Tony Woods (Australian 1940-2017) "Who can tell me of It" oil on canvas signed and dated 67' lower right, titled upper right, 137 x 107 cm, provenance Australia Galleries 1968's, private collection Brighton, Tony Woods archive book included.
Tony Woods (Australian 1940-2017) "Portrait of a Green Man" oil on canvas signed and dated 67' lower right, 98 x 78 cm, provenance Australia Galleries 1968's, private collection Brighton, illustrated on page 13 Tony Woods archive.
ANTHONY (TONY) WOODS (1940-2017) Fruit 1967 oil on board signed lower right: TONY WOODS signed, dated and titled verso: TONY WOODS 1967 fruit 36.5 x 29cm
Tony Woods (1940-2017) Seated Woman, Oil on canvas, Signed upper right and dated '67. Titled 'The Crisis", signed and dated 1967 on verso. H: 60 1/2 W: 49 in.
Tony Woods (1940-2017) Seated Woman, Oil on canvas, Signed upper right and dated '67. Titled 'The Crisis", signed and dated 1967 on verso. H: 60 1/2 W: 49 in.
TONY JUST (1969) Men in woods, this way 2014 Wax crayon on paper 29,5 x 20,8 cm Signed, titled and dated on the reverse Work accompanied by a certificate of authenticity and provenance released by the Galleria Federico Bianchi Contemporary Art, Milan PROVENANCE: Galleria Federico Bianchi Contemporary Art, Milan Private collection, Lecco EXHIBITED: 2014, Galleria Federico Bianchi Contemporary Art, Milano, 'Madame Bovary, c'est moi'
TONY JUST (1969) Men in woods, this way 2014 Wax crayon on paper 29,5 x 20,8 cm Signed, titled and dated on the reverse Work accompanied by a certificate of authenticity and provenance released by the Galleria Federico Bianchi Contemporary Art, Milan PROVENANCE: Galleria Federico Bianchi Contemporary Art, Milan Private collection, Lecco EXHIBITED: 2014, Galleria Federico Bianchi Contemporary Art, Milano, 'Madame Bovary, c'est moi'
Tony Woods (1940 - 2017) Australia - Ballet. F.A.D. Hobart, 1963 Studies under J.Carington Smith, Dorothy Stoner, George Davis ‘1963, city studio 2nd floor 136a Collins Street Hobart, later in 1965 also rented the top floor that had been a ballet school, I inherited a very large mirror which I was able to utilize in my oil paintings later on.’ Tony Woods An Archive Art Info.com 2013’ He was awarded the Harkness fellowship, which supported 21 months painting, New York, 1968/69 Well known for figurative, his period in NY saw a shift to contemporary abstraction over the 2 years of his residency. In the last months a major disaster occurred with a studio fire and he lost all his paintings. He was further offered a Power fund, Studio Fellowship, France, 1970 but was unable to take up at the time. Returning to Australia he moved to Sydney and painted alongside Brett Whitely at a shared house Palm Beach working to joint show in Perth 1971. Following that Woods moved to Melb, but also maintained a small property at Dunally, Tasmania, where he had a shed as a studio. Melbourne saw his engagement with printmaking with encouragement from Fred Williams, while his later work took on super8 filmmaker, video/mdv & field recordings 1990 saw a major retrospective ACCA, Tony died 2017. A significant painter, his painting encompasses themes of the structure of shadows, figurative and later abstraction.Tony Woods (1940 - 2017) Australia - Ballet. F.A.D. Hobart, 1963 Studies under J.Carington Smith, Dorothy Stoner, George Davis ‘1963, city studio 2nd floor 136a Collins Street Hobart, later in 1965 also rented the top floor that had been a ballet school, I inherited a very large mirror which I was able to utilize in my oil paintings later on.’ Tony Woods An Archive Art Info.com 2013’ He was awarded the Harkness fellowship, which supported 21 months painting, New York, 1968/69 Well known for figurative, his period in NY saw a shift to contemporary abstraction over the 2 years of his residency. In the last months a major disaster occurred with a studio fire and he lost all his paintings. He was further offered a Power fund, Studio Fellowship, France, 1970 but was unable to take up at the time. Returning to Australia he moved to Sydney and painted alongside Brett Whitely at a shared house Palm Beach working to joint show in Perth 1971. Following that Woods moved to Melb, but also maintained a small property at Dunally, Tasmania, where he had a shed as a studio. Melbourne saw his engagement with printmaking with encouragement from Fred Williams, while his later work took on super8 filmmaker, video/mdv & field recordings 1990 saw a major retrospective ACCA, Tony died 2017. A significant painter, his painting encompasses themes of the structure of shadows, figurative and later abstraction.Tony Woods (1940 - 2017) Australia - Ballet. F.A.D. Hobart, 1963 Studies under J.Carington Smith, Dorothy Stoner, George Davis ‘1963, city studio 2nd floor 136a Collins Street Hobart, later in 1965 also rented the top floor that had been a ballet school, I inherited a very large mirror which I was able to utilize in my oil paintings later on.’ Tony Woods An Archive Art Info.com 2013’ He was awarded the Harkness fellowship, which supported 21 months painting, New York, 1968/69 Well known for figurative, his period in NY saw a shift to contemporary abstraction over the 2 years of his residency. In the last months a major disaster occurred with a studio fire and he lost all his paintings. He was further offered a Power fund, Studio Fellowship, France, 1970 but was unable to take up at the time. Returning to Australia he moved to Sydney and painted alongside Brett Whitely at a shared house Palm Beach working to joint show in Perth 1971. Following that Woods moved to Melb, but also maintained a small property at Dunally, Tasmania, where he had a shed as a studio. Melbourne saw his engagement with printmaking with encouragement from Fred Williams, while his later work took on super8 filmmaker, video/mdv & field recordings 1990 saw a major retrospective ACCA, Tony died 2017. A significant painter, his painting encompasses themes of the structure of shadows, figurative and later abstraction.Tony Woods (1940 - 2017) Australia - Ballet. F.A.D. Hobart, 1963 Studies under J.Carington Smith, Dorothy Stoner, George Davis ‘1963, city studio 2nd floor 136a Collins Street Hobart, later in 1965 also rented the top floor that had been a ballet school, I inherited a very large mirror which I was able to utilize in my oil paintings later on.’ Tony Woods An Archive Art Info.com 2013’ He was awarded the Harkness fellowship, which supported 21 months painting, New York, 1968/69 Well known for figurative, his period in NY saw a shift to contemporary abstraction over the 2 years of his residency. In the last months a major disaster occurred with a studio fire and he lost all his paintings. He was further offered a Power fund, Studio Fellowship, France, 1970 but was unable to take up at the time. Returning to Australia he moved to Sydney and painted alongside Brett Whitely at a shared house Palm Beach working to joint show in Perth 1971. Following that Woods moved to Melb, but also maintained a small property at Dunally, Tasmania, where he had a shed as a studio. Melbourne saw his engagement with printmaking with encouragement from Fred Williams, while his later work took on super8 filmmaker, video/mdv & field recordings 1990 saw a major retrospective ACCA, Tony died 2017. A significant painter, his painting encompasses themes of the structure of shadows, figurative and later abstraction.Tony Woods (1940 - 2017) Australia - Ballet. F.A.D. Hobart, 1963 Studies under J.Carington Smith, Dorothy Stoner, George Davis ‘1963, city studio 2nd floor 136a Collins Street Hobart, later in 1965 also rented the top floor that had been a ballet school, I inherited a very large mirror which I was able to utilize in my oil paintings later on.’ Tony Woods An Archive Art Info.com 2013’ He was awarded the Harkness fellowship, which supported 21 months painting, New York, 1968/69 Well known for figurative, his period in NY saw a shift to contemporary abstraction over the 2 years of his residency. In the last months a major disaster occurred with a studio fire and he lost all his paintings. He was further offered a Power fund, Studio Fellowship, France, 1970 but was unable to take up at the time. Returning to Australia he moved to Sydney and painted alongside Brett Whitely at a shared house Palm Beach working to joint show in Perth 1971. Following that Woods moved to Melb, but also maintained a small property at Dunally, Tasmania, where he had a shed as a studio. Melbourne saw his engagement with printmaking with encouragement from Fred Williams, while his later work took on super8 filmmaker, video/mdv & field recordings 1990 saw a major retrospective ACCA, Tony died 2017. A significant painter, his painting encompasses themes of the structure of shadows, figurative and later abstraction.Tony Woods (1940 - 2017) Australia - Ballet. F.A.D. Hobart, 1963 Studies under J.Carington Smith, Dorothy Stoner, George Davis ‘1963, city studio 2nd floor 136a Collins Street Hobart, later in 1965 also rented the top floor that had been a ballet school, I inherited a very large mirror which I was able to utilize in my oil paintings later on.’ Tony Woods An Archive Art Info.com 2013’ He was awarded the Harkness fellowship, which supported 21 months painting, New York, 1968/69 Well known for figurative, his period in NY saw a shift to contemporary abstraction over the 2 years of his residency. In the last months a major disaster occurred with a studio fire and he lost all his paintings. He was further offered a Power fund, Studio Fellowship, France, 1970 but was unable to take up at the time. Returning to Australia he moved to Sydney and painted alongside Brett Whitely at a shared house Palm Beach working to joint show in Perth 1971. Following that Woods moved to Melb, but also maintained a small property at Dunally, Tasmania, where he had a shed as a studio. Melbourne saw his engagement with printmaking with encouragement from Fred Williams, while his later work took on super8 filmmaker, video/mdv & field recordings 1990 saw a major retrospective ACCA, Tony died 2017. A significant painter, his painting encompasses themes of the structure of shadows, figurative and later abstraction.
Anthony David Woods (1940 -) Mirror Drawing, '73 collage, pencil & paper 63 x 50cm signed & dated '73 lower left, exhibited "The Image and I" Hogarth Galleries, Wednesday 3rd July 1974
TONY WOODS (BORN 1940) My Way 1972 oil and pencil on canvas signed and dated 'Woods 72' lower right signed, dated and titled verso bears Australian Galleries label verso 177 x 177cm
