Sylvia Wald Paintings & Artwork for Sale | Sylvia Wald Art Value Price Guide

Nov. 03, 2024
SYLVIA WALD (AMERICAN, 1915-2011).
Est: $300 - $500
'Gardening', 1940. Colored silkscreen. Signed in print. Property from a Huntington, NY estate. Dimensions: Sight size: 17.5" h x 11.875" w. Frame: 25.25" h x 19.25" w.
Clarke Auction Gallery
Oct. 19, 2024
Sylvia Wald Between Dimensions (A. 29), 1950
Est: $1,000 - $2,000
Sylvia Wald (American, 1915-2011) Between Dimensions (A. 29), 1950 Screenprint on heavy weight wove paper ed. of 15 Signed and dated in ink Sylvia Wald '50, lower right Titled in ink, lower left. There was also 1 Artist's Proof.
Larsen Art Auction
Mar. 30, 2024
Sylvia Wald, New York (1915-2011), abstract, 1958, ink and wash on paper, 25 1/4"H x 19 1/4"W(sight), 29 3/4"H x 23 3/4"W(frame)
Est: $400 - $500
Sylvia Wald New York, (1915-2011) abstract, 1958 ink and wash on paper Signed and dated lower left. Biography from the Archives of askART: Abstract painter, constructivist sculptor Sylvia Wald was born in Philadelphia, Pennsylvania in 1915 and was the daughter of Harry F. and Tillie (Weiner) Wald. She studied at the Moore Institute of Art there, but did not graduate, hitchhiking instead to New York City in the late 1930s. Young and talented, she caught a break when she was only twenty-three, and New York City's ACA Gallery gave her a one-person show in both media after she won their national competition in painting and sculpture in 1939. The prize and subsequent successful exhibition led to even greater success with the artist exhibiting in the 1940s at such prestigious institutions as the Metropolitan Museum of Art and Whitney Museum of American Art in New York City, Carnegie Institute, Pittsburgh, and Philadelphia Museum of Art. During the Depression, Wald taught elementary school art through a Philadelphia WPA project - a work she continued after moving to New York in 1937. The World War II years saw Wald in Louisville, Kentucky with her husband, Alter Weiss, a physician assigned to Nichols General Hospital, then an army hospital. She learned the silk-screen process in one day by observing artist Harry Gottlieb, and continued to make prints during her four-year stay in Kentucky. For four years she worked from her dining room producing prints from her earlier sketches. She participated in the 1944 exhibition, "100 Fine Prints of the Year." The Library of Congress, Washington, D.C., acquired one of her works from the show. Wald returned to New York after the war, living and painting in a country setting. She was active, accomplished and productive in the 1950s in terms of exhibitions, prizes and recognition. She was included in the "Fifty Years of American Art" exhibition put on by the Museum of Modern Art in New York City in 1955. But Wald was thrown for an emotional loop by the 1963 death of her husband, and sought escape from her suffering by travel to Europe for the first time. She would return there in 1967, visiting France, Greece and Spain. These trips began the first tentative steps toward an eventual new life of world-traveler in 1969, when remarried, Wald visited not only Central and South America, Canada and France, but the Far EastIndia, Hong Kong, Japan, Korea, China and Thailand. Perhaps as a result of her exposure to and assimilation of the East, Wald's free-standing collage constructions grew larger, utilizing such airy materials and imagery as bamboo, string, wire, birds and feathers. Since 1939, the artist has taken part in more than fifty exhibitions, including the National Gallery of Modern Art, Rome, Italy, 1957; Palace of Fine Arts, Mexico City, 1959; Brooklyn Museum, New York, 1975; Amon Carter Museum, Fort Worth, Texas, 1991; and Museum of Fine Arts, Boston, Massachusetts, also in 1991. Sylvia Wald's work is in the collections of major institutions, including the five major New York City museumsthe Guggenheim Museum, Museum of Modern Art, Metropolitan Museum of Art, Whitney Museum of American Art and the Brooklyn Museum; as well as the National Gallery in Washington, DC; Bibliotheque Nationale, Paris, France; Victoria and Albert Museum, London, England and National Gallery of Canada in Ottawa. Source: Jules and Nancy Heller, "North American Women Artists in the 20th Century" Western Kentucky University: URL: http://www.wku.edu/Library/onlinexh/kwa/wald.html
Ripley Auctions
Feb. 17, 2024
Mixed Media, Sylvia Wald
Est: $200 - $400
Sylvia Wald (American, 1915-2011), "Ceremonial Suite #IX," mixed media, overall (with frame): 32"h x 27.5"w
Clars Auctions
Oct. 10, 2023
Sylvia Wald, Rainy City Scene
Est: $100 - $200
Sylvia Wald (American, 1915-2011), oil on canvas depicting an abstracted city scene in the rain, signed and dated l.l., 16 1/2" x 15" canvas, 24 1/2" x 23 1/4" framed.
