Thomas Wijck Paintings & Artwork for Sale | Thomas Wijck Art Value Price Guide

Nov. 27, 2024
Wyck, Thomas: Die Frau mit den beiden Körben
Est: €400 - €450
Die Frau mit den beiden Körben. Radierung. 11 x 11,8 cm. B. 14, Hollstein 14 II. Wz. Esel (Fragment). Ganz ausgezeichneter Druck mit sehr feinem Rändchen um die Einfassung, oben mit der Plattenkante. Vereinzelt unauffällige Stockfleckchen, weitere kaum merkliche Gebrauchsspuren, sonst tadellos erhalten. Beigegeben von demselben zwei weitere Radierungen (Hollstein 1, 2). Sämtlich aus der Sammlung Albert Pieter van den Briel (Lugt 407a) und JP van den Briel (nicht bei Lugt), Hollstein 14 aus der Sammlung F. C. Th. Baron van Isendoorn à Blois (Lugt 1407, 2610), die beiden Beigaben aus der Sammlung Friedrich August II. von Sachsen (Lugt 971), Hollstein 2 aus der Sammlung Ludwig Puttrich (Lugt 2064). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Nov. 14, 2024
Thomas Wijck Spinner
Est: €200 - €300
Etching and drypoint, 52 x 42 mm (plate), 59 x 48 mm (sheet). Bartsch IV.141.1 Crisp impression on laid paper. Visible trace of vertical fold, reinforced on the back with Japanese paper.
Bertolami Fine Art s.r.l.
Nov. 13, 2024
Thomas Wijck (attributed to) Beverwijk 1616-Haarlem 1677 Pair of country landscapes with shepherds
Est: €1,000 - €2,000
Thomas Wijck (attributed to) Beverwijk 1616-Haarlem 1677 Pair of country landscapes with shepherds Oil on panel 54x41 cm - framed 58x45 cm
Casa d'aste ARCADIA
Oct. 16, 2024
CIRCLE OF THOMAS WYCK (DUTCH CIRCA 1616 - 1777), A MEDITERRANEAN COASTAL INLET WITH BOATS
Est: £2,000 - £3,000
CIRCLE OF THOMAS WYCK (DUTCH CIRCA 1616 - 1777)A MEDITERRANEAN COASTAL INLET WITH BOATS AND A MAN-O-WAR AT ANCHOR BEYONDOil on canvasInitialled (lower right)48.5 x 64cm (19 x 25 in.)Provenance:Sale, Christie's South Kensington, 9th July 2004, lot 28
Dreweatts 1759 Fine Sales
Sep. 12, 2024
Thomas Wijck - Zugeschrieben: Die Unterbauten des Palastes des Septimus Severus in Rom
Est: CHF2,400 - CHF3,000
Thomas Wijck - Zugeschrieben (Beverwijk 1616 - 1677 Haarlem) Die Unterbauten des Palastes des Septimus Severus in Rom Pinsel in grauer Tusche auf Bütten mit Wasserzeichen "Kleines bekröntes Lilienwappen" (vgl. Laurentius II, Nr. 362, für Mechelen, 1654, dokumentiert) / Brush in grey ink on laid paper with watermark "Small Coat of Arms with Fleur-de-Lis" (cf. Laurentius II, no. 362, documented for Mechelen, 1654) Um 1640 20,4x23,7 cm, Blattgrösse / 20.4x23.7 cm, sheet size Signatur / Signature Unten links in Bleistift mit Monogramm "TW" Lower left with monogram "TW" in pencil Provenienz / Provenance Slg. Dr. August Sträter (1810-1897), Aachen, dessen Sammlung versteigert bei Auktion H.G. Gutekunst, Stuttgart, 10.-14. Mai 1898, Los 1228 Slg. Dr. Walter Beck (geboren 1895), Berlin, Lugt 2603b Slg. Armand Gobiet, Seeham bei Salzburg (1965) Auktion Karl und Faber, München, 25. November 1982, Los 137 Slg. Eberhard W. Kornfeld, Bern, Lugt 913b Collection Dr August Sträter (1810-1897), Aachen, whose collection was auctioned at Auction H.G. Gutekunst, Stuttgart, 10-14 May 1898, lot 1228 Collection Dr Walter Beck (born 1895), Berlin, Lugt 2603b Armand Gobiet Collection, Seeham near Salzburg (1965) Karl and Faber auction, Munich, 25 November 1982, lot 137 The Eberhard W. Kornfeld Collection, Bern, Lugt 913b Literatur / Literature Lisa Oehler, Rom in der Graphik des 16. bis 18. Jahrhunderts, Berlin 1997, pag. 99, und Anm. 9 Lisa Oehler, Rom in der Graphik des 16. bis 18. Jahrhunderts, Berlin 1997, p. 99, and note 9 Zustand / Condition Eine fast waagrecht verlaufende Falte oben und einige blasse Stockflecken. Insgesamt aber sehr schön und frisch An almost horizontal crease at the top and some pale foxing. Overall, however, very nice and fresh Erläuterungen / Comments Dargestellt sind die Ruinen an der südöstlichen Seite des Palatins, von Südwesten gesehen. Annemarie Stefes bemerkt, dass eine Italienreise für Thomas Wijck zwar nicht dokumentiert, jedoch von Zeitgenossen überliefert und angesichts datierter Zeichnungen zwischen 1644 und 1652 auch anzunehmen ist. Sie schreibt weiterhin: "Auf Wijck weist das Monogramm der vorliegenden Zeichnung. In Schreiben an Vorbesitzer Armand Gobiet bestätigten Frits Lugt (13. August 1965) und Karel G. Boon (18. August 1965) diese Zuschreibung, während Lisa Oehler (1997, S. 99) das Blatt für eine Arbeit des Jan Both hielt. Wijcks Zeichnungen auf italienischem Papier zeigen häufig namenlose Motive, weniger das klassische Repertoire italienischer Ruinen. Unter den signierten Blättern des Künstlers finden sich aber auch stilistisch verwandte Blätter, die die Zuschreibung bestätigen, zum Beispiel eine mit ähnlich weich tupfendem Pinsel gezeichnete italienische Landschaft im Museum in Haarlem (Teylers Museum, Inv. Nr. P*9, Michiel C. Plomp, The Dutch Drawings in the Teyler Museum, Vol. II, Artists born between 1575 and 1630, Haarlem 1997, Nr. 567; das Blatt mit 15,4x23,5 cm in ähnlichem Format wie die