Lucien-Henri Weil Sold at Auction Prices

Print, Lucien Henri Weil Weiluc

Lucien Henri Weil Weiluc (French, 1873-1947), "Le Frou Frou," 1906, etching with aquatint in colors, pencil signed, dated, and inscribed by artist lower right, signed and dated in plate lower right, plate: 21.5"h x 15.75"w, overall (with frame): 30.75"h x 25"w

Print, Lucien Henri Weil Weiluc

Lucien Henri Weil Weiluc (French, 1873-1947), "Le Frou Frou," 1906, etching with aquatint in colors, pencil signed, dated, and inscribed by artist lower right, signed and dated in plate lower right, plate: 21.5"h x 15.75"w, overall (with frame): 30.75"h x 25"w

“Bayard.” 1908.

ARTIST: WEILUC (Lucien-Henri Weil, 1873-1947) SIZE: 61 x 45 3/4 in./155 x 116.3 cm PRINTER: Société Nouvelles d’Art et Décoration, Paris DESCRIPTION: Clément was a hugely successful bicycle brand in France in the late 1800s, but in 1903, one of the family scions, Adolphe Clément, set up an auto workshop in the town of Mézières. There is a statue in the town of Bayard of a legendary knight who supposedly saved the city from an invasion in the 16th century, and Clément chose to name his car after him. He operated the factory until 1922. Weiluc quite frequently took a humorous approach to posters for clients who appreciated it; here, he makes the Bayard fly through the air with the greatest of ease, narrowly escaping an oncoming train. (Art Nouveau; Automobiles)

Original Vintage 1900s French Bayard Automobile Poster

Weil, Lucien-Henri 1873 - 1947 Bayard Lithograph 1908 47.2 x 62.2 in. (120 x 158 cm) Printer: Societe Nouvelle, Paris Condition Details: (B+/B) was folded, on linen, tears, printer's creases and minor staining and retouching, mostly at the edges#France #Art Nouveau #Auto

WEILUC (LUCIEN HENRI WEIL, 1873-1947). "BAYARD" / A CLÉMENT CONSTRUCTEUR. 1908. 46½x62¼ inches, 118x158 cm. Société Nouvelle d'Art &

WEILUC (LUCIEN HENRI WEIL, 1873-1947) "BAYARD" / A CLÉMENT CONSTRUCTEUR. 1908. 46 1/2x62 1/4 inches, 118x158 cm. Société Nouvelle d'Art & Décoration, Paris. Condition B+: darkening along left edge, into image; repaired tears at edges; restoration along creases and printers' creases in margins and image and along vertical and horizontal folds. 2nd Salon Automobile 22.

Lucien Henri "Wieluc" Weil (1873-) - "Cabaret de l'Ane rouge"

Lucien Henri "Wieluc" Weil (1873-) "Cabaret de l'Ane rouge", serie van tien kleurenlitho's, in plaat gesigneerd gedateerd 1899 - niet ingelijst (A). h. 13 x b. 20 cm / h. 22 x b. 32 cm

“Bayard.” 1908.

ARTIST: WEILUC (Lucien-Henri Weil, 1873-1947) SIZE: 62 x 47 1/4 in./157.5 x 120.2 cm PRINTER: Société Nouvelle d’Art et Décoration, Paris DESCRIPTION: Clément was a hugely successful bicycle brand in France in the late 1800s, but in 1903, one of the family scions, Adolphe Clément, set up an auto workshop in the town of Mezieres. There is a statue in the town of Bayard of a legendary knight who supposedly saved the city from an invasion in the 16th century, and Clément chose to name his car after him. He operated the factory until 1922. Weiluc quite frequently took a humorous approach to posters for clients who appreciated it; here, he makes the Bayard fly through the air with the greatest of ease, narrowly escaping an oncoming train. (Art Nouveau; Automobiles)

Lucien Henri "Wieluc" Weil (1873-) - "Cabaret de l'Ane rouge", serie van

Lucien Henri "Wieluc" Weil (1873-) "Cabaret de l'Ane rouge", serie van tien kleurenlitho's, in plaat gesigneerd gedateerd 1899 - niet ingelijst (A). h. 13 x b. 20 cm / h. 22 x b. 32 cm Starting Bid: € 20

WEILUC (LUCIEN HENRI WEIL, 1873-1947). "BAYARD" / A CLÉMENT CONSTRUCTEUR. 1908. 46½x62¼ inches, 118x158 cm. Société Nouvelle d'Art &

WEILUC (LUCIEN HENRI WEIL, 1873-1947) "BAYARD" / A CLÉMENT CONSTRUCTEUR. 1908. 46 1/2x62 1/4 inches, 118x158 cm. Société Nouvelle d'Art & Décoration, Paris. Condition B+: darkening along left edge, into image; repaired tears at edges; restoration along creases and printers' creases in margins and image and along vertical and horizontal folds. 2nd Salon Automobile 22.

