Edward Woore Sold at Auction Prices

b. 1880 - d. 1960

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      • ATTRIBUTED TO ROBERT ANNING BELL (1863-1933)
        Apr. 17, 2024

        ATTRIBUTED TO ROBERT ANNING BELL (1863-1933)

        Est: £400 - £600

        ATTRIBUTED TO ROBERT ANNING BELL (1863-1933) STUDY FOR STAINED GLASS pen, ink and watercolour  73cm x 61cm

        Lyon & Turnbull
      • Woore (Edward, 1880-1960). Nude Studies
        Jul. 20, 2023

        Woore (Edward, 1880-1960). Nude Studies

        Est: £300 - £500

        Woore (Edward, 1880-1960). Nude Studies AR * Woore (Edward, 1880-1960). Nude Studies, red chalk on brown paper, three female nudes comprising: Female standing with arms in prayer position, female standing with head tilted and female resting knee up on a step, largest mount aperture 39 x 21.5 cm (15 1/4 x 8 1/2 ins), largest framed and glazed (54 x 35 cm), together with Shelia Harbour, pencil drawing, depicting a half length female nude, mount aperture 20 x 14.5 cm (7 7/8 x 5 3/4 ins), framed and glazed (33.5 x 28 cm) QTY: (4)

        Dominic Winter Auctions
      • Edward Woore (1880-1960) - A group of four studies of female nudes
        Aug. 26, 2015

        Edward Woore (1880-1960) - A group of four studies of female nudes

        Est: £300 - £500

        black chalk, on various papers, sheets between c.22 x 16 cm. (8 3/4 x 6 1/4 in) and 25 x 29 cm. (9 3/4 x 11 3/8 in), framed and glazed, light surface dirt, handling creases, early 20th century, (4). IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

        Dreweatts 1759
      • Edward Woore (1880-1960) - A group of three studies of women and another of a seated man
        Aug. 26, 2015

        Edward Woore (1880-1960) - A group of three studies of women and another of a seated man

        Est: £200 - £300

        red and black chalks, on various papers, sheets between c.30 x 25 cm. (11 3/4 x 9 3/4 in) and 37 x 24 cm. (14 1/2 x 9 1/2 in), framed and glazed, light surface dirt, handling creases, early 20th century, (4). IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

        Dreweatts 1759
      • Edward Woore (1880-1960) - A group of four studies of seated and reclining female nudes
        Aug. 26, 2015

        Edward Woore (1880-1960) - A group of four studies of seated and reclining female nudes

        Est: £300 - £500

        red and black chalks, on various papers, sheets between c.26 x 24 cm. (10 1/4 x 9 1/2 in) and 34 x 26 cm. (13 1/4 x 10 1/4 in), framed and glazed, light surface dirt, handling creases, early 20th century, (4). IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

        Dreweatts 1759
      • Edward Woore (1880-1960) - A group of four studies of standing female nudes
        Aug. 26, 2015

        Edward Woore (1880-1960) - A group of four studies of standing female nudes

        Est: £300 - £500

        red and black chalks, on various papers, sheets between c.25 x 24 cm. (9 3/4 x 9 1/2 in) and 38 x 28 cm. (15 x 11 in), framed and glazed, light surface dirt, handling creases, early 20th century, (4). IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

        Dreweatts 1759
      • Edward A. Woore (1880-1960) Watercolor Painting
        May. 07, 2015

        Edward A. Woore (1880-1960) Watercolor Painting

        Est: $400 - $600

        A matted and framed behind glass watercolor on paper depicting a barn scene. Signed lower right. Sight area measures approximately 9" x 6.5" and frame 17.75" x 14.75" x 0.75". Total weight 3 lbs.

        J Levine Auction & Appraisal LLC
      • Edward A. Woore (1880-1960) Watercolor Painting
        Apr. 09, 2015

        Edward A. Woore (1880-1960) Watercolor Painting

        Est: $2,000 - $3,000

        A matted and framed behind glass watercolor on paper depicting a barn scene. Signed lower right. Sight area measures approximately 9" x 6.5" and frame 17.75" x 14.75" x 0.75". Total weight 3 lbs.

