Lucas (1595) Vorsterman Paintings & Artwork for Sale | Lucas (1595) Vorsterman Art Value Price Guide

Nov. 22, 2024
[Portraits]. Vorsterman, Lucas (1595-1675). Cornelis Saftleven.
Est: €150 - €250
[Portraits]. Vorsterman, Lucas (1595-1675). Cornelis Saftleven. Engraving after Anthony VAN DYCK, 23,5x15,7 cm. (borderline). - Trifle foxed. = New Hollstein 88, 5th state of 5. Anonymous (late 16th/ early 17th cent.). Matthijs Cock. Engraving, 20,7x12,2 cm., w. the address of Theodoor Galle. = Formerly attributed to Johannes Wierix. From the series of 23 Dutch artist's portraits (Pictorium aliquot celebrium germaniae Inferiores effigies), first publ. by the widow Hieronymus Cock and later Theodoor Galle. AND 26 other portraits of mostly Dutch/ Flemish artists, i.a. P.P. Rubens, Hieronymus Bosch, Joos van Cleve, Gonzales Coques, Lambert Lombard and Adriaen van Ostade (mezzotint).
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Nov. 12, 2024
VORSTERMAN, Lucas II (c. 1595 - c. 1674). (Series of seascapes). (Antwerp, J
Est: €80 - €100
VORSTERMAN, Lucas II (c. 1595 - c. 1674). (Series of seascapes). (Antwerp, J. Peeters I, c. 1685). 10 etched views w. captions in the plates depicting ships at sea close to harbours along the Mediterranean. Image sizes c. 267 x 106 mm.
Burgersdijk & Niermans
Jul. 25, 2024
Vorsterman (Lucas, 1595-1675). Portrait of Jacques Callot..., circa 1645
Est: £200 - £300
Vorsterman (Lucas, 1595-1675). Portrait of Jacques Callot..., circa 1645 * Vorsterman (Lucas, 1595-1675). Portrait of Jacques Callot, after Anthony van Dyck, circa 1645, etching and engraving on pale cream laid paper, a very good impression, without publisher's name lower right, with margins, plate size 230 x 170 mm (9 1/8 x 6 3/4 ins), sheet size 277 x 217 mm, black and gilt frame (43 x 35 cm) QTY: (1) NOTE: Provenance: Estate of Michael Jaffé (1923-1997) art historian and former director of the Fitzwilliam Museum, Cambridge. New Hollstein 53; Hollstein 139; Mauquoy-Hendrickx 76.
Dominic Winter Auctions
Jun. 20, 2024
LUCAS VORSTERMAN (1595-1667)
Est: €100 - €200
Portret van kunstverzamelaar Antonius Cornelissen. Burin engraving on fine laid paper with part of watermark. Nice margins all around. Mounted along top edge under passe-partout. Provenance: Auguste Taevernier (stamp on verso, L.3334). Description FR Portret van kunstverzamelaar Antonius Cornelissen. Gravure au burin sur papier vergé fin avec une partie du filigrane. Belles marges. Montée le long du bord supérieur sous passe-partout. Provenance: Auguste Taevernier (cachet au verso, L.3334). Beschrijving NL Portret van kunstverzamelaar Antonius Cornelissen. Burijngravure op fijn gevergeerd papier met deel van watermerk. Mooie marges. Gemonteerd langs bovenzijde onder passe-partout. Uit Anthony Van Dyck's 'Icones Principum Virorum', 1630-45. Herkomst: Auguste Taevernier (stempel op verso, L.3334).
Bernaerts Auctioneers
Jun. 19, 2024
Vorsterman d. Ä., Lucas Emil (Bommel 1595-1675 Antwerpen),
Est: €1,200 - €1,800
Amazonenschlacht. Kupferstich (von 6 Platten) nach P. P. Rubens. In der Platte sign. und dat. 1623. Ca. 83,5 x 119 cm. - Mehrf. gefaltet. - New Hollstein 100, II (von III). Nagler XXIII, 334, 119. Le Blanc IV, 158, 135, II (mit der Verlegeradresse von van Merlen in Paris). - Das berühmte Gemälde von Peter Paul Rubens, welches als Vorlage diente, hängt in der Alten Pinakothek in München.
