Raphael Winter Paintings & Artwork for Sale | Raphael Winter Art Value Price Guide

Dec. 07, 2024
R. WINTER (1784-1852), Inn in Assisi, 1829, Pencil
Est: €900 - €1,200
Raphael Winter (1784 Munich - 1852 ibid.): Inn in Assisi, 1829, Pencil Technique: Pencil on Paper Inscription: Lower right signed: "R. Winter". Lower right inscribed: "Wirtshaus Assisi den 6 Juni 1829.". Date: 1829 Description: Raphael Winter was the son of the well-known Munich animal and hunting painter and etcher Joseph Georg Winter (1751-1789). He received his first art lessons from his father. His style and the instruction he received from his stepfather Johann Michael Mettenleiter had a lasting influence on his son's work. In 1809 Winter joined the lithographic institute of the royal council of state in Munich, which he directed until his death. Later, together with the Dall'Armi brothers, he founded a lithographic printing house in Rome.   Raphael Winter visited Italy twice, in 1803 and in the late 1820s, probably to study the landscape. The 1829 drawing of an inn in Assisi, however, shows that he apparently took every opportunity to study his favourite subject: Animals. Behind the wall on the left side of the composition, a hedge represents the beauty of the landscape. It is rendered barely perceptibly with a few quick strokes. The artist deals similarly with the inn building, whose essential features, such as the windows, the entrance and the sloping roof, are merely captured with hectic pencil movements. In contrast, he devotes all his drawing skill to the group with a horse and three mules. They are sketched in full detail, both their anatomical features and their equipment such as saddle and bridle.  Despite the compositional emphasis on the animals, Winter succeeds in creating the image of a hot Italian day before the viewer's eyes. The sun is high, the resting draft animals are about to continue their arduous journey through the Italian countryside. Keywords: Animals, Italy, Inn, Horses, Travel sketch, 19th century, Romanticism, Architecture, Italy, Size: Paper: 17,1 cm x 22,0 cm (6,7 x 8,7 in)
Fichter Kunsthandel
Nov. 23, 2024
RAPHAEL WINTTER WATERCOLOR OF DOGS ATTACKING A BOAR
Est: $6,000 - $9,000
WINTTER, Raphael (German, 1784-1852). Dogs Attacking a Boar. Pen and grey ink and watercolor over black chalk, within black framing lines. Signed and dated, in pen and black ink, lower center: Raph: Wintter, inv del / 1841. 12 x 15 3/4" sheet. The Munich based artist Raphael Wintter was taught by his stepfather Johann Michael Mettenleiter, who became engraver at the electoral court in 1790 after Winter`s natural father, Joseph Georg Winter, died. In 1809, Raphael was appointed first lithographer of the lithographic institution of the royal state council. In 1818 and 1830 he traveled to Rome. Like his father, he mainly depicted animals in his drawings, watercolors and graphics.
Arader Galleries
May. 25, 2024
R. WINTER (1784-1852), The flight of the horses, 1810, Pen drawing
Est: €600 - €800
Raphael Winter (1784 Munich - 1852 ibid.): The flight of the horses Horses fleeing from a pack of wolves, 1810, Pen drawing Technique: Watercolored Pen drawingPen drawing on Paper Inscription: Lower right monogrammed: "R W inv". Lower right dated: "den 20 Nov 1810". Date: 1810 Description: Raphael Winter received his first training from his stepfather Johann Michael Mettenleiter. In 1790, the latter had been appointed electoral hunting and court copperplate engraver and thus continued the office and business of Winter's father. Raphael himself was appointed the first lithographer at the royal state council's lithographic institute in 1809. In 1818 he travelled to Rome to set up a lithographic printing shop for Johann von Dall'Armi. He returned to Italy in 1830. Like his father Joseph Georg Winter, who died in 1789, Raphael devoted himself mainly to the depiction of animals, both in drawing and watercolour, as well as in printmaking. His lithographed animal sheets are among the pioneering works in this medium. The theme of the present sheet can be found again and again in the oeuvre of both father and son, even