Artus Wolffort Paintings & Artwork for Sale | Artus Wolffort Art Value Price Guide

Sep. 19, 2024
Artus Wolffort o Artus Wolffaert (Anversa 1581 - 1641) attribuito
Est: €3,000 - €5,000
Artus Wolffort o Artus Wolffaert (Anversa 1581 - 1641) attribuito San Girolamo Olio su tavola 68 x 53 cm Si formò inizialmente nella città di Dordrecht, ritornò ad Anversa intorno al 1615 dove fu collaboratore di Otto van Veen, famoso perché fu uno dei maestri di Peter Paul Rubens. Con questultimo collaborò alle decorazioni per la Gioiosa Entrata ad Anversa del nuovo governatore dei Paesi Bassi asburgici, cardinale Ferdinando d'Asburgo, nel 1635. Tra gli allievi ebbe suo figlio Jan Baptist Wolfaerts, Pieter van Lint, Pieter van Mol e Lucas Smout il Vecchio. Artus Wolffort or Artus Wolffaert (Antwerp 1581 - 1641) attributed Saint Jerome Oil on panel 68 x 53 cm
Lucas Aste
Jun. 18, 2024
ARTUS WOLFFORT
Est: €1,000 - €2,000
(Anversa, 1581 - 1641) San Girolamo Olio su tavola, cm 63,5X48,2 Provenienza: Collezione privata Artus Wolffort fu un pittore di composizioni religiose e quadri di genere e ricoprì un ruolo di rilievo durante l'età di Rubens e Van Dyck. I soggetti a lui congeniali erano ispirati dalle sacre scritture, del Nuovo e Vecchio Testamento, che offrivano l'opportunità di comporre grandi scenari narrativi che riscuotevano un successo notevole. Il suo stile inizialmente si assimila a quello di Otto Van Veen, con cui collabora attorno al 1615, mentre tra il terzo e quarto decennio si fa sempre più evidente l'influenza di Pietro Paolo Rubens, interpretato talvolta con piglio realistico, dettato dal caravaggismo nordico, come si evince osservando i Quattro evangelisti del museo di Belle Arti di Bordeaux e in modo particolare il San Girolamo già Sotheby's Londra del 4 luglio 2006, lotto 326 (Fig. 1-Cfr. https://rkd.nl/imageslite/719720), il San Girolamo già Dorotheum del 22 marzo 2001, lotto 162 (Cfr. https://rkd.nl/imageslite/719745) e quello quanto mai simile ma eseguito su tela della Galleria Lowet De Wotrenge di Anversa. Bibliografia di riferimento: H. Vlieghe, Zwischen van Veen und Rubens: Artus Wolffort (1581-1641), ein vergessener Antwerpener Maler, Wallraf-Richartz jahrbuvh 39 (1977), pp. 93-136 H. Vlieghe, Nog wat over Wolffort, zijn atelier en Van Lint, in Feestbundel Kolveniershof en Rubenianum, Anversa 1981, pp. 83-87
Wannenes Art Auctions
May. 22, 2024
Banquet of Achelous
Est: $10,000 - $15,000
Sold Without Reserve Workshop of Artus Wolffort Antwerp 1581 - 1641 Banquet of Achelous oil on canvas canvas: 45 ½ by 58 ¼ in.; 115.6 by 148.0 cm. framed: 52 by 64 ½ in.; 132.1 by 163.8 cm.
Sotheby's
May. 14, 2024
WOLFFORT Artus (1581 - 1641) Huile sur cuivre "Le Banquet d'Achéloüs". Attribué à Artus Wolffor
Est: €3,000 - €4,000
WOLFFORT Artus (1581 - 1641) Huile sur cuivre "Le Banquet d'Achéloüs". Attribué à Artus Wolffort. D'après un modèle de Pierre Paul Rubens. Ecole flamande. Epoque: XVIIème. Provenance: ancienne collection Mario Garilli. (Un * dans le haut). Dim.:+/-23,5x36,5cm.
Vanderkindere
Nov. 14, 2023
Artus Wolffort (Anvers 1581-1641) Saint Jean évangéliste tenant un calice
Est: €15,000 - €20,000
Artus Wolffort (Anvers 1581-1641) Saint Jean évangéliste tenant un calice huile sur panneau oil on panel 64.4 x 49.2cm (25 3/8 x 19 3/8in).