Zisska & Lacher
Jun. 07, 2024
Vorsterman d. Ä., Lucas Emil (Bommel 1595-1675 Antwerpen),
Est: €1,200 - €1,800
Amazonenschlacht. Kupferstich (von 6 Platten) nach P. P. Rubens. In der Platte sign. und dat. 1623. Ca. 83,5 x 119 cm. - Mehrf. gefaltet. - New Hollstein 100, II (von III). Nagler XXIII, 334, 119. Le Blanc IV, 158, 135, II (mit der Verlegeradresse von van Merlen in Paris). - Das berühmte Gemälde von Peter Paul Rubens, welches als Vorlage diente, hängt in der Alten Pinakothek in München.
Zisska & Lacher
Apr. 18, 2024
Pieter Paul Rubens, Lucas Vorsterman, Mary Magdalene renounces earthly vanities.
Est: €450 - €650
Mary Magdalene renounces earthly vanities. Engraving after a painting of Pieter Paul Rubens (1577-1640), engraved by Lucas Vorsterman (1595-1675) ca 1619-1675. References: Hollstein Dutch 89 1(3), first state of three. In very good condition. Very good dark early impression on thin laid paper with narrow margins. Some little stains not disturbing. The ruling lines to engrave the text clearly visible only by the first impressions. With a good watermark. With a collectors mark:
Old Master Print
Mar. 13, 2024
Vorsterman (Lucas, 1595-1675). Portrait of Jacques Callot..., circa 1645
Est: £300 - £500
Vorsterman (Lucas, 1595-1675). Portrait of Jacques Callot..., circa 1645 * Vorsterman (Lucas, 1595-1675). Portrait of Jacques Callot, after Anthony van Dyck, circa 1645, etching and engraving on pale cream laid paper, a very good impression, without publisher's name lower right, with margins, plate size 230 x 170 mm (9 1/8 x 6 3/4 ins), sheet size 277 x 217 mm, black and gilt frame (43 x 35 cm) QTY: (1) NOTE: Provenance: Estate of Michael Jaffé (1923-1997) art historian and former director of the Fitzwilliam Museum, Cambridge. New Hollstein 53; Hollstein 139; Mauquoy-Hendrickx 76.
Dominic Winter Auctions
Mar. 13, 2024
Vorsterman (Lucas, 1595-1675). Nicolas Lanier, after Jan Lievens, published by Francoise van den Wyngarde
Est: £100 - £150
Vorsterman (Lucas, 1595-1675). Nicolas Lanier, after Jan Lievens, published by Francoise van den Wyngarde * Vorsterman (Lucas, 1595-1675). Nicolas Lanier, after Jan Lievens, published by Francoise van den Wyngarde, engraving on paper, trimmed close to plate mark, scattered spotting, plate size 26.6 x 20.4 cm (10 1/2 x 8 ins), framed (40 x 33 cm), together with Van Voerst (Robert, 1597-1636). Portrait of Kenelm Digby, after Sir Anthony van Dyck, circa 1636, engraving on paper, plate size 26 x 19.5 (10 1/4 x 7 3/4 ins), framed and glazed (44 x 36 cm) QTY: (2) NOTE: Nicolas Lanier (1588-1666) was an English composer and musician. He was the first to hold the title of Master of the King's Music from 1625 to 1666.
Dominic Winter Auctions
Feb. 24, 2024
LUCAS VORSTERMAN THE ELDER (FLEMISH, 1595-1675)
Est: $700 - $900
LUCAS VORSTERMAN THE ELDER (FLEMISH, 1595-1675) Rare Early 17th c. Compendium of Christian Martyrs, copperplate engraving, signed in print at bottom edge, with collector's embossed seal lower left. Captioned: "Monachi Cistercienses qui Digni Habiti Sunt, Pro Nomine Jesu, Contumeliam Pati/Riveradoo Admodum in Christo Patri ac Domino d"Adriano Cancellier Antique ac Celeberrimi Coenobii B. Mariae de Dunes Praesvli Presentisissimo". In handcarved walnut frame under glass, OS: 25 1/2" x 21", SS: 22 1/2" x 18". Toned, light foxing.
Thomaston Place Auction Galleries
Dec. 14, 2023
Lucas Vorsterman -Johan VIII, Count of Nassau-Siegen
Est: €125 - €175
portrait of Johan VIII in an oval with edge lettering. In the bottom margin a line of Latin text.
