Gary Webb Paintings & Artwork for Sale | Gary Webb Art Value Price Guide

Oct. 24, 2024
§ Gary Webb (b. 1973), Alright Bob, 2008,
Est: £2,000 - £4,000
§ Gary Webb (b. 1973), Alright Bob, 2008, cast aluminium, car paint, wood and brass 269 x 88 x 80cm Provenance: The Collection of Lord Myners, former Chairman of the Board of Trustees at the Tate Gary Webb, born in 1973 in London, is a British contemporary sculptor known for his vibrant, playful works that blend a wide range of materials and techniques. His sculptures often combine everyday objects, industrial materials including glass, plastic, and metal, with bold colours and unexpected forms, creating works that are surreal, humorous and unexpected. After training at Goldsmiths, London, Webb emerged in the art scene during the late 1990s. Reflecting a singular dialogue between pop art, minimalism and abstraction, Webb's visually striking and conceptually rich works have become prized for their ability to merge high art with popular culture. Webb’s approach to sculpture challenges traditional boundaries, making him a distinctive figure in the British contemporary art world. His works explore consumerism, design, and the relationship between form and function. Notable exhibitions include shows at the Tate Britain, the Saatchi Gallery, and prominent international venues.
Cheffins
Jun. 11, 2024
Gary Webb, Miami Split
Est: $5,000 - $7,000
Gary Webb Miami Split 2004 mirror, American white ash wood 118.75 h x 98 w x 8 d in (302 x 249 x 20 cm) Provenance: Acquired in 2004 from The Approach, London by the present owner This work will ship from Lambertville, New Jersey.
Rago Arts and Auction Center
Nov. 15, 2023
Gary Webb (b. 1973) "New Orleans", 2018
Est: €4,000 - €6,000
Wood and acrylic Engraved GW on the base
Veritas Art Auctioneers
Oct. 03, 2023
WEBB GARY (n. 1973) - To be titled.
Est: €3,000 - €5,000
WEBB GARY (n. 1973). To be titled.. Provenance: R_galerie, Salzburg; Private collection; Pierre Bergé & Associés, Paris; Private colelction, Rome.. 126,00 x 134,00 x 63,00 cm. 2006.
Capitolium Art
May. 17, 2023
Gary Webb, large-scale sculpture, 2005
Est: $5,000 - $7,000
Gary Webb (American, b. 1973), "Approach Split", mirrors & tinted mirrors on American white ash wood and metal brackets, unsigned, with copy of gallery invoice, 105.5"h x 202"l x 8.5"d (variable sized individual parts)
Millea Bros Ltd
Mar. 01, 2023
WEBB GARY (n. 1973) To be titled.
Est: €3,000 - €5,000
WEBB GARY (n. 1973). To be titled.. Provenance: R_galerie, Salzburg; Private collection; Pierre Bergé & Associés, Paris; Private colelction, Rome.. Cm 126,00 x 134,00 x 70,00. 2006
Capitolium Art
Nov. 02, 2021
Gary Webb, British b.1973- Matte Module, 2002; rubber matt in yellow, inscribed with artist's na
Est: £200 - £300
Gary Webb, British b.1973- Matte Module, 2002; rubber matt in yellow, inscribed with artist's name, signed and numbered 87/100 in green pen to the Certificate of Authenticity, published by the Whitechapel Gallery, London, overall 70 x 70cm (ARR) Note: this work is part of a larger work, Matt Module, commissioned for Early One Morning, Whitechapel, London, 2002. This lot is accompanied by a Certificate of Authenticity, issued by the Whitechapel Gallery, London. Please refer to department for condition report
Roseberys
Jun. 24, 2021
GARY WEBB (NÉ EN 1973) To be titled, 2006
Est: €3,000 - €5,000
GARY WEBB (NÉ EN 1973) To be titled, 2006 Painted resin. Sprayed Q-Cell H_60 cm (on view) Provenance: - R_galerie, Salzburg - acquired in this gallery by the current owner - private collection To be titled, 2006 Résine peinte. Sprayed Q-Cell H_60 cm (à vue) Provenance: - R_galerie, Salzbourg - acquis dans cette galerie par l'actuel propriétaire - collection privée
Pierre Bergé & Associés
Apr. 22, 2021
Gary Webb, Little Split
Est: $6,000 - $8,000
Gary Webb Little Split 2006 American white ash wood, metal brackets, mirrors 94 h × 57 w × 10.5 d in (239 × 145 × 27 cm) Provenance: Parra & Romero Gallery, Madrid | Private Collection This work will ship from Rago in Lambertville, New Jersey. condition: Minimal wear throughout in keeping with responsible handling including only slight looseness of some panels, small chips and faint scratches to silvering on a few panels, otherwise very good condition.
Wright
Apr. 11, 2018
GARY WEBB | Coming Home
Est: £3,000 - £4,000
steel, plastic, resin, paint, sand and parsley
Sotheby's
Mar. 15, 2016
GARY WEBB | Dom III
Est: £3,000 - £4,000
painted aluminium
Sotheby's
Dec. 02, 2015
Gary Webb (né en 1973)Triangle
Est: €150 - €200
Gary Webb (né en 1973) Triangle Latex jaune signé dans la masse 74,5 x 74,5 x 74,5 cm
Piasa
Mar. 10, 2015
GARY WEBB | Libra Dos
Est: £6,011 - £9,016
perspex, chrome, coins, coloured glass and plastic
Sotheby's
Dec. 13, 2012
GARY WEBB
Est: £4,000 - £6,000
Capital Claw This work is unique.