Bonhams
Oct. 25, 2023
Artus Wolffort
Est: €80,000 - €120,000
(Antwerp 1581–1641) The Holy Trinity, oil on panel, with the brand of the Antwerp panel maker’s guild on the reverse, 121 x 91 cm, framed Provenance: (probably) Jesuit Church of Saint Peter, Münster, until 1920; Private collection, Augsburg, until 2002 Exhibited: Mettingen, Draiflessen Collection, Credo. Masterpieces of Religious Art, 6 October 2010 – 9 January 2011, cat. no. 119 Literature: A. Dern, U. Härting, Credo. Masterpieces of Religious Art, exhibition catalogue, Mettingen 2010, pp. 262–263, no. 119; G. Finckh, N. Hartje-Grave, Freiheit, Macht, Pracht. Niederländische Kunst im 16. und 17. Jahrhundert, exhibition catalogue, Wuppertal 2009, p. 419, mentioned under no. 69 (as probably original) The present painting is accompanied by a certificate by Hans Vlieghe, dated 6 February 2008. He dates the painting to around 1620 or slightly earlier. The present painting is listed in the RKD database under number 1001088872 (as Artus Wolffort). This balanced and serene composition of the Holy Trinity illustrates the belief that Christ was both human and divine. To the right of the composition Christ forms part of the Heavenly Trinity with God the Father on the left and the dove of the Holy Spirit hovering above. The subject is presented in close composition creating a striking impression on the viewer who is being contemplated by the direct and yet soft gaze of the Deities, and is drawn into the mystery of Christ’s wounds which he gently indicates with his forefinger. Presented as the Man of Sorrows, Christ represents the true epitome of salvation, whilst the representation of the Father, crowned with the papal tiara, symbolises the supremacy of the church. In the globus cruciger, shown in the lower left of the composition, a cross can be observed in the reflection – a hidden reference to the Passion of Christ. It has only been until very recently that the corpus of works by the artist Artus Wolffort has been distinguished from that of his Flemish contemporaries. Scholars have misattributed many of his paintings to Otto van Veen (1566–1629), for whom Wolffort worked as an assistant, and even early Rubens – attesting to the high quality of certain pieces. Born in Antwerp in 1581 the artist had undertaken his training in Dordrecht, where his parents had settled soon after his birth. In circa 1616 Wolffort returned to Antwerp where he soon ran a successful workshop of his own, working primarily for the open market, as well as on commission. Wolffort’s oeuvre mainly consists of religious subjects, incorporating life-size figures with a forceful appearance and considerable plasticity, as is the case in the present painting. Several versions of this composition of varying quality are known, including a version conserved in the collection of the Groeningemuseum, Bruges (inv. no. 0000.GRO0374.I), in which Christ indicates his wounds using his thumb and forefinger. In the present painting Christ’s index finger enters the wound giving the painting a much more emotional and direct impact. In similar treatments of the same subject executed by members of Wolffort’s workshop, and of undoubtedly lesser quality, Christ allows a stream of blood to flow from between his thumb and index finger. Paintings that follow this particular example are conserved in the Museum voor Schone Kunsten, Ghent (inv. no. S-65) and another in the Church of Saint Clemens, Watermaal-Bosvoorde (see RKD database, under no. 1001089286).
Dorotheum
Sep. 26, 2023
ARTUS WOLFFORT (attr. a)
Est: €4,000 - €7,000
(Anversa, 1581 - 1641) La fucina di Vulcano Olio su tela, cm 145X188 Artus Wolffort fu un pittore di composizioni religiose e quadri di genere, che ricoprì un ruolo di rilievo nell'ambito dell'arte fiamminga durante l'età di Rubens e Van Dyck. I soggetti a lui congeniali erano ispirati dalle sacre scritture e dalla mitologia, che offrivano l'opportunità di comporre grandi scenari narrativi e di notevoli dimensioni.
Wannenes Art Auctions
May. 20, 2023
Artus Wolffort, Luke the Evangelist
Est: €10,000 - €12,000
Arthus Wolffort depicted the four evangelists together but also individually with their attributes. The present portrait of the Evangelist Luke is a variant of the version in the Prado, Madrid. The saint points demonstratively with his finger to the contents of the book in his hand. The head of the ox was placed by the artist in the small section of the background.
Kunsthaus Lempertz KG
Jan. 13, 2022
Mallorcan school; 18th century. "Flower vases and landscapes". Oil on canvas.