Old Master Print
Dec. 02, 2023
LUCAS VORSTERMAN 'BILDNIS JODOCUS DE MOMPER' (NACH ANTHONY VAN DYCK)
Est: €100 - €200
LUCAS VORSTERMAN 1595 Antwerp - 1675 ibid. 'PORTRAIT OF JODOCUS DE MOMPER' (AFTER ANTHONY VAN DYCK) Engraving on paper. Visual size 22.5 x 15.5 cm (f. 28.5 x 21 x 1 cm). Inscribed 'Voestermann sculp.' at the bottom left of the plate. Verso Luchtenberg collection inventory number 'D/b 26'. Browned, slightly stained. Mounted in a passe-partout and framed behind glass (unopened). Provenienz: Luchtenberg Stiftung. Provenance: Luchtenberg Foundation. LUCAS VORSTERMAN 1595 Antwerpen - 1675 ebenda 'BILDNIS JODOCUS DE MOMPER' (NACH ANTHONY VAN DYCK) Kupferstich auf Papier. SM 22,5 x 15,5 cm (R. 28,5 x 21 x 1 cm). Unten links in der Platte bez. 'Voestermann sculp.'. Verso Luchtenberg Sammlungsinventarnummer 'D/b 26'. Gebräunt, leicht fleckig. In ein Passepartout montiert und hinter Glas gerahmt (ungeöffnet). Provenienz: Luchtenberg Stiftung.
Hargesheimer Kunstauktionen Düsseldorf
Jun. 27, 2023
Pietro Paolo Rubens Sacra Famiglia con San Giovannino e Sant’Anna
Est: €60,000 - €80,000
entro importante cornice in legno intagliato \“(…) La composizione della versione milanese è identica a un dipinto dell'Art Institute di Chicago, su tavola e di misure cm 114,5x91,5, accettato come opera originale di Rubens. ¶La composizione era popolare: fu ampiamente diffusa attraverso un'incisione (1620) di Lucas Vorsterman (1595-1675), con almeno nove versioni conosciute, dipinte successivamente alla tavola di Chicago, la maggior parte delle quali di dimensioni simili, con solo una piccola area sopra le teste di San Giuseppe e della Madonna. ¶La versione di Milano è un’eccezione (anche se non unica) essendo più alta delle altre versioni di 15,5 cm, presentando un’area più ampia sopra le teste. (…)¶Il riferimento inventariale fornisce un termine ante quem del 1620 per la versione di Chicago, stilisticamente collocabile intorno al 1615.¶Sebbene sia da tenere presente che l'appiattimento della superficie pittorica durante il trasferimento influisca negativamente sull'aspetto del dipinto, un confronto tra la modalità di esecuzione della tavola di Chicago e la versione di Milano mostra che quest'ultima sia un’opera realizzata dalla bottega. ¶Anche tenendo conto del fatto che il dipinto di Chicago è eseguito in maniera più sciolta e libera, le differenze di qualità tra i due sono notevoli.¶Ciò è evidente in aree come i capelli dei due bambini, che nel dipinto di Milano è mancante della pennellata sciolta e più spontanea che contraddistingue l'originale, che enfatizza la consistenza delle singole ciocche di capelli; la resa del panneggio verde drappeggiato sul cappuccio della culla manca della qualità tridimensionale della versione di Chicago; allo stesso modo la struttura e la trama della pelle di animale che avvolge San Giovanni sono elementi totalmente assenti nella versione di Milano. ¶Un ultimo esempio è il velo di garza nera indossato dalla Vergine, dove gli sforzi del pittore della versione milanese per imitare la resa sicura di Ruben della materia trasparente non sono del tutto riusciti.¶La diversa tecnica è particolarmente evidente nell'esecuzione dei volti, soprattutto nel confronto tra quelli di Sant'Anna. Durante l'esecuzione della versione di Chicago, Rubens ha utilizzato un’imprimitura di base marrone per creare le aree in ombra del collo, del mento e delle guance infossate e ha applicato il grigio per indicare le pieghe più morbide della pelle, il pittore della versione di Milano ha invece semplicemente applicato una vernice marrone scuro nel tentativo di imitare lo stesso effetto.¶¶Lo sfondo architettonico della versione milanese è un'indizio del fatto che un buon assistente di bottega sia il responsabile della sua esecuzione. La divisione verticale dello sfondo in due metà è una caratteristica della versione di Chicago e di tutte le copie conosciute: ma, mentre tutte mostrano il cielo blu sul lato destro e lo sfondo marrone a sinistra, nella versione di Chicago sembra che quest'area sia stata lasciata incompiuta. In generale, pare che Rubens abbia concesso agli assistenti di studio, incaricati di realizzare le copie, un certo grado di libertà nel modo in cui decidere di gestire le aree meno importanti, come lo sfondo architettonico. La maggior parte delle copie dopo la composizione di Chicago sembrano mostrare un muro o un pilastro semplice, ma il pittore responsabile della versione di Milano ha ideato una disposizione più complessa, che include una semicolonna dietro la Vergine e quella che potrebbe essere una nicchia dietro Sant'Anna. ¶¶Concludo che la Sacra Famiglia di Milano con San Giovanni Battista e Sant'Anna sia una buona copia di bottega, dipinta alla fine degli anni '10 o all'inizio degli anni '20.\”
Cambi Casa d'Aste
Jun. 24, 2023
Vorsterman, Lucas Emil I (1595-1675)
Est: €60 - €72
"HORATIVS GENTILESCIVS, ITAL", so unterhalb der Darstellung betitelt. Kupferstich (nicht ausgerahmt). Herausgegeben wohl von Maarten van den Enden um 1630-1645 nach Anthony van Dyck. Ca. 24x 17 cm. PP., R.
