Nell Walden Paintings & Artwork for Sale | Nell Walden Art Value Price Guide

Dec. 14, 2024
Nell Blair Walden Blaine, New York, Massachusetts (1922 - 1996), Icelandic Poppies and Lilies, 1986, watercolor and pastel on paper, 16 3/4"H x 11 3/4"W(sight), 23 1/2"H x 19 1/2"W(frame)
Est: $3,000 - $4,000
Nell Blair Walden Blaine New York, Massachusetts, (1922 - 1996) Icelandic Poppies and Lilies, 1986 watercolor and pastel on paper Signed lower left. Exhibited: Fischbach Gallery, NY Biography from the Archives of askART: Nell Blaine, painter of still lifes and landscapes in brilliant colors, created abstract work that gives the appearance of being done in a carefree, totally lighthearted manner but in fact is the result of years of disciplined study. It is also an effect achieved after rehabilitation from polio, which nearly took her life. Suffering a paralyzed right hand, she taught herself to paint with her left hand, and she devoted much time to applying colors, some times as many as fifty varieties. She attributed her fascination with color with its discovery when she was two years old and corrective eye surgery allowed her to see color for the first time. Blaine was raised in the Richmond, Virginia, where she grew to hate the prevalent racial discrimination and left home at an early age. In high school, she was skilled enough to begin selling her artwork, which was mostly posters and portraits. She attended the Richmond School of Art, now Virginia Commonwealth University, between 1939 and 1942 but left its classical realist curriculum when one of the instructors introduced her to modern art. She used money she had earned from commercial art and went to New York and studied with Hans Hofmann, teacher of Abstract Expressionism. Shortly after, she married a jazz musician and immersed herself in the world of jazz, beating drums and improvising expressive dances, and associating with Charlie Parker, Dizzie Gillespie, and Beat Generation writer Jack Kerouac. Her paintings of that time reflect her strong developing sense of relationship between jazz and abstract art. In 1944 at age twenty two, she became the youngest member of the American Abstract Artists and exhibited hard-edged geometric paintings, mostly black and white with accents of bright colors. She joined a cooperative of abstract artists and worked so hard at organizing shows that some referred to it as the Blaine Street Gallery. She was a strong personality who had special influence on Larry Rivers and Jane Freilicher and appeared to thrive in the New York art scene of the 1940s. However, she decided that her lifestyle was unhealthy, and she left the city, had a period of seclusion, and then went to France where she admired the work of Gustave Courbet, Jean Antoine Watteau, Eugene Delacroix, and Nicholas Poussin and took up figurative art in an abstract style. She became known as a "painterly realist," and added landscapes and interiors to her subject matter. She earned fellowships to Yaddo and the MacDowell Colony and began spending at least half the year in Gloucester, Massachusetts. She also traveled in Mexico. In 1959 on the island of Mykonos, Greece, she had polio. Her New York art friends in an exhibition of seventy-one artists raised money for extensive treatment at Mount Sinai Hospital. After recovery, she settled in a studio on Riverside Drive, spent her summers in Gloucester, and painted from her wheelchair. She died in 1996. Source: Charlotte Streifer Rubinstein, American Women Artists
Ripley Auctions
Dec. 14, 2024
Nell Blair Walden Blaine, New York, Massachusetts (1922 - 1996), The Window Washers, 1946, oil on board, 20"H x 16"W(sight), 28 3/4"H x 24 3/4"W(frame)
Est: $3,000 - $5,000
Nell Blair Walden Blaine New York, Massachusetts, (1922 - 1996) The Window Washers, 1946 oil on board Artist information verso. Inscribed "Collection of J. (Jane) Freilicher, NY". Biography from the Archives of askART: Nell Blaine, painter of still lifes and landscapes in brilliant colors, created abstract work that gives the appearance of being done in a carefree, totally lighthearted manner but in fact is the result of years of disciplined study. It is also an effect achieved after rehabilitation from polio, which nearly took her life. Suffering a paralyzed right hand, she taught herself to paint with her left hand, and she devoted much time to applying colors, some times as many as fifty varieties. She attributed her fascination with color with its discovery when she was two years old and corrective eye surgery allowed her to see color for the first time. Blaine was raised in the Richmond, Virginia, where she grew to hate the prevalent racial discrimination and left home at an early age. In high school, she was skilled enough to begin selling her artwork, which was mostly posters and portraits. She attended the