Est: €3,500 - €4,000
Mallorcan school; 18th century. "Flower vases and landscapes". Oil on canvas. They show cracks and craquelure. Measurements: 80 x 100 cm (x2). In this pair of canvases we see a still life open to landscape on one side, following a composition typical of the full baroque, although the arrangement of the flowers, regular and geometric, remains faithful to the most static and rigorous models of the first half of the 17th century. However, not only the openness to the landscape but also the presence of architectural elements located in the background of each of the compositions indicate that we are dealing with works of an advanced date. The Mallorcan school of still lifes shows a strong influence of the Valencian school, although it had its own personality and must have enjoyed a certain importance, given the number of works that have survived to the present day. It developed mainly from the end of the 17th century and during the 18th century, with the appearance of the figure of Guillermo Mesquida (1625-1747), who raised the level of Mallorcan painting. He was the most famous painter of the Balearic Baroque and the absolute dominator of the artistic panorama between the end of the 17th century and the first half of the 18th century. He was an excellent painter of still lifes, although we do not have a single one of them today that we can attribute to him with absolute certainty. His biographers indicate that he was a pupil in Rome of the Italian Carlos Marata, a painter who had a great influence on the development of still life painting, as he collaborated with numerous specialists in this genre. Mesquida depicted fruit, animals and flowers in his works, and founded a workshop in Mallorca where numerous works were produced, some of which are still preserved today. His style would have been characterised by a great chromatic richness and a clear ostentatiousness and abundance of fruit and floral elements, traits that would be inherited by his followers of the Mallorcan school, as can be seen in this canvas. Thanks to Mesquida's influence, the Mallorcan still-life painters picked up Italian elements, especially Neapolitan and Roman, always combined with the influence of the Valencian school.
Setdart Auction House
Jul. 07, 2021
Artus Wolffort
Est: -
Artus Wolffort (Amberes, 1581 -1641). "Los discípulos de Emaús", óleo sobre lámina de cobre, 58x75 cm. Etiqueta Sala Parés en el bastidor. Firmado con iniciales.
Sala de Ventas
May. 12, 2021
Eliseu Meifrén
Est: -
Eliseu Meifrén . (Barcelona, 1859-1940). Paisaje, óleo sobre lienzo, 71x70,5 cm.
Sala de Ventas
Mar. 18, 2021
ARTUS WOLFFORT (attr. a)
Est: €2,000 - €3,000
(Anversa, 1581 - 1641) San Luca Olio su tavola, cm 64X49 Provenienza: Berlino, Collezione Ludwig Burchard Londra, Christie's, 9 luglio 1999 (come cerchia di) Italia, Collezione privata Colonia, Lempertz, 20 settembre 2017, lotto 89 (come cerchia di) Artus Wolffort fu un pittore di composizioni religiose e quadri di genere e ricoprì un ruolo di rilievo nell'ambito dell'arte fiamminga durante l'età di Rubens e Van Dyck. I soggetti a lui congeniali erano ispirati dalle sacre scritture, del nuovo e vecchio testamento, che offrivano l'opportunità di comporre grandi scenari narrativi e il successo di queste tele, spesso di notevoli dimensioni, è suggerito dall'esistenza di repliche, simili per dimensioni o eseguite su supporti in rame. Il suo stile inizialmente si assimila a quello di Otto Van Veen, con cui collabora attorno al 1615, mentre tra il terzo e quarto decennio si fa sempre più evidente l'influenza di Pietro Paolo Rubens, interpretato talvolta con piglio realistico, dettato dal caravaggismo nordico, come si evince osservando i Quattro evangelisti del museo di Belle Arti di Bordeaux. Una simile composizione attribuita al pittore fu esitata a Parigi presso Ader il 12 dicembre 1989 n. 57 (cfr. https://rkd.nl/explore/images/243986), mentre la medesima fisionomia si riscontra nel San Luca di collezione privata pubblicato nel volume: H. Vlieghe, Zwischen Van Veen und Rubens: A. Wolffort (1581- 1641), ein vergessener Antwerpener Maler, Wallraf-Richartz; Jahrbuch 9 (1977), pp. 97 - 98, ill. 8 (Cfr.https://rkd.nl/explore/images/243219). Bibliografia di riferimento: H. Vlieghe, Zwischen van Veen und Rubens: Artus Wolffort (1581-1641), ein vergessener Antwerpener Maler, Wallraf-Richartz jahrbuvh 39 (1977), pp. 93 - 136 H. Vlieghe, Nog wat over Wolffort, zijn atelier en Van Lint, in Feestbundel Kolveniershof en Rubenianum, Antwerpen 1981, pp. 83 - 87
Wannenes Art Auctions
Jun. 16, 2020
TABLEAUX
Est: €2,500 - €3,500
Huile sur toile marouflée sur toile "Portrait d'un évangéliste" (?). Attribué à Artus Wolffort. Ecole flamande. Dim.:101,8x85,5cm.