Dannenberg
Apr. 27, 2023
Lucas Vorsterman I (1595-1675), Self-portrait of Anthony van Dyck
Est: €120 - €140
Portrait of Anthony van Dyck, half-length turned away but looking over his right shoulder towards the viewer, wearing a large lace collar, doublet with buttoned shoulders, cloak, and chain, his left hand holding the cloak at the level of his right shoulder, sixth state with initials of Gillis Hendricx burnished; after Anthony van Dyck's self-portrait
Old Master Print
Apr. 27, 2023
Lucas Vorsterman (1595-1675) - Penitent Mary Magdalene
Est: €350 - €420
Saint Mary Magdalene in a cave. She lies on the floor and holds a crucifix. In the foreground a book on a skull and bones and on the left a scourge. A very good black printed impression, engraving and published by Lucas Vorsterman I 1595-1675) after a design by: Gerard Seghers (1591-1651)
Old Master Print
Apr. 27, 2023
LUCAS VORSTERMAN (1595-1667), NAAR/ D'APRÈS/ AFTER PIETER BRUEGHEL (1525-1569)
Est: €300 - €400
'Peasants Fighting over a Game of Cards'. Burin engraving on laid paper. Small margins. Bottom left corner completely replaced/restored. Beautiful, deep and high-contrast print. Under passe-partout. Provenance: Albert Van Loock (stamp, L3751), Frans Leytens. Description FR 'Peasants Fighting over a Game of Cards'. Gravure au burin sur papier vergé. Petites marges. Coin inférieur gauche complètement remplacé/restauré. Très belle épreuve, très contrastée. Sous passe-partout. Provenance : Albert Van Loock (cachet, L3751), Frans Leytens. Beschrijving NL 'Peasants Fighting over a Game of Cards'. Burijngravure op gevergeerd papier. Kleine marges. Hoek links onderaan volledig vervangen/ gerestaureerd. Mooie, diepe en contrastrijke druk. Onder passe-partout. Herkomst: Albert Van Loock (stempel, L3751), Frans Leytens.
Bernaerts Auctioneers
Dec. 15, 2022
Portrait of Johan t'Serclaes, Count of Tilly, Lucas Vorsterman (I), Nicolaas van der Horst, 1620 - 1675
Est: €325 - €525
Portrait of Johan t'Serclaes, Count of Tilly, engraving made by Lucas Vorsterman (I) (1595-1675), after a drawing/painting of Nicolaas van der Horst (1598-1646), engraving made ca 1620 -1675 in Antwerp. References: Hollstein Dutch 208-1(2). Johan t'Serclaes, Count of Tilly, born in Tilly a small village in Brabant. He fought with the Spanjards under Alexander Farnese during the siege of Antwerp ca 1585. He became a field marshal. with an important collectors mark written in old brown ink on the back "Claude Augustin Mariette 1694". Lugt 1786. He was a print dealer in Paris, born in 1652 and the son of Pierre Mariette. Engraving in very good condition. Very good strong dark early impression on thin laid paper, with narrow margins. Rare portrait.
Old Master Print
Dec. 15, 2022
Lucas Vorsterman - Gaston of Orléans, Van Dyck Iconographia
Est: €240 - €280
Portrait of Gaston of Orléans, half-length in front of a swagged curtain, directed to the right but looking at the viewer, holding a baton in his right hand, wearing a breast plate and the ribbon of the order of Saint-Esprit; after the designs of Anthony van Dyck who prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink.