Richmond School of Art, now Virginia Commonwealth University, between 1939 and 1942 but left its classical realist curriculum when one of the instructors introduced her to modern art. She used money she had earned from commercial art and went to New York and studied with Hans Hofmann, teacher of Abstract Expressionism. Shortly after, she married a jazz musician and immersed herself in the world of jazz, beating drums and improvising expressive dances, and associating with Charlie Parker, Dizzie Gillespie, and Beat Generation writer Jack Kerouac. Her paintings of that time reflect her strong developing sense of relationship between jazz and abstract art. In 1944 at age twenty two, she became the youngest member of the American Abstract Artists and exhibited hard-edged geometric paintings, mostly black and white with accents of bright colors. She joined a cooperative of abstract artists and worked so hard at organizing shows that some referred to it as the Blaine Street Gallery. She was a strong personality who had special influence on Larry Rivers and Jane Freilicher and appeared to thrive in the New York art scene of the 1940s. However, she decided that her lifestyle was unhealthy, and she left the city, had a period of seclusion, and then went to France where she admired the work of Gustave Courbet, Jean Antoine Watteau, Eugene Delacroix, and Nicholas Poussin and took up figurative art in an abstract style. She became known as a "painterly realist," and added landscapes and interiors to her subject matter. She earned fellowships to Yaddo and the MacDowell Colony and began spending at least half the year in Gloucester, Massachusetts. She also traveled in Mexico. In 1959 on the island of Mykonos, Greece, she had polio. Her New York art friends in an exhibition of seventy-one artists raised money for extensive treatment at Mount Sinai Hospital. After recovery, she settled in a studio on Riverside Drive, spent her summers in Gloucester, and painted from her wheelchair. She died in 1996. Source: Charlotte Streifer Rubinstein, American Women Artists
Ripley Auctions
Dec. 05, 2024
Nell Blair Walden Blaine
Est: $800 - $1,200
American, 1922 - 1996 Stones at Delphi, 1959 Signed and dated N. Blaine '59 (ll) Ink on paper 15 x 18 inches (38.1 x 45.7cm) (Framed 23 x 26 inches) The sheet is glued to backboard at the corners. The backboard is hinged on the framed from the top. Sheet is toned around the circumference. Slight yellowing on the lower right corner.
DOYLE Auctioneers & Appraisers
Nov. 30, 2024
Walden Nell
Est: CHF320 - CHF400
Esperanza Monogrammiert und datiert unten rechts 1961. Verso beschriftet. Gerahmt Ausrufdatum: 30.11.2024 Ungefähre Ausrufzeit: 17:42
Auktionshaus Zofingen
Nov. 23, 2024
Nell Walden. Blüten.
Est: €600 - €900
Aquarell und Tusche. 1964. 29,3 : 21 cm. Datiert; rückseitig signiert, datiert, bezeichnet und mit Widmung. Rückseitig von der Künstlerin bezeichnet: »Tempera Nr: 511 | Jan. 1964 | Nell Walden | ? | 20,5 : 29« darunter mit Widmung »Für meine liebe Grete herzlich Nell Walden | 14. Juni 1964«. – Provenienz: Grete Dexel (Ehefrau von Walter Dexel). – Familienbesitz Dexel. [Keywords: Modern Art ]
Christian Hesse Auktionen
Nov. 20, 2024
Nell Blair Walden Blaine S/N Lithograph
Est: $150 - $225
Nell Blair Walden Blaine lithograph (Gloucester Winter). Signed in pencil and number 12/50 in pencil. Measures 11.5 x 18 inches image size and 18 x 23.75 inches sheet size. Like new condition. Unframed, loose and not glued or mounted. Provenance: Estate collection of William Greenbaum, Gloucester, Massachusetts, Proprietor of William Greenbaum Fine Prints. If lot is absent of a condition report one may be requested via email. Condition report is provided as an opinion only and is no guarantee as condition can be subjective. Buyer must view photographs or scans to assist in determining condition and ask further questions if so desired. Our in-house shipping department will gladly pack and ship any item that fits into a 14x14x14 inch or 30x5x24 inch or equivalent or smaller box/folio if it is not fragile or over 25lbs. We will charge for labor to pack and process based on actual time it takes, actual cost of materials used to pack and actual shipper charges that will include insurance and signature required. We generally use USPS and Fed Ex and compare the pricing between the two. Books maximum box size will be 14x14x14 inch or equivalent and will be shipped USPS Media Mail unless otherwise requested. We gladly will give shipping estimates prior to auction. Please make this request at least 24 hours prior to auction for our shipping department to respond. If your invoice is for multiple items, we will use our discretion on requiring the use of an outside shipper. We reserve the right to require an outside shipper on any item(s) in the auction even if not stated.