Old Kinderhook Auction Company
Feb. 22, 2023
Abstract Expressionist Oil by Sylvia Wald
Est: $1,000 - $1,500
Sylvia Wald (American, 1915-2011). A rare oil on canvas subject, signed l.r. 30.5" x 36" (framed). From the Estates of Reiko (Sakagami) Baum (1927-2021) and Michael Baum (1933-2021) Both Reiko and Michael passed away within 4 months of one another in 2021 at the famed Man O' War horse farm in Lexington, Kentucky -- a passion that enveloped them later in life. Reiko and Michael met one another in New York City during the 1950s, when both were attending fine art programs in Brooklyn, NY, and shared many similar passions for over 50 years of marriage. Michael Baum started a high end framing company called Framemasters, where they produced museum-quality frames. Reiko was an accomplished painter, exhibiting heavily in the 1950s and 60s along with fellow Japanese painters, American avant-garde and other exhibitions and venues. Both were avid collectors of modern art and craft. Reiko was involved in a number of Japanese tea organizations, resulting in an exceptional Collection of Yixing and other teapots, as well as a library of Japanese and Chinese works. Both were supportive of fellow contemporary artists at this time as well. Modernist paintings and works on paper are an exceptional assemblage of New York artists working during the 60s and 70s. Many are dedicated to Michael and Reiko. Many are artist proofs. The works of Michael and Reiko Baum themselves are forward thinking and exceptional, and while they didn't often exhibit work later in life, are emblematic of their collecting style. The vast majority of the Collection offered were present in the Baum's New York City home.
Caza Sikes
Dec. 07, 2022
Abstract Expressionist Oil by Sylvia Wald
Est: $1,000 - $1,500
Sylvia Wald (American, 1915-2011). A rare oil on canvas subject, signed l.r. 30.5" x 36" (framed). From the Estates of Reiko (Sakagami) Baum (1927-2021) and Michael Baum (1933-2021) Both Reiko and Michael passed away within 4 months of one another in 2021 at the famed Man O' War horse farm in Lexington, Kentucky -- a passion that enveloped them later in life. Reiko and Michael met one another in New York City during the 1950s, when both were attending fine art programs in Brooklyn, NY, and shared many similar passions for over 50 years of marriage. Michael Baum started a high end framing company called Framemasters, where they produced museum-quality frames. Reiko was an accomplished painter, exhibiting heavily in the 1950s and 60s along with fellow Japanese painters, American avant-garde and other exhibitions and venues. Both were avid collectors of modern art and craft. Reiko was involved in a number of Japanese tea organizations, resulting in an exceptional Collection of Yixing and other teapots, as well as a library of Japanese and Chinese works. Both were supportive of fellow contemporary artists at this time as well. Modernist paintings and works on paper are an exceptional assemblage of New York artists working during the 60s and 70s. Many are dedicated to Michael and Reiko. Many are artist proofs. The works of Michael and Reiko Baum themselves are forward thinking and exceptional, and while they didn't often exhibit work later in life, are emblematic of their collecting style. The vast majority of the Collection offered were present in the Baum's New York City home.
Caza Sikes
Dec. 07, 2022
"Onset" Serigraph by Sylvia Wald
Est: $200 - $400
Sylvia Wald (American, 1915-2011). Silkscreen on paper, signed, titled, numbered 1/20 and dated 59 to margin. 19.5" x 25" (sight), 26" x 31.5" (framed). From the Estates of Reiko (Sakagami) Baum (1927-2021) and Michael Baum (1933-2021) Both Reiko and Michael passed away within 4 months of one another in 2021 at the famed Man O' War horse farm in Lexington, Kentucky -- a passion that enveloped them later in life. Reiko and Michael met one another in New York City during the 1950s, when both were attending fine art programs in Brooklyn, NY, and shared many similar passions for over 50 years of marriage. Michael Baum started a high end framing company called Framemasters, where they produced museum-quality frames. Reiko was an accomplished painter, exhibiting heavily in the 1950s and 60s along with fellow Japanese painters, American avant-garde and other exhibitions and venues. Both were avid collectors of modern art and craft. Reiko was involved in a number of Japanese tea organizations, resulting in an exceptional Collection of Yixing and other teapots, as well as a library of Japanese and Chinese works. Both were supportive of fellow contemporary artists at this time as well. Modernist paintings and works on paper are an exceptional assemblage of New York artists working during the 60s and 70s. Many are dedicated to Michael and Reiko. Many are artist proofs. The works of Michael and Reiko Baum themselves are forward thinking and exceptional, and while they didn't often exhibit work later in life, are emblematic of their collecting style. The vast majority of the Collection offered were present in the Baum's New York City home.