Old Master Print
Dec. 08, 2022
LUCAS VORSTERMAN (1595-1667) NAAR ANTOON VAN DIJCK
Est: €1,000 - €1,500
Series of ten engraved portraits. Pictured are Cornelis Schut, Petrus Stevens, Johannes Snellincx, Jacobus de Cachopin, Christoph Vander Lanen, Sebastiaan Vrancx, Jacob Jordaens, Joost de Momper, Carolus de Mallery and Cornelius Vander Geest Wide margins. On paper with various watermarks. All in frame. Description FR Suite de dix gravures au burin. Portraits de Cornelis Schut, Petrus Stevens, Johannes Snellincx, Jacobus de Cachopin, Christoph Vander Lanen, Sebastiaan Vrancx, Jacob Jordaens, Joost de Momper, Carolus de Mallery et Cornelius Vander Geest De larges marges. Sur papier avec divers filigranes. Cadres. Beschrijving NL Serie van tien burijngravures. Afgebeeld zijn Cornelis Schut, Petrus Stevens, Johannes Snellincx, Jacobus de Cachopin, Christoph Vander Lanen, Sebastiaan Vrancx, Jacob Jordaens, Joost de Momper, Carolus de Mallery en Cornelius Vander Geest. Brede marges. Op papier met verschillende watermerken. Allen in kader.
Bernaerts Auctioneers
Oct. 19, 2022
LUCAS VORSTERMAN (ZALTBOMMEL 1595-1675 ANTWERP)
Est: £250 - £450
LUCAS VORSTERMAN (ZALTBOMMEL 1595-1675 ANTWERP) LUCAS VORSTERMAN (ZALTBOMMEL 1595-1675 ANTWERP) The mocking of Christ after Anthony Van Dyck, 1630-1640 etching; a good, strong impression with narrow margins on thin laid paper, slightly stained sheet: 253 x 210 mm PROVENANCE: LITERATURE: Holl. 28
Chiswick Auctions
Oct. 19, 2022
LUCAS VORSTERMAN (ZALTBOMMEL 1595-1675 ANTWERP)
Est: £250 - £350
LUCAS VORSTERMAN (ZALTBOMMEL 1595-1675 ANTWERP) LUCAS VORSTERMAN (ZALTBOMMEL 1595-1675 ANTWERP) Portrait of Jacques Callot after Anthony Van Dyck etching, a very fine impression, with the full margins of the fifth and final state, on laid paper with a heraldic watermark; minor surface dirt along the edges sheet: 379 x 282 mm; plate: 237 Ã 174 mm PROVENANCE: with Craddock & Barnard where acquired, 1980s; thence by descent LITERATURE: Hollstein XLIII.136.139 v/v; New Hollstein Dutch 53-5(5)
Chiswick Auctions
Jul. 09, 2022
Vorsterman, Lucas E. d. Ä.
Est: €140 - €200
(1595 Bommel - Antwerpen 1675). Zugeschrieben. Die Passion Christi. 9 Kupferstiche nach Hendrick Goltzius. 17. Jh. Zwischen 16,5 x 13 cm u. 13,7 x 12,7 cm. - Blätter fleckig, verso mit Rückstanden von Montierung und zwei Blätter mit hinterlegten Rissen. Insgesamt kräftige und kontrastreiche Drucke. D
Kiefer Buch- und Kunstauktionen
Jul. 09, 2022
Vorsterman, Lucas d.Ä.
Est: €60 - €80
(1595 Antwerpen - 1675). Cornelius Schut. Halbportrait des Zeichners u. Kupferstechers Cornelis Schut von links. Kupferstich n. A.van Dyck. 21,9 x 15,9, Blgr. 33,1 x 22 cm. R
Kiefer Buch- und Kunstauktionen
May. 14, 2022
Vorsterman, Lucas d.Ä.
Est: €60 - €90
(1595 Antwerpen - 1675). Cornelius Schut. Halbportrait des Zeichners u. Kupferstechers Cornelis Schut von links. Kupferstich n. A.van Dyck. 21,9 x 15,9, Blgr. 33,1 x 22 cm. R
Kiefer Buch- und Kunstauktionen
Feb. 19, 2022
Vorsterman, Lucas E. d. Ä.