Grant Zahajko Auctions, LLC
Jun. 25, 2024
Nell Walden, 1887-1975, Esperanza
Est: CHF600 - CHF1,000
Signed with the monogram and dated. Verso signed, dated, titled and inscribed. (Frame).
Germann Auction House Ltd
Jan. 18, 2024
NELL BLAIR WALDEN BLAINE, American 1922-1996, Forest Trail, 1959, ink and gouache on paper, 15 x 18 in. (38.1 x 45.7 cm.) (sheet), Frame: 22 1/4 x 1 x 25 1/4 in. (56.5 x 2.5 x 64.1 cm.)
Est: $800 - $1,200
NELL BLAIR WALDEN BLAINE American, 1922-1996 Forest Trail, 1959 ink and gouache on paper titled, signed, and dated lower right "M. Blaine '59 Delphi"
Shannon's
Jun. 10, 2023
Nell WALDEN (1887-1975)
Est: CHF120 - CHF240
Mimosas and Untitled Mixed media, monogrammed and dated 1958 and 1967 on labels on the reverse 35 x 20.5 cm and 23 x 19 cm, frame: 49 x 31 cm and 34 x 30.5 cm
Galerie Moenius
Jun. 03, 2023
Nell Walden. Blüten.
Est: €600 - €900
Aquarell und Tusche. 1964. 29,3 : 21 cm. Datiert; rückseitig signiert, datiert, bezeichnet und mit Widmung. Rückseitig von der Künstlerin bezeichnet: »Tempera Nr: 511 | Jan. 1964 | Nell Walden | ? | 20,5 : 29« darunter mit Widmung »Für meine liebe Grete herzlich Nell Walden | 14. Juni 1964«. – Provenienz: Grete Dexel (Ehefrau von Walter Dexel). – Familienbesitz Dexel. [Keywords: ; ]
Christian Hesse Auktionen
Nov. 03, 2022
WALDEN, NELLY ANNA CHARLOTTA: Ohne Titel.
Est: CHF150 - CHF300
WALDEN, NELLY ANNA CHARLOTTA (Karlskrona/Schweden 1887 - 1975 Bern) : Ohne Titel; Mischtechnik auf Papier; 25x19,5 cm (LM), gerahmt; mgr. u. dat. (19)60 u.r.
Dobiaschofsky Auktionen AG
Jul. 31, 2022
Walden, Nell o.T. (Blumenstillleben). 1973. Aquarell auf leichtem Karton. 3…
Est: - €600
Walden, Nell o.T. (Blumenstillleben). 1973. Aquarell auf leichtem Karton. 30,5 x 20,5 cm. Monogrammiert und datiert. Punktuell auf Unterlage montiert und unter Glas gerahmt. - Kanten teils minimal bestoßen. Verso lichtrandig. Die Arbeit selbst farbenfroh und prächtig. Nell Roslund, wie Ihr Mädchenname lautete, kam als junge Frau nach Berlin. Dort lernte Sie Herwarth Walden kennen und wurde schließlich nach Else Lasker-Schüler seine zweite Ehefrau. Walden, wie die Künstlerin nun hieß, war eine energische Vor- und Wegbereiterin der avantgardistischen STURM-Bewegung, die Ihr Mann initiiert hatte. Die Künstlerin wurde zu einem Knotenpunkt, organisatorisch, künstlerisch und gesellschaftlich. Zugleich vernachlässigte Sie nie Ihre eigene Arbeit als Malerin und wurde zu einer der meist ausgestelltesten Künstlerinnen der STURM-Galerie. Die vorliegende Arbeit aus dem Spätwerk sprüht vor Verve und Lebendigkeit. Mit erfahrenem, dynamischen Pinselduktus erschuf Nell Walden ein Blumenstilleben, modern und jung. o.T. (Still life with flowers). Watercolour on light cardboard. Monogrammed and dated. Spot mounted on backing and framed under glass. - Edges partly minimally bumped. Light margins on verso. The work itself is colourful and splendid.
Jeschke Jádi Auctions Berlin GmbH
May. 07, 2022
WALDEN, NELLY ANNA CHARLOTTA: "Bretagne".
Est: CHF300 - CHF600
WALDEN, NELLY ANNA CHARLOTTA (Karlskrona/Schweden 1887 - 1975 Bern) : "Bretagne"; Aquarell und Bleistift; 28x25 cm (LM); mgr. u. dat. (19)70 u.r. sowie betitelt u.l.