Le Frou-Frou. 1900.

ARTIST: WEILUC (Lucien-Henri Weil, 1873-1947) SIZE: 45 x 62 1/4 in./114.3 x 158 cm PRINTER: Imp. du "Frou-Frou" DESCRIPTION: One of the greatest, most alluring posters in the world: those sly cat eyes, those sumptuous cushions, that seductive plume of cigarette smoke, and most breathtaking: the white negative space of the petticoats, on which to dream. Le Frou-Frou was a lighthearted satirical publication that ran from 1900 to the beginning of World War I; its pages contained pictures of can-can dancers, cartoons, humorous anecdotes of Parisian life, and more risqué elements like some of the first advertisements for condoms. This is the rare, large format version of the poster. (Art Nouveau; Literary)

Le Frou-Frou. 1900.

ARTIST: WEILUC (Lucien-Henri Weil, 1873-1947) SIZE: 44 3/4 x 94 in./113.7 x 238.7 cm PRINTER: Lithographie Nouvelle, Paris DESCRIPTION: One of the greatest, most alluring posters in the world: those sly cat eyes, those sumptuous cushions, that seductive plume of cigarette smoke, and most breathtaking: the white negative space of the petticoats, on which to dream. Le Frou-Frou was a light-hearted, satirical publication that ran from 1900 to the beginning of World War I; its pages contained pictures of can-can dancers, cartoons, humorous anecdotes of Parisian life, and more risqué elements like some of the first advertisements for condoms. This is the rare, large format version: complete with bottom text banner. (Art Nouveau; Literary)

Le Frou-Frou. 1900.

Artist: WEILUC (Lucien-Henri Weil, 1873-1947) Size: 44 1/8 x 61 5/8 in./112 x 156.5 cm Imp. du "Frou-Frou" One of the greatest, most alluring posters in the world: those sly cat eyes, those sumptuous cushions, that seductive plume of cigarette smoke, and most breathtaking: the white negative space of the petticoats, on which to dream. Le Frou-Frou was a light-hearted, satirical publication that ran from 1900 to the beginning of World War I; its pages contained pictures of can-can dancers, cartoons, humorous anecdotes of Parisian life, and more risqué elements like some of the first advertisements for condoms. This is the rare, large format version of the poster. (Literary; Art Nouveau)

Le Frou-Frou : Maquette. 1900.

Artist: WEILUC (Lucien-Henri Weil, 1873-1947) Size: 20 3/4 x 25 3/8 in./52.8 x 64.5 cm This handsigned, gouache and ink maquette by Weiluc is an original representation of one of the most famous, most witty, most flirtatious, most exquisitely French posters of all time. Le Frou-Frou was a satirical magazine that ran from the turn of the 20th century to World War I. Cappiello actually designed the poster for the first issue (No. 150), but it's this one, with legs disappearing within the pure white fantasy space of petticoats, the luxurious pillows, the languorous cigarette spelling out the name in smoke, and – most especially – the devastatingly seductive dart of eyes to our left, that will have us dreaming for many years to come. (Art Nouveau)

WEILUC (LUCIEN HENRI WEIL, 1873-1947). LE FROU FROU. 1900. 60x43 inches, 154x111 cm. La Lithographie Nouvelle, Asnieres.

