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Kate Waters Sold at Auction Prices

b. 1964 -

Kate Waters is a Canadian artist based in Germany, known for using the photographs she takes as a foundation onto which she applies paint to make her beautiful artwork.

Kate Waters was born in 1964 in Vallee Lourdes in Canada. In 1983 she enrolled in Bath Academy of Art and graduated from it in 1987. A year later she started Central Saint Martins School of Art in London, and finished it in 1991. Waters continued her education in London, graduating from Slade School of Art.

Change is a recurring theme in Kate Waters’ work. Getting Used to the Twenty-First Century, a 2008 piece, explores the changes of museums, and their role in the society. The painting depicts museum visitors in front of “Coronation of Napoleon” (a painting by Jacques Louis David, itself representing change as well). Two of them are examining the painting, appreciating the beauty of it, while other visitors are ignoring it, as if ignoring the past, and looking forward to the future. This Kate’s piece is not just a symbol of changing museums, but also a symbol of the ever accelerating pace of life nowadays.


Today, people are connected more than ever. We live in the world of fast-traveling information. Boundaries are slowly becoming non-existent. Ironically, however, we are more alone than ever. The 2008 painting, Bond Street, is Waters’ reminder of that. It depicts a lonely man walking through the cold shadows of the city streets. He is passing by a shop selling wedding dresses. Like all of Kate’s paintings, this one reminds of a film still, as well.


Apart from change and isolation, Waters’ work is also based on illusions and dreams, family and friendship, communication and alienation, and so on. It should not come as surprise that many of Waters’ paintings capture different situations in either museums or streets, seeing that these settings are where most cultural and everyday changes take place.
The subjects (i.e. the people) in Kate Waters’ paintings often don’t talk to anyone. They are usually in motion, unaware of being photographed, so they look natural, with their postures and glances revealing more than they realize. This contributes to the “realness” of her paintings. However, an exception to this is Chop Suey, a 2008 piece depicting two friends in an intimate environment of a restaurant.


Waters’ art is an interesting way of bringing together two media – photography and painting. For her, photography is only a starting point, a sketch, from which she builds it up to create a painting. But her art is not an imitation. The photographs she takes provide a sort of “skeleton” for her further work. She decides which element of the photograph is more important, which element stands out, and so she accentuates it. After that, she applies paint over the “skeleton”, creating a vibrant scene.
Sometimes, the photographs Waters creates are not exactly how the final product is going to look like. Many of the “blueprints” of her paintings undergo a change and manipulation, prior to becoming paintings. In order to underpin the composition, Waters resorts to different techniques, like collage. No Place Like Home, a 2002 painting, is an example of this. On of the two boys standing in the front row, wearing red t-shirts, was not originally there. In the photograph, there was only one.



Waters has been exhibiting her artworks in numerous one-man and group exhibitions throughout Europe. She is represented by Aeroplastics Contemporary in Brussels and Galerie Voss in Düsseldorf, and many of her shows have taken place there. She has also exhibited at other venues in cities such as Paris, London, Genoa, Munich and Eindhoven. Her latest show Take It Like It Is is organized by Galerie Voss. The exhibition features paintings of ordinary scenes from everyday lives in different European cities.

Kate Waters - Blinded Venice, 2015 - Image Copyright Galerie Voss

Kate Waters – Blinded Venice, 2015


Waters’ paintings are a part of a number of private collections, mainly in Germany, Switzerland and Austria.

Since 2000, Kate Waters has been living and working in Germany.

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    • Kate Waters (1964 Vallée-Lourdes, Kanada) – „Its out of my hands”
      Nov. 18, 2024

      Kate Waters (1964 Vallée-Lourdes, Kanada) – „Its out of my hands”

      Est: €2,000 - €3,000

      Öl auf Leinwand. (19)96. Ca. 101 x 141 cm. Verso auf der Leinwand signiert, datiert „4 96” und betitelt. Leinwand an ein paar Stellen im Kantenbereich, außerhalb der Darstellung, leicht eingerissen. Stellenweise Craquelé, nicht störend und minimal berieben, sonst gut. Taxation: differenzbesteuert (VAT: Margin Scheme)

      Karl & Faber
    • Kate Waters: The Devil's Kitchen
      Jun. 06, 2024

      Kate Waters: The Devil's Kitchen

      Est: €5,000 - €7,000

      WATERS, KATE 1964 Vallee Lourdes/Kanada Title: "The Devil's Kitchen". Date: 2004. Technique: Oil on canvas. Measurement: 180 x 300cm. Notation: Titled, signed and dated verso upper centre: - THE DEVIL'S KITCHEN - K. Waters 2004. Provenance: - Private collection Germany Estimated shipping costs for this lot: Arrangement after the auction. Explanations to the Catalogue Kate Waters Canada New figurative painting Contemporary Art 2000s Figure / Figures Painting Oil Urban life

      Van Ham Kunstauktionen
    • Kate Waters (1964 Vallée-Lourdes, Kanada) – „Pinky Racer“ (“Pinky Racer”)
      Jun. 30, 2023

      Kate Waters (1964 Vallée-Lourdes, Kanada) – „Pinky Racer“ (“Pinky Racer”)

      Est: €4,000 - €6,000

      Oil on canvas. 2003. Ca. 100 x 120 cm. Signed, dated and titled on the reverse on the canvas.

      Karl & Faber
    • Kate Waters (1964 Vallée-Lourdes, Kanada) – „Spy vs. Spy“ (“Spy vs. Spy”)
      Jun. 30, 2023

      Kate Waters (1964 Vallée-Lourdes, Kanada) – „Spy vs. Spy“ (“Spy vs. Spy”)

      Est: €5,000 - €7,000

      Oil on canvas. 2004. Ca. 70 x 130 cm. Signed, dated and titled on the reverse on the canvas.

      Karl & Faber
    • Kate Waters: "The Trevi Fountain"
      Nov. 30, 2022

      Kate Waters: "The Trevi Fountain"

      Est: €5,000 - €7,000

      WATERS, KATE 1964 Vallee Lourdes/Kanada Title: "The Trevi Fountain". Date: 2000. Technique: Oil on canvas. Measurement: 180 x 200cm. Notation: Signed, dated and titled verso upper right: Kate Waters 2000 -The Trevi Fountain-. Provenance: - Private collection Luxembourg. Explanations to the Catalogue Estimated shipping costs for this lot: Arrangement after the auction.

      Van Ham Kunstauktionen
    • Kate Waters: "The Deep End"
      Nov. 30, 2022

      Kate Waters: "The Deep End"

      Est: €4,000 - €6,000

      WATERS, KATE 1964 Vallee Lourdes/Kanada Title: "The Deep End". Date: 2000. Technique: Oil on canvas. Measurement: 120 x 150cm. Notation: Titled, signed and dated verso upper right: -The Deep End- K. Waters 2000. Provenance: - Galerie Voss, Duesseldorf (stamp) - Private collection Luxembourg. Explanations to the Catalogue Estimated shipping costs for this lot: Arrangement after the auction.

      Van Ham Kunstauktionen
    • Waters, Kate (1964 Vallee Lourdes/Canada)
      Nov. 30, 2016

      Waters, Kate (1964 Vallee Lourdes/Canada)

      Est: €4,000 - €6,000

      Waters, Kate (1964 Vallee Lourdes/Canada) "INSIDERS". 2011. Oil on canvas. 120,5 x 120,5cm. Signed and dated on verso: K. Waters 2011. Titled below. Provenance: Galerie Voss, Düsseldorf. This work is subject to standard taxation.

      Van Ham Kunstauktionen
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