Dobiaschofsky Auktionen AG
Mar. 26, 2022
Walden, Nell: Vegetatives
Est: €700 - €800
Nell Walden 1887 Karlskrona - 1975 Bern Vegetative Watercolor on paper; H 343 mm, W 262 mm (mount dimension); monogrammed and dated lower right ''NW 68''
Peter Karbstein - Kunst und Auktionshaus
Mar. 06, 2022
"Walden, Nell,," o.T. (Blumenstillleben). 1973. Aquarell auf leichtem Kar
Est: - €700
"Walden, Nell,," o.T. (Blumenstillleben). 1973. Aquarell auf leichtem Karton. 30,5 x 20,5 cm. Monogrammiert und datiert. Punktuell auf Unterlage montiert und unter Glas gerahmt. - Kanten teils minimal bestoßen. Verso lichtrandig. Die Arbeit selbst farbenfroh und prächtig.," Nell Roslund, wie Ihr Mädchenname lautete, kam als junge Frau nach Berlin. Dort lernte Sie Herwarth Walden kennen und wurde schließlich nach Else Lasker-Schüler seine zweite Ehefrau. Walden, wie die Künstlerin nun hieß, war eine energische Vor- und Wegbereiterin der avatgardistischen STURM-Bewegung, die Ihr Mann initiiert hatte. Die Künstlerin wurde zu einem Knotenpunkt, organisatorisch, künstlerisch und gesellschaftlich. Zugleich vernachlässigte Sie nie Ihre eigene Arbeit als Malerin und wurde zu einer meist ausgestelltesten Künstlerinnen der STURM-Galerie. Die vorliegende Arbeit aus dem Spätwerk sprüht vor Verve und Lebendigkeit. Mit erfahrenem, dynamischen Pinselduktis erschuf Nell Walde ein Blumenstilleben, modern und jung." o.T. (Still life with flowers). Watercolour on light cardboard. Monogrammed and dated. Spot mounted on backing and framed under glass. - Edges partly minimally bumped. Light margins on verso. The work itself is colourful and splendid. "";Walden, Nell o.T. (Blumenstillleben). 1973. Aquarell auf leichtem Karton. 30,5 x 20,5 cm. Monogrammiert und datiert. Punktuell auf Unterlage montiert und unter Glas gerahmt. - Kanten teils minimal bestoßen. Verso lichtrandig. Die Arbeit selbst farbenfroh und prächtig."
Jeschke Jádi Auctions Berlin GmbH
Jan. 21, 2022
Walden, Nell - - o.T. (Blumenstillleben). 1973. Aquarell auf leichtem Karton. 30,5 x 20,5 cm
Est: €500 - €700
Walden, Nell o.T. (Blumenstillleben). 1973. Aquarell auf leichtem Karton. 30,5 x 20,5 cm. Monogrammiert und datiert. Punktuell auf Unterlage montiert und unter Glas gerahmt. - Kanten teils minimal bestoßen. Verso lichtrandig. Die Arbeit selbst farbenfroh und prächtig. Nell Roslund, wie Ihr Mädchenname lautete, kam als junge Frau nach Berlin. Dort lernte Sie Herwarth Walden kennen und wurde schließlich nach Else Lasker-Schüler seine zweite Ehefrau. Walden, wie die Künstlerin nun hieß, war eine energische Vor- und Wegbereiterin der avatgardistischen STURM-Bewegung, die Ihr Mann initiiert hatte. Die Künstlerin wurde zu einem Knotenpunkt, organisatorisch, künstlerisch und gesellschaftlich. Zugleich vernachlässigte Sie nie Ihre eigene Arbeit als Malerin und wurde zu einer meist ausgestelltesten Künstlerinnen der STURM-Galerie. Die vorliegende Arbeit aus dem Spätwerk sprüht vor Verve und Lebendigkeit. Mit erfahrenem, dynamischen Pinselduktis erschuf Nell Walde ein Blumenstilleben, modern und jung. o.T. (Still life with flowers). Watercolour on light cardboard. Monogrammed and dated. Spot mounted on backing and framed under glass. - Edges partly minimally bumped. Light margins on verso. The work itself is colourful and splendid.
Jeschke Jádi Auctions Berlin GmbH
Nov. 27, 2021
Walden, Nell - Ohne Titel. (Blumen). Aquarell auf …
Est: €1,500 -
Walden, Nell Ohne Titel. (Blumen). Aquarell auf Papier. Rechts unten monogrammiert und datiert. 1972. Blattgröße: 32,3 x 24 cm. Unter Passepartout montiert. Schönes Blumen-Aquarell aus dem Spätwerk der schwedisch-schweizerischen Malerin, Musikerin, Schriftstellerin und Kunstsammlerin Nell Walden (1887-1975), die von 1912-1924 die zweite Ehefrau des Verlegers und Galeristen Herwarth Walden und Mitarbeiterin bei seinen Berliner Sturm-Projekten war. - Sehr gut erhalten.
Nosbüsch & Stucke GmbH
Sep. 25, 2021
Nell WALDEN (1887-1975)
Est: CHF240 - CHF480
Nell WALDEN (1887-1975) Flight skyward Watercolor on paper, with monogram and dated (19)66 60 x 41 cm, frame: 63 x 43 cm
Galerie Moenius
Sep. 25, 2021
Nell WALDEN (1887-1975)
Est: CHF100 - CHF200
Nell WALDEN (1887-1975) Bretagne Watercolor in paper, with monogram and dated (19)70, verso titled and signed 36 x 40 cm
Galerie Moenius
Dec. 19, 2020
Nell WALDEN (1887-1975), Flight skyward
Est: CHF500 - CHF1,000
Nell WALDEN (1887-1975), Flight skyward, watercolor on paper, with monogram and dated (19)66, 60 x 41 cm, frame: 63 x 43 cm
Galerie Moenius
Dec. 19, 2020
Nell WALDEN (1887-1975), Bretagne, watercolor in
Est: CHF200 - CHF400
Nell WALDEN (1887-1975), Bretagne, watercolor in paper, with monogram and dated (19)70, verso titled and signed, 36 x 40 cm
Galerie Moenius
Nov. 07, 2020
Nell Blair Walden Blaine, (American, 1922-1996), Seated figure at a table with flowers, 1957, oil on panel, 42"H x 24"W
Est: $3,000 - $5,000
Nell Blair Walden Blaine (American, 1922-1996) Seated figure at a table with flowers, 1957 oil on panel signed and dated lower right. Provenance; From a private collection, Indianapolis, IN. Biography from The Johnson Collection NELL BLAIR WALDEN BLAINE (1922-1996) b. Richmond, VA; d. New York, NY A May 1957 issue of Life magazine recognized five "Women Artists in Ascendance," painters who had "won acclaim not as notable women artists but as notable artists who happen to be women." Photographs of the select group illustrated the article, including one of Nell Blaine sitting in her sunny New York studio surrounded by still lifes and large-scale figural works. Those canvases testify to Blaine's decades of experimentation—from naturalism in her early efforts, to radical abstraction throughout the 1940s, and back to figuration in the 1950s and beyond. This constant search for stylistic renewal characterized Blaine's sweeping, successful career. The death of her mother at a young age, the volatile temper of her father, and the conservative religiosity of her stepmother marked Blaine's upbringing in Richmond, Virginia, during the Great Depression. Severe vision problems—Blaine was born cross-eyed—further compromised her youthful stirrings toward art. Corrective surgeries liberated her from physical restrictions, and, by the age of sixteen, she had enrolled in the School of Art of the Richmond Professional Institute (now Virginia Commonwealth University), learning under the tutelage of Theresa Pollak and Worden Day. At Day's urging, Blaine set out for Hofmann's studio in New York in 1942. Although perpetually constrained by tight finances, Blaine felt like "a bird out of a cage" in New York. Nurtured by Hofmann's emphasis on organic rhythms and the rectilinearity modeled in Mondrian's images, Blaine moved from abstraction to non-figuration. At the Jane Street Gallery, an artist's cooperative founded in 1942, she adhered to purely formal art and developed an abiding love for jazz. In 1944, she joined the American Abstract Artists group, as did many other students in the Hofmann circle. Blaine's radical investigations attracted the attention of critic Clement Greenberg who enthusiastically singled out her Great White Creature as "best in the show" at the annual exhibition of the American Abstract Artists in 1945. On Greenberg's recommendation, Blaine was invited to participate in Art of This Century: The Women, Peggy Guggenheim's second landmark exhibition of women artists, held in 1945. The closing of the Jane Street Gallery in 1949 and an ensuing trip to Paris in 1950 prompted Blaine's realization that non-figuration deprived her "of some wonderful sensuous pleasure with painting," and she gradually re-embraced representation. Blaine's paintings of the 1950s track her thematic and stylistic shifts; she focused on studio interiors and portraits, but also produced luminous landscapes in brilliant, animated colors depicting her travels to New England, Mexico, Italy, and Greece. While working on the Greek island of Mykonos in 1959, Blaine contracted bulbar-spinal polio. The virus paralyzed her, necessitating an arduous rehabilitation and the exertion of enormous will to return to painting. Undaunted, Blaine modified her approach and focused on smaller compositions like Anemones with Red Cloth. Although limited in her mobility, Blaine was by no means confined; she often painted in Gloucester, Massachusetts, and traveled widely throughout Europe with the help of devoted friends. For the rest of her life, Blaine enjoyed an almost frenetic pace of individual and group exhibitions in galleries and museums, fueled by the steady output of small-scale oils and watercolors. In 1992, on the occasion of her fifty-first solo exhibition showcasing intensely colored flower paintings and landscapes, the indomitable Blaine vowed that "art is central to my life. Not being able to make or see art would be a major deprivation." The Johnson Collection, Spartanburg, South Carolina 42"H x 24"W
Ripley Auctions
Sep. 26, 2020
Nell Blair Walden Blaine, (New York / Massachusetts, 1922-1996), "Fishing Boats", lithograph, 11 1/2"H x 15 1/2"W (plate), 18"H x 21 1/4"W (paper).