vorliegende Zeichnung; für die Staffage vgl. auch Inv. Nr. P*11 in gleicher Sammlung, Plomp 1997, Nr. 566)." Wir danken Frau Dr. Annemarie Stefes für ihre Beurteilung der Zeichnung auf der Grundlage einer Bilddatei. The ruins are depicted on the south-eastern side of the Palatine, seen from the south-west. Annemarie Stefes notes that although Thomas Wijck's journey to Italy is not documented, it has been passed down by contemporaries and can be assumed in view of dated drawings between 1644 and 1652. She further writes: "The monogram of the present drawing points to Wijck. In letters to the previous owner Armand Gobiet, Frits Lugt (13 August 1965) and Karel G. Boon (18 August 1965) confirmed this attribution, while Lisa Oehler (1997, p. 99) considered the sheet to be a work by Jan Both. Wijck's drawings on Italian paper often show nameless motifs, rather than the classic repertoire of Italian ruins. Among the artist's signed sheets, however, there are also stylistically related sheets that confirm the attribution, for example an Italian landscape in the museum in Haarlem, drawn in a similarly soft manner with a dabbing brush (Teylers Museum, inv. no. P*9, Michiel C. Plomp, The Dutch Drawings in the Teyler Museum, vol. II, Artists born between 1575 and 1630, Haarlem 1997, no. 567; the sheet measures 15.4x23.5 cm in format similar to the present drawing; for the staffage, see also inv. no. P*11 in the same collection, Plomp 1997, no. 566)." We would like to thank Dr Annemarie Stefes for her assessment of the drawing on the basis of an image file. MWST / VAT Mehrwertsteuer auf dem Zuschlagspreis plus Aufgeld / VAT on hammer price plus buyer's premium Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 12.09.2024; 20:55 h (MEST / CET) For further information visit our website (www.kornfeld.ch) Versandkosten / Shipping cost Schweiz / Switzerland: CHF 115.- Europa / Europe: CHF 185.- Übrige Länder / Other countries: CHF 235.-
Galerie Kornfeld Auktionen AG
Jul. 16, 2024
Thomas Wyck ( 1616-1677) – Attributed
Est: €200 - €400
Thomas Wyck ( 1616-1677) – Attributed, Scholar in his studio, oil on paper, lait down framed. 24X18,5 cm
Deutsch Auktionen
Jun. 20, 2024
Thomas Wyck (1616-1677) – Attributed
Est: €400 - €800
Thomas Wyck (1616-1677) – Attributed, the scientist in his studio, oil on paper, laid dawn cardboard, signed on the bottom, on the reverse old number, framed, 24,5 x 18,5 cm
Deutsch Auktionen
Jun. 19, 2024
Wyck, Thomas (Beverwijck um 1616-1677 Haarlem),
Est: €140 - €200
Mann beim Schuheschnüren. Radierung. In der Platte monogr., nicht dat. (um 1650). 8,3 x 7,3 cm. - Auf Trägerpapier mont., unter Passepartout. - Nagler XXV, 108, 4.
Zisska & Lacher
Jun. 07, 2024
Wyck, Thomas (Beverwijck um 1616-1677 Haarlem),
Est: €140 - €200
Mann beim Schuheschnüren. Radierung. In der Platte monogr., nicht dat. (um 1650). 8,3 x 7,3 cm. - Auf Trägerpapier mont., unter Passepartout. - Nagler XXV, 108, 4.
Zisska & Lacher
May. 27, 2024
THOMAS WIJCK
Est: €1,800 - €2,240
(Beverwijck, 1616 circa - Haarlem, 1677) Veduta di porto nel Mediterraneo Firmato in basso a sinistra: TWyck Olio su tela, cm 43X52 Provenienza: Milano, Porro, 29 maggio 2014, lotto 26 (come Thomas Wijck) Collezione privata Registrato nel 1642 alla gilda dei pittori di Haarlem, Thomas Wijk si recò in Italia nel 1640, l'anno in cui un Tommaso fiammingo pittore è documentato come residente a Roma in Via della Fontanella. E' difficile stabilire quali sono i dipinti realizzati nella Città Eterna perché continuò a realizzare vedute e paesaggi dell'Urbe certamente impiegando disegni e fantasia a seconda delle necessità compositive. Comunque possiamo supporre che le opere che mostrano un maggior senso di immediatezza e realismo siano da collocare al suo soggiorno nella penisola. Opere risalenti al 1640 includono la Veduta dell'Aracoeli (Monaco, Alte Pinakothek), la Piazza del mercato di Portico d'Ottavia (collezione privata) e la Veduta di Napoli con il Vesuvio in eruzione (cfr. All'ombra del Vesuvio, Catalogo della mostra a cura di Nicola Spinosa, Napoli 1990, pag. 285), e la Veduta di porto di combaciante gusto rappresentativo pubblicata nel Catalogo della mostra Nederlandse 17e Eeuwse ; ltalianiserende Landschapschilders, Utrecht 1965, fig. È, n. 71, pp. 144-46). Queste opere tradiscono l'influenza di Andries Both, di Pieter van Laer, di Jan Miel e in particolare evidenziano la loro similitudine con le vedute di Asselijn e del Lingelbach, come ben si osserva gurdando le opere pubblicate da Busiri Vici (cfr. Porti, piazze e casolari di Roma e dintomi di Tommaso Fiammingo, in Scritti d'Arte, Roma 1990, pp. 402-410). Tornando alla tela in esame, bene si confronta con i paesaggi mediterranei realizzati nella tarda attività, tra cui uno appartenuto alla Galleria Hoogsteder & Hoogsteder all'Aia (cfr. P. Huys Janssen, The Hoogsteder exhibition of Dutch landscapes, Zwolle 1991). L'opera è corredata da una scheda critica di Raffaella Colace.