if the wolves' hunt is often centred on deer. Here they are chasing a group of three horses. One wolf has already caught the remaining horse by the throat, while another wolf is beaten back by the horse with its hooves. Raphael Winter depicts the drama of the scene in cool and sober colours, creating a contrast to the actual events. In the second half of the 19th century, this depiction became popular again, particularly through Polish painters such as Alfred von Wierusz-Kowalski. Keywords: Hunting, horses, wolves, escape, 19th century, Romanticism, Animals, Germany, Size: Paper: 12,2 cm x 19,2 cm (4,8 x 7,6 in), Frame: 34,9 cm x 44,4 cm (13,7 x 17,5 in)
Fichter Kunsthandel
Mar. 23, 2024
R. WINTER (1784-1852), Inn in Assisi, 1829, Pencil
Est: €900 - €1,200
Raphael Winter (1784 Munich - 1852 ibid.): Inn in Assisi, 1829, Pencil Technique: Pencil on Paper Inscription: Lower right signed: "R. Winter". Lower right inscribed: "Wirtshaus Assisi den 6 Juni 1829.". Date: 1829 Description: Raphael Winter was the son of the well-known Munich animal and hunting painter and etcher Joseph Georg Winter (1751-1789). He received his first art lessons from his father. His style and the instruction he received from his stepfather Johann Michael Mettenleiter had a lasting influence on his son's work. In 1809 Winter joined the lithographic institute of the royal council of state in Munich, which he directed until his death. Later, together with the Dall'Armi brothers, he founded a lithographic printing house in Rome.   Raphael Winter visited Italy twice, in 1803 and in the late 1820s, probably to study the landscape. The 1829 drawing of an inn in Assisi, however, shows that he apparently took every opportunity to study his favourite subject: Animals. Behind the wall on the left side of the composition, a hedge represents the beauty of the landscape. It is rendered barely perceptibly with a few quick strokes. The artist deals similarly with the inn building, whose essential features, such as the windows, the entrance and the sloping roof, are merely captured with hectic pencil movements. In contrast, he devotes all his drawing skill to the group with a horse and three mules. They are sketched in full detail, both their anatomical features and their equipment such as saddle and bridle.  Despite the compositional emphasis on the animals, Winter succeeds in creating the image of a hot Italian day before the viewer's eyes. The sun is high, the resting draft animals are about to continue their arduous journey through the Italian countryside. Keywords: Animals, Italy, Inn, Horses, Travel sketch, 19th century, Romanticism, Architecture, Italy,
Fichter Kunsthandel
Feb. 24, 2024
R. WINTER (1784-1852), Deer family resting in a meadow, Lithography
Est: €300 - €400
Raphael Winter (1784 Munich - 1852 ibid.): Roe deer family resting in a meadow Roebuck with doe and fawn, 19th century, Lithography Technique: Lithography on Paper Stamp: Collector's stamp, Lugt no.: 3549. Erhard Oskar Kaps. Leipzig. 20th century, 19th century Date: 19th century Keywords: 19th century, Figurative, Nature, Animals, Germany, Deer
Fichter Kunsthandel
Dec. 30, 2023
R. WINTER (1784-1852), The flight of the horses, 1810, Pen drawing
Est: €600 - €800
Raphael Winter (1784 Munich - 1852 ibid.): The flight of the horses Horses fleeing from a pack of wolves, 1810, Pen drawing Technique: Watercolored Pen drawingPen drawing on Paper Inscription: Lower right monogrammed: "R W inv". Lower right dated: "den 20 Nov 1810". Date: 1810 Description: Raphael Winter received his first training from his stepfather Johann Michael Mettenleiter. In 1790, the latter had been appointed electoral hunting and court copperplate engraver and thus continued the office and business of Winter's father. Raphael himself was appointed the first lithographer at the royal state council's lithographic institute in 1809. In 1818 he travelled to Rome to set up a lithographic printing shop for Johann von Dall'Armi. He returned to Italy in 1830. Like his father Joseph Georg Winter, who died in 1789, Raphael devoted himself mainly to the depiction of animals, both