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Gordon Wagner Sold at Auction Prices

b. 1915 - d. 1987

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  • Gordon Wagner (1915-1987) American, Mixed Media Surrealist Painting
    Nov. 02, 2024

    Gordon Wagner (1915-1987) American, Mixed Media Surrealist Painting

    Est: $100 - $200

    Gordon Wagner (1915-1987) American, Mixed Media Surrealist Painting. Signed and dated '73 bottom right.  Overall: 17 X 13 1/4 in.  Sight: 13 1/4 X 9 1/2 in.  #3869 .  Gordon Parsons Wagner was born on April 13th, 1915 in Redondo Beach, California. He became an orphan at the age of twelve, and worked at arcades around the beach to raise enough money to attend college. These experiences had a profound impact on his artistic sensibilities, as well as his desire to combine multiple mediums for maximum impact. In his late teens he was heavily influenced by his mentor and fellow painter Norman S. Chamberlain, with whom he traveled to France and met renowned artists like Pablo Picasso and Maurice de Vlaminck. His interest in art was bolstered by exposure to the surrealists, particularly Dali and Max Ernst. He came to prefer their mysticism and fantastical elements over the works of the cubists he first emulated. Returning to the United States, he studied engineering at UCLA starting in 1935, before transferring to the Chouinard Art Institute in 1937. He eventually returned to UCLA to finish his degree in 1941, and went to work as a tool and design engineer for the EMSCO Derrick Equipment Company. He found it difficult to stay at any one job for long, quickly moving to work as a mechanical engineer for Hughes Aircraft and Rocketdyne, all while experimenting with sculpture. Wagner became one of the earliest pioneers of the California Assemblage movement, combining debris from beaches, city streets, and forests into artistic tableaus. He traveled extensively as well, primarily to Arizona and Mexico, where his fascination with Native American mythology and legends and with the presentational forms of fetishes and icons had a profound effect on his early paintings and later assemblages. By 1950 he was exhibiting at Willard Houghland and Gray­wood Galleries in Los Angeles, with his first solo show in 1956 at the Now Gallery. In 1958 he became an art instructor at Barnsdall Art Center, where he taught classes for the next ten years. In 1966 Wagner joined artists Noah Purifoy and Judson Powell as a participant in their exhibition 66 Signs of Neon, conceived as a collaborative project in the wake of the 1965 Watts Rebellion against the racist and abusive practices of the Los Angeles Police Department. The project made national headlines and catapulted him into the limelight. In subsequent years Wagner moved from making free-form junk sculptures to placing found objects in cases under glass. After trav­eling in Europe, notably in Sweden, Holland, and Belgium, where his work was regularly shown, he began producing narrative box constructions using fabricated objects and painted backdrops in which odd juxtapositions and distortions recall the work of surrealist painter René Magritte. Wagner returned to junk sculpture in the mid-1980s, by which time he had won 75 awards and had work in over 500 collections and museums around the world. He died on December 4th, 1987 in Los Angeles. His mechanical designs, as well as his paintings, poetry, ephemera, and assemblage creations are still highly sought after by collectors.

    Sarasota Estate Auction
  • Gordon Wagner (1915-1987) American, Mixed Media Surrealist Painting
    Nov. 02, 2024