Vanderkindere
Feb. 18, 2020
TABLEAUX
Est: €8,000 - €12,000
Huile sur toile marouflée sur toile "Saint André". Par Artus Wolffort. Ecole flamande. (Voir au dos une étiquette de chez Sotheby's). Dim.:65x49,5cm.
Vanderkindere
Jan. 02, 2020
Artus Wolffort
Est: -
Artus Wolffort (Amberes, 1581-1641). "Los discípulos de Emaús", óleo sobre lámina de cobre, 58x75 cm. Etiqueta Sala Parés en el bastidor. Firmado con iniciales.
Sala de Ventas
Dec. 17, 2019
Artus Wolffort
Est: -
Artus Wolffort (Amberes, 1581-1641). "Los discípulos de Emaús", óleo sobre lámina de cobre, 58x75 cm. Etiqueta Sala Parés en el bastidor. Firmado con iniciales.
Sala de Ventas
Oct. 02, 2019
Artus Wolffort (Anversa 1581-1641) CRISTO ALLA PISCINA DI BETZAETA
Est: €18,000 - €25,000
Artus Wolffort (Anversa 1581-1641) CRISTO ALLA PISCINA DI BETZAETA olio su tela, cm 170x240 CHRIST IN THE POOL OF Bethesda oil on canvas, cm 170x240 Il tema di della Piscina di Betzaeta, desunto dal racconto del Vangelo di Giovanni circa la guarigione di un paralitico da parte di Gesù (Giovanni 5: 1-15), è stato esplorato con successo da alcuni dei più grandi artisti fiamminghi seicenteschi. Michael Jaffé ha pubblicato una versione di questo dipinto come di Pieter van Mol (cfr. M. Jaffé, Exhibitions for the Rubens Year - II, in “The Burlington Magazine”, CXX, marzo 1978, p. 139, fig. 11) mentre altre opere con una composizione simile sono state variamente riferite a Otto van Veen, Werner van den Valkert, Claes Moeyaert e Jacob Jordaens (per un elenco completo delle versioni, cfr. H. Vlieghe, Zwischen van Veen und Rubens: Artus Wolffort (1581-1641) , ein vergessener Antwerpen Maler, in “Wallraf-Richartz-Jb.”, XXXIX, 1977, pp. 107-8, pl. 26-8 e note in calce 22-3). Un'altra versione, di pressocché analoghe dimensioni alla nostra, lasciata in eredità alla Galleria dell'Ontario nel 1983, è considerata autografa di Artus Wolffort (Anversa, 1581 – 1641): anche per la tela presentata il nome del Wolffort è quello più probabile. L’attività artistica di Artus Wolffort, quasi del tutto sconosciuta fino agli anni Settanta, è stata ricostruita sulla base di numerose immagini monogrammate: la maggior parte dell’opera documentata è costituita da soggetti religiosi e mitologici realizzati raffigurando figure quasi a grandezza naturale, come nel nostro caso. L'inclinazione barocca e l'atmosfera rubensiana della tela presentata suggerisce un confronto più stringente con le sue opere di età matura, dopo il 1630.
Pandolfini Casa d'Aste
Jun. 01, 2019
Artus Wolffort
Est: -
Artus Wolffort . (Amberes, 1581 -1641). "Los discípulos de Emaús", óleo sobre lámina de cobre, 58x75 cm. Etiqueta Sala Parés en el bastidor. Firmado con iniciales.
Sala de Ventas
May. 16, 2019
Artus Wolffort
Est: -
Artus Wolffort . (Amberes, 1581 -1641). "Los discípulos de Emaús", óleo sobre lámina de cobre, 58x75 cm. Etiqueta Sala Parés en el bastidor. Firmado con iniciales.