Caza Sikes
Dec. 07, 2022
"Devorah's Grove" Silkscreen by Sylvia Wald
Est: $200 - $400
Sylvia Wald (American, 1915-2011). A silkscreen on paper, titled, numbered 20/25, signed and dated 60 in margin. 19.75" x 25" (sight), 26.5" x 32" (framed). From the Estates of Reiko (Sakagami) Baum (1927-2021) and Michael Baum (1933-2021) Both Reiko and Michael passed away within 4 months of one another in 2021 at the famed Man O' War horse farm in Lexington, Kentucky -- a passion that enveloped them later in life. Reiko and Michael met one another in New York City during the 1950s, when both were attending fine art programs in Brooklyn, NY, and shared many similar passions for over 50 years of marriage. Michael Baum started a high end framing company called Framemasters, where they produced museum-quality frames. Reiko was an accomplished painter, exhibiting heavily in the 1950s and 60s along with fellow Japanese painters, American avant-garde and other exhibitions and venues. Both were avid collectors of modern art and craft. Reiko was involved in a number of Japanese tea organizations, resulting in an exceptional Collection of Yixing and other teapots, as well as a library of Japanese and Chinese works. Both were supportive of fellow contemporary artists at this time as well. Modernist paintings and works on paper are an exceptional assemblage of New York artists working during the 60s and 70s. Many are dedicated to Michael and Reiko. Many are artist proofs. The works of Michael and Reiko Baum themselves are forward thinking and exceptional, and while they didn't often exhibit work later in life, are emblematic of their collecting style. The vast majority of the Collection offered were present in the Baum's New York City home.
Caza Sikes
Dec. 07, 2022
Charcoal Abstract Work by Sylvia Wald
Est: $200 - $300
Sylvia Wald (American, 1915-2011). Charcoal on paper, initialed l.r. 20.5" x 27" (sight), 23" x 29" (framed). From the Estates of Reiko (Sakagami) Baum (1927-2021) and Michael Baum (1933-2021) Both Reiko and Michael passed away within 4 months of one another in 2021 at the famed Man O' War horse farm in Lexington, Kentucky -- a passion that enveloped them later in life. Reiko and Michael met one another in New York City during the 1950s, when both were attending fine art programs in Brooklyn, NY, and shared many similar passions for over 50 years of marriage. Michael Baum started a high end framing company called Framemasters, where they produced museum-quality frames. Reiko was an accomplished painter, exhibiting heavily in the 1950s and 60s along with fellow Japanese painters, American avant-garde and other exhibitions and venues. Both were avid collectors of modern art and craft. Reiko was involved in a number of Japanese tea organizations, resulting in an exceptional Collection of Yixing and other teapots, as well as a library of Japanese and Chinese works. Both were supportive of fellow contemporary artists at this time as well. Modernist paintings and works on paper are an exceptional assemblage of New York artists working during the 60s and 70s. Many are dedicated to Michael and Reiko. Many are artist proofs. The works of Michael and Reiko Baum themselves are forward thinking and exceptional, and while they didn't often exhibit work later in life, are emblematic of their collecting style. The vast majority of the Collection offered were present in the Baum's New York City home.
Caza Sikes
Oct. 22, 2022
Sylvia Wald silkscreen
Est: $1,200 - $1,800
Sylvia Wald (American 1915-2011) ''Between Dimensions''- silkscreen in colors, 1950, signed, dated and titled in pen. 20 3/4 x 14 3/4''
Rachel Davis Fine Arts
May. 01, 2021
Sylvia Wald, American (b.1914), Metamorphosis, 1950, silkscreen print, 17 1/4"H x 22 1/4"W (image) 25 1/2"H x 30 1/2"W (frame)
Est: $200 - $400
Sylvia Wald American, (b.1914) Metamorphosis, 1950 silkscreen print Signed, titled, and dated lower margin. From AskArt: Abstract painter, constructivist sculptor Sylvia Wald was born in Philadelphia, Pennsylvania in 1915 and was the daughter of Harry F. and Tillie (Weiner) Wald. She studied at the Moore Institute of Art there, but did not graduate, hitchhiking instead to New York City in the late 1930s. Young and talented, she caught a break when she was only twenty-three, and New York City's ACA Gallery gave her a one-person show in both media after she won their national competition in painting and sculpture in 1939. The prize and subsequent successful exhibition led to even greater success with the artist exhibiting in the 1940s at such prestigious institutions as the Metropolitan Museum of Art and Whitney Museum of American Art in New York City, Carnegie Institute, Pittsburgh, and Philadelphia Museum of Art. During the Depression, Wald taught elementary school art through a Philadelphia WPA project - a work she continued after moving to New York in 1937. The World War II years saw Wald in Louisville, Kentucky with her husband, Alter Weiss, a physician assigned to Nichols General Hospital, then an army hospital. She learned the silk-screen process in one day by observing artist Harry Gottlieb, and continued to make prints during her four-year stay in Kentucky. For four years she worked from her dining room producing prints from her earlier sketches. She participated in the 1944 exhibition, "100 Fine Prints of the Year." The Library of Congress, Washington, D.C., acquired one of her works from the show. Wald returned to New York after the war, living and painting in a country setting. She was active, accomplished and productive in the 1950s in terms of exhibitions, prizes and recognition. She was included in the "Fifty Years of American Art" exhibition put on by the Museum of Modern Art in New York City in 1955. But Wald was thrown for an emotional loop by the 1963 death of her husband, and sought escape from her suffering by travel to Europe for the first time. She would return there in 1967, visiting France, Greece and Spain. These trips began the first tentative steps toward an eventual new life of world-traveler in 1969, when remarried, Wald visited not only Central and South America, Canada and France, but the Far EastIndia, Hong Kong, Japan, Korea, China and Thailand. Perhaps as a result of her exposure to and assimilation of the East, Wald's free-standing collage constructions grew larger, utilizing such airy materials and imagery as bamboo, string, wire, birds and feathers. Since 1939, the artist has taken part in more than fifty exhibitions, including the National Gallery of Modern Art, Rome, Italy, 1957; Palace of Fine Arts, Mexico City, 1959; Brooklyn Museum, New York, 1975; Amon Carter Museum, Fort Worth, Texas, 1991; and Museum of Fine Arts, Boston, Massachusetts, also in 1991. Sylvia Wald's work is in the collections of major institutions, including the five major New York City museumsthe Guggenheim Museum, Museum of Modern Art, Metropolitan Museum of Art, Whitney Museum of American Art and the Brooklyn Museum; as well as the National Gallery in Washington, DC; Bibliotheque Nationale, Paris, France; Victoria and Albert Museum, London, England and National Gallery of Canada in Ottawa.
Ripley Auctions
Oct. 24, 2020
Sylvia Wald silkscreen
Est: $400 - $600
Sylvia Wald (American 1915-2011)- ''City Lot on Sunday''- silkscreen in color, 1946, signed, dated and annotated 'Ed 40 - col. 8' in pencil, light struck. 18 1/2 x 13 3/4'
Rachel Davis Fine Arts
Mar. 05, 2020
SYLVIA WALD Tag! You're It! (Children Playing).
Est: $1,500 - $2,500
SYLVIA WALD Tag! You're It! (Children Playing). Color screenprint, 1941. 305x455 mm; 12x18 inches, full margins. Signed and dated in ink, lower right. Published by The Silk Screen Group, New York, with the label. A very good impression of this scarce screenprint with strong colors. Wald (1915-2011) adopted the screenprint technique in the early 1940s and soon became associated with The Silk Screen Group in New York. The group's three shows called Color Prints under Ten Dollars were sponsored by the Museum of Modern Art, New York, and held from 1940 to 1941.
Swann Auction Galleries
Jan. 18, 2020
GENRE SCENE BY SYLVIA WALD (ISRAELI, B. 1915)
Est: $250 - $500
GENRE SCENE BY SYLVIA WALD (ISRAELI, B. 1915) Color screen print, signed lower right. Woman in a cityscape with corn. Image 15.3"h. 12"w. Frame 22.5"h. 18.5"w.
Selkirk Auctioneers & Appraisers
Oct. 20, 2018
Sylvia Wald silkscreen
Est: $400 - $700
Sylvia Wald (American 1915-2011)- ''Gardening''- silkscreen in color, some paper toning, spots of foxing in margins, rippling to paper. 17 1/2 x 12''
Rachel Davis Fine Arts
Oct. 20, 2018
Sylvia Wald silkscreen
Est: $400 - $700
Sylvia Wald (American 1915-2011)- ''Spring Cleaning''- silkscreen in color, 1941, paper toning and spots of foxing and rippling to paper. 18 7/8 x 13 5/8''
Rachel Davis Fine Arts
Jun. 30, 2018
Sylvia Wald, (American / New York, b. 1915), Dorah's Grove, 1960, mixed technique print, 19 1/4"H x 25"W (sight), 28"H x 33 1/2"W (f..
Est: $200 - $400
Sylvia Wald (American / New York, b. 1915) Dorah's Grove, 1960 mixed technique print signed lower with number 28. 19 1/4"H x 25"W (sight), 28"H x 33 1/2"W (frame)
Ripley Auctions
Jun. 30, 2018
Sylvia Wald, (American / New York, b. 1915), "Caught Shadow", 1955, woodblock print, 18 3/4"H x 24 3/4"W (sight), 25 3/4"H x 31 3/4"...
Est: $200 - $300
Sylvia Wald (American / New York, b. 1915) "Caught Shadow", 1955 woodblock print edition 3/5, signed lower right 18 3/4"H x 24 3/4"W (sight), 25 3/4"H x 31 3/4"W (frame)
Ripley Auctions
Jun. 30, 2018
Sylvia Wald, (American / New York, b. 1915), "Sun Caught in Rock", 1954, silkscreen, 25"H x 15 3/4"W (sight), 33"H x 23 3/4"W (frame...
Est: $200 - $300
Sylvia Wald (American / New York, b. 1915) "Sun Caught in Rock", 1954 silkscreen signed lower right. 25"H x 15 3/4"W (sight), 33"H x 23 3/4"W (frame)
Ripley Auctions
Jun. 30, 2018
Sylvia Wald, (American / New York, b. 1915), "Ursprung", 1953, color silkscreen, 19 1/4"H x 24 1/2"W (sight), 26 1/4"H x 31 1/2"W (f...
Est: $200 - $400
Sylvia Wald (American / New York, b. 1915) "Ursprung", 1953 color silkscreen edition 6/15, signed lower right 19 1/4"H x 24 1/2"W (sight), 26 1/4"H x 31 1/2"W (frame)
Ripley Auctions
Jun. 30, 2018
Sylvia Wald, (American / New York, b. 1915), "Signs", 1950, woodblock print, 19 1/2"H x 12 1/4"W (sight), 26"H x 18 1/2"W (frame)
Est: $150 - $300
Sylvia Wald (American / New York, b. 1915) "Signs", 1950 woodblock print signed lower right. 19 1/2"H x 12 1/4"W (sight), 26"H x 18 1/2"W (frame)
Ripley Auctions
Mar. 17, 2018
Sylvia Wald silkscreen
Est: $800 - $1,200
Sylvia Wald (American 1915- )- ''City Lot on Sunday''- silkscreen in color, 1946, signed, dated and annotated 'Ed 40 - col. 8' in pencil, light struck. 18 1/2 x 13 3/4''
Rachel Davis Fine Arts
Jan. 29, 2018
SYLVIA WALD (1915-2011): FARMHOUSE OF STONE II
Est: $100 - $300
SYLVIA WALD (1915-2011): FARMHOUSE OF STONE II Screenprint in colors on wove paper, 1954, signed, titled and dated in ink, numbered 20/20; together with William Maltby Sykes (1911-1992): Spruce Forest , lithograph in black on wove paper, signed and dated in pencil, numbered 4/20; and Gerry Pletcher: Shape in Space, etching and aquatint in black on wove paper, 1968, signed, titled and dated in pencil, inscribed ''artist''s proof''. 25 x 19 in. (sheet), 22 1/2 x 30 1/2 in. (sheet), 22 1/2 x 30 in. (sheet), all unframed. Condition: All with full margins. Farmhouse in very good condition. Forest with pale light- staining. Remains of brown paper tape on the reverse. Space with some surface soiling and a crease at the top right corner. Cheekwood Botanical Garden & Museum of Art, TN
STAIR
May. 17, 2017
Silkscreen, "Caught Shadow," Sylvia Wald
Est: $300 - $500
(American, b. 1915), signed l.r. "Sylvia Wald '55," and signed l.l. "Caught Shadow 1/5." Sight size: 20"h x 26"w
Nye & Company
Dec. 13, 2016
SYLVIA WALD. (American, 1915-2011). STONE FLOWER, signed, titled, dated ''54 and numbered 12/18 in pencil lower margin. Color lithograp
Est: $250 - $300
SYLVIA WALD. (American, 1915-2011). STONE FLOWER, signed, titled, dated ''54 and numbered 12/18 in pencil lower margin. Color lithograph - Framed, sigth: 25 1/2 in. x 19 in.