Est: $400 - $500
Nell Blair WaldenBlaine(New York / Massachusetts, 1922-1996)"Fishing Boats"lithographpencil signed and numbered AP, artist proof. Blindstamp. Nell Blair Walden Blaine (New York / Massachusetts, 1922-1996) ""Fishing Boats"", lithograph, pencil signed and numbered AP, artist proof. Blindstamp. Blaine was raised in the Richmond, Virginia, where she grew to hate the prevalent racial discrimination and left home at an early age. In high school, she was skilled enough to begin selling her artwork, which was mostly posters and portraits. She attended the Richmond School of Art, now Virginia Commonwealth University, between 1939 and 1942 but left its classical realist curriculum when one of the instructors introduced her to modern art. She used money she had earned from commercial art and went to New York and studied with Hans Hofmann, teacher of Abstract Expressionism. Shortly after, she married a jazz musician and immersed herself in the world of jazz, beating drums and improvising expressive dances, and associating with Charlie Parker, Dizzie Gillespie, and Beat Generation writer Jack Kerouac. Her paintings of that time reflect her strong developing sense of relationship between jazz and abstract art. In 1944 at age twenty two, she became the youngest member of the American Abstract Artists and exhibited hard-edged geometric paintings, mostly black and white with accents of bright colors. She joined a cooperative of abstract artists and worked so hard at organizing shows that some referred to it as the Blaine Street Gallery. She was a strong personality who had special influence on Larry Rivers and Jane Freilicher and appeared to thrive in the New York art scene of the 1940s. However, she decided that her lifestyle was unhealthy, and she left the city, had a period of seclusion, and then went to France where she admired the work of Gustave Courbet, Jean Antoine Watteau, Eugene Delacroix, and Nicholas Poussin and took up figurative art in an abstract style. She became known as a "painterly realist," and added landscapes and interiors to her subject matter. She earned fellowships to Yaddo and the MacDowell Colony and began spending at least half the year in Gloucester, Massachusetts. She also traveled in Mexico. In 1959 on the island of Mykonos, Greece, she had polio. Her New York art friends in an exhibition of seventy-one artists raised money for extensive treatment at Mount Sinai Hospital. After recovery, she settled in a studio on Riverside Drive, spent her summers in Gloucester, and painted from her wheelchair. She died in 1996. Source: Charlotte Streifer Rubinstein, American Women Artists11 1/2"H x 15 1/2"W (plate), 18"H x 21 1/4"W (paper).
Ripley Auctions
Mar. 21, 2018
Nell Walden
Est: CHF300 - CHF400
Cascaele
Artcurial Beurret Bailly Widmer
Nov. 22, 2017
Nell Walden (Swedish 1887-1975)/Abstract in Colours/signed and dated 1966/bodycolour, 46cm x 33.5cm
Est: £100 - £150
Nell Walden (Swedish 1887-1975)/Abstract in Colours/signed and dated 1966/bodycolour, 46cm x 33.5cm
Chorley's
Feb. 18, 2017
Walden, Nell
Est: €200 - €300
Herwarth Walden. Ein Lebensbild. Mit 1 monogrammierten Original-Aquarell von Nell Walden auf dem vorderen fliegenden Vorsatz und zahlreichen Abbildungen. Berlin und Mainz, Kupferberg, 1963. 132 S. 27 x 17,5 cm. Original-Leinwand mit Original-Umschlag (dieser gering berieben und angestaubt). Auf dem Innendeckel als "Luxus-Band" betitelt, mit einem Original-Aquarell (monogrammiert und datiert "71"; Blattgröße: 26,5 x 17 cm.) sowie mit eigenhändiger Widmung von Nell Walden "für Dr. Alfred Scheidegger", datiert 1971 auf dem Vortitel. - Schönes Exemplar.