Wannenes Art Auctions
May. 17, 2024
Wyck, Thomas (±1616-1677). A Seamstress, surrounded by three men, left a man with a donkey.
Est: €70 - €90
Wyck, Thomas (±1616-1677). A Seamstress, surrounded by three men, left a man with a donkey. Etching, 8,3x7,1 cm., monogrammed in the plate, tipped onto mount at upper margin. - Trifle grey impression w. small margins. Two brown spots in upper margin. = Hollstein 3, the 2nd state (of 2). Idem. The beggar eating grapes. Etching, 13x11,5 cm., monogrammed in upper left corner. - Remnants of former tipping in on verso. = Hollstein 12. Good later impression. AND 1 other by Johannes VAN VLIET.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
May. 04, 2024
Wyck, Thomas
Est: €40 - €60
(um 1616 Beverwyck - Haarlem 1677). 5 Bl. Radierungen aus: A Collection of Original Etchings, London 1816. Blgr. bis 13,8 x 12,2 cm. Monogr. i.d. Platte. Alle mit Rand, in d. Ecken auf Kart. geklebt. - Tls. etw. fl. ╔Dabei: Willem Basse╗ Die Flucht nach Ägypten. Rad. aus: A Collection of... 1816. Blgr. 12,6 x 12,6 cm. - An den Ecken auf Kart. mont. - Etw. fl.
Kiefer Buch- und Kunstauktionen
Apr. 19, 2024
Thomas Wijck (c. 1616-1677). Mediterranean landscape
Est: €150 - €200
Etching, 122 x 113 mm. Bartsch IV.17. Late edition? on thin wove paper. Trimmed, with paper residues on the reverse, otherwise in very good condition.
Bertolami Fine Art s.r.l.
Apr. 17, 2024
Thomas Wijck (attributed to)(Beverwijk 1616-Haarlem 1677)Pair of rural landscapes with shepherds
Est: €1,600 - €2,000
Thomas Wijck (attributed to) (Beverwijk 1616-Haarlem 1677) Pair of rural landscapes with shepherds Oil on panel 54x41 cm - framed cm This pair of paintings fits perfectly into the pictorial production of the Dutchman Thomas Wijck. Having trained in Italy, between Rome and Naples, he had the opportunity to come into contact with the lively painting of the Bamboccianti, of which Michelangelo Cerquozzi and Peter van Laer were among the greatest experts. The two paintings can be ascribed to the mature phase of Wijk's career, when he had now returned to reside permanently in Haarlem, for the precise but material treatment of the landscape and the characters that animate the scene. Reminiscent of the Roman period remains the temple and the classical ruins present.
Casa d'aste ARCADIA
Mar. 25, 2024
THOMAS WYCK (C.1616 - 1677)
Est: €2,000 - €3,000
Thomas WYCK (c.1616 - 1677) Hunter and his helper near a river gouache, sales label on the back. Provenance: Sotheby's sale, 20 July 1967, lot 100 framed H : 20 cm on view W : 28 cm
Haynault
Mar. 09, 2024
THOMAS ADRIAENSZ WYCK AUCH WIJK (ATTR.)
Est: €1,200 - €2,400
ATTRIBUTED TO THOMAS ADRIAENSZ WYCK ALSO WIJK Around 1620 Beverwyck - 1677 Haarlem PEASANT INTERIOR Pen and brown ink, partly heightened with wash and white on hand-made paper. 153 mm x 218 mm. Minimally torn at lower margin, overall somewhat stained, min. rest. In passepartout. Provenance: Rhenish private collection. Collection N. Beets. Collection P. and N. de Boer, Amsterdam. THOMAS ADRIAENSZ WYCK AUCH WIJK (ATTR.) Um 1620 Beverwyck - 1677 Haarlem BAUERNINTERIEUR Feder in Braun, teilweise laviert und Weiß gehöht auf chamoisfarbenem Büttenpapier. 153 mm x 218 mm. Rand unten minimals eingerissen, insgesamt etwas fleckig, min rest. Im Passepartout. Provenienz: Rheinische Privatsammlung. Slg. N. Beets. Slg. P. und N. de Boer, Amsterdam.
Hargesheimer Kunstauktionen Düsseldorf
Feb. 16, 2024
Wyck, Thomas
Est: €70 - €100
(um 1616 Beverwyck - Haarlem 1677). 5 Bl. Radierungen aus: A Collection of Original Etchings, London 1816. Blgr. bis 13,8 x 12,2 cm. Monogr. i.d. Platte. Alle mit Rand, in d. Ecken auf Kart. geklebt. - Tls. etw. fl. ╔Dabei: Willem Basse╗ Die Flucht nach Ägypten. Rad. aus: A Collection of... 1816. Blgr. 12,6 x 12,6 cm. - An den Ecken auf Kart. mont. - Etw. fl.