        J Levine Auction & Appraisal LLC
      • Edward Woore (fl.1919-1936) Nude studies. A group of four, red chalk Two inscribed The largest 25 x 37cm (10 x 14in) (4)
        Nov. 19, 2014

        Edward Woore (fl.1919-1936) Nude studies. A group of four, red chalk Two inscribed The largest 25 x 37cm (10 x 14in) (4)

        Est: £200 - £300

        Edward Woore (fl.1919-1936) Nude studies. A group of four, red chalk Two inscribed The largest 25 x 37cm (10 x 14in) (4)

        Dreweatts 1759
      • Edward Woore (fl.1919-1936) Nude studies. A group of four, red chalk Two inscribed The largest 40 x 26cm (151/2 x 101/2in) (4)
        Nov. 19, 2014

        Edward Woore (fl.1919-1936) Nude studies. A group of four, red chalk Two inscribed The largest 40 x 26cm (151/2 x 101/2in) (4)

        Est: £200 - £300

        Edward Woore (fl.1919-1936) Nude studies. A group of four, red chalk Two inscribed The largest 40 x 26cm (151/2 x 101/2in) (4)

        Dreweatts 1759
      • * Woore (Edward, 1880-1960). Original design for a
        Jul. 18, 2012

        * Woore (Edward, 1880-1960). Original design for a

        Est: £200 - £400

        * Woore (Edward, 1880-1960). Original design for a stained glass memorial window at the Church of England Grammar School, Sydney, Australia black and coloured crayon and pastel drawing, image size 42 x 30.5cm (16.5 x 12ins), mount captioned at head and signed lower right, framed & glazed. (1)

        Dominic Winter Auctions
      • * Woore (Edward, 1880-1960). Five small portfolios
        Jul. 18, 2012

        * Woore (Edward, 1880-1960). Five small portfolios

        Est: £300 - £500

        * Woore (Edward, 1880-1960). Five small portfolios containing approx. 150 life studies, comprising pastel and pencil drawings of life studies, together with a few stained glass window designs & views etc., all unsigned, average sheet size approx. 41 x 30cm (16 x 12ins). Edward Woore was part of a group of artists trained by Christopher Whall, a leading figure in the Arts and Crafts Movement. Fellow apprentices included Louis Davis and Karl Parsons. Together with Parsons he helped illustrate Whall's book, 'Stained Glass Work', published in 1905. Woore was a close friend and fellow apprentice of Arnold Robinson, who took over the stained glass company of Joseph Bell and Sons in Bristol, for which Woore often undertook commissions.. (5)

        Dominic Winter Auctions
      • Woore (Edward, 1880-1960). Original design for a
        Jul. 21, 2011

        Woore (Edward, 1880-1960). Original design for a

        Est: -

        Woore (Edward, 1880-1960). Original design for a stained glass memorial window at St. ChristopherÍs Brislington, Bristol, black and coloured crayon and pastel drawing of the crucifixion, showing Christ on the cross, with three Roman soldiers on the left, and Mary and a disciple on the right, incorporating the inscription ïIn Memory of David Gordon Thomas 1875-1945Í, toned, blank margins frayed with loss, image size 40.5 x 40.5cm (16 x 16ins) Edward Woore was part of a group of artists trained by Christopher Whall, a leading figure in the Arts and Crafts Movement. Fellow apprentices included Louis Davis and Karl Parsons. Together with Parsons he helped illustrate WhallÍs book, ïStained Glass WorkÍ, published in 1905. Woore was a close friend and fellow apprentice of Arnold Robinson, who took over the stained glass company of Joseph Bell and Sons in Bristol, for which Woore often undertook commissions. This study comes from the estate of Arnold Robinson. (1) £200-400. Lucy Kemp-Welch (1869-1958) was a gifted artist who is best known for her animal subjects. She studied under Sir Hubert Herkomer at his art school in Bushey, Hertfordshire, and in 1895, at the age of 26, she exhibited her first painting, entitled Gypsy Horse Drovers, at the Royal Academy. Two years later her exhibition piece Colt Hunting in the New Forest was purchased for the nation by the Chantrey Bequest. In her search for animal models, Kemp-Welch often took horses and other animals ïon loanÍ and when this was not possible, she would travel around the country for suitable ïmodel subjectsÍ. The New Forest became a particular favourite in this respect, but around 1907 she travelled to Exmoor, visiting the Doone Valley and Watersmeet, and took a studio at Simonsbath, where she painted many landscapes and sketched the wild Exmoor ponies. The following lots may have been left in her studio at Simonsbath, or given to locals. All these sketches on offer have been in the possession of a West Country family since the 1950s, during which time they were in storage. Lot 409 is inscribed in her hand with her initials, and dated May 16 1908. These works reflect the artistÍs lively and vivacious style, and her dexterity in the rapid handling of paint, and offer an unusual opportunity to acquire an original oil sketch by this artist.

        Dominic Winter Auctions
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