Sala de Ventas
May. 06, 2019
*ARTUS WOLFFORT (1581-1641) (omgeving)
Est: €3,000 - €4,000
*ARTUS WOLFFORT (1581-1641) (omgeving) Apostel Filippus. Doek. Herkomst/provenance: Brussel/Bruxelles, Palais des Beaux Arts, 29.10.1947, ex-coll. Georges Hulin de Loo, als Peter van Mol. Vermoedelijk kopie naar een voorlopig onbekend origineel dat deel uitmaakte van een reeks schilderijen van de twaalf apostelen die Wolffort vervaardigde circa 1617 (Hans Vlieghe) of ca. 1622-1625 (Julius Held). Omdat er van sommige apostelen ondertussen meerdere quasi identieke versies zijn opgedoken, allen van gelijkaardig formaat, kunnen we ervan uitgaan dat er verschillende apostelenreeksen bestonden die gemaakt werden voor de vrije markt, als devotiestuk voor privégebruik. Alle tonen de apostel met zijn attribuut en credo op een stenen cartouche onderaan waarop ook het nummer in de reeks staat. In dit schilderij gaat het om apostel Filippus met het vijfde credo 'DESCENDIT AD INFERNA TERTIA DIA/ RESURREXIT.AD.MORTIUS' (Die nedergedaald is ter helle, de derde dag verrezen uit de doden) en een kruis. Onderhavig schilderij werd aangekocht op de veiling van de nalatenschap van de Belgische kunsthistoricus Georges Hulin de Loo in 1947. Tot deze collectie behoorden negen schilderijen van apostelen, allen toegeschreven aan Peter van Mol (loten 116-124). Drie werken uit deze collectie werden ondertussen geïdentificeerd en toegeschreven aan Wolffort. Het gaat om de apostelen Mattheus (doek, 113 x 96,5, Londen, Sotheby's, 8,7,2004, lot 254), Johannes de evangelist (doek, Brugge, Sint-Trudoabdij, 113,5 x 98) en Jacobus de mindere (doek, Brugge, Sint-Trudoabdij, 113.5 x 96). 116.5 x 99 French Translation *ARTUS WOLFFORT (1581-1641) (entourage) Apôtre Philippe. Toile. Provenance: Bruxelles, Palais des Beaux Arts, 29.10.1947, ex-coll. Georges Hulin de Loo, comme Peter van Mol. Probablement copie d'après un original, inconnu à nos jours, faisant partie d'une série figurant les douze apôtres que Wolffort a réalisé vers 1617 (Hans Vlieghe) ou vers 1622-1625 (Julius Held). Puisqu'il existe plusieurs versions quasi identiques et du même format de certains apôtres, on peut supposer que plusieurs suites d'apôtres existaient et étaient à vendre sur le marché libre comme pièce de dévotion pour le culte domestique. Tous montrent l'apôtre avec son attribut et son crédo sur un cartouche en pierre ou figure également le numéro de la série. Celui-ci montre l'apôtre Philippe avec la cinquième crédo 'DESCENDIT AD INFERNA TERTIA DIA/ RESURREXIT.AD.MORTIUS' et une croix. Il fut acheté à la vente de la succession de l'historien d'art belge Georges Hulin de Loo en 1947. Cette collection comprenait neuf tableaux figurant des apôtres, tous attribués à Peter van Mol (lots 116-124). Trois oeuvres de cette collection ont été identifiées et sont attribuées aujourd'hui à Wolffort. 116.5 x 99 English Translation *ARTUS WOLFFORT (1581-1641) (circle) circle Apostle Philip. Canvas. Provenance: Brussels, Palais des Beaux Arts, 29.10.1947, ex-coll. Georges Hulin de Loo, as Peter van Mol. Probably a copy after an unknown original belonging to a series of paintings depicting the twelve apostles, made by Wolffort circa 1617 (Hans Vlieghe) or ca. 1622-1625 (Julius Held). Of some apostles several nearly identical versions are known, all of similar size, which indicates that multiple apostle series has been painted, which were made for the free market and could be bought for personal use as devotional object. All of these paintings show the same formula: the portrait of the apostle with his attribute and with his creed and its number inscribed in a stone cartouche. This painting portrays the apostle Philip with fifth creed 'DESCENDIT AD INFERNA TERTIA DIA/ RESURREXIT.AD.MORTIUS' (he descended to the dead. On the third day he rose again) and a cross. The present painting was acquired in the sale of the bequest of the Belgian art historian Georges Hulin de L
Bernaerts Auctioneers
Dec. 19, 2018
Artus Wolffort
Est: -
Artus Wolffort . (Amberes, 1581 -1641). "Los discípulos de Emaús", óleo sobre lámina de cobre, 58x75 cm. Etiqueta Sala Parés en el bastidor. Firmado con iniciales.
Sala de Ventas
Dec. 11, 2018
WOLFFORT Artus (1581 - 1641) Huile sur toile marouflée sur toile "Jésus gué
Est: €1,200 - €1,800
WOLFFORT Artus (1581 - 1641) Huile sur toile marouflée sur toile "Jésus guérit un paralytique à la piscine de Béthesda"(Jean 5: 1-15). Attribué à l'entourage d'Artus Wolffort. Ecole anversoise. (Une composition similaire de la main d'Artus Wolffort se trouve à la cathédrale de Séville). (*). Dim.:113,8x168cm.