Kiefer Buch- und Kunstauktionen
Feb. 01, 2024
THOMAS WIJCK (BEVERWIJK 1616⁄1621-1670 HAARLEM) A street in an Italian town
Est: $5,000 - $7,000
THOMAS WIJCK (BEVERWIJK 1616⁄1621-1670 HAARLEM) A street in an Italian town, with figures black chalk or graphite, pen and brown ink, brown wash, pen and brow ink framing lines, watermark foolscap and three circles 6 x 9 1⁄8 in. (15.1 x 23.1 cm)
Christie's
Dec. 13, 2023
Wyck, Thomas
Est: €100 - €150
(um 1616 Beverwyck - Haarlem 1677). 5 Bl. Radierungen aus: A Collection of Original Etchings, London 1816. Blgr. bis 13,8 x 12,2 cm. Monogr. i.d. Platte. Alle mit Rand, in d. Ecken auf Kart. geklebt. - Tls. etw. fl. ╔Dabei: Willem Basse╗ Die Flucht nach Ägypten. Rad. aus: A Collection of... 1816. Blgr. 12,6 x 12,6 cm. - An den Ecken auf Kart. mont. - Etw. fl. R
Kiefer Buch- und Kunstauktionen
Nov. 11, 2023
After WIJCK (*1616), Ruins of a fortress, around 1781, Etching
Est: €60 - €100
After Thomas Wijck (1616 Beverwyck near Haarlem - 1677 Haarlem): In front of the ruins of a fortress, c. 1781, Etching Technique: Etching on Paper Date: c. 1781 Description: inscribed "Th. Wyck del.", named "Du Cabinet de Mr. Poulain". View of the ruins of a fortress or a former fortification. In the foreground two back figures, which seem to rest. In the middle ground, a peasant with a donkey and two figures apparently kneeling in front of the architecture. The houses of a small village are visible in the background. The depiction captivates by its colour-intensive colouring. Keywords: 18th century, Romanticism, Architecture, Germany,
Fichter Kunsthandel
Oct. 18, 2023
A Mediterranean harbour scene with a seated merchant
Est: €5,000 - €7,000
Property from the Schminck Collection – Centuries of Collecting Arts & Objects Thomas Wijck Beverwijk 1616/21–1677 Haarlem A Mediterranean harbour scene with a seated merchant signed lower left:TWyck oil on canvas unframed: 63.2 x 52.7 cm.; 24⅞ x 20¾ in. framed: 79.7 x 69.2 cm.; 31⅜ x 27¼ in. ________________________________________ Thomas Wijck Beverwijk 1616/21–1677 Haarlem Hafen am Mittelmeer mit sitzendem Kaufmann
Sotheby's
Sep. 25, 2023
THOMAS WYCK (attr. a)
Est: €100 - €500
(Beverwijk, 1616 - Haarlem, 1677) Ponte gobbo ad arcate Olio su tavola, cm 46X35 Sebbene non sia documentato un soggiorno italiano di Thomas Wyck, i motivi romani descritti nei suoi dipinti e nel corposo numero dei disegni suggeriscono che l'artista soggiornò a Roma spingendosi fino a Napoli. Il suo arrivo nella Città Eterna si presume sia avvenuto intorno al 1640, anno in cui un Tommaso fiammingo pittore è documentato come residente in Via della Fontanella, inoltre, secondo il resoconto di Houbraken, Wyck era solito realizzare i disegni di edifici italiani dal vero (Schatborn, 2001, p. 119). Possiamo quindi dedurre che le opere che mostrano come in questo caso un maggior senso di immediatezza e realismo siano compiute in Italia e nel medesimo periodo si collocano ad esempio la Veduta dell'Aracoeli (Monaco, Alte Pinakothek), la Piazza del mercato di Portico d'Ottavia (collezione privata) e la Veduta di Napoli con il Vesuvio in eruzione (cfr. All'ombra del Vesuvio, Catalogo della mostra a cura di Nicola Spinosa, Napoli, 1990, p. 285). La produzione del pittore evidenzia altresì l'influenza di Andries Both, di Pieter van Laer, di Jan Miel e in particolare mostrano la loro similitudine con le vedute di Asselijn e del Lingelbach, come ben si osserva guardando i dipinti pubblicati da Busiri Vici (1990). Tuttavia, i dipinti del pittore sia pur contigui al gusto bambocciante denotano una osservazione della vita quotidiana e del paesaggio più ampia e diversificata, che esula dal racconto aneddotico, esprimendo un gusto italianizzante più colto, anche quando si esprime descrivendo modesti e semplici cortili o popolani intenti alla loro attività artigianale. Non a caso l'artista fu tenuto in grande considerazione dal Descamps e da lui giudicato come 'un des meilleurs de son Siècle' (cfr. J. B. Descamps, La vie des peintres flamands, allemands et hollandois: avec des portraits, Marseille, 1842, II, p. 58). L'opera è corredata da una scheda critica di Ferdinando Arisi. Bibliografia di riferimento: L. Trezzani, in I Bamboccianti, pittori della vita quotidiana a Roma nel Seicento, a cura di G. Briganti, L. Trezzani, L. Laureati, Roma, 1983, pp. 223-237 A, Busiri Vici, Porti, piazze e casolari di Roma e dintomi di Tommaso Fiammingo, in Scritti d'Arte, Roma 1990, pp. 402-410
Wannenes Art Auctions
Jul. 13, 2023
Wyck, Thomas
Est: €160 - €240
(um 1616 Beverwyck - Haarlem 1677). 5 Bl. Radierungen aus: A Collection of Original Etchings, London 1816. Blgr. bis 13,8 x 12,2 cm. Monogr. i.d. Platte. Alle mit Rand, in d. Ecken auf Kart. geklebt. - Tls. etw. fl. ╔Dabei: Willem Basse╗ Die Flucht nach Ägypten. Rad. aus: A Collection of... 1816. Blgr. 12,6 x 12,6 cm. - An den Ecken auf Kart. mont. - Etw. fl.