in drawing and watercolour, as well as in printmaking. His lithographed animal sheets are among the pioneering works in this medium. The theme of the present sheet can be found again and again in the oeuvre of both father and son, even if the wolves' hunt is often centred on deer. Here they are chasing a group of three horses. One wolf has already caught the remaining horse by the throat, while another wolf is beaten back by the horse with its hooves. Raphael Winter depicts the drama of the scene in cool and sober colours, creating a contrast to the actual events. In the second half of the 19th century, this depiction became popular again, particularly through Polish painters such as Alfred von Wierusz-Kowalski. Keywords: Hunting, horses, wolves, escape, 19th century, Romanticism, Animals, Germany,
Fichter Kunsthandel
Nov. 11, 2023
R. WINTER (1784-1852), Inn in Assisi, 1829, Pencil
Est: €900 - €1,200
Raphael Winter (1784 Munich - 1852 ibid.): Inn in Assisi, 1829, Pencil Technique: Pencil on Paper Inscription: Lower right signed: "R. Winter". Lower right inscribed: "Wirtshaus Assisi den 6 Juni 1829.". Date: 1829 Description: Raphael Winter was the son of the well-known Munich animal and hunting painter and etcher Joseph Georg Winter (1751-1789). He received his first art lessons from his father. His style and the instruction he received from his stepfather Johann Michael Mettenleiter had a lasting influence on his son's work. In 1809 Winter joined the lithographic institute of the royal council of state in Munich, which he directed until his death. Later, together with the Dall'Armi brothers, he founded a lithographic printing house in Rome.   Raphael Winter visited Italy twice, in 1803 and in the late 1820s, probably to study the landscape. The 1829 drawing of an inn in Assisi, however, shows that he apparently took every opportunity to study his favourite subject: Animals. Behind the wall on the left side of the composition, a hedge represents the beauty of the landscape. It is rendered barely perceptibly with a few quick strokes. The artist deals similarly with the inn building, whose essential features, such as the windows, the entrance and the sloping roof, are merely captured with hectic pencil movements. In contrast, he devotes all his drawing skill to the group with a horse and three mules. They are sketched in full detail, both their anatomical features and their equipment such as saddle and bridle.  Despite the compositional emphasis on the animals, Winter succeeds in creating the image of a hot Italian day before the viewer's eyes. The sun is high, the resting draft animals are about to continue their arduous journey through the Italian countryside. Keywords: Animals, Italy, Inn, Horses, Travel sketch, 19th century, Romanticism, Architecture, Italy,
Fichter Kunsthandel
May. 06, 2023
R. WINTER (1784-1852), Roe deer family resting in a meadow,
Est: €300 - €400
Raphael Winter (1784 Munich - 1852 ibid.): Roe deer family resting in a meadow Roebuck with doe and fawn, 19th century, Lithography Technique: Lithography on Paper Stamp: Collector's stamp, Lugt no.: 3549. Erhard Oskar Kaps. Leipzig. 20th century, 19th century Date: 19th century Description: Verso with two collector's stamps "EK" in a circle (collection Erhard Oskar Kaps, Leipzig, L.3549). Keywords: 19th century, Figurative, Animals, Germany,
Fichter Kunsthandel
Mar. 11, 2023
R. WINTER (1784-1852), The flight of the horses, 1810, Watercolor
Est: €600 - €800
Raphael Winter (1784 Munich - 1852 ibid.): The flight of the horses, 1810, Watercolor Technique: Watercolor over Pen drawing on Paper Inscription: Lower right monogrammed: "R W inv". Lower right dated: "den 20 Nov 1810". Date: 1810 Description: Raphael Winter received his first training from his stepfather Johann Michael Mettenleiter. The latter had been appointed electoral hunting and court copper engraver in 1790 and thus continued the office and business of Winter's father. Raphael himself was appointed first lithographer at the lithographic institute of the royal council of state in 1809. In 1818 he stayed in Rome to establish a lithographic