    Gordon Wagner (1915-1987) American, Mixed Media Surrealist Painting

    Est: $100 - $200

    Gordon Wagner (1915-1987) American, Mixed Media Surrealist Painting. Signed and dated '75 bottom right, the year he exhibited at the Los Angeles Institute of Contemporary Art.  Overall: 23 5/8 X 20 in.  Sight: 13 x 9 3/4 in.  #3829 .  Gordon Parsons Wagner was born on April 13th, 1915 in Redondo Beach, California. He became an orphan at the age of twelve, and worked at arcades around the beach to raise enough money to attend college. These experiences had a profound impact on his artistic sensibilities, as well as his desire to combine multiple mediums for maximum impact. In his late teens he was heavily influenced by his mentor and fellow painter Norman S. Chamberlain, with whom he traveled to France and met renowned artists like Pablo Picasso and Maurice de Vlaminck. His interest in art was bolstered by exposure to the surrealists, particularly Dali and Max Ernst. He came to prefer their mysticism and fantastical elements over the works of the cubists he first emulated. Returning to the United States, he studied engineering at UCLA starting in 1935, before transferring to the Chouinard Art Institute in 1937. He eventually returned to UCLA to finish his degree in 1941, and went to work as a tool and design engineer for the EMSCO Derrick Equipment Company. He found it difficult to stay at any one job for long, quickly moving to work as a mechanical engineer for Hughes Aircraft and Rocketdyne, all while experimenting with sculpture. Wagner became one of the earliest pioneers of the California Assemblage movement, combining debris from beaches, city streets, and forests into artistic tableaus. He traveled extensively as well, primarily to Arizona and Mexico, where his fascination with Native American mythology and legends and with the presentational forms of fetishes and icons had a profound effect on his early paintings and later assemblages. By 1950 he was exhibiting at Willard Houghland and Gray­wood Galleries in Los Angeles, with his first solo show in 1956 at the Now Gallery. In 1958 he became an art instructor at Barnsdall Art Center, where he taught classes for the next ten years. In 1966 Wagner joined artists Noah Purifoy and Judson Powell as a participant in their exhibition 66 Signs of Neon, conceived as a collaborative project in the wake of the 1965 Watts Rebellion against the racist and abusive practices of the Los Angeles Police Department. The project made national headlines and catapulted him into the limelight. In subsequent years Wagner moved from making free-form junk sculptures to placing found objects in cases under glass. After trav­eling in Europe, notably in Sweden, Holland, and Belgium, where his work was regularly shown, he began producing narrative box constructions using fabricated objects and painted backdrops in which odd juxtapositions and distortions recall the work of surrealist painter René Magritte. Wagner returned to junk sculpture in the mid-1980s, by which time he had won 75 awards and had work in over 500 collections and museums around the world. He died on December 4th, 1987 in Los Angeles. His mechanical designs, as well as his paintings, poetry, ephemera, and assemblage creations are still highly sought after by collectors.

    Sarasota Estate Auction
  • Gordon Wagner (1915-1987) American, Signed Vorpal Gallery Exhibition Poster
    Nov. 02, 2024

    Gordon Wagner (1915-1987) American, Signed Vorpal Gallery Exhibition Poster

    Est: $100 - $200

    Gordon Wagner (1915-1987) American, Signed Vorpal Gallery Exhibition Poster. For the New York Vorpal Gallery Exhibition in 1977. Signed and dedicated bottom middle: "To Basia with all my love."  Size: 38 1/4 X 14 3/4 in.  #3855 .  Gordon Parsons Wagner was born on April 13th, 1915 in Redondo Beach, California. He became an orphan at the age of twelve, and worked at arcades around the beach to raise enough money to attend college. These experiences had a profound impact on his artistic sensibilities, as well as his desire to combine multiple mediums for maximum impact. In his late teens he was heavily influenced by his mentor and fellow painter Norman S. Chamberlain, with whom he traveled to France and met renowned artists like Pablo Picasso and Maurice de Vlaminck. His interest in art was bolstered by exposure to the surrealists, particularly Dali and Max Ernst. He came to prefer their mysticism and fantastical elements over the works of the cubists he first emulated. Returning to the United States, he studied engineering at UCLA starting in 1935, before transferring to the Chouinard Art Institute in 1937. He eventually returned to UCLA to finish his degree in 1941, and went to work as a tool and design engineer for the EMSCO Derrick Equipment Company. He found it difficult to stay at any one job for long, quickly moving to work as a mechanical engineer for Hughes Aircraft and Rocketdyne, all while experimenting with sculpture. Wagner became one of the earliest pioneers of the California Assemblage movement, combining debris from beaches, city streets, and forests into artistic tableaus. He traveled extensively as well, primarily to Arizona and Mexico, where his fascination with Native American mythology and legends and with the presentational forms of fetishes and icons had a profound effect on his early paintings and later assemblages. By 1950 he was exhibiting at Willard Houghland and Gray­wood Galleries in Los Angeles, with his first solo show in 1956 at the Now Gallery. In 1958 he became an art instructor at Barnsdall Art Center, where he taught classes for the next ten years. In 1966 Wagner joined artists Noah Purifoy and Judson Powell as a participant in their exhibition 66 Signs of Neon, conceived as a collaborative project in the wake of the 1965 Watts Rebellion against the racist and abusive practices of the Los Angeles Police Department. The project made national headlines and catapulted him into the limelight. In subsequent years Wagner moved from making free-form junk sculptures to placing found objects in cases under glass. After trav­eling in Europe, notably in Sweden, Holland, and Belgium, where his work was regularly shown, he began producing narrative box constructions using fabricated objects and painted backdrops in which odd juxtapositions and distortions recall the work of surrealist painter René Magritte. Wagner returned to junk sculpture in the mid-1980s, by which time he had won 75 awards and had work in over 500 collections and museums around the world. He died on December 4th, 1987 in Los Angeles. His mechanical designs, as well as his paintings, poetry, ephemera, and assemblage creations are still highly sought after by collectors.