Kiefer Buch- und Kunstauktionen
Jun. 21, 2023
[16TH-19TH CENTURY PART II] THOMAS WIJCK (1616-77). 'WOMAN WITH TWO BASKETS'
Est: €300 - €600
Etching, 10.8 x 11.8 cm, monogrammed in the plate, under passepartout. Verso w. collector's mark of Pieter Willem van Doorne (1896-1971). Lugt 4731. Fixed to passepartout w. thin tape along all margins verso. A very fine, almost certainly contemp. impression on thin laid paper, trimmed just outside the framing line. Bartsch/ Hollstein 14. Rare.
Zwiggelaar Auctions
Jun. 07, 2023
Wyck, Thomas: Die Frau mit den beiden Körben
Est: €500 - €750
Die Frau mit den beiden Körben. Radierung. 11 x 11,8 cm. B. 14, Hollstein 14 II. Wz. Esel (Fragment). -- -- Ganz ausgezeichneter Druck mit sehr feinem Rändchen um die Einfassung, oben mit der Plattenkante. Vereinzelt unauffällige Stockfleckchen, weitere kaum merkliche Gebrauchsspuren, sonst tadellos erhalten. Beigegeben von demselben zwei weitere Radierungen (Hollstein 1, 2). Sämtlich aus der Sammlung Albert Pieter van den Briel (Lugt 407a) und JP van den Briel (nicht bei Lugt), Hollstein 14 aus der Sammlung F. C. Th. Baron van Isendoorn à Blois (Lugt 1407, 2610), die beiden Beigaben aus der Sammlung Friedrich August II. von Sachsen (Lugt 971), Hollstein 2 aus der Sammlung Ludwig Puttrich (Lugt 2064). -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
May. 25, 2023
THOMAS WIJCK (BEVERWIJK, NEAR HAARLEM ?1616-1677 HAARLEM) Elegant figures, including a man in Turkish dress, on the quay of a... oil on canvas 33 3/8 x 38 7/8 in. (84.9 x 98.9 cm.) 75
Est: $12,000 - $18,000
THOMAS WIJCK (BEVERWIJK, NEAR HAARLEM ?1616-1677 HAARLEM) Elegant figures, including a man in Turkish dress, on the quay of a... oil on canvas 33 3/8 x 38 7/8 in. (84.9 x 98.9 cm.)
Christie's
May. 23, 2023
Thomas Wijck, Veduta del golfo di Napoli. 1659.
Est: €380 - €760
Thomas Wijck, Veduta del golfo di Napoli. 1659. Penna e inchiostro bruno, pennello e acquerello grigio su carta bianca. Al centro del torrione la scritta a penna e inchiostro bruno «Thomas Wijck in Napoli agosto 1659». mm 235x285. Applicato a pieno su vecchio cartoncino, al verso marchio di collezione non identificato ovvero Maria Paternò Castello Ricci (1847 ? - 1915 ?), Lugt 5081. (1)
Gonnelli Casa d'Aste
Dec. 02, 2022
Wyck, Thomas: Römische Straßenszene
Est: €1,200 - €1,800
Römische Straßenszene. -- Pinsel in Grau. 24,7 x 31 cm. Wz. Bekröntes Schild mit Straßburger Lilie (siehe Piccard 1287-1289: 1644-1677). -- -- -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Nov. 30, 2022
Wyck, Thomas: Die Frau mit den beiden Körben
Est: €900 - €1,200
Die Frau mit den beiden Körben. Radierung. 10,9 x 11,8 cm. B. 14, Hollstein 14 II. Wz. Bekrönter Doppelkopfadler mit Baslerstab. -- -- Prachtvoller, kräftiger Druck mit feinen Wischkritzeln und der Einfassungslinie, partiell mit Spuren eines Rändchens. Geringe Gebrauchsspuren, sonst tadellos. -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Nov. 08, 2022
Thomas Wyck : Merchants in a Southern Port
Est: €15,000 - €30,000
Thomas Wyck Merchants in a Southern Port c. 1660 oil on canvas 67.5 x 83.5 cm signed on the lower right: TWyck (TW in ligature) J. Uyttenhove, Koekelare, Belgium; Palais des Beaux-Arts, Brussels, 26 October 1983, lot 1106; Galerie Sanct Lucas, Vienna, 1984; collection Erna Weidinger (1923–2021) Winter 1984/85, Vienna, Galerie Sanct Lucas, old master paintings, no. 16; 1986 Salzburg, Residenzgalerie and Vienna, Gemäldegalerie der Akademie der Bildenden Künste, "Die Niederländer in Italien", 18 June – 9 November 1986, no. 80; 1990 Montreal, The Montreal Museum of Fine Arts, Italian Recollections, 8 June – 22 July 1990, no. 71 Renate Trnek (ed.), Die Niederländer in Italien. Italianisierte Niederländer des 17. Jahrhunderts aus österreichischem Besitz, exhibition catalogue, Residenzgalerie Salzburg; Gemäldegalerie der Akademie der bildenden Künste Vienna, Salzburg 1986, p. 220-222, no. 80 (colour ill.); Frederik Duparc/Linda Graif (ed.), Italian Recollections. Dutch Painters of the Golden Age, exhibition catalogue, The Montreal Museum of Fine Arts, Montreal 1990, p. 212f., no. 71 (colour ill.) In addition to genre scenes of a predominantly southern character in interiors or in front of idyllic ruined landscapes, the Flemish painter Thomas Wyck gained particular fame with Mediterranean harbour scenes. Despite his compelling depictions of groups of figures against southern harbour backdrops and painterly coastal landscapes, there is no record of Wyck travelling to Italy. However, an absence of several years from the Haarlem guild, which the former pupil Adriaen van Ostade joined, as well as architectural sketches, could indicate such a stay on site for study purposes. The view of a mountainous coastal formation and a promenade adorned with fountains behind massive brickwork emphasise the character of the far south. Special attention is paid to the novel, precious cargoes and the often no less foreign merchants, traders and servants. The Dutch clientele observes the multicultural hustle and bustle with interest. Wyck is convincing with his primarily colouristic design and the play with the effect of light. Bright red and orange, as well as the strong blue of the garments, contrast with the iridescent brown tones of the architecture and figures, some of which lie in the half-shadow. The precise elaboration of the faces and garment parts and the goods can also be found in the "Harbour Scene" in the Staatsgemäldesammlung der Münchner Pinakothek (Inv.-Nr. 4805).