Est: €200 - €300
(1595 Bommel - Antwerpen 1675). Zugeschrieben. Die Passion Christi. 9 Kupferstiche nach Hendrick Goltzius. 17. Jh. Zwischen 16,5 x 13 cm u. 13,7 x 12,7 cm. - Blätter fleckig, verso mit Rückstanden von Montierung und zwei Blätter mit hinterlegten Rissen. Insgesamt kräftige und kontrastreiche Drucke. D
Kiefer Buch- und Kunstauktionen
Feb. 19, 2022
Vorsterman, Lucas d.Ä.
Est: €140 - €200
(1595 Antwerpen - 1675). Die Heilige Familie auf der Flucht - "Dei et Matris et Filii fugam in Aegyptum". Kupferstich n. P.P.Rubens, 1620. Blgr. 41,5 x 30,8 cm. Verso mit Sammlungsst. J.Kuderna (Lugt 1626a). Auf Karton mont. Eng um die Darst. beschnitten, leicht angestaubt, etw. fleckig. - ╔Dabei: Maria mit Kind╗ sowie einer alten Frau und einem weiteren kl. Jungen. Kupferstich, um 1650. Blgr. 56,5 x 41,5 cm. - Eng um die Darst. beschnitten, leicht angestaubt, etw. fleckig. R
Kiefer Buch- und Kunstauktionen
Jan. 29, 2022
L.VORSTERMAN (*1595) after DYCK (*1599), Portrait Nicolas-Claude Fabri de Peiresc, around 1640, Copp
Est: €450 - €600
Lucas Vorsterman (1595 Bommel - 1675 Antwerpen) nach Anthonis van Dyck (1599 Antwerpen - 1641 London): Portrait of the scholar and art collector Nicolas-Claude Fabri de Peiresc, c. 1640, Copper engraving Technique: Copper engraving on Paper Inscription: Inscribed below the image in the printing plate: "D. NICOLAVS FABRICIVS DE PERIRESE Regius in | Aquisextiensi Curia Senator etc.", signed below by the artist: "Ant. van Dyck pinxit | LVorsterman sculp." and inscribed: "Cum privilegio", collection stamp "EK" on verso (Lugt no. 3549). Date: c. 1640 Person: Peirescius; Nicolas-Claude Fabri de Peiresc (1580 Belgentier - 1637 Aix-En-Provence) Keywords: France, Collector, Patron, Art, Portrait, 17th century, Old Master, Portraits, France, Size: 38,3 cm x 28,6 cm (15,1 x 11,3 in), Plate: 24,0 cm x 15,8 cm (9,4 x 6,2 in), Depiction: 21,5 cm x 15,4 cm (8,5 x 6,1 in), additional specification: Condition: Good condition. Pale foxing and discolouration visible along the edges. The upper third of the sheet is somewhat dusty. There is a small hole in the paper at the upper left. The lower left corner of the sheet has a narrow glue residue on the surface. The image makes an impeccable impression.
Fichter Kunsthandel
Dec. 18, 2021
Vorsterman, Lucas E. d. Ä.
Est: €300 - €450
(1595 Bommel - Antwerpen 1675). Zugeschrieben. Die Passion Christi. 9 Kupferstiche nach Hendrick Goltzius. 17. Jh. Zwischen 16,5 x 13 cm u. 13,7 x 12,7 cm. - Blätter fleckig, verso mit Rückstanden von Montierung und zwei Blätter mit hinterlegten Rissen. Insgesamt kräftige und kontrastreiche Drucke. D
Kiefer Buch- und Kunstauktionen
Dec. 14, 2021
Lucas Vorsterman I (1595-1675) - Job tormented by demons - P.P.Rubens
Est: €400 - €650
Job tormented by demons and abused by his wife. Job stretched over a large rock at centre, with his left foot resting on a broken column, three winged demons about to stab and burn him, his wife standing at right; first state before number. Print made and published by: Lucas Vorsterman I (1595-1675) after: Peter Paul Rubens (1577-1640) Published by: Lucas Vorsterman I. Latin verses: "Homo natus de muliere, ... / ... in eodem statu permanet. Iob.14." and "P.P. Rubens pinxit" and "L. Vorsterman excud. cum priuil.".
