelm Müller-Hofmann, and Adele Stark and in 1923/24 from Josef Hoffmann at the workshop for enamel painting. She acquired her own furnace and produced enamel vessels and later mostly enamel pictures. In 1926, she was commissioned to decorate a little chapel near Heiligenblut with frescoes. The women artists' association "Wiener Frauenkunst" accepted her as a member. She regularly participated in the exhibitions of "Wiener Frauenkunst", some of which were held in the space of the Hagenbund. In 1929, she exhibited at the Hagenbund on a guest ticket. For her works created in Paris she received the Prize of the City of Vienna/Preis der Stadt Wien in the summer of 1930. The Hagenbund co-opted her as a member while she was already considered a great new hope among young artists. In 1927, she stayed in southern France, and in 1928 she travelled to England, invited by friends. There, she made the acquaintance of a lady who became her patron. This enabled her to spend some time in Ireland and, starting in 1930, to afford a studio in Paris. Immediately before her first one-person show in Fance, she died of a gastric disease. The art world largely forgot about her, until she was duely rediscovered in connection with the great Hagenbund exhibition of the Austrian Gallery/to the high quality of the artist's work, are known to exist. Literature: Sabine Plakolm-Forsthuber: Künstlerinnen in Österreich 1897 - 1938, Vienna 1994; exhibition catalogue, Blickwechsel und Einblick. Sonderausstellung des Historischen Museums der Stadt Wien, Vienna 1999; exhibition catalogue, Die verlorene Moderne. Der Künstlerbund Hagen 1900-1938, Ausstellung der Österreichischen Galerie im Schloß Halbturn, Vienna 1993; exhibition catalogue, Enthüllt. Ein Jahrhundert Akte Österreichischer Künstlerinnen; Frauenbad Baden und Galerie im Stadthaus Klagenfurt, Klagenfurt 1998 PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
Widder Auctions
Nov. 23, 2023
Fieldwork
Est: €1,800 - €2,000
Mixed media on paper stamp signature lower right passepartoutcutout: 12,8 x 9,6 in framed The artist Franziska Zach, like many other women artists, was forgotten for a long time and was only gradually rediscovered in the 1990s. The large exhibition on the Hagenbund artists' association in 1993 at Halbturn Castle played a decisive role in Franziska Zach regaining attention. She devoted herself mainly to rural themes and painted numerous landscapes as well as depictions of the rural population. Her extensive oeuvre includes over a hundred oil paintings, many enamel works and drawings.
Lehner Kunstauktionen
Nov. 23, 2023
Sitting Couple
Est: €1,000 - €1,400
Mixed media on paper stamp signature lower right passepartout cutout: 6,5 x 4,9 in framed The artist Franziska Zach, like many other women artists, was forgotten for a long time and was only gradually rediscovered in the 1990s. The large exhibition on the Hagenbund artists' association in 1993 at Halbturn Castle played a decisive role in Franziska Zach regaining attention. She devoted herself mainly to rural themes and painted numerous landscapes as well as depictions of the rural population. Her extensive oeuvre includes over a hundred oil paintings, many enamel works and drawings.
Lehner Kunstauktionen
Nov. 23, 2023
Fieldwork
Est: €1,800 - €2,000
Mixed media on paper stamp signature lower right passepartoutcutout: 12,8 x 9,6 in framed The artist Franziska Zach, like many other women artists, was forgotten for a long time and was only gradually rediscovered in the 1990s. The large exhibition on the Hagenbund artists' association in 1993 at Halbturn Castle played a decisive role in Franziska Zach regaining attention. She devoted herself mainly to rural themes and painted numerous landscapes as well as depictions of the rural population. Her extensive oeuvre includes over a hundred oil paintings, many enamel works and drawings.
Lehner Kunstauktionen
Nov. 23, 2023
Sitting Couple
Est: €1,000 - €1,400
Mixed media on paper stamp signature lower right passepartout cutout: 6,5 x 4,9 in framed The artist Franziska Zach, like many other women artists, was forgotten for a long time and was only gradually rediscovered in the 1990s. The large exhibition on the Hagenbund artists' association in 1993 at Halbturn Castle played a decisive role in Franziska Zach regaining attention. She devoted herself mainly to rural themes and painted numerous landscapes as well as depictions of the rural population. Her extensive oeuvre includes over a hundred oil paintings, many enamel works and drawings.