Im Kinsky
Oct. 15, 2022
Willmann, Michael
Est: €160 - €240
(1630 Königsberg - Leubus 1706) zugeschr. Sitzende alte Frau, im Profil nach links. Radierung n. Rembrandt, 2. H. 17. Jh. Plgr. 6,5 x 4,5, Blgr. 9,6 x 14,7 cm. - Auf dems. Bl.:╔Thomas Wijck╗ (1616 Beverwijk - Haarlem 1677) zugeschrieben. Lachender Bauer mit Mütze. Radierung. Plgr. 6,1 x 4,5 cm. a) Virtuelles Kupferstichkabinett/Herz. Anton Ulrich-Mus. MWillmann AB 3.1 u. AB 3.2 (für das kompl. Bl.). RP-P-1954-191. - b) Virt. Kupf. JvSteen V 3.5632. RP-P-1965-150. Wurzbach II, 658.4 (unter Jan van Steen). Le Blanc (Steen) 4. - Vorwieg. Ränder etw. stockfl. - 2 etchings on 1 sheet. Old woman sitting (attrib., after Rembrandt). And: Laughing farmer (attrib.). Mostly edges with somewhat foxing. R
Kiefer Buch- und Kunstauktionen
Sep. 22, 2022
Thomas Wyck, 1616 Beverwijck – 1677 Haarlem
Est: €3,500 - €5,000
Belebte Hafenszene mit einem Reiter und einem Orientalen Öl auf Leinwand. 64 x 76 cm. Monogramm „T-W(?)“ rechts auf einem Warenballen. Das imponierend großformatige Gemälde zählt im Aufbauschema zu einer Reihe weiterer Bilder des Malers, mit ähnlichen belebten Stranddarstellungen. Gemälde mit ähnlichem Bildaufbau („Hafenszene“ und „Seehafen“) befinden sich in der Alten Pinakothek München, wie ebenso in den Sammlungen des Städel-Museums Frankfurt. In vorliegendem Bild hat Wyck den Blick über den Sandstrand des Hafens bis zum Meereshorizont geführt. Der Vordergrund wird links verschattet durch ein hohes ruinöses Gemäuer, davor ein rot gekleideter Reiter auf einem Grauschimmel, im Gespräch mit einem orientalischen Händler mit großem Turban, umgeben von Begleitfiguren. Die gesamte Stimmung ist südländisch geprägt, wie in den meisten seiner Werke. Wyck dürfte um 1640 in Italien gewesen sein, 1642 wurde er Mitglied der Haarlemer Gilde. 1660 wurde er deren Dekan. Sein frühestes Gemälde trägt die Datierung 1644. Sein Œuvre zeigt zwei unterschiedliche Themenbereiche: einmal die Ruinen, Straßen- und Hafenszenen, zum Teil aus Neapel und Rom, zum Anderen holländische Interieurs mit Genreszenen, Gelehrten oder Alchimisten. Von seinen Schülern ist Jan van Huchtenburg überliefert, der sich auf die Schlachtenmalerei verlegt hat. A.R. (13312713) (1) (11)
Hampel Fine Art Auctions
Jul. 08, 2022
THOMAS WIJCK (BEVERWIJK 1616-1677 HAARLEM) Peasants on an Italianate shorel
Est: £7,000 - £10,000
THOMAS WIJCK (BEVERWIJK 1616-1677 HAARLEM) Peasants on an Italianate shoreline oil on panel 12 3/4 x 13 7/8 in. (32.3 x 35.2 cm.)
Christie's
Jun. 08, 2022
Thomas Wijck, Veduta del Golfo di Napoli. 1659.
Est: €800 - €1,600
Penna e inchiostro bruno, pennello e acquerello grigio su carta bianca. Al centro del torrione la scritta a penna e inchiostro bruno «Thomas Wijck in Napoli agosto 1659». mm 235x285. Applicato a pieno su vecchio cartoncino, al verso marchio di collezione non identificato ovvero Maria Paternò Castello Ricci (1847 ? - 1915 ?), Lugt 5081. (1)
Gonnelli Casa d'Aste
May. 21, 2022
Thomas Wyck, Oriental Traders in a Mediterranean Harbour
Est: €7,000 - €10,000
Monogrammed lower right: TW [?] The subject of a Mediterranean harbour with oriental merchants is a recurring motif in the work of Thomas Wijk. The Haarlem-born artist visited Rome in around 1640 and his impressions of Italy left a lasting impact on his later ouevre. The present work is comparable to a painting in the Museum der bildenden Künste Leipzig (inv./cat.no. 625).