Old Master Print
Oct. 01, 2021
VORSTERMAN, Lucas (1595-1675)
Est: €80 - €140
Lot and his daughters 'Eruditione et probitate' Ets (33.2 x 39 cm), naar P.P. Rubens door Lucas Vorsterman (1620). Scherpe druk, klein wit randje, fris bewaard
Auctions Van de Wiele
Sep. 30, 2021
Lucas Vorsterman (1595-1675) - The satyr and the Peasant
Est: €350 - €400
The satyr and the Peasant. Interior of a peasant house with a satyr standing up from a chair at left, and pointing his finger upwards, a peasant family seated around a table and looking at the satyr, one of them eating from a bowl, a dog in central foreground, a chicken on a basket in background; second state before address of Blooteling; after Jacob Jordaens. c.1621. Monogrammed in top right: "LV". Lettered within image, in lower part: "I. Iordaens pinxit" and "Cum Priuilegijs. Reg:" and "LVorsterman scul:". Lettered in lower margin, two columns with three lines of Latin verses each: "Iste frigus ... / ... Deus deseret.".
Old Master Print
Jul. 10, 2021
Vorsterman, Lucas I
Est: €240 - €360
(1595 Zaltbommel - Antwerpen 1675). Der große Satyr am Tische bei der Bauernfamilie. Kupferstich n. Jordaens. 38,3 x 39,2, Blgr. 41,5 x 39,8 cm. Mit den Namensz., dem Monogr. v. Vorsterman u. 2x 3 lat. Versen i.d. Platte. Mit Rändchen um die Plattenkante. Nagler 8 I (v. II). Schuckman (Hollstein) 97 II (v. IV). Vor der Adresse von Blootelingh. Prachtvoller Druck. - Geglättete Mittelfalte R
Kiefer Buch- und Kunstauktionen
Jul. 10, 2021
Vorsterman, Lucas d.Ä.
Est: €80 - €120
(1595 Antwerpen 1675). Hiob auf dem Misthaufen von Teufeln u. seinem Weib geplagt. Kupferstich auf Bütten n. P.P.Rubens. Plgr. 38,7 x 26, Blgr. 40 x 27,1 cm. Mit den Namensz., lat. Text "Homo natus de muliere..." u. Nr. 9 i.d. Platte. An den ob. Ecken auf Karton geklebt. Ho. 3. Vgl. Rijksmuseum RP-P-OB-33.002 (ohne Nr. 9). - Ob. li. Eckabriss (auf Karton), etw. angestaubt. R
Kiefer Buch- und Kunstauktionen
Jul. 09, 2021
Vorsterman, Lucas d.Ä.
Est: €120 - €180
(1595 Antwerpen 1675). Jacobus de Cachopin. Kupferstich n. van Dyck auf feinem Bütten mit WZ "Bekröntes Wappen" um 1630. Blgr. 23,7 x 17 cm. Auf bzw. knapp innerhalb der Plattenkante geschn. Unter Passep. mont. New Ho. 52 VI (v. VI). Aus der von van Dyck hrsg. "Icones principum virorum. Iconographie". - Prachtvoller zeitgenöss. Abdruck des IV. Zustands. Sehr gut erhalten.
Kiefer Buch- und Kunstauktionen
May. 08, 2021
Vorsterman, Lucas I
Est: €300 - €450
(1595 Zaltbommel - Antwerpen 1675). Der große Satyr am Tische bei der Bauernfamilie. Kupferstich n. Jordaens. 38,3 x 39,2, Blgr. 41,5 x 39,8 cm. Mit den Namensz., dem Monogr. v. Vorsterman u. 2x 3 lat. Versen i.d. Platte. Mit Rändchen um die Plattenkante. Nagler 8 I (v. II). Schuckman (Hollstein) 97 II (v. IV). Vor der Adresse von Blootelingh. Prachtvoller Druck. - Geglättete Mittelfalte R
Kiefer Buch- und Kunstauktionen
May. 08, 2021
Vorsterman, Lucas d.Ä.
Est: €120 - €180
(1595 Antwerpen 1675). Jacobus de Cachopin. Kupferstich n. van Dyck auf feinem Bütten mit WZ "Bekröntes Wappen" um 1630. Blgr. 23,7 x 17 cm. Auf bzw. knapp innerhalb der Plattenkante geschn. Unter Passep. mont. New Ho. 52 VI (v. VI). Aus der von van Dyck hrsg. "Icones principum virorum. Iconographie". - Prachtvoller zeitgenöss. Abdruck des IV. Zustands. Sehr gut erhalten.
Kiefer Buch- und Kunstauktionen
Mar. 19, 2021
Vorsterman, Lucas d.Ä.