    Sarasota Estate Auction
  • Gordon Wagner (1915-1987), "Quaternity (LA Series II, No. III)," 1966, Acrylic on canvas, 32" H x 30" W
    Feb. 27, 2024

    Gordon Wagner (1915-1987), "Quaternity (LA Series II, No. III)," 1966, Acrylic on canvas, 32" H x 30" W

    Est: $800 - $1,200

    Gordon Wagner (1915-1987) "Quaternity (LA Series II, No. III)," 1966 Acrylic on canvas Signed, titled, and dated on the stretcher: Gordon Wagner

    John Moran Auctioneers
  • Gordon Wagner, (1915-1987), "Metamorphosis in a Keyhole," circa 1970s, Assemblage framed under glass, as issued, 23" H x 13" W x 5" D
    Feb. 28, 2023

    Gordon Wagner, (1915-1987), "Metamorphosis in a Keyhole," circa 1970s, Assemblage framed under glass, as issued, 23" H x 13" W x 5" D

    Est: $800 - $1,200

    Gordon Wagner (1915-1987) "Metamorphosis in a Keyhole," circa 1970s Assemblage framed under glass, as issued Paper label affixed to the verso: Southern Illinois University / Title: Metamorphosis in a Keyhole / Media: bone, egg, rubber, & plastic, wood, acrylic, glass, pearls, gold, mesh / Artist: Gordon Wagner

    John Moran Auctioneers
  • Gordon Wagner, (1915-1987), "Fire Queen," 1979, Assemblage framed under glass, as issued, 12" H x 11" W x 3" D
    Feb. 28, 2023

    Gordon Wagner, (1915-1987), "Fire Queen," 1979, Assemblage framed under glass, as issued, 12" H x 11" W x 3" D

    Est: $600 - $800

    Gordon Wagner (1915-1987) "Fire Queen," 1979 Assemblage framed under glass, as issued Signed: Wagner / 79 / 'Fire Queen'

    John Moran Auctioneers
  • GORDON WAGNER (1915-1987) Sunburst, 1968
    Sep. 14, 2022

    GORDON WAGNER (1915-1987) Sunburst, 1968

    Est: $1,000 - $2,000

    GORDON WAGNER (1915-1987) Sunburst, 1968 signed and dated 'Wagner 68' (on the reverse) assemblage of wood, ceramic, metal, brush hairs and latex paint on canvas on panel 32 1/8 x 27 3/4 x 1 3/4 in. 81.6 x 70.5 x 4.4 cm. For further information on this lot please visit the Bonhams website

    Bonhams
  • Gordon Wagner, Memories of the Future
    May. 03, 2022

    Gordon Wagner, Memories of the Future

    Est: $600 - $800

    Gordon Wagner Memories of the Future 1972 lithograph box: 25.25 h × 18.25 w in (64 × 46 cm) sheet: 25 h × 18 w in (63 × 46 cm) The complete portfolio comprised of 19 lithographs with 12 plates of story poetry. Signed, titled, dated and numbered to lower edge of each lithograph '12/150 Wagner 72'. Portfolio is number 12 from the edition of 150 printed and published by Stone Publications, Inc., Los Angeles. Sold with original box. This work will ship from LAMA in Los Angeles, California. Condition of the item is not included in this description. Condition reports are available from LAMA upon request. LAMA strongly recommends that you review a condition report for each item on which you plan to bid. Email condition@lamodern.com to request a condition report.

    Los Angeles Modern Auctions
  • Gordon Wagner, Coin Gold
    May. 03, 2022

    Gordon Wagner, Coin Gold

    Est: $1,000 - $2,000

    Gordon Wagner Coin Gold 1972 mixed media assemblage 6 h × 5 w × 3 d in (15 × 13 × 8 cm) Signed and dated to underside 'Wagner 72'. This work will ship from LAMA in Los Angeles, California. Condition of the item is not included in this description. Condition reports are available from LAMA upon request. LAMA strongly recommends that you review a condition report for each item on which you plan to bid. Email condition@lamodern.com to request a condition report.

    Los Angeles Modern Auctions
  • Gordon Wagner, (1915-1987, American), Figural Clock, 1965, Mixed media assemblage on wood, 39" H x 18" W x 6" D
    Jun. 09, 2020

    Gordon Wagner, (1915-1987, American), Figural Clock, 1965, Mixed media assemblage on wood, 39" H x 18" W x 6" D

    Est: $1,000 - $2,000

    Gordon Wagner (1915-1987, American) Figural Clock, 1965 Mixed media assemblage on wood Signed and dated verso: Wagner 65 39" H x 18" W x 6" D Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

    John Moran Auctioneers
  • Gordon Wagner (1915-1987) Mixed Media on Paper
    Dec. 08, 2019

    Gordon Wagner (1915-1987) Mixed Media on Paper

    Est: $150 - $300

    "Madam Octave's Organ Palace", 1975. Surreal image in gouache, watercolor, & graphite; signed lower right. Titled, signed, and dated 75 to reverse of mat. Includes dedication by Wagner: "To Roland Hsu with appreciationfrom Gordon Wagner '77". Excellent condition. Metal frame. 14.24" x 10.75" paper; 24" x 20" mat

    District Auction
  • Gordon Wagner, (1915-1987 American), "Chances," 1976, Mixed media shadow box sculpture under glass, 15.5" H x 15.5" W x 7" D
    Nov. 19, 2019

    Gordon Wagner, (1915-1987 American), "Chances," 1976, Mixed media shadow box sculpture under glass, 15.5" H x 15.5" W x 7" D

    Est: $700 - $900

    Gordon Wagner (1915-1987 American) "Chances," 1976 Mixed media shadow box sculpture under glass Signed, titled and dated verso: Wagner 15.5" H x 15.5" W x 7" D Notes: Accompanied by book "Memories of the Future" by Gordon Wagner.

    John Moran Auctioneers
  • Gordon Wagner Watercolor
    Mar. 19, 2017

    Gordon Wagner Watercolor

    Est: $300 - $500

    Abstract watercolor on paper, Gordon Wagner (American 1915-1987) untitled, 15" x 11" (image) in metal frame 21.5" x 17.5" overall, with pamphlet

    William Smith Auctions
  • Wagner, "Whatever Is To Remain Sacred," Collage on Paper
    Nov. 06, 2016

    Wagner, "Whatever Is To Remain Sacred," Collage on Paper

    Est: $200 - $300

    Gordon Wagner (American, 1915-1987), "Whatever Is to Remain Sacred," collage on paper, signed and inscribed along top "To Molly & Jackie with love to 2 Queens, Gordon Wagner 77," inscribed verso. Wagner showed at "Jackie's" Gallery, Jacqueline Anhalt Gallery, in 1977. Provenance: from a Los Angeles, California estate.

    Kaminski Auctions
  • Gordon Wagner (1915-1987)
    Nov. 01, 2016

    Gordon Wagner (1915-1987)

    Est: $2,000 - $3,000

    Gordon Wagner (1915-1987) Kwan Yin #4, 1968 44 1/8 x 32 in. (112.1 x 81.3 cm)

    Bonhams
  • Gordon Wagner (American, 1915-1987) Untitled sight 9 3/4 x 6 3/4in
    Feb. 08, 2010

    Gordon Wagner (American, 1915-1987) Untitled sight 9 3/4 x 6 3/4in

    Est: -

    Untitled signed 'Wagner' (lower right) acrylic, ink and collage on paper sight 9 3/4 x 6 3/4in

    Bonhams
  • Gordon Wagner (American, 1915-1987) Railroad Station, Church, at Fishbone Naves; Untitled (View of a Ship's Stern), 1975 (2) 24 x 20in; sight 13 1/4 x 9 3/8in
    Feb. 08, 2010

    Gordon Wagner (American, 1915-1987) Railroad Station, Church, at Fishbone Naves; Untitled (View of a Ship's Stern), 1975 (2) 24 x 20in; sight 13 1/4 x 9 3/8in

    Est: -

    Railroad Station, Church, at Fishbone Naves; Untitled (View of a Ship's Stern), 1975 (2) first signed 'Wagner' (lower right); second signed and dated 'Wagner 75' (lower right) acrylic, watercolor and graphite on paper 24 x 20in; sight 13 1/4 x 9 3/8in

    Bonhams
  • Gordon Wagner (American, 1915-1987) Untitled sight 9 3/4 x 6 3/4in
    Feb. 07, 2010

    Gordon Wagner (American, 1915-1987) Untitled sight 9 3/4 x 6 3/4in

    Est: $200 - $300

    Untitled signed 'Wagner' (lower right) acrylic, ink and collage on paper sight 9 3/4 x 6 3/4in

    Bonhams
  • Gordon Wagner (American, 1915-1987) Railroad Station, Church, at Fishbone Naves; Untitled (View of a Ship's Stern), 1975 (2) 24 x 20in; sight 13 1/4 x 9 3/8in
    Feb. 07, 2010

    Gordon Wagner (American, 1915-1987) Railroad Station, Church, at Fishbone Naves; Untitled (View of a Ship's Stern), 1975 (2) 24 x 20in; sight 13 1/4 x 9 3/8in

    Est: $400 - $600

    Railroad Station, Church, at Fishbone Naves; Untitled (View of a Ship's Stern), 1975 (2) first signed 'Wagner' (lower right); second signed and dated 'Wagner 75' (lower right) acrylic, watercolor and graphite on paper 24 x 20in; sight 13 1/4 x 9 3/8in

    Bonhams
  • Wagner, Gordon "no 28 Square II"
    Jan. 22, 2010

    Wagner, Gordon "no 28 Square II"

    Est: $400 - $600

    textured material on canvas, 10 3/4 x 10 3/4", Lee Nordness Galleries Label Verso, dated ' 68 Verso

    Point Pleasant Galleries
  • Gordon Wagner (American, 1915-1987) A Very Mild Sweet Cigar, 1984 16 3/4 x 10 x 3in
    Nov. 17, 2009

    Gordon Wagner (American, 1915-1987) A Very Mild Sweet Cigar, 1984 16 3/4 x 10 x 3in

    Est: $2,000 - $3,000

    A Very Mild Sweet Cigar, 1984 mixed media assemblage on wood 16 3/4 x 10 x 3in

    Bonhams
  • Gordon Wagner (American, 1915-1987) Beach with palm trees 36 x 48in
    Nov. 15, 2009

    Gordon Wagner (American, 1915-1987) Beach with palm trees 36 x 48in

    Est: $1,000 - $1,500

    Beach with palm trees signed 'Wagner' (lower right) oil on canvas 36 x 48in

    Bonhams
  • Gordon Wagner (American, 1915-1987) V.R., 1954 56 x 24 1/2 x 5in (142 x 62 x 12cm)
    May. 04, 2009

    Gordon Wagner (American, 1915-1987) V.R., 1954 56 x 24 1/2 x 5in (142 x 62 x 12cm)

    Est: $16,000 - $20,000

    V.R., 1954 Wagner '54' (on the reverse) mixed media assemblage 56 x 24 1/2 x 5in (142 x 62 x 12cm)

    Bonhams
  • Gordon Wagner (American, 1915-1987) A Poor Soul Between Two Heels, 1984 21 x 12 x 1 1/2in (53 x 30 x 4cm)
    May. 04, 2009

    Gordon Wagner (American, 1915-1987) A Poor Soul Between Two Heels, 1984 21 x 12 x 1 1/2in (53 x 30 x 4cm)

    Est: $2,000 - $4,000

    A Poor Soul Between Two Heels, 1984 titled, signed and dated 'Wagner 84' (on the reverse) mixed media assemblage on wood 21 x 12 x 1 1/2in (53 x 30 x 4cm)

    Bonhams
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