Nosbüsch & Stucke GmbH
May. 20, 2016
Nell Walden. Notturno.
Est: €360 - €450
Tempera auf Malkarton. 1952. 31,5 : 24,5 cm. Monogrammiert. Typische abstrakte Arbeit der Künstlerin. – Gerahmt, auf der Rückseite mit eigenhändiger Widmung »Für Annemarie und Has in Freundschaft | Jan. 1967 | Nell Walden« sowie nochmals signiert. – Aufkleber mit Titel, Datierung und Bezeichnung als »Tempera No. 313«.
Christian Hesse Auktionen
Jun. 26, 2015
Nell Walden
Est: £10,000 - £15,000
William Wauer (1866-1962) Nell Walden signed 'W.WAUER' (on the left side), numbered and stamped with the foundry mark 'VII/VII W.FÜSSEL 1 BERLIN 10' (at the back of the base) bronze with dark brown patina Height: 21 5/8 in. (55 cm.) Conceived in 1918, this version cast in a numbered edition of seven plus one hors commerce example
Christie's
Nov. 21, 2013
"Tropifer"
Est: CHF400 - CHF600
"Tropifer" NELL (ANNA CHARLOTTA) WALDEN Karlskrona 1887-1975 Bern Unten rechts datiert "(19)62". Rückseitig signiert "Nell Walden", bezeichnet "tropifer" und " Tempera Nr. 469" sowie datiert "1962".
Galerie Fischer Auktionen AG
May. 11, 2013
NELL WALDEN 1887-1975 Akvarell Abstrakt
Est: -
NELL WALDEN 1887-1975 Akvarell Abstrakt komposition Signerad och daterad -69 16.5 x 13 cm Ej examinerad ur ram Historik: Nell Walden (född Roslund) från Landskrona arbetade med tidskriften och galleriet Der Sturm (1910-1932) tillsammans med sin man Herwarth Walden, gifta 1912-1924 Nell Walden räknas som en av Sveriges första kvinnliga abstrakta konstnärer 5% Resale royalty will be added to this lot if it exceeds 2225
Skanes Action House
May. 11, 2013
NELL WALDEN 1887-1975 Sgraffito No 27 "Blumen in
Est: -
NELL WALDEN 1887-1975 Sgraffito No 27 "Blumen in Keramik." Monogramsignerad och daterad 1956 Bildstorlek 30 x 49 cm Ej examinerad ur ram 5% Resale royalty will be added to this lot if it exceeds 2225
Skanes Action House
May. 11, 2013
NELL WALDEN 1887-1975 Oljemålning på pannå
Est: -
NELL WALDEN 1887-1975 Oljemålning på pannå "Goldener Herbst." Monogramsignerad A tergo daterad 1964 Ca 56 x 44 cm 5% Resale royalty will be added to this lot if it exceeds 2225
Skanes Action House
Nov. 22, 2012
NELL (ANNA CHARLOTTA) WALDEN - Karlskrona 1887-1975 Bern - "Tempera Nr. 512"
Est: CHF300 - CHF450
NELL (ANNA CHARLOTTA) WALDEN Karlskrona 1887-1975 Bern "Tempera Nr. 512" Unten rechts monogrammiert "NW" und datiert "(19)64". Rückseitig bezeichnet "Tempera 512", signiert "Nell Walden" und datiert "1964". Tempera, 29 x 20,5 cm, gerahmt
Galerie Fischer Auktionen AG
Nov. 22, 2012
NELL (ANNA CHARLOTTA) WALDEN - Karlskrona 1887-1975 Bern - "Charming"
Est: CHF600 - CHF800
NELL (ANNA CHARLOTTA) WALDEN Karlskrona 1887-1975 Bern "Charming" Unten rechts monogrammiert "NW" und datiert "(19)70". Rückseitig handschriftliche Angaben der Künstlerin zum Werk, nummeriert "1019" sowie signierte Widmung. Aquarell und Filzstift auf Seide, 36 x 29 cm, gerahmt
Galerie Fischer Auktionen AG
Nov. 22, 2012
NELL (ANNA CHARLOTTA) WALDEN - Karlskrona 1887-1975 Bern - "Alter Baum mit Faun im Frühling"
Est: CHF300 - CHF400
NELL (ANNA CHARLOTTA) WALDEN Karlskrona 1887-1975 Bern "Alter Baum mit Faun im Frühling" Unten rechts monogrammiert "NW" und datiert "(19)72". Rückseitig alte Etikette mit Angabe zu Künster und Werk mit der Nr. "3092". Gouache, 18,5 x 10,5 cm, gerahmt
Galerie Fischer Auktionen AG
Nov. 22, 2012
NELL (ANNA CHARLOTTA) WALDEN - Karlskrona 1887-1975 Bern - "Tempera No 437."