Est: €66 - €100
(1595 Antwerpen - 1675) gegenseitige Kopie nach. Reuige Magdalena u. ihre Schwester Martha. Anonymer Kupferstich auf Bütten n. Rubens. 29 x 22, Blgr. 30,4 x 22,4 cm. Knapp innerhalb d. Plattenkante geschn. Am li. Rd. auf altes Bütten geklebt. D
Kiefer Buch- und Kunstauktionen
Feb. 20, 2021
Vorsterman, Lucas d.Ä.
Est: €70 - €100
(1595 Antwerpen - 1675) gegenseitige Kopie nach. Reuige Magdalena u. ihre Schwester Martha. Anonymer Kupferstich auf Bütten n. Rubens. 29 x 22, Blgr. 30,4 x 22,4 cm. Knapp innerhalb d. Plattenkante geschn. Am li. Rd. auf altes Bütten geklebt. D
Kiefer Buch- und Kunstauktionen
Jan. 24, 2021
Lucas Vorsterman (1595–1675) d'après Rubens.
Est: €100 - €150
Lucas Vorsterman (1595–1675) d'après Rubens. " L"adoration des Rois Mages". Gravure avec légende. Sous verre. Traces de rousseurs. Dédicacée à l' Archiduc Albert d'Autriche. Dimensions : 57 cm x 43 cm
Legia-Auction
Dec. 01, 2020
[GRAPHIC ARTS, PAINTINGS AND DRAWINGS 16TH-19TH CENTURY PART II] LUCAS VORSTERMAN (1595-1675)
Est: €250 - €450
The Satyr and the Traveller, fable by La Fontaine. After an illustration of Jacob Jordaens. 41 x 39.5 cm.
Zwiggelaar Auctions
Oct. 15, 2020
Pieter Paul Rubens, Lucas Vorsterman, Holy Family with Elizabeth and John the Baptist as a child,
Est: €400 - €550
Holy Family with Elizabeth and John the Baptist as a child, engraved by Lucas Vorsterman, after and with the supervision of Pieter Paul Rubens. Published by Lucas Vorsterman himself in Antwerp 1620. Hollstein 43 III. Very good dark early impression with the ruling lines for the tekst. In perfect condition, trimmed just on the margins, subject complete. There exist the same engraving but in reverse also by Lucas Vorsterman (hollstein Dutch 44).
Old Master Print
Oct. 15, 2020
Paulus Bril, Landscape with the prodigal son as swineherd, Lucas Vorsterman.
Est: €350 - €450
Landscape with the prodigal son as swineherd, after a painting drawing of Paulus Bril, engraved and published by Lucas Vorsterman,1650-1655, Hollstein Dutch 14. Very good dark impression on thin laid paper. Trimmed on the margins , image complete. some small repairs, almost imperceptible, in the sky. Plate signed.
Old Master Print
Oct. 15, 2020
Parmigianino, Lucas Vorsterman, The Young and Elder Goatherd
Est: €500 - €700
The Young and Elder Goatherd, after a drawing by Girolamo Francesco Maria Mazzola, Parmigianino (1503-1540), engraved by Lucas Vorsterman (1595-1675), Hollstein Dutch 125-1(3), first state, published in Antwerp 1619-1675. In perfect condition, trimmed on the margins, image complete. thin laid paper.
Old Master Print
Oct. 09, 2020
* Vorsterman (Lucas, The Elder, 1595-1675). Thomas Howard, after Hans Holbein, c. 1655
Est: £200 - £300
* Vorsterman (Lucas, The Elder, 1595-1675). Thomas Howard, Duke of Norfolk, after Hans Holbein, circa 1655, engraving on laid paper, with Strasbourg Lily watermark, trimmed just inside the platemark, a good, strong impression, sheet size 273 x 201 mm (10.8 x 8 ins), together with: [Loggan, David, 1635-1692]. The Effigies of the most magnanimous & thrise puisant George Duke of Albemarle Earle of Torrington. Baron Monck of Potheridge, Beauchamp. and Teys, circa 1670, etching on laid paper, a strong, dark impression, faint vertical crease where previously folded, with very short associated closed tear to lower margin, without loss, trimmed just inside the platemark, sheet size 270 x 215 mm (10.8 x 8.5 ins), plus other various 17th and 18th century prints, many portraits, including Crispijn de Passe (1564-1637), Portrait of Thomas Scott, 1624 (circa 1580-1626), radical Protestant preacher, Pieter van Sompel, Aureolus Theophrