John Wootton Paintings & Artwork for Sale | John Wootton Art Value Price Guide

Sep. 10, 2024
Attributed to John Wootton (English, 1682-1764), Partridge shooting with a view on the upper Avon, oil on canvas, 76 x 131cm
Est: £5,000 - £7,000
Attributed to John Wootton (English, 1682-1764) Partridge shooting with a view on the upper Avon oil on canvas
Gorringes
Jul. 16, 2024
John Wootton (circa 1682-1764), Horse and cows
Est: $300 - $500
John Wootton (circa 1682-1764) Horse and cows Oil on canvas Artist's monogram, lower right: JW
John Moran Auctioneers
Jun. 12, 2024
John Wootton (1686 - 1764), A panoramic English landscape
Est: £6,000 - £8,000
John Wootton (1686 - 1764) A panoramic English landscape Oil on canvas, unstretched and rolled An extraordinarily rare, enormous, panoramic landscape by John Wootton. The painter is one of the first English artists to paint landscapes for its own sake, while better known for his sporting and equestrian subjects and considered the forerunner to George Stubbs. Here, Wootton explores pure landscape taking his inspiration from the Neo-classicists such as Gaspard Dughet. This particularly rare canvas appears never to have been on a stretcher (possibly because of its vast scale). The paint surface has remained in beautifully untouched condition and although crying out for a clean and a relining, it presents a collector with a unique opportunity to acquire a historically important and beautiful early English landscape painting. Provenance: Collection of John Hall, Charnes and Boughton Estates, North Straffordshire, since circa 1920; Thence by descent Dimensions: 90 in. (H) x 134 in. (W)
Sloane Street Auctions
Dec. 29, 2023
John Wootton, 1682 - 1765 London, English hunting and
Est: €3,200 - €6,000
John Wootton, 1682 - 1765 London, English hunting and landscape painter, student of JohnWyck (1652-1700), busy harbor landscape with an anchored galleon, foreground with two debating English noblemen and a horse-drawn cart, based on Lorrains and Poussin's Arcadianlandscapes of the 17th century, signed and dated 1757 lower right, heavily restored, gilded magnificent frame, approx. 74x61/89x77 cm . German Description: John Wootton, 1682 - 1765 London, englischer Jagd- u. Landschaftsmaler, Schüler von John Wyck (1652-1700), belebte Hafenlandschaft mit vor Anker liegender Galeone, Vordergrund mit zwei debattierenden englischen Edelmännern u. einem Pferdefuhrwerk, orientiert an den arkadischen Landschaften Poussins u. Claude Lorrains d. 17.Jh., rechts unten signiert u. datiert 1757, stark rest., vergoldeter Prunkrahmen, ca. 74x61/89x77 cm
Henry's Auktionshaus
Nov. 08, 2023
Follower of John Wootton (British, 1682-1764), Late 18th/Early 19th Century A Family of Dogs in a Landscape unframed
Est: £9,000 - £12,000
Follower of John Wootton (British, 1682-1764), Late 18th/Early 19th Century A Family of Dogs in a Landscape oil on canvas 78 x 117cm (30 11/16 x 46 1/16in). unframed
Bonhams
Jun. 29, 2023
Attributed to John Wootton (1686 - 1764), Horses and elegant company on Newmarket Heath
Est: £3,000 - £5,000
Attributed to John Wootton (1686 - 1764)Horses and elegant company on Newmarket HeathOil on canvasProvenance:Earl of DundonaldDimensions:(Canvas) 9 in. (H) x 30 in. (W)(Frame) 12.5 in. (H) x 33.5 in. (W)? (delta)
Sloane Street Auctions
Jun. 28, 2023
John Wootton (c.1682-1764)
Est: £20,000 - £30,000
John Wootton (c.1682-1764) A bay Arabian stallion being led by a groom, a hound nearby, with a rider and grey horse watering on the far right signed indistinctly lower centre left 'J W...' oil on canvas 65 x 116cm Provenance: Acquired by Algernon Dunn Gardner (1853-1929) from Fores of Piccadilly on 18th July 1913, as of 'The Darley Arabian', Thence by descent Though much later prints after the present painting identify the horse as the Darley Arabian and show the animal as having three white socks and a white blaze, recent cleaning and conservation showed two of the socks to be overpaint and the blaze was reduced to a star and thus in the opinion of David Oldrey, to whom we are grateful for assistance with this catalogue entry, the horse cannot be the great Arab stallion, the Darley Arabian. He proposes as an alternative bloodline that of the Leedes Arabian, which was a bay with a rear left white sock as was his son, Leeds (or Leedes) and thus the present animal which from the clothes of the accompanying figures must date from at least circa 1730, or later, is probably the grandson or great-grandson of the Leeds Arabian. Oil on canvas which has been lined. The canvas tension is good and the picture is in plane. The painting has a prominent network of age cracks, more noticeable in the sky where they have darkened with age. The paint layer is stable overall. There is some wear and abrasion to the paint layer. Areas of retouching are not extensive and are well matched to the original. The varnish is semi-matte and even with a light layer of dust across the surface. The frame is in a good condition.
Cheffins
Jun. 17, 2023
John Wootton, Umkreis
Est: €900 - €1,800
John Wootton Um 1686 - 1764 Umkreis des - Ruinenlandschaft mit Schafen - Öl/Lwd. Doubl. 89 x 121 cm. Rahmen. Rest. Angeschmutzt.
Das Kunst- und Auktionshaus Kastern GmbH & Co KG
May. 25, 2023
JOHN WOOTTON (1686-1764) 'The Bloody Shoulder'd Arabian' oil on canvas 39 1
Est: £50,000 - £80,000
JOHN WOOTTON (1686-1764) 'The Bloody Shoulder'd Arabian' oil on canvas 39 1/2 x 50 in. (101 x 127 cm.)
Christie's
Sep. 22, 2022
John Wootton, um 1682 – 1765
Est: €6,800 - €9,000
Hafenlandschaft mit zwei Kavalieren und ihren Pferden, 1757 Öl auf Leinwand. Doubliert. 73,5 x 61 cm. Rechts unten signiert und datiert „J. Wootton 1757“. In dekorativem vergoldetem Rahmen. Im diesigen Licht eines Spätnachmittags Blick auf eine Hafenbucht mit mehreren beflaggten Segelschiffen und am Ufer einem großen hölzernen mit Figuren besetzten Kahn. Im Vordergrund am Ufer zwei elegante Kavaliere mit ihren stattlichen Pferden, davon einer stehend in Rückenansicht mit Dreispitz und leuchtend rotem Umhang. Neben diesen beiden eine Frau mit einem kleinen Kind an ihrer rechten Hand, denen ein Hund voranläuft. Linksseitig ein großer, schwer beladener Ochsenkarren, auf dem ein Mann ruht, während ein Weiterer mit Hund den beiden Tieren voranschreitet. Das Bild wird linksseitig gerahmt von einem mit Sträuchern und kleinen Bäumen bewachsenen Felsenstück, während am rechten Bildrand ein weiterer Felsen zu sehen ist mit einem großen Baum, von dem ein weit verzweigter Ast nach links in den überwiegend beige-braunen Himmel ragt. Malerei in überwiegend monochromer Farbigkeit, aufgelockert durch einige rötliche Farbakzente und Herausstellung der beiden Pferde, für deren Darstellung der Maler auf vielen Gemälden bekannt war. John Wootton war ein englischer Maler von Sportthemen, Schlachtenszenen und Landschaften. Er gilt als Pionier in der Malerei von Sportthemen und galt, zusammen mit zwei weiteren, zu seiner Zeit als der beste Praktiker dieses Genres. Solche Gemälde von ihm wurden von den höchsten Schichten der britischen Gesellschaft gesucht. Dazu gehörten Georg II von Großbritannien, Friedrich Prinz Wales und der Herzog von Marlborough. Er war bis zu seinem Tod 1765 aktiv tätig und in der Hauptstadt des englischen Pferderennsports in New Market ansässig. (1320801) (18) John Wootton, ca. 1682 – 1765 HARBOUR LANDSCAPE WITH TWO CAVALIERS AND THEIR HORSES, 1757 Oil on canvas. Relined. 73.5 x 61 cm. Signed and dated “J. Wootton 1757” lower right.
Hampel Fine Art Auctions
Jun. 30, 2022
John Wootton, um 1682 – 1765
Est: €8,000 - €12,000
HAFENLANDSCHAFT MIT ZWEI KAVALIEREN UND IHREN PFERDEN, 1757 Öl auf Leinwand. Doubliert. 73,5 x 61 cm. Rechts unten signiert und datiert „J. Wootton 1757“. In dekorativem vergoldetem Rahmen. Im diesigen Licht eines Spätnachmittags Blick auf eine Hafenbucht mit mehreren beflaggten Segelschiffen und am Ufer einem großen hölzernen mit Figuren besetzten Kahn. Im Vordergrund am Ufer zwei elegante Kavaliere mit ihren stattlichen Pferden, davon einer stehend in Rückenansicht mit Dreispitz und leuchtend rotem Umhang. Neben diesen beiden eine Frau mit einem kleinen Kind an ihrer rechten Hand, denen ein Hund voranläuft. Linksseitig ein großer, schwer beladener Ochsenkarren, auf dem ein Mann ruht, während ein Weiterer mit Hund den beiden Tieren voranschreitet. Das Bild wird linksseitig gerahmt von einem mit Sträuchern und kleinen Bäumen bewachsenen Felsenstück, während am rechten Bildrand ein weiterer Felsen zu sehen ist mit einem großen Baum, von dem ein weit verzweigter Ast nach links in den überwiegend beige-braunen Himmel ragt. Malerei in überwiegend monochromer Farbigkeit, aufgelockert durch einige rötliche Farbakzente und Herausstellung der beiden Pferde, für deren Darstellung der Maler auf vielen Gemälden bekannt war. Vereinzelt Retuschen. John Wootton war ein englischer Maler von Sportthemen, Schlachtenszenen und Landschaften. Er gilt als Pionier in der Malerei von Sportthemen und galt, zusammen mit zwei weiteren, zu seiner Zeit als der beste Praktiker dieses Genres. Solche Gemälde von ihm wurden von den höchsten Schichten der britischen Gesellschaft gesucht. Dazu gehörten Georg II von Großbritannien, Friedrich Prinz Wales und der Herzog von Marlborough. Er war bis zu seinem Tod 1765 aktiv tätig und in der Hauptstadt des englischen Pferderennsports in New Market ansässig. (1320801) (18) John Wootton, ca. 1682 – 1765 HARBOUR LANDSCAPE WITH TWO CAVALIERS AND THEIR HORSES, 1757Oil on canvas. Relined. 73.5 x 61 cm. Signed and dated “J. Wootton 1767” lower right.
Hampel Fine Art Auctions
Mar. 30, 2022
Â§ STUDIO OF MIGUEL CANALS (SPANISH 1925-1995) AFTER JOHN WOOTTON (BRITISH C.1682-1765)
Est: £1,000 - £2,000
Â§ STUDIO OF MIGUEL CANALS (SPANISH 1925-1995) AFTER JOHN WOOTTON (BRITISH C.1682-1765) STUDIO OF MIGUEL CANALS (SPANISH 1925-1995) AFTER JOHN WOOTTON (BRITISH C.1682-1765) Portrait of a gentleman on a dark bay hunter with a hound in an extensive landscape signed with studio stamp CANALS STUDIO PAINTING (on the reverse) oil on canvas 140 x 128 cm
Chiswick Auctions
Dec. 14, 2021
John Wootton (British 1686-1765), Figures before a ruined abbey
Est: £15,000 - £25,000
John Wootton (British 1686-1765)Figures before a ruined abbey in an Italianate landscape With strengthened signature (lower left) Oil on canvas 208.28 x 177.8cm (82 x 70 in.) It has been suggested that the building may be part of Rievaulx Abbey, Yorkshire. A fuller depiction of the Abbey, by Wootton, is in the Yale Center for British Art, Newhaven, Connecticut. Provenance:Christie's, London, 12th July 1991, lot 64A (£40-60,000)
Dreweatts 1759 Fine Sales
Nov. 27, 2021
John Wootton, 1682 - 1765 London, English hunting and
Est: €4,600 - €7,000
John Wootton, 1682 - 1765 London, English hunting and landscape painter, pupil of John Wyck (1652-1700), lively harbor landscape withan anchored galleon, foreground with two debating English noblemen and a horse-wagon, based on the Arcadian landscapes of Poussin and Claude Lorrain of the 17th century, signedand dated lower right 1757, heavily restrained, gilded splendor frame, approx. 74x61 / 89x77 cm . German Description: John Wootton, 1682 - 1765 London, englischer Jagd- u. Landschaftsmaler, Schüler von John Wyck (1652-1700), belebte Hafenlandschaft mit vor Anker liegender Galeone, Vordergrund mit zwei debattierenden englischen Edelmännern u. eine Pferdefuhrwerk, orientiert an den arkadischen Landschaften Poussins u. Claude Lorrains d. 17.Jh., rechts unten signiert u. datiert 1757, stark rest., vergoldeter Prunkrahmen, ca. 74x61/89x77 cm
Henry's Auktionshaus
Jun. 21, 2021
John Wootton (Snitterfield 1682 - London 1764)
Est: €10,000 - €15,000
An Italianate Coastal Landscape, with Figures by Classical Ruins, a Ferry Beyond Signed and dated 1752 lower left Oil on canvas, 140 x 202.2 cm Provenance: - Auction Christie's, London, 7 July 1988, lot 43 - North Mymms Park Estate, Hertfordshire - Auction Sworders, Stanstet Mountfitchet, 17 April 2018, lot 179 - Private collection, UK - Auction Sotheby's, London, 8 May 2019, lot 52 - Private collection, the Netherlands Please note: condition reports and additional photos are available upon request. For more information: info@aagauctioneers.com
AAG Auctioneers
Jun. 08, 2021
JOHN WOOTTON (SNITTERFIELD 1682-1764 LONDON) A race meeting at Newmarket w
Est: £50,000 - £80,000
JOHN WOOTTON (SNITTERFIELD 1682-1764 LONDON) A race meeting at Newmarket with Tragonwell Frampton (1641-1727) and other... oil on canvas 53 ¼ x 81 1/8 in. (135.2 x 205.7 cm.)
Christie's
Jan. 01, 2021
John Wootton (1682 - 1765)Bust of a Dogoil on canvassigned lower left J. Wootton Pinx, 1734(as is) 17 1/4" x 14 1/2"
Est: $500 - $1,000
John Wootton (1682 - 1765)Bust of a Dogoil on canvassigned lower left J. Wootton Pinx, 1734(as is) 17 1/4" x 14 1/2"
Nadeau's Auction Gallery
Oct. 10, 2020
attrib. to John Wootton painting Royal Hunting Party
Est: $2,500 - $5,000
Wootton, Attributed to John (English 1682/86-1765), The Royal Hunting Party, oil on board, 14.5 x 18 inches, apparently unsigned, framed in a scrolled and gilded antique frame measuring 22 x 25 inches, Provenance: The Estate of Bruce Baker, Pittsburgh, Pa.
Concept Art Gallery
Oct. 01, 2020
John Wootton (British, c. 1682-1764)
Est: £15,000 - £20,000
John Wootton (British, c. 1682-1764) Old Partner held by his jockey in a classical landscape signed indistinctly on the base of the column oil on canvas 99 x 123.5cm Footnote: Provenance: Acquired by Algernon Dunn Gardner (1853-1929) from Fores of Piccadilly on 17th November 1917 for £150 and thence by descent Old Partner, being grandson of the Byerley Turk, continued one of the most important bloodlines in thoroughbred racing in England. Bred at Brocklesby in Lincolnshire by Charles Pelham, he was later owned by George Montague, 2nd and last Earl of Halifax, winning 6 of his 7 races. That only defeat in 1728 to Smiling Ball precipitated his being sent to stud. There, under the care of John Croft, Old Partner was named the leading sire of Great Britain and Ireland in 1737, 1740, 1741 and 1743. His notable progeny included Tartar, Mortons Traveller, Traveller, Golden Ball, Cato and Sedbury.
Cheffins
Oct. 01, 2020
John Wootton (British, c. 1682-1764)
Est: £30,000 - £50,000
John Wootton (British, c. 1682-1764) The Bloody Shouldered Arabian, with an Arab attendant, within classical architecture, a landscape beyond oil on canvas 82 x 120cm Footnote: Provenance: Almost certainly painted for Edward Harley, 2nd Earl of Oxford (1689-1741) in or after 1724 when he succeeded to the earldom, Thereafter at Wimpole Hall, Cambridgeshire, until the estate was sold in 1740 to Philip, 1st Earl of Hardwicke, 2nd Earl of Oxford's deceased sale, London, Mr Cock, 8th March 1741/2 and the five following days, Third Day's Sale, March 10th, lot 15, as "A white horfe, by Mr. Wooton"; Acquired by Algernon Dunn Gardner (1853-1929) probably from Fores of Piccadilly, Thence by descent Literature: Walter Shaw Sparrow, British Sporting Artists , London: John Lane, 1922, p. 110 According to Sparrow (see Literature) there were some nine or ten versions of this painting, which is not surprising since the Bloody Shouldered Arabian is considered one of the most important stallions in English racing bloodlines and since the horse had at least 3 owners in its lifetime. The present version however can reasonably claim to be the prime original since it bears the coat of arms of its first owner, Edward, 2nd Earl of Oxford, who was given it by his uncle, also Edward to whom it had been sent from Aleppo in January 1720 by his brother Nathaniel Harley, who resided there. The Harley family themselves had one other version of the painting which being today at Welbeck Abbey, must have descended through the 2nd Earl of Oxfords only child Margaret who married in 1734 the 2nd Duke of Portland. That version where the coat of arms is replaced by sculpted relief figures, is signed and dated 1724. Yet another version, signed and dated 1723 was acquired by a later Duke of Portland for Welbeck in 1914 and this has since been sold from there. Unlike both those Welbeck versions, the present painting is unusual as other versions included it for having no dog in the foreground. The horse was named after the blood coloured birthmark down its right shoulder and foreleg, to which is ascribed a romantic legend (see Literature, Sparrow, p. 110). The Bloody Shouldered Arabian along with the Darley Arabian, the Godolphin Arabian and the Byerley Turk was, as a true Arab horse, considered at the time a great status symbol, through the considerable problems and costs associated in bringing them to England where at stud they all unquestionably improved the bloodlines of subsequent thoroughbreds. For example, the Bloody Shouldered Arabian was the maternal great-grandsire of Whistlejacket, whose outstanding physical beauty was so famously captured by Stubbs portrait of him now in the National Gallery.
Cheffins
Oct. 01, 2020
John Wootton (British, c. 1682-1764)
Est: £50,000 - £70,000
John Wootton (British, c. 1682-1764) A Bay racehorse being rubbed down at Newmarket oil on canvas 95 x 124cm Footnote: Provenance: Acquired by Algernon Dunn Gardner (1853-1929) from Fores of Piccadilly on 13th November 1913 as incorrectly of Flying Childers for £180 and thence by descent Exhibited: London, 144 Piccadilly, 'In Aid of the London Foot Hospital, The Loan Exhibition of Sporting Pictures held at 144 Piccadilly, W.I., by kind permission of Viscount Allendale', 6th Feb to 20th Feb 1931 The present horse, prior to cleaning in the 1980s, had had its four socks repainted to be irregular, as were those on Flying Childers. Also that animal, considered the first great thoroughbred racehorse of the 18th Century, did not have a long white blaze. The fact the present horse is likewise a bay and has four white socks though now regular in height - may suggest it is a son of Flying Childers.
Cheffins
Oct. 01, 2020
John Wootton (British, c. 1682-1764)
Est: £70,000 - £100,000
John Wootton (British, c. 1682-1764) A Chestnut racehorse held by his jockey at Newmarket signed lower right 'J Wootton fecit' oil on canvas 99 x 125cm Footnote: Provenance: Acquired by Algernon Dunn Gardner (1853-1929) from Fores of Piccadilly on 3rd November 1913 as incorrectly of King Herod for £240 and thence by descent The present horse, prior to cleaning in the 1980s, had been disguised to appear to be King Herod (sired 1758) one of the great stud stallions of the 18th Century. It has been proposed that the present horse may in fact be Sweepstakes, son of the Bloody Shouldered Arabian (see lot 47) but a picture supposedly of Sweepstakes, also by Wootton and dated 1722 was at Christies South Kensington on the 9th of July 2014 (lot 121) and showed an animal with a much darker coat. Sweepstakes was grandsire to the great Whistlejacket and was owned by the 3rd Duke of Bolton (1685-1754) whose colours the jockey here seems to be wearing. Sweepstakes won the Kings plates at Salisbury, Winchester and also at Newmarket. Wootton became famous for his classic single-horse portraits such as the present picture, where he presented his subjects in a classic profile pose, with the form elegantly contoured against a decorous landscape setting (A. Meyer, John Wootton, catalogue for the exhibition, London, 1984, p. 14). Vertue records him as having by his assiduous application & the prudent management of his affairs raisd his reputation & fortune to a great height being well esteemed for his skill in landskip paintings amongst the professors of art & in great vogue & favour with many persons of ye greatest quality (B.M., Add. MSS. 23076, f. 23b.). Although his many patrons included King George II, Frederick Prince of Wales and Sir Robert Walpole and he was regarded as the highest paid artist in England, yet also as a cunning fellow and has made a great interest among the nobility but he is the dirtiest painter I ever saw (Robert Price in a letter of 1741 to Lord Haddington).
Cheffins
May. 22, 2019
John Wootton English, 1682/86-1765 The End of the Hunt
Est: $5,000 - $7,000
John Wootton English, 1682/86-1765 The End of the Hunt Oil on canvas 22 5/8 x 18 1/2 inches (47.4 x 57.5 cm) Provenance: Private collection, Connecticut C
DOYLE Auctioneers & Appraisers
May. 22, 2019
John Wootton English, 1682/86-1765 Fox Hunters at Full Gallop
Est: $5,000 - $7,000
John Wootton English, 1682/86-1765 Fox Hunters at Full Gallop Oil on canvas 18 3/8 x 22 5/8 inches (46.7 x 57.4 cm) Provenance: Private collection, Connecticut C
DOYLE Auctioneers & Appraisers
Dec. 15, 2018
after John Wootton (Britain, 1682-1764), Dancing Dogs
Est: $25 - $25,000
after John Wootton (Britain, 1682-1764), Dancing Dogs oil on canvas, late 20th century, issued by Chelsea House, unsigned, presented in a gilt frame. DOA 37.5 x 45 in. A copy of Wootton's famous painting from 1759 depicting four particolor poodles, currently hanging at Wallington House in Northumberland, England. Additional high-resolution photos are available at LelandLittle.com
Leland Little Auctions
Dec. 07, 2018
John Wootton (Snitterfield, Warwickshire c. 1682-1764 London) - John Churchill, 1st Duke of Marlborough (1650-1722) at the Siege of Tournai
Est: £30,000 - £50,000
John Wootton (Snitterfield, Warwickshire c. 1682-1764 London) John Churchill, 1st Duke of Marlborough (1650-1722) at the Siege of Tournai oil on canvas, unlined 38 3/8 x 49 in. (97.5 x 124.4 cm.)
Christie's
Oct. 30, 2018
JOHN WOOTTON - (SNITTERFIELD, WARWICKSHIRE C. 1682-1764 LONDON)
Est: $50,000 - $100,000
JOHN WOOTTON (SNITTERFIELD, WARWICKSHIRE C. 1682-1764 LONDON) A chestnut mare, traditionally identifed as Mr. Charles Pelham's Brocklesby Betty, led by a jockey at Newmarket signed 'JWootton' (lower left) oil on canvas 40 1/8 x 49 5/8 in. (102 x 126.1 cm.)
Christie's
May. 02, 2018
JOHN WOOTTON | A wooded classical landscape with figures resting in the foreground and bathing in the river, a town beyond
Est: £12,000 - £18,000
oil on canvas, in a George II Kentian gilt wood frame with elaborate carved scallop shell motif
Sotheby's
Jun. 28, 2017
ATTRIBUTED TO JOHN WOOTTON (England, 1682-1765), Escena de cacería. Oil on canvas
Est: -
Escena de cacería Con importante marco de época.
Isbilya Subastas
Jun. 28, 2017
SPANISH SCHOOL, Cristo Salvador del Mundo. Oil on canvas
Est: -
Cristo Salvador del Mundo Con inscripción "Rembrandt".
Isbilya Subastas
May. 12, 2017
John Wootton (British 1686-1765), Taming the Wild Horse, Unsigned Oil on Canvas, 49 x 72 inches
Est: $5,000 - $7,000
John Wootton (British 1686-1765) Taming the Wild Horse Unsigned Oil on canvas 49 x 72 in (124.5 x 182.9 cm)Property from the Estate of Donald Felker
Weschler's
Mar. 03, 2017
John Wootton (British 1686-1765), Taming the Wild Horse, oil on canvas
Est: $10,000 - $15,000
John Wootton (British 1686-1765) Taming the Wild Horse Unsigned Oil on canvas 49 x 72 in (124.5 x 182.9 cm)Property from the Estate of Donald Felker
Weschler's
Jan. 27, 2017
ATTRIBUTED TO JOHN WOOTTON | A horse and groom in a landscape
Est: $8,000 - $12,000
oil on canvas
Sotheby's
Jan. 26, 2017
JOHN WOOTTON | Portrait of the Duke of Hamilton’s hound "Jewell"
Est: $40,000 - $60,000
oil on canvas
Sotheby's
Dec. 08, 2016
JOHN WOOTTON | Equestrian portrait of Lady Henrietta Harley, Countess of Oxford and Countess Mortimer (1694–1755) led by a groom with a hunt attendant, in a landscape
Est: £40,000 - £60,000
oil on canvas
Sotheby's
Jul. 07, 2016
JOHN WOOTTON | A dark chestnut racehorse held by a jockey, by the rubbing down house, Newmarket Heath
Est: £40,000 - £60,000
oil on canvas
Sotheby's
Jul. 09, 2015
John Wootton (Snitterfield, Warwickshire c. 1682-1764 London)
Est: £250,000 - £350,000
John Wootton (Snitterfield, Warwickshire c. 1682-1764 London) The Meet: A hunting party, with figures, horses and hounds, in an extensive wooded landscape signed 'JWootton' ('JW' linked, lower centre) oil on canvas 36 ¾ x 58 1/8 in. (93.2 x 147.4 cm.)
Christie's
Jul. 08, 2015
The Warren Hill, Newmarket
Est: £3,000 - £5,000
Circle of John Wootton (1682-1764) The Warren Hill, Newmarket with initials and inscription 'J.W. pinx' (lower right) oil on canvas 40 x 50 in. (101.6 x 127 cm.)
Christie's
Apr. 15, 2015
Attributed to John Wootton (c. 1682 - 1765), oil o
Est: £4,000 - £6,000
Attributed to John Wootton (c. 1682 - 1765), oil on canvas - Death of the Fox, in gilt frame, 42cm x 59.5cm
Reeman Dansie
Mar. 28, 2015
John Wootton (British, 1682/86-1765)
Est: $3,000 - $4,000
A coastal landscape with a drover and livestock Oil on canvas. Signed. Canvas size 15 1/4 x 19 1/4 inches. Framed. Provenance: Anon. Sale, Christie's, London, 14 November 1997, lot 61; Old Master's Paintings, Drawings and Frames, Christie's, New York East, 29 May 2001, lot 77. Notice to bidders: Condition reports and additional photographs are provided by request as a courtesy to our clients, as such any condition report is only an opinion and should not be treated as a statement of fact. The absence of a condition report does not imply that the lot is in perfect condition or completely free of defects, imperfections, restoration, wear and tear, or the effects of aging. Capo Auction shall have no responsibility for any error or omission, additionally all lots are sold 'As Is' and in accordance with the conditions of sale.
Capo Auction
Dec. 10, 2014
Viscount Weymouth's hunt: The death of the fox; Coming at the death; and Returning from the chase
Est: £4,000 - £6,000
Studio of John Wootton (1682-1764) Viscount Weymouth's hunt: The death of the fox; Coming at the death; and Returning from the chase oil on copper 20 ½ x 18 ¼ in. (52.1 x 46.3 cm.); 21 x 21 in . ( 53.3 x 53.3 cm.); 20 ¾ x 17 ¼ in. (51.4 x 43.8 cm.) (3)three in the lot
Christie's
Jul. 03, 2013
JOHN WOOTTON (SNITTERFIELD, WARWICKSHIRE C. 1682-1764 LONDON)
Est: -
JOHN WOOTTON (SNITTERFIELD, WARWICKSHIRE C. 1682-1764 LONDON) A WOODED COASTAL LANDSCAPE WITH A PARTY OF ELEGANTLY DRESSED FIGURES ON HORSEBACK ON A PATH BEFORE A NATURAL ARCH OIL ON CANVAS 53½ X 58 IN. (135.8 X 147.3 CM.)
Christie's
Feb. 06, 2013
Circle of John Wootton (c. 1682-1765). Apollo with
Est: £300 - £500
Circle of John Wootton (c. 1682-1765). Apollo with nymph and shepherds in Arcadia, oil on canvas, relined, with old restorer's label of E. Facon Watson, 201, Piccadilly to stretcher verso, and numbered in ink 190, 41 x 50.5cm (16 x 20ins), gilt frame (1) Please Note: Buyer's Premium for this lot is 23.40%
Dominic Winter Auctions
Oct. 24, 2012
John Wootton (Snitterfield 1682-1764 London)
Est: £4,000 - £6,000
A drover and other figures by a stream in a classical landscape oil on canvas 62 x 84cm (24 7/16 x 33 1/16in).
Bonhams
Sep. 20, 2012
Attributed to John Wootton, a portrait miniature of a gentleman
Est: £200 - £300
Attributed to John Wootton, a portrait miniature of a gentleman wearing a red coat against a grey ground, initialled W over 68, 3.5cm (1.33in) high within diamante bordered metal frame
Cheffins
Jul. 10, 2012
Circle of John Wootton (1682-1764), AN EQUESTRIAN
Est: £1,400 - £1,800
Circle of John Wootton (1682-1764), AN EQUESTRIAN PARTY BY A CLASSICAL FOLLY, IN A RIVER LANDSCAPE Oil on canvas 66 x 99cm
Sworders
Jul. 05, 2012
JOHN WOOTTON
Est: £150,000 - £250,000
THE COLLECTION OF TOM PERKINS FROM PLUMPTON PLACE SNITTERFIELD, WARWICKSHIRE CIRCA 1678 - 1764 LONDON A HUNTSMAN ON A GREY HUNTER WITH HOUNDS IN A LANDSCAPE signed lower right: JWootton oil on canvas 127 by 101.5 cm.; 50 by 40 in.
Sotheby's
Jul. 04, 2012
JOHN WOOTTON
Est: £500,000 - £700,000
THE PROPERTY OF A GENTLEMAN SNITTERFIELD, WARWICKSHIRE CIRCA 1678 - 1764 LONDON A HUNTING PARTY; POSSIBLY DEPICTING CHARLES SPENCER, 3RD DUKE OF MARLBOROUGH (1706-1758) AND HIS WIFE ELIZABETH, COUNTESS OF MARLBOROUGH (D.1761) signed, lower centre: JWootton oil on canvas 93 by 147 cm.; 36 ½ by 58 in.
Sotheby's