printing house for Johann von Dall'Armi. In 1830 he was in Italy again. Like his father Joseph Georg Winter, who died in 1789, Raphael devoted himself mainly to the depiction of animals, both in drawing and watercolour, and in printmaking. His lithographed animal prints are among the pioneering works in this medium. The subject matter of the present sheet recurs in the oeuvre of both father and son, although the wolves' hunt is often focused on deer. Here they are chasing a group of three horses. One wolf has already caught the horse that is left behind by the throat, another wolf is knocked back by the horse with its hooves. Raphael Winter depicts the drama of the scene in cool and sober colours, creating a contrast to the actual action. In the second half of the 19th century, this depiction became popular again, especially through Polish painters such as Alfred von Wierusz-Kowalski. Keywords: Hunting, Horses, Wolves, Escape, 19th century, Romanticism, Animals, Germany,
Fichter Kunsthandel
Jan. 06, 2023
R. WINTER (1784-1852), Inn in Assisi, 1829, Pencil
Est: €900 - €1,200
Raphael Winter (1784 Munich - 1852 ibid.): Inn in Assisi, 1829, Pencil Technique: Pencil on Paper Inscription: Lower right signed: "R. Winter". Lower right inscribed: "Wirtshaus Assisi den 6 Juni 1829.". Date: 1829 Description: Raphael Winter was the son of the well-known Munich animal and hunting painter and etcher Joseph Georg Winter (1751-1789). He received his first art lessons from his father. His style and the instruction he received from his stepfather Johann Michael Mettenleiter had a lasting influence on his son's work. In 1809 Winter joined the lithographic institute of the royal council of state in Munich, which he directed until his death. Later, together with the Dall'Armi brothers, he founded a lithographic printing house in Rome. Raphael Winter visited Italy twice, in 1803 and in the late 1820s, probably to study the landscape. The 1829 drawing of an inn in Assisi, however, shows that he apparently took every opportunity to study his favourite subject: Animals. Behind the wall on the left side of the composition, a hedge represents the beauty of the landscape. It is rendered barely perceptibly with a few quick strokes. The artist deals similarly with the inn building, whose essential features, such as the windows, the entrance and the sloping roof, are merely captured with hectic pencil movements. In contrast, he devotes all his drawing skill to the group with a horse and three mules. They are sketched in full detail, both their anatomical features and their equipment such as saddle and bridle. Despite the compositional emphasis on the animals, Winter succeeds in creating the image of a hot Italian day before the viewer's eyes. The sun is high, the resting draft animals are about to continue their arduous journey through the Italian countryside. Keywords: Animals, Italy, Inn, Horses, Travel sketch, 19th century, Romanticism, Architecture, Italy,
Fichter Kunsthandel
Aug. 07, 2022
R.WINTER (1784-1852), Roe deer family resting in a meadow, Lithography
Est: €150 - €200
Raphael Winter (1784 Munich - 1852 ibid.): Roe deer family resting in a meadow, 19th century, Lithography Technique: Lithography on Paper Stamp: Collector's stamp, Lugt no.: 3549. Erhard Oskar Kaps. Leipzig. 20th century, 19th century Date: 19th century Description: Verso with two collector's stamps "EK" in a circle (collection Erhard Oskar Kaps, Leipzig, L.3549). Keywords: 19th century, Figurative, Animals, Germany, deer
Fichter Kunsthandel
May. 07, 2022
RAPHAEL WINTER, auch WINTTER 1784 - München - 1852: Voralpenlandschaft mit Schafen und Ziegenbock bei einem Dorf.
Est: €360 - €480
RAPHAEL WINTER, auch WINTTER 1784 - München - 1852 Voralpenlandschaft mit Schafen und Ziegenbock bei einem Dorf. Aquarell mit Tuschfederzeichnung und Einfassungslinie in Tuschfeder 1847. Signiert und datiert „28.4.1847“. Auf Vélin. 15 x 18,8 cm. Am Oberrand auf Unterlage montiert und schwach gebräunt. [bg]
Winterberg-Kunst
May. 07, 2022
RAPHAEL WINTER, auch WINTTER 1784 - München - 1852: Vor einem Dorf bei einem Bildstock rastende Schafherde.