Kunsthaus Lempertz KG
May. 20, 2022
Wijck, T. (±1616-1677) (attrib.). (Water well).
Est: €200 - €300
Wijck, T. (±1616-1677) (attrib.). (Water well). Drawing, brush and ink and grey wash, on blue paper, 23,5x30 cm.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
May. 20, 2022
Wijck, T. (±1616-1677) (attrib.). (City gate).
Est: €700 - €900
Wijck, T. (±1616-1677) (attrib.). (City gate). Drawing, red chalk, 9,4x13,7 cm. = Cf. the etching by Jan Vincentsz. van der Vinne, this composition in reverse (Hollstein 26). Hollstein attributing the composition to Thomas Wijck. But the style is also reminiscent of that of Jan Baptist Weenix. SEE ILLUSTRATION PLATE CXLVII.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Apr. 08, 2022
Thomas Wyck 1616–1677, Umkreis
Est: CHF800 - CHF1,200
Thomas Wyck 1616–1677, Umkreis Ruinenlandschaft mit Personen bei der Rast Öl auf Leinwand 45 x 57 cm
Artcurial Beurret Bailly Widmer
Mar. 25, 2022
WYCK, THOMAS
Est: CHF2,000 - CHF4,000
(Beverwijck 1616–1677 Haarlem) Alchemist in seiner Werkstatt. Öl auf Holz. Unten links monogrammiert. 42x34,4 cm.
Schuler Auktionen
Mar. 15, 2022
THOMAS WYCK
Est: €2,000 - €3,000
(Beverwijk, 1616 - Haarlem, 1677) Il fabbro Firmato in basso al centro Olio su tela, cm 42,2X34 Provenienza: Amsterdam, Collectie Goudstikker, n. 411 (secondo l'etichetta posta sul telaio) Düsseldorf, collezione privata Italia, collezione privata Bibliografia: L. Salerno, Pittori di paesaggio del Seicento a Roma, Roma, 1978-80, I, p. 346, fig. 58.5 (illustrato) A. Busiri Vici, Porti, piazzette, casolari di Roma e dintorni di Tomaso Fiammingo, in L'Urbe: Rivista romana di storia, arte, lettere, costumanze, 41/4 (1978), pp. 9-14 (citato) L. Laureati, Johannes Lingelbach, in I Bamboccianti, a cura di G. Briganti, L. Trezzani, L. Laureati, Roma 1983, pp. 262-263, nota 8 (citato) A. Busiri Vici, Porti, piazze e casolari di Roma e dintomi di Tommaso Fiammingo, in Scritti d'Arte, Roma, 1990, pp. 402-410, (citato a p. 402, nota 18) Sebbene non sia documentato un soggiorno italiano di Thomas Wyck, i motivi romani descritti nei suoi dipinti e nel corposo numero dei disegni suggeriscono che l'artista soggiornò a Roma spingendosi fino a Napoli. Il suo arrivo nella Città Eterna si presume che sia avvenuto intorno al 1640, anno in cui un Tommaso fiammingo pittore è documentato come residente in Via della Fontanella, inoltre, secondo il resoconto di Houbraken, Wyck era solito realizzare i disegni di edifici italiani dal vero (Schatborn, 2001, p. 119). Possiamo quindi dedurre che le opere che mostrano come in questo caso un maggior senso di immediatezza e realismo siano compiute in Italia e nel medesimo periodo si collocano ad esempio la Veduta dell'Aracoeli (Monaco, Alte Pinakothek), la Piazza del mercato di Portico d'Ottavia (collezione privata) e la Veduta di Napoli con il Vesuvio in eruzione (cfr. All'ombra del Vesuvio, Catalogo della mostra a cura di Nicola Spinosa, Napoli, 1990, p. 285). La produzione del pittore evidenzia altresì l'influenza di Andries Both, di Pieter van Laer, di Jan Miel e in particolare mostrano la loro similitudine con le vedute di Asselijn e del Lingelbach, come ben si osserva guardando i dipinti pubblicati da Busiri Vici (1990). Tuttavia, i dipinti del pittore sia pur contigui al gusto bambocciante denotano una osservazione della vita quotidiana e del paesaggio più ampia e diversificata, che esula dal racconto aneddotico, esprimendo un gusto italianizzante più colto, anche quando si esprime descrivendo modesti e semplici cortili o popolani intenti alla loro attività artigianale. Non a caso l'artista fu tenuto in grande considerazione dal Descamps e da lui giudicato come 'un des meilleurs de son Siècle' (cfr. J. B. Descamps, La vie des peintres flamands, allemands et hollandois: avec des portraits, Marseille, 1842, II, p. 58). Bibliografia di riferimento: L. Trezzani, in I Bamboccianti, pittori della vita quotidiana a Roma nel Seicento, a cura di G. Briganti, L. Trezzani, L. Laureati, Roma, 1983, pp. 223-237
Wannenes Art Auctions
Feb. 19, 2022
Unknown (18th) after WIJCK (*1616), Ruins of a fortress, around 1781, Etching
Est: €45 - €75
Unknown (18th century) after Thomas Wijck (1616 Beverwyck near Haarlem - 1677 Haarlem): In front of the ruins of a fortress, c. 1781, Etching Technique: Etching on Paper Date: c. 1781 Description: inscribed "Th. Wyck del.", named "Du Cabinet de Mr. Poulain". View of the ruins of a fortress or a former fortification. In the foreground two back figures, which seem to rest. In the middle ground a peasant with a donkey and two figures apparently kneeling in front of the architecture. The houses of a small village are visible in the background. The depiction captivates by its colour-intensive colouring. Keywords: 18th century, Romanticism, Architecture, Germany, Size: 22,7 cm x 30,0 cm (8,9 x 11,8 in) Condition: Good condition. Discolourations along the margins and isolated smaller foxing spots. Light margin in the area of a former mount. Pale discolourations on the reverse.