Vanderkindere
Dec. 10, 2018
*ARTUS WOLFFORT (1581-1641) (omgeving) Apostel Filippus. Doek. Herkomst/provenance: Bru
Est: €5,000 - €8,000
*ARTUS WOLFFORT (1581-1641) (omgeving) Apostel Filippus. Doek. Herkomst/provenance: Brussel/Bruxelles, Palais des Beaux Arts, 29.10.1947, ex-coll. Georges Hulin de Loo, als Peter van Mol. Vermoedelijk kopie naar een voorlopig onbekend origineel dat deel uitmaakte van een reeks schilderijen van de twaalf apostelen die Wolffort vervaardigde circa 1617 (Hans Vlieghe) of ca. 1622-1625 (Julius Held). Omdat er van sommige apostelen ondertussen meerdere quasi identieke versies zijn opgedoken, allen van gelijkaardig formaat, kunnen we ervan uitgaan dat er verschillende apostelenreeksen bestonden die gemaakt werden voor de vrije markt, als devotiestuk voor privégebruik. Alle tonen de apostel met zijn attribuut en credo op een stenen cartouche onderaan waarop ook het nummer in de reeks staat. In dit schilderij gaat het om apostel Filippus met het vijfde credo 'DESCENDIT AD INFERNA TERTIA DIA/ RESURREXIT.AD.MORTIUS' (Die nedergedaald is ter helle, de derde dag verrezen uit de doden) en een kruis. Onderhavig schilderij werd aangekocht op de veiling van de nalatenschap van de Belgische kunsthistoricus Georges Hulin de Loo in 1947. Tot deze collectie behoorden negen schilderijen van apostelen, allen toegeschreven aan Peter van Mol (loten 116-124). Drie werken uit deze collectie werden ondertussen geïdentificeerd en toegeschreven aan Wolffort. Het gaat om de apostelen Mattheus (doek, 113 x 96,5, Londen, Sotheby's, 8,7,2004, lot 254), Johannes de evangelist (doek, Brugge, Sint-Trudoabdij, 113,5 x 98) en Jacobus de mindere (doek, Brugge, Sint-Trudoabdij, 113.5 x 96). 116.5 x 99 *ARTUS WOLFFORT (1581-1641) (entourage) Apôtre Philippe. Toile. Provenance: Bruxelles, Palais des Beaux Arts, 29.10.1947, ex-coll. Georges Hulin de Loo, comme Peter van Mol. Probablement copie d'après un original, inconnu à nos jours, faisant partie d'une série figurant les douze apôtres que Wolffort a réalisé vers 1617 (Hans Vlieghe) ou vers 1622-1625 (Julius Held). Puisqu'il existe plusieurs versions quasi identiques et du même format de certains apôtres, on peut supposer que plusieurs suites d'apôtres existaient et étaient à vendre sur le marché libre comme pièce de dévotion pour le culte domestique. Tous montrent l'apôtre avec son attribut et son crédo sur un cartouche en pierre ou figure également le numéro de la série. Celui-ci montre l'apôtre Philippe avec la cinquième crédo ''DESCENDIT AD INFERNA TERTIA DIA/ RESURREXIT.AD.MORTIUS' et une croix. Il fut acheté à la vente de la succession de l'historien d'art belge Georges Hulin de Loo en 1947. Cette collection comprenait neuf tableaux figurant des apôtres, tous attribués à Peter van Mol (lots 116-124). Trois oeuvres de cette collection ont été identifiées et sont attribuées aujourd'hui à Wolffort. 116.5 x 99 ENGLISH *ARTUS WOLFFORT (1581-1641) (circle) circle Apostle Philip. Canvas. Provenance: Brussels, Palais des Beaux Arts, 29.10.1947, ex-coll. Georges Hulin de Loo, as Peter van Mol. Probably a copy after an unknown original belonging to a series of paintings depicting the twelve apostles, made by Wolffort circa 1617 (Hans Vlieghe) or ca. 1622-1625 (Julius Held). Of some apostles several nearly identical versions are known, all of similar size, which indicates that multiple apostle series has been painted, which were made for the free market and could be bought for personal use as devotional object. All of these paintings show the same formula: the portrait of the apostle with his attribute and with his creed and its number inscribed in a stone cartouche. This painting portrays the apostle Philip with fifth creed 'DESCENDIT AD INFERNA TERTIA DIA/ RESURREXIT.AD.MORTIUS' (he descended to the dead. On the third day he rose again) and a cross. The present painting was acquired in the sale of the bequest of the Belgian art historian Georges Hulin de Loo in 1947. A series of nine paintings were sold in this sale, all attributed to Peter van Mol (lots 116-124). Over the last decades three of these paintings have been identified and attributed to Wolffort: the apostles Matthew (canvas, 113 x 96,5, London, Sotheby's, 8,7,2004, lot 254), John the Evangelist (canvas, Bruges, Saint Trudo abbey, 113,5 x 98) en James the just (canvas, Bruges, Saint Trudo abbey, 113.5 x 96). 116.5 x 99
Bernaerts Auctioneers
Nov. 09, 2018
Artus Wolffort
Est: €10,000 - €12,000
Artus Wolffort (Amberes, 1581 -1641). "La huida de Egipto", óleo sobre lámina de cobre, 58x75 cm. Etiqueta Sala Parés en el bastidor.