WEILUC (LUCIEN HENRI WEIL, 1873-1947) LE FROU FROU. 1900. 60 3/4x43 3/4 inches, 154 1/4x111 cm. La Lithographie Nouvelle, Asnieres. Condition B: restored losses, repaired tears and creases in margins and image and along vertical and horizontal folds. Le Frou Frou was a naughty humor magazine launched in 1900. From its inception, its aim was to titillate. The first poster they issued was designed by Cappiello, who presented a flirtatious can-can girl. Immediately afterwards, Weiluc was commissioned to create a new one and the result is a masterpiece of soft, turn-of-the-century eroticism in which a young woman, perhaps a dancing girl, is sitting on a sofa, with her legs protruding from her very visible petticoat. The contrast between the white linen of her undergarments and the black of her stockings and garters arrests the eye. More startling than her pose is the fact that she is smoking - an incredibly provocative act for a woman at that time. Weiluc transforms the smoke from that brazen cigarette into the title of the poster. Added to the carefree pose and the bravado of the smoke is the woman''s languorous gaze, all of which combine to create an exquisitely shocking (and arousing) poster for the period. Weiluc, who was a regular exhibitor at the Salon des Humoristes, and who became President of the Society of Humoristes in 1911, is well-regarded for his far less daring portraits of Parisian characters. This is the version before text in the bottom panel. From the Hans Sachs Collection, with the collector''s stamp on verso. DFP-II 874, Wine Spectator, pl. 64, Belle Epoque 164, Maitres 1900 p. 61 (var), Art Nouveau p. 130 (var), Cappiello / Rennert 1B.

Le Frou-Frou. 1900

Artist: WEILUC (Lucien-Henri Weil, 1873-1947) Size: 18 1/4 x 24 in./46.3 x 61 cm Le Frou-Frou was a satirical publication that ran from 1900 to the outbreak of World War I. As the name of the magazine would imply, we see a woman's uplifted skirt, the many petticoats rustling against her stockinged legs. In her hand are both a cigarette, the smoke from which normally spells out the the publication's name, and a copy of the periodical. This is the rare, print form of the image, hand-signed by the artist in 1906. (great art nouveau)

Lucien Henri Weil WEILUC (1873-1947) - Le Frou Fou, 1900 - Affiche couleurs

Lucien Henri Weil WEILUC (1873-1947) - Le Frou Fou, 1900 - Affiche couleurs - 157 x 110 cm English Translation Lucien Henri Weil WEILUC (1873-1947) - Frou Frou - Color lithograph - 157 x 110 cm

Weiluc (Lucien-Henri Weil, 1873-1947) LE FROU-FROU lithograph i

Weiluc (Lucien-Henri Weil, 1873-1947) LE FROU-FROU lithograph in colours, c.1900, printed by Nouvelle, Asnières, condition B; backed on linen 62 x 43½ in. (157 x 110 cm.)

FROU FROU - ORIGINAL VINTAGE AND RARE 1900 POSTER BY WEILUC

In 1900, this image by Weiluc (Lucien-Henri Weil) graced the cover of the first edition of the famed "Le Frou Frou", a satirical humor magazine published in Paris. It was printed from 1900 until the outbreak of World War I. This original vintage poster was created to advertise the (then) new publication. Weiluc created few posters, and its muted color palette is rare among its brightly colored Belle Epoque counterparts. Over the years, it has become an exceptionally rare and highly sought after poster. This is an Original Vintage Poster; it is not a reproduction. This poster is conservation mounted, linen backed, and in excellent condition. We guarantee the authenticity of all of our posters.

Le Frou-Frou. 1900

Artist: WEILUC (Lucien-Henri Weil, 1873-1947) Size: Poster: 44 1/8 x 62 1/8 in./112.2 x 157.8 cm Panel: 44 1/2 x 31 1/8 in./113 x 79.2 cm La Lithographie Nouvelle, Asnières Le Frou-Frou was a satirical publication that ran from 1900 to the outbreak of World War I. It would later have a post-war revival, but was at its best during the time that this poster was created. As the name of the magazine would imply, we see a woman's uplifted skirt, the many petticoats and underthings rustling against her stockinged legs. In her hand are both a cigarette, the smoke from which spells out the the publication's name, and a copy of the periodical. It appears that the image we see is also on the copy of her magazine, making the design an endless parade of smaller frou-frous. This is the rare, large format version of the poster with a separate bottom text panel announcing all the major contributors added.

La Folie-Pigalle. ca. 1905

Artist: WEILUC (Lucien-Henri Weil, 1873-1947) Size: 30 3/4 x 46 7/8 in./78.2 x 119 cm Société Nouvelle d'Art & Decoration, Paris Weiluc was an illustrator and cartoonist who always tinged his work with humor. Here, a bare-breasted blond teasingly invites us to join her at the Folie-Pigalle.

Lucien Henri Weil Weiluc French, 1873-1947 The Party, 1905

Lucien Henri Weil Weiluc French, 1873-1947 The Party, 1905 Inscribed At...Luceil B...Cliches and signed WeiLuc (ll); inscribed A. Fr...Antonette/.../WeiLuc and dated 1905 (lr) Gouache on paper, design for a fan 9 1/2 x 18 7/8 inches C The Leo Lerman and Gray Foy Collection

Wilbur Wright. 1909

Artist: WEILUC (Lucien-Henri Weil, 1873-1947) Size: 8 1/2 x 12 in./21.6 x 30.4 cm As a popular cartoonist, Weiluc did endless renderings of celebrities. Here, he gives us a rather unimpressed Wilbur Wright, ignoring the many laurels around his feet in favor of attentively observing the uncharted horizon. Below, the artist has dedicated this drawing to Commandant Renard, the head of the French Defense Aviation Department.

WEILUC Lucien Henri Weil, 1873 -1947  Femme au bas noir, 1905  eau-forte et aquatinte, impression en couleurs, épreuve sur Velin fort, tirée à très peu d'exemplaires, signée dans la planche, timbre sec (insolation, déchirures et tâches), à rapprocher

WEILUC Lucien Henri Weil, 1873 -1947 Femme au bas noir, 1905 eau-forte et aquatinte, impression en couleurs, épreuve sur Velin fort, tirée à très peu d'exemplaires, signée dans la planche, timbre sec (insolation, déchirures et tâches), à rapprocher de l'affiche exécutée pour le lancement du magasine Frou Frou quelques années auparavant 54,5 x 40 cm.

After Lucien-Henri Weil Weiluc, (French, 1873-1947), Le Frou Frou

After Lucien-Henri Weil Weiluc (French, 1873-1947) Le Frou Frou poster, later reproduction 42 x 29 inches.

Le Frou-Frou.

Le Frou-Frou was a satirical publication which ran from 1900 to the outbreak of World War I. It would later have a post-war revival, but was at its best during the time that this poster was created. As the name of the magazine would imply, we see a woman's uplifted skirt, the many petticoats and underthings rustling against her stockinged legs. In her hand are both a cigarette, the smoke from which spells out the the publication's name, and a copy of the periodical. It appears that the image we see is also on the copy of her magazine, making the design an endless parade of smaller frou-frous.

Weiluc (Lucien-Henri Weil, 1873-1947)

Weiluc (Lucien-Henri Weil, 1873-1947) LE FROU-FROU lithograph in colours, c.1900, printed by 'Frou-Frou', condition B; backed on linen 62 x 45in. (157 x 115cm.)

Weiluc (Lucien-Henri Weil 1873-1947)

Weiluc (Lucien-Henri Weil 1873-1947) LE FROU-FROU lithograph in colours, c.1900, printed by 'Frou-Frou', condition B/B+; backed on linen 62 x 45in. (157 x 115cm.)

WEILUC (LUCIEN HENRI WEIL) (1873-1947) LE FROU FROU. 1900. 61x44 inches. La Lithographie Nouvelle, Asnieres.

WEILUC (LUCIEN HENRI WEIL) (1873-1947) LE FROU FROU. 1900.

61 3/4x44 1/2 inches. La Lithographie Nouvelle, Asnieres. Condition B+: restored losses and overpainting in corners, affecting image; repaired tears in margins and image; vertical and horizontal folds. Le Frou Frou was a naughty, humor magazine launched in 1900. From their inception their aim was to titilate. The first poster they issued was designed by Cappiello, who presented a provocative can-can girl. Immediately afterwards Weiluc was commissioned to create a new one and the result is a masterpiece of soft, turn-of-the-century eroticism in which a young woman, perhaps a dancing girl, is sitting on a sofa, with her legs protruding from her very visible petticoat. The contrast between the white linen of her undergarments and the black of her stockings and garters arrests the eye. More shocking then her pose, is the fact that she is smoking, an incredibly provocative act for a woman at that time. And Weiluc takes the smoke from that brazen cigarette and turns it into the title of the poster. Added to the carefree pose and the bravado of the smoke is the woman's langorous look, all of which combine to create the most exquisitely shocking (and arousing) poster of the period. Weiluc, who was a regular exhibitor at the Salon des Humoristes, and who became president of the Society of Humoristes in 1911, is well regarded for his far less daring portraits of Parisian characters. DFP II 874, Masters p. 61, Wine Spectator, pl. 64, Belle Epoque 164.