Est: €360 - €480
RAPHAEL WINTER, auch WINTTER 1784 - München - 1852 Vor einem Dorf bei einem Bildstock rastende Schafherde. Aquarell mit Tuschfederzeichnung und Einfassungslinie in Tuschfeder 1841. Signiert und datiert „24.2.1841“. Auf Vélin. 15,2 x 21,2 cm. Am Oberrand auf Unterlage montiert und schwach gebräunt. [bg]
Winterberg-Kunst
Feb. 19, 2022
R.WINTER (*1784) after BERCHEM (*1620), Animal portrait of an ibex, 1815, Lithography
Est: €45 - €75
Raphael Winter (1784 Munich - 1852 ibid.) after Nicolaes Berchem (1620 Haarlem - 1683 Amsterdam): Animal portrait of an ibex, 1815, Lithography Technique: Lithography on Paper Date: 1815 Description: Signed "N. Bergheim" in the image and "Raph. Wintter fec. 1815". From a series of farm animals in portrait. Keywords: 19th century, Romanticism, Animals, Germany, Ibex Size: 18,8 cm x 28,6 cm (7,4 x 11,3 in), Depiction: 15,8 cm x 27,2 cm (6,2 x 10,7 in) Condition: Good condition. The margins have pale foxing in places. The impression appears perfect and fresh.
Fichter Kunsthandel
Feb. 19, 2022
R.WINTER (*1784) after DIETRICY (*1712), Resting sheep in the pasture, around 1815, Lithography
Est: €45 - €75
Raphael Winter (1784 Munich - 1852 ibid.) after Dietricy: Christian Wilhelm Ernst Dietrich (1712 Weimar - 1774 Dresden): Resting sheep in the pasture, c. 1815, Lithography Technique: Lithography on Paper Date: c. 1815 Description: Signed "Ditricy inv." on the left and "Raph. Wintter del." on the right. From a series of farm animals in portrait. Keywords: 19th century, Romanticism, Animals, Germany, sheep Size: 20,1 cm x 28,3 cm (7,9 x 11,1 in), Depiction: 11,0 cm x 23,0 cm (4,3 x 9,1 in) Condition: Very good condition. Pale foxing is visible along the lower sheet margin. There are traces of creasing in places and a crease along the upper margin. The print appears impeccable and fresh.
Fichter Kunsthandel
Feb. 19, 2022
P.GEISSLER (1802-1872), Joachim II of Brandenburg (*1505), Last Supper, Steel engraving
Est: €30 - €50
Peter Carl Geissler (1802 Leipzig - 1872 Nuremberg): Joachim II of Brandenburg (1505 Cölln-1571 Köpenick) receives the Protestant Lord's Supper 1539, 19th century, Steel engraving Technique: Steel engraving on Paper Date: 19th century Description: inscribed "P. C. Geissler gez.", "Stahlstich v. Carl Mayer's Kunst-Anstalt in Nürnberg". On All Saints' Day in 1539 Joachim II of Brandenburg converted to Protestantism and received his first communion, presumably in the parish church of St. Nikolai in Spandau. Keywords: 19th century, Romanticism, Portraits, Germany, Size: 14,6 cm x 23,1 cm (5,7 x 9,1 in), Depiction: 9,1 cm x 15,6 cm (3,6 x 6,1 in) Condition: Good condition. Isolated pale discolourations, especially in the area of the typesetting.