Est: CHF2,700 - CHF3,500
NELL (ANNA CHARLOTTA) WALDEN Karlskrona 1887-1975 Bern "Tempera No 437." Unten rechts monogrammiert "N W" und datiert "(19)60". Auf der Rückseite bezeichnet "Tempera No 437... im Frühling. 24 x 31. Nell Walden. 1960...". Kreide und Tempera auf Papier, 31 x 24 cm, gerahmt
Galerie Fischer Auktionen AG
Jun. 14, 2012
NELL (ANNA CHARLOTTA) WALDEN - "Tempera No 437."
Est: CHF4,000 - CHF6,000
NELL (ANNA CHARLOTTA) WALDEN Karlskrona 1887-1975 Bern "Tempera No 437." Kreide und Tempera auf Papier, 31 x 24 cm, gerahmt Unten rechts monogrammiert "N W" und datiert "(19)60". Auf der Rückseite bezeichnet "Tempera No 437.... im Frühling. 24 x 31. Nell Walden. 1960...".
Galerie Fischer Auktionen AG
Nov. 24, 2011
Komposition in Rot, Grün und Gold
Est: CHF400 - CHF500
NELL (ANNA CHARLOTTA) WALDEN Komposition in Rot, Grün und Gold Karlskrona 1887-1975 Bern Unten rechts monogrammiert "NW" und datiert "(19)67". Rückseitig auf dem Karton Angaben zu Künstler und Werk. Dazu Widmung signiert "Nell Walden" und datiert "14. April 1969". Gouache, gold gehöht, auf schwarzem Papier, auf Karton montiert, 18,8 x 14,6 cm, gerahmt
Galerie Fischer Auktionen AG
Nov. 24, 2011
Tempera Nr. 66
Est: CHF4,000 - CHF6,000
NELL (ANNA CHARLOTTA) WALDEN Tempera Nr. 66 Karlskrona 1887-1975 Bern Rückseitig signiert "Nell Walden" und bezeichnet "tempera Nr. 66" und "Berlin". Ferner alte Etikette der Kunstausstellung "Der Sturm" in Berlin. Tempera, 32 x 25 cm, gerahmt
Galerie Fischer Auktionen AG
Jun. 16, 2011
NELL (ANNA CHARLOTTA) WALDEN Farbige Komposition
Est: CHF800 - CHF1,200
NELL (ANNA CHARLOTTA) WALDEN Farbige Komposition Karlskrona 1887-1975 Bern Entstanden 1918. Unten rechts monogrammiert "N.W.". Rückseitig auf dem Karton Etikette der Kunstausstellung "Der Sturm, Berlin" mit Angaben zum Künstler und Werk. Hinterglas, 28 x 34,8 cm, gerahmt
Galerie Fischer Auktionen AG
Jun. 16, 2011
NELL (ANNA CHARLOTTA) WALDEN Komposition in Rot, Blau, Gelb und Grün
Est: CHF800 - CHF1,200
NELL (ANNA CHARLOTTA) WALDEN Komposition in Rot, Blau, Gelb und Grün Karlskrona 1887-1975 Bern Unten rechts monogrammiert "NW" und datiert "1918". Tempera auf Lwd., auf Karton aufgezogen, 24,3 x 14 cm (33,6 x 22,8 cm), gerahmt
Galerie Fischer Auktionen AG
Oct. 25, 2008
NELL WALDEN, eigentl. NELLY ANNA CHARLOTTA WALDEN
Est: - €360
NELL WALDEN, eigentl. NELLY ANNA CHARLOTTA WALDEN Karlskrona/Schweden 1887 - 1975 Bern "Nr. 673". Komposition mit Farbflächen und geschwungenen Linien. Aquarell mit Goldhöhung 1966. Monogrammiert und datiert. Auf grünem Karton. 14,7 x 10,5 cm. Auf Unterlage aufgezogen. Im Passepartoutausschnitt Farbe des Kartons leicht verblasst. [sg
Winterberg-Kunst
Jun. 25, 2008
Nell Walden
Est: £20,000 - £30,000
William Wauer (German, 1866-1962) Nell Walden signed 'W.WAUER' (on the left side); numbered and stamped with the foundry mark 'VII/VII W.FÜSSEL 1 BERLIN 10' (at the back of the base) bronze with dark brown patina Height: 21 5/8 in. (55 cm.) Conceived in 1918; this version cast in a numbered edition of seven plus one hors commerce
Christie's