Phillips
Oct. 15, 2011
Gary Webb (b. 1973)
Est: £8,000 - £12,000
Gary Webb (b. 1973) Little Split American white ash wood, metal brackets, mirrors and tinted mirrors 62¼ x 70 1/8 x 5in. (158 x 178 x 12.7cm.) Executed in 2006
Christie's
Jun. 07, 2011
GARY WEBB (B. 1973)
Est: £800 - £1,200
GARY WEBB (B. 1973) Ravi's Ring perspex, plexiglass and stainless steel 17½ x 17 x 16.5 in. (44.5 x 43 x 42 cm.) Executed in 2003.
Christie's
Apr. 20, 2011
Gary Webb (b. 1973)
Est: £4,000 - £6,000
Gary Webb (b. 1973) Untitled sprayed Q cell, neon lights, fur and glass eye 28¾ x 37½ x 27½in. (70 x 95.3 x 69.8cm.) Executed in 2004
Christie's
Feb. 18, 2011
Gary Webb
Est: £4,000 - £6,000
Capital Claw This work is unique.
Phillips
Mar. 25, 2010
GARY WEBB (B. 1973)
Est: £1,000 - £2,000
GARY WEBB (B. 1973) Ravi's Ring Perspex, Plexiglas and stainless steel 17.5 x 17 x 16.5in. (44.5 x 43 x 42cm.) Executed in 2003
Christie's
Feb. 12, 2010
GARY WEBB (B. 1973)
Est: £3,000 - £4,000
GARY WEBB (B. 1973) CAPITAL CLAW 3 PERSPEX, PLASTIC MOULDED ROCK, POLISHED STEEL, GLASS, RUBBER MATS AND STROBE LIGHTS 77 3/8 X 42 1/8 X 51 3/8IN. (196 X 107 X 130CM.) EXECUTED IN 2002, THIS WORK IS UNIQUE
Christie's
Apr. 30, 2009
Gary Webb (b. 1973)
Est: £2,000 - £3,000
Gary Webb (b. 1973) God Knows sprayed perspex, glass, paper buckle, plastic apples and acrylic paint 63 x 49¼in. (160 x 125cm.) Executed in 1998
Christie's
Oct. 13, 2006
GARY WEBB
Est: £6,000 - £8,000
B. 1973 LITTLE SPLIT approximately 200 by 200 by 15cm.; 78 3/4 by 78 3/4 by 5 7/8 in. American white ash wood, metal brackets, mirrors and tinted mirrors Executed in 2006. PROVENANCE Donated by the artist, courtesy of The Approach, London NOTE Gary Webb's work is marked by an intuitive approach to materials, arranged with a visual flourish that is almost baroque. His is a distinctly urban, fast-paced aesthetic born out of synthetic materials such as acrylic, resin, neon and rubber. At times glass, wood, sand and marble appear, organic materials that are nonetheless given a synthetic twist when rendered in biomorphic, sci-fi forms. Webb has spoken about his work in relation to contemporary 'indoor culture', an aesthetic of shopping malls and drive-ins awash with bright colours and shiny plastics. Experiencing his work is like entering a Las Vegas casino or amusement arcade, spaces that are dedicated to the pursuit of an intense and intoxicating p/leisure experience. Occasionally his work even comes with its own soundtrack -- notes that fill the air like foot soldiers on reconnaissance, sent ahead to hook us with the disembodied promise of material joys to come. Webb assembles his materials according to a logic of contradiction and proliferation: perspex placed on glass placed on rubber; neon on plastic on granite on steel; a wall of tilted mirrors that bounce back the whole as a thousand, distorted reflections. His forms and shapes likewise combine solid and open, transparent and opaque, soft and rigid, speaking in fluent tongues of contradictory sculptural possibilities. Somewhere between the functional and imagined, Webb's sculptures create a sense of exhilarating freedom in the possibilities generated by such juxtapositions; they maintain a form of poetic lightness afforded by suggestions and allusions, rather than the burden of a need for weighty explanations. In recent years Webb has created a number of modular works that seem to play with minimalism's more restrained language. The first, begun in 2002, is an ongoing series of triangular rubber mats, produced in a growing variety of colours. Hovering somewhere between the car mat and the bath mat -- the two lowliest forms of carpet -- Webb displays these either independently, laying them on floors like ziggurats of differing shape, size and permutations; or uses them like a plinth for other works. The artist titled these mats Matte Module, a German sounding neologism that gives a characteristic twist to their structured order, while a corner of each mat bears the artist's name and surname embossed in the flamboyant style of Elvis Presley's signature. His dazzling assemblages were recently shown at the Chisenhale Gallery in 2004, the 2003 Lyon Biennale and in The Moderns at the Castello di Rivoli in Turin in 2003. The present work is the second example in a more recent series of wall-mounted works that, like the floor mats, operate both independently and by interacting with their vicinity. The work consists of a series of rectangular mirrors mounted on wood, arranged in rows and columns that are contained within a larger rectangular shape. The linear geometry of this configuration is broken up by the random insertion of tinted mirrors, while others are tilted up or down, lending the whole a drunken, syncopated feel. The room that contains the work is in turn absorbed by the work itself, reflected back in a broken perspective of odd angles and crooked corners, while the viewer's eye moves back and forth between the coloured surface and the reflected space contained within. Like a sequined curtain it shimmers and shines, creating a heady visual noise that blends Soviet montage, Cubist fragmentation and minimalist seriality with the dancing light and colours of Mondrian's Broadway Boogie Woogie, 1942-43. As with his use of music or his floor mats, this work demonstrates Webb's ability to create self-contained works that nonetheless take on the expansive quality of an environment, giving form to an attitude that we experience through the engagement of all our senses. AT
Sotheby's