Fichter Kunsthandel
Dec. 14, 2021
Raphael Wintter (oder Winter) Animalcula varia ad naturam lapidi illata suo amico Dominic Quagl
Est: €2,200 -
Zoologie Wintter (oder Winter), Raphael Animalcula varia ad naturam lapidi illata suo amico Dominic Quaglio dedicat Raphael dedicat Raphael Winter. 10 lithographische Tafeln. Karlsruhe, bey J. Velten, (o.D., 1822). Lose Blätter in bedruckten Original Umschlag (dieser leicht fleckig, mit kl. Randläsuren u. hinten mit restaurierten Einrissen). Zur Ausgabe: Vgl. Rudolph Weigels Kunst Auction der Börner'schen Kunstsammlung (1864), 2990. - Von Senefelder zu Daumier: die Anfänge der lithographischen Kunst (1988), 77. Zu Winter: ADB 43 (1898), S. 474. - Kein Exemplar im internationalen Handel nachweisbar. - Weltweit nur zwei Exemplare nachweisbar: London, Natural History Museum Library und Staatsbibliothek Berlin. - Äußerst seltene Folge von lithographierten Tieren und früher Beitrag zur zoologischen Lithographie. Gezeigt werden Schlange, Eidechse, Maulwurf, Mäuse, Frösche, Muscheln und ein Hummer. Der in München lebende Künstler Raphael Winter (1784-1852) wurde von seinem Stiefvater, dem Radierer, Kupferstecher und Lithograf Johann Michael Mettenleiter. 1805 gründete er zusammen mit den Brüdern Dall'Armi die erste die erste lithographische Druckerei in Rom und avancierte 1809 zum ersten Lithographen des königlichen Staatsrates und später zum Inspektor der Steindruckerei der der Lithographischen Anstalt des bayerischen Staatsrates In den Jahren 1818 und 1830 reiste er nach Rom. In seinem künstlerischen Werk stellte er in seinen Zeichnungen Aquarellen und Grafiken vor allem zoologische Motive dar. - In der linken unteren Ecke mit kleinem Wasserfleck, sonst vor allem an den Rändern etwas braunfleckig, insgesamt wohlerhalten. - Von größter Seltenheit. Zoology. - 10 lithographic plates. - Loose in original wrappers (slightly stained, some small marginal defects, beck with restored tears). - No copy traceable in international trade. - Only two copies are known to exist worldwide: London, Natural History Museum Library and Staatsbibliothek Berlin. Extremely rare set of lithographed animals and early contribution to zoological lithography. Shown are snake, lizard, mole, mice, frogs, mussels and a lobster. The artist Raphael Winter (1784-1852), who lived in Munich, was influenced by his Stepfather, the etcher, engraver and lithographer Johann Michael Mettenleiter. In 1805, together with the Dall'Armi brothers, he founded the first first lithographic printing house in Rome and in 1809 advanced to become the first lithographer to the Royal Council of State and later became the inspector of the lithographic Institute of the Bavarian State Council In the years 1818 and 1830 he traveled to Rome. In his artistic work, he presented in his drawings watercolors and graphics mainly zoological motifs. - In the lower left corner with a small water stain, otherwise a bit brownish especially at the margins, overall in good condition. - Of the greatest rarity. *
Jeschke Jádi Auctions Berlin GmbH
Nov. 29, 2019
Wintter, Raphael: Studienblatt mit Feldhase
Est: €300 - €400
Studienblatt mit Feldhase. - Bleistift auf Velin. 29,1 x 19,6 cm. Unten signiert und datiert "RWintter - Nach Natur den 20 Dec 1814.", oben nummeriert "N5 = 10". Wz. Maximilianus Josephus Bavariae Rex, mit dessen Antlitz im Kreis. -- -- Provenienz: Aus der Sammlung Frits Hasselmann, München (Lugt 1012). -- Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Nov. 02, 2017
RAPHAEL WINTTER | Dogs attacking a boar
Est: £600 - £800
Pen and grey ink and watercolour over black chalk, within black framing lines; signed and dated, in pen and black ink, lower centre: Raph: Wintter, inv del / 1841
Sotheby's
Jun. 08, 2016
Raphael Winter, Three Girls, Small Pen and Ink Drawing, 1804
Est: €100 - €130
Washed pen and ink drawing on wove paper Germany, 1804 Raphael Winter (1784-1852) – Munich draftsman, graphic artist and painter Signed ‘Wintter’, dated ‘Juli 1804’ and inscribed in pencil on the reverse Sheet dimensions: 9.8 x 11 cm Framed: 33 x 34 cm Good condition Object is regular taxed. 19% VAT is added to the purchase price for deliveries within the EU. Condition: The small pen and ink drawing is in overall good condition, consistent with age. The sheet is mounted to a mat at a reverse upper edge. The frame is in good condition with only slight signs of use. The sheet measures 9.8 x 11 cm. Raphael Winter (1784-1852) The Munich based artist Raphael Winter was taught by his stepfather Johann Michael Mettenleiter, who became engraver at the electoral court in 1790 after Winter`s natural father, Joseph Georg Winter, died. In 1809, Raphael Winter was appointed first lithograph of the lithographic institution of the royal state council. In 1818 and 1830 he traveled to Rome. Like his father, he mainly depicted animals in his drawings, watercolors and graphics. (fea) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.
Auctionata Paddle8 AG
Apr. 27, 2016
Raphael Winter, Three Girls, Small Pen and Ink Drawing, 1804
Est: €150 - €195
Washed pen and ink drawing on wove paper Germany, 1804 Raphael Winter (1784-1852) – Munich draftsman, graphic artist and painter Signed ‘Wintter’, dated ‘Juli 1804’ and inscribed in pencil on the reverse Sheet dimensions: 9.8 x 11 cm Framed: 33 x 34 cm Good condition Object is regular taxed. 19% VAT is added to the purchase price for deliveries within the EU. Condition: The small pen and ink drawing is in overall good condition, consistent with age. The sheet is mounted to a mat at a reverse upper edge. The frame is in good condition with only slight signs of use. The sheet measures 9.8 x 11 cm. Raphael Winter (1784-1852) The Munich based artist Raphael Winter was taught by his stepfather Johann Michael Mettenleiter, who became engraver at the electoral court in 1790 after Winter`s natural father, Joseph Georg Winter, died. In 1809, Raphael Winter was appointed first lithograph of the lithographic institution of the royal state council. In 1818 and 1830 he traveled to Rome. Like his father, he mainly depicted animals in his drawings, watercolors and graphics. (fea) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.
Auctionata Paddle8 AG
Apr. 20, 2012
Wintter,R.
Est: - €200
Wintter,R. Thierzeichnungen zur Landschaft-Staffirung. Karlsruhe, Velten (1824). Qu.Fol. Folge v. 11 (von 12) lithogr. Taf. Lose in OU. (Fleckig, kl. Fehlst.). Raphael Wintter (1784-1852) war seit 1809 erster Lithograph an der Anstalt des kgl. Staatsrats in München, die sein Stiefvater Mettenleiter einrichtete und an der Wintter später Inspektor war. - Die Taf. zeigen Ziegen, Schafe und Kühe. - Leicht fleckig.
Kiefer Buch- und Kunstauktionen
Sep. 30, 2011
Wintter,R.
Est: - €300
Thierzeichnungen zur Landschaft-Staffirung. Karlsruhe, Velten (1824). Qu.Fol. Folge v. 11 (von 12) lithogr. Taf. Lose in OU. (Fleckig, kl. Fehlst.). Raphael Wintter (1784-1852) war seit 1809 erster Lithograph an der Anstalt des kgl. Staatsrats in München, die sein Stiefvater Mettenleiter einrichtete und an der Wintter später Inspektor war. - Die Taf. zeigen Ziegen, Schafe und Kühe. - Leicht fleckig.
Kiefer Buch- und Kunstauktionen
Jul. 06, 2010
John Augustus Atkinson 1775-1833- "Charcoal Bark".
Est: £200 - £300
John Augustus Atkinson 1775-1833- "Charcoal Bark". published May 1st 1803, by JA Atkinson & JA Walker London & Messrs John & Josiah Boydell, Pall Mall, London; etching and aquatint printed in colours, 20x25cm: Raphael Wintter 1784-1852- "Thierstudien"; five plates, c.1831, etchings: William Henry Pyne 1784-1852- "Cattle Market; Domestic Employment"; published by Pyne & Nattes, aquatint in brown, pl.1,2: together with a folio of other 18/19th century etchings and engravings by and after various hands to include After Teniers, "La Vessie"; Frank Palou, "Notice to Quit"; Klien, Peasant travellers; Ludwig Richter, Zu den Vater Kommen die Kinder"; and others, (17) (unframed)
Roseberys
Dec. 05, 2009
Raphael Wintter, Sitzender Affe/ Wasserbüffel nach links. Um 1815.
Est: €200 - €240
Charcoal drawing (koloriert). "Sitzender Affe" in Kohle signiert u.re. "Raph. Wintter" und datiert. Leicht fleckig. Verso Reste alter Montierungen. "Wasserbüffel" unsigniert. Blatt auf Untersatzpapier montiert. Blattrand li. mit Rest einer alten Montierung. Fleckig.
Schmidt Kunstauktionen Dresden OHG