Sloans & Kenyon
Sep. 17, 2016
SYLVIA WALD. (American, 1915-2011). STONE FLOWER, signed, titled, dated '54 and numbered 12/18 in pencil lower margin. Color lithograp
Est: $300 - $500
SYLVIA WALD. (American, 1915-2011). STONE FLOWER, signed, titled, dated '54 and numbered 12/18 in pencil lower margin. Color lithograph - Framed, sigth: 25 1/2 in. x 19 in.
Sloans & Kenyon
Jun. 13, 2015
Sylvia Wald silkscreen
Est: $800 - $1,200
Sylvia Wald (American 1915-?)- ''City Lot on Sunday''- silkscreen in colors, 1946, signed, dated, titled and inscribed 'Ed. 40 - Col.8' in pencil, light struck and mat toned. 18 1/4 x 13 3/4''
Rachel Davis Fine Arts
Mar. 23, 2013
Sylvia Wald silkscreen
Est: $1,200 - $1,800
Sylvia Wald (American b. 1915)- ''City Lot On Sunday''- silkscreen in colors, 1946, signed, dated, titled and inscribed 'Ed. 40 - Col.8' in pencil, light struck and mat toned. 18 1/4 x 13 3/4''
Rachel Davis Fine Arts
Oct. 09, 2011
Caught Shadow & Sun Caught in Rock & Ursprung (3)
Est: $600 - $900
Sylvia Wald "Caught Shadow" & "Sun Caught in Rock" & "Ursprung" (3)
Los Angeles Modern Auctions
Jul. 18, 2011
Sylvia Wald (AMERICAN, b. 1914)
Est: $1,000 - $1,500
Sylvia Wald (AMERICAN, b. 1914) Season's Poem signed 'Sylvia Wald' (lower right) collage--handpainted silkscreen, string and paper construction in a Plexiglas shadow box overall 21½ x 14¼ x 4¼ in. (54.6 x 36.2 x 10.8 cm.)
Christie's
Dec. 02, 2007
Sylvia Wald (American, b. 1915) "Acrobatics," c.
Est: $400 - $600
Sylvia Wald (American, b. 1915) "Acrobatics," c. 1950, color silkscreen, 21" x 15.5", signed lower right, titled lower left, framed
Toomey & Co. Auctioneers
Jun. 22, 2007
SYLVIA WALD, (AMERICAN B. 1914), "TWO BEFORE A FIRE"
Est: $400 - $600
SYLVIA WALD (american b. 1914) "TWO BEFORE A FIRE" 1950, pencil signed, titled and dated in the margin. Color screenprint on paper laid on board. 11 15/16 x 18 1/8 in. Unframed
Freeman's
Jun. 22, 2007
SYLVIA WALD, (AMERICAN B. 1914), "ONE, ANOTHER"
Est: $500 - $700
SYLVIA WALD (american b. 1914) "ONE, ANOTHER" 1952, signed, dated, titled and numbered 10/22 in ink in the margin. Color screenprint. 21 5/16 x 15 1/4 in. Unframed
Freeman's
Mar. 10, 2005
SYLVIA WALD
Est: $700 - $1,000
Onset. Color screenprint on heavy cream wove paper, 1959. 480x615 mm; 19x24 1/4 inches, full margins. Signed, titled, dated and numbered 1 7/20 in pencil, lower margin. A very good impression of this large, scarce print.
Swann Auction Galleries
Sep. 19, 2002
SYLVIA WALD
Est: $800 - $1,200
Two color screenprints. Gardening, circa 1940. 450x312 mm; 17 3/4x12 3/8 inches, wide (full ?) margins. Edition of 25. Signed in ink, lower right * Spring Cleaning, 1941. 490x350 mm; 19 1/4x13 7/8 inches, full margins. Edition of 25. With a Cooperstown Art Association label on the mat. Scattered marginal staining. Both very good impressions of these large, early color prints. Hirshl and Adler 1 and 4.
Swann Auction Galleries