Sala de Ventas
Oct. 25, 2018
Artus Wolffort
Est: -
Artus Wolffort (Amberes, 1581 -1641). "La huida de Egipto", óleo sobre lámina de cobre, 58x75 cm. Etiqueta Sala Parés en el bastidor.
Sala de Ventas
May. 22, 2018
ARTUS WOLFFORT | Saint Andrew
Est: $80,000 - $120,000
oil on canvas
Sotheby's
Dec. 11, 2017
ARTUS WOLFFORT (1581-1641) (circle)studio Suzanna and the
Est: €3,000 - €4,000
ARTUS WOLFFORT (1581-1641) (circle) studio Suzanna and the elders. Canvas. Relined. 97 x 116 ARTUS WOLFFORT (1581-1641) (omgeving) Suzanna en de ouderlingen. Doek. Verdoeking. 97 x 116
Bernaerts Auctioneers
Dec. 12, 2013
Artus Wolffort, 1581 Antwerpen - 1641, Nachfolge des
Est: €5,000 - €6,000
DIE DREIFALTIGKEIT Öl auf Leinwand. 128 x 92 cm. Darstellung von Gottvater, dem Sohn und dem Heiligen Geist, die Figuren in Lebensgröße, in Dreiviertelansicht wiedergegeben. Im Vordergrund steht Jesus mit entblößtem Oberkörper, die Hüfte bedeckt mit dem Lendentuch, über die Schultern ein seitlich herabziehender, roter Mantel gelegt. Die rechte Hand Christi deutet auf die Seitenwunde. Links Gottvater bärtig wiedergegeben, auf dem Haupt die dreistufige Tiara, die Papstkrone, in den Händen hält er eine glasartig durchsichtige Kugel des Universums mit bekrönendem Kreuz. Zwischen den Köpfen die weiße Taube des Heiligen Geistes. (930259) Artus Wolffort, 1581 - 1641, follower of Oil on canvas. 128 x 92 cm.
Hampel Fine Art Auctions
Sep. 19, 2013
Artus Wolffort, 1581 Antwerpen - 1641, Nachfolge des
Est: €7,000 - €9,000
DIE DREIFALTIGKEIT Öl auf Leinwand. 128 x 92 cm. Darstellung von Gottvater, dem Sohn und dem Heiligen Geist, die Figuren in Lebensgröße, in Dreiviertelansicht wiedergegeben. Im Vordergrund steht Jesus mit entblößtem Oberkörper, die Hüfte bedeckt mit dem Lendentuch, über die Schultern ein seitlich herabziehender, roter Mantel gelegt. Die rechte Hand Christi deutet auf die Seitenwunde. Links Gottvater bärtig wiedergegeben, auf dem Haupt die dreistufige Tiara, die Papstkrone, in den Händen hält er eine glasartig durchsichtige Kugel des Universums mit bekrönendem Kreuz. Zwischen den Köpfen die weiße Taube des Heiligen Geistes. (930259) Artus Wolffort, 1581 - 1641, follower of Oil on canvas. 128 x 92 cm.
Hampel Fine Art Auctions
Apr. 25, 2008
Christ at the Pool of Bethesda
Est: -
Artus Wolffort (Antwerp 1581-1641) Christ at the Pool of Bethesda oil on canvas 53½ x 78 in. (136 x 198.2 cm.)
Christie's
Apr. 16, 2008
Artus Wolffort (Antwerp 1581-1641) Heraclitus with
Est: €40,000 - €50,000
Artus Wolffort (Antwerp 1581-1641) Heraclitus with the globe, oil on panel, 64 x 49.5 cm, framed, (GS) Provenance: German private collection; Dr. F. Rothmann Collection, GarmischPartenkirchen (1957); Brod Gallery, London; English private collection; Walter Kolb Collection, Kehl (1974); Paul Schaer-Micheluzzi Collection, Basel (1977); Bukowski, Zurich (1984);. K. Surowietz Collection, Sottrum (1985); Rhenish private collection Literature: Die Weltkunst, XXV, 1955, 12, p. 11; A. Blankert, "Heraclitus en Democritus, in het bijzonder in de Nederlandse kunst van de 17de eeuw", in: Nederlands Kunsthistorisch Jaarboek, XVIII, 1967, pp. 108-09, 65; H. Vlieghe, "Zwischen Van Veen und Rubens, Artus Wolffort (1581-1641), ein vergessener Antwerpener Maler", in: Wallraf-Richartz-Jahrbuch, XXXIX, 1977, p. 102, 15; E. McGrath, Rubens' Subjects from History, vol. II, Catalogue & Indexes, London 1997, pp. 57-58, 9, fig. 35. L. Burchart and J. Müller-Hofstede identified the present painting as a work by Peter Paul Rubens, with Burchart dating it to c. 1618 and Müller-Hofstede around 1595. H. Vlieghe was the first to plausibly attribute it to Artus Wolffort, a student of Francken.
Dorotheum
Apr. 14, 2005
Artus Wolffort (Antwerpen 1581 - 1641) zugeschrieben
Est: €5,000 - €7,000
Studienkopf eines bärtigen Mannes, Öl auf Leinwand, 72,5 x 60 cm, o. R., (Wo) Provenienz: französischer Privatbesitz
Dorotheum
Oct. 27, 2004
Artus Wolffort (Antwerp 1581-1641)
Est: £35,000 - £50,000
The Deposition oil on canvas, unframed 78 3/4 x 62 3/4 in. (200 x 159.4 cm.)
Christie's
Sep. 29, 2004
Artus Wolffort (Antwerp 1581 - 1642)
Est: €30,000 - €40,000
“Esther in Ahasuerus' house of the women”, oil on panel, 57 x 81 cm, brandmark of the town of Antwerp and panelmaker's clover stamp to the reverse, framed, (Wo) Several autograph replicas of this composition are known: in the Gemäldegalerie in Kassel, in the Alte Pinakothek in Munich, in the Victoria and Albert Museum in London and in the Palazzo Vecchio in Florence. Looking for a wife, the Persian King Ahasuerus sent for young girls to be brought to his palace. After they had been attended to and dressed by eunuchs in the house of the women, they were brought before the King. Esther enters the scene on the left, led by the eunuch Efeus. As she is the most beautiful one, it is her the King will chose. As an allusion to his choice, the picture at the upper margin shows the Judgement of Paris. The young Jewess Esther, Ahasuerus' future wife, later was to play a decisive role in saving her people through her bravery. Over the centuries this story from the Old Testament has been dealt with in numerous paintings unter the title Esther and Ahasuerus (Book of Esther).
Dorotheum
May. 27, 2004
* ARTUS WOLFFORT ANTWERP 1581 - 1641
Est: $80,000 - $120,000
inscribed at lower edge in a trompe l'oeil stone cartouche S. A[N]DREAS / ET IN IESVM CHRISTV[M] FILIV[M] EIVS VNICV[M], DOMINVM NOSTRV / II. oil on canvas
Sotheby's
Jul. 12, 2002
Artus Wolffort (Antwerp 1581-1641)
Est: $12,640 - $18,960
Mary Magdalen washing the feet of Christ oil on panel 36 x 481/2 in. (91.3 x 123 cm.).
Christie's
Oct. 27, 1993
ARTUS WOLFFORT Antwerp 1581 - 1641
Est: -
STUDY OF A MAN IN ORIENTAL DRESS Oil on panel, in a period frame The reverse of the panel bears the brand of the Antwerp Panel Makers' Guild, and a maker's mark: LS (Lambert Steens) 63.5 by 49 cm.; 25 by 19 1/4 in. This work is similar to paintings on panel of similar size which appear to form part of a series, and which have been attributed to Wolffert by Hans Vlieghe (see H. Vlieghe, 'Zwischen van Veen und Rubens: Artus Wolffort (1581-1641), ein vergessener Antwerpener Maler', in Wallraf-Richatz-Jahrbuch, 1977, pp. 96-7, figs. 5-8 (a series of Evangelists), pp. 102-3, figs 14-17). On the basis of a photograph, Dr. Vlieghe has kindly confirmed the attribution of the present painting.
Sotheby's