Lehner Kunstauktionen
Nov. 25, 2022
Adoration of the Kings
Est: €1,200 - €1,400
Ink on paper Signature stamp lower right 12,8 x 9,8 in
Lehner Kunstauktionen
Nov. 25, 2022
Adoration Scene
Est: €1,000 - €1,200
Ink on paper Signature stamp lower right 4,4 x 9,8 in
Lehner Kunstauktionen
Jun. 09, 2022
Mixed Lot: Saint / Two Women / Portrait with Dove / Musican in the Wood
Est: €1,000 - €1,200
Mixed Lot: Saint / Two Women / Portrait with Dove / Musican in the Wood Each Ink Brush Drawings on Paper Saint with Estate Stamp lower right Saint: 12,9 x 9,7 in / Two Ladies: 6,7 x 6,4 in / Portrait with Pigeon: 4,8 x 3,5 in / Musician in the Woods: 9,4 x 5,3 in Two women: glued tear in the central axis (approx. 12 cm)
Lehner Kunstauktionen
Jun. 09, 2022
Field Working
Est: €800 - €1,000
Field Working Mixed Media on Paper Estate Stamp lower right Passepartout Outcut unopened: 7,9 x 5,2 in framed
Lehner Kunstauktionen
May. 19, 2022
FRANZISKA ZACH (Losenstein 1900 - 1930 Paris)
Est: €50 - €100
FRANZISKA ZACH (Losenstein 1900 - 1930 Paris) Midday Rest woodcut/paper, 16,5 x 12,2 cm verso estate stamp Franziska Zach, collection Chrastek Provenance: private property Vienna ESTIMATE °€ 50 - 100 Austrian painter, graphic artist, enamel and fresco artist of the 20th century. Counts among the so-called lost or forgotten generation. Attended the Technical School for Textile Industry in Vienna, 1917 to 1924 training at the School of Arts and Crafts with Oskar Strnad, Alfred Böhm, Alfred Roller, Erich Mallina, Wilhelm Müller-Hofmann, Adele Stark. 1923/1924 in the workshop for enamel painting with Josef Hoffmann, then his own workshop for enamel work. Exhibited as a guest and associate member of the Hagenbund. Member of the artists' association Wiener Frauenkunst. In the 1920s travels to Paris, southern France and England. 1930 Studio in Paris, friendship with Josef Floch. Created mainly landscapes, still lifes, portraits, genre and history paintings, and frescoes. Influence of Josef Floch and Georg Merkel recognizable. Zach attended the Technical School for the Textile Industry in Vienna and then received her training at the School of Applied Arts from 1917 to 1924 with Oskar Strnad, Alfred Böhm, Alfred Roller, Erich Mallina, Wilhelm Müller-Hofmann, Adele Stark and from 1923 to 1924 with Josef Hoffmann in the workshop for enamel painting. She acquired her own kiln and made vessels from enamel, later mainly enamel pictures. In 1926 she was commissioned to paint frescoes in a small prayer chapel near Heiligenblut. The artists' community "Wiener Frauenkunst" accepted her as a member. She regularly took part in the exhibitions of "Viennese women's art", some of which took place in the rooms of the Hagenbund. In 1929 she exhibited as a guest in the Hagenbund and later became an extraordinary member. In 1927 she stayed in southern France and in 1928, following an invitation from friends, went to England, where she found a patron. This enabled her further stays in Ireland and a studio in Paris, which she maintained from 1930. In the summer of 1930 she received the Prize of the City of Vienna for her works created in Paris. Shortly before her first solo exhibition in France, she died of a stomach ailment. After her death, Zach was initially forgotten, only to be rediscovered in the large Hagenbund exhibition at the Österreichische Galerie Belvedere. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° in the catalog), a premium of 24% is added to the highest bid. The mandatory sales tax of 13% is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
Widder Auctions
Nov. 27, 2007
Franziska Zach(Losenstein near Steyr, Upper
Est: €5,000 - €7,000
Franziska Zach(Losenstein near Steyr, Upper Austria, 1900-1930 Vienna) Rinsing laundry, signed Zach, inscribed on the reverse 126. Fr. Zach 1930, Komposition, 54 x 64 cm, oil on canvas, 65 x 54 cm, on a stretcher, (K)Provenance: private property, Lower Austria
Dorotheum
Nov. 27, 2007
Franziska Zach(Losenstein near Steyr, Upper
Est: €5,000 - €7,000
Franziska Zach(Losenstein near Steyr, Upper Austria, 1900-1930 Vienna) "Landscape", signed and dated Zach 29, inscribed on the reverse No. 41 Fr. Zach 1929 Landschaft 60 x 50, oil on canvas, 50 x 60 cm, on a stretcher, (K)Provenance: private property, Lower AustriaAssociate member of the Hagenbund; member of "Wiener Frauenkunst".Attended the Technical School of the Textile Industry in Vienna and from 1917 to 1920, the General Department of the School of Arts and Crafts, where she studied with O. Strnad and A. Böhm; in 1920/23, she studied at the Department of Painting under Wilhelm Müller-Hofmanns and in 1923/24, in Josef Hoffmann's Enamelling Workshop. She first appeared in public with enamels in an exhibition on Christian art (Vienna Secession, 1925), in the Paris International Arts and Crafts Exhibition (1925), in the European Arts and Crafts exhibition (Leipzig 1927), and in the exhibition Neue christliche Kunst (Munich, Crystal Palace, 1927). Later she also practiced fresco painting, executing wall paintings for a chapel on the Großglockner mountain range, in Reitenau Castle (Styria), and in the villa of Dr. Pelzer in Hietzing in Vienna. In 1928 she undertook a study trip to Ireland, and in 1929 travelled to Corsica via Avignon. In 1930 she settled in Paris, where she participated in the Salon d'automne with four paintings. In 1928 she executed portraits of her mother and of the sculptor Santifaller, a self-portrait, and the group portrait The Family; in 1930 she did another self-portrait (repr. in: Kunst und Künstler, 29 [1930/31] 403), Still Life with a Red Cloth, and French Working-Class Women (owned by the das Wiener Städtische Sammlungen). In a number of Compositions she attempted to deal with figural problems that had been adressed in recent exhibitions on French art (May 1931, Wiener Hagenbund) and Viennese women artists (October 1932). See Thieme-Becker, vol. XXXVI, p. 376.
Dorotheum