Fichter Kunsthandel
Dec. 18, 2021
Willmann, Michael
Est: €280 - €400
(1630 Königsberg - Leubus 1706) zugeschr. Sitzende alte Frau, im Profil nach links. Radierung n. Rembrandt, 2. H. 17. Jh. Plgr. 6,5 x 4,5, Blgr. 9,6 x 14,7 cm. - Auf dems. Bl.:╔Thomas Wijck╗ (1616 Beverwijk - Haarlem 1677) zugeschrieben. Lachender Bauer mit Mütze. Radierung. Plgr. 6,1 x 4,5 cm. a) Virtuelles Kupferstichkabinett/Herz. Anton Ulrich-Mus. MWillmann AB 3.1 u. AB 3.2 (für das kompl. Bl.). RP-P-1954-191. - b) Virt. Kupf. JvSteen V 3.5632. RP-P-1965-150. Wurzbach II, 658.4 (unter Jan van Steen). Le Blanc (Steen) 4. - Vorwieg. Ränder etw. stockfl. - 2 etchings on 1 sheet. Old woman sitting (attrib., after Rembrandt). And: Laughing farmer (attrib.). Mostly edges with somewhat foxing. R
Kiefer Buch- und Kunstauktionen
Dec. 14, 2021
Thomas Wyck Bauern und Händler in römischer Hofarchitektur
Est: €4,000 - €8,000
Thomas Wyck Peasants and traders in Roman court architecture oil on canvas 62 x 73 cm probably remains of a signature in the lower center 1998 in art trade, Bergamo, acquired; Italian private property Certificate by Dr. Didier Bodart, Rome, 27th July 1999, is enclosed.
Im Kinsky
Dec. 08, 2021
THOMAS WYCK (BEVERWIJK 1616-1677 HAARLEM) A metal worker in his workshop oi
Est: £6,000 - £10,000
THOMAS WYCK (BEVERWIJK 1616-1677 HAARLEM) A metal worker in his workshop oil on panel 14 ¾ x 12 in. (37.5 x 30.3 cm.)
Christie's
Dec. 03, 2021
Wyck, Thomas: Römische Straßenszene
Est: €1,800 - €2,400
Römische Straßenszene. Pinsel in Grau. 24,7 x 31 cm. Wz. Bekröntes Schild mit Straßburger Lilie (siehe Piccard 1287-1289: 1644-1677). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Nov. 20, 2021
Thomas Wijck, View of Santa Maria in Aracoeli in Rome
Est: €15,000 - €18,000
RefMas121121 Signed lower left: Twijck This veduta depicts the church of Santa Maria in Aracoeli on the Capitoline Hill in Rome, built in the second half of the 13th century, with the steep, characteristic Scalinata di Aracoeli leading up to its Romanesque brick facade. To the south of the church, a considerably less steep staircase leads to the Piazza del Campidoglio, which was redesigned by Michelangelo. The staircase can be seen in the shadowed foreground of this work and is flanked at the top by the monumental statues of the Dioscuri Castor and Pollux. The author of this work, Thomas Wijck, was a versatile artist active in Haarlem. He painted interior scenes with peasants, scholars and alchemists as well as views of Italian cities and harbours which he often populated with Bamboccianti scenes. Topographically exact works like the present composition are considerably rarer.
Kunsthaus Lempertz KG
Oct. 16, 2021
Willmann, Michael
Est: €340 - €500
(1630 Königsberg - Leubus 1706) zugeschr. Sitzende alte Frau, im Profil nach links. Radierung n. Rembrandt, 2. H. 17. Jh. Plgr. 6,5 x 4,5, Blgr. 9,6 x 14,7 cm. - Auf dems. Bl.:╔Thomas Wijck╗ (1616 Beverwijk - Haarlem 1677) zugeschrieben. Lachender Bauer mit Mütze. Radierung. Plgr. 6,1 x 4,5 cm. a) Virtuelles Kupferstichkabinett/Herz. Anton Ulrich-Mus. MWillmann AB 3.1 u. AB 3.2 (für das kompl. Bl.). RP-P-1954-191. - b) Virt. Kupf. JvSteen V 3.5632. RP-P-1965-150. Wurzbach II, 658.4 (unter Jan van Steen). Le Blanc (Steen) 4. - Vorwieg. Ränder etw. stockfl. - 2 etchings on 1 sheet. Old woman sitting (attrib., after Rembrandt). And: Laughing farmer (attrib.). Mostly edges with somewhat foxing. R
Kiefer Buch- und Kunstauktionen
Sep. 22, 2021
Thomas WYCK Beverwijk, 1616 - Harleem, 1677 Famille dans un intérieur rustique Huile sur toile
Est: €5,000 - €7,000
Thomas WYCK Beverwijk, 1616 - Harleem, 1677 Famille dans un intérieur rustique Huile sur toile signée 'Twyck' au centre à gauche h: 37,50 w: 32 cm Estimation 5 000 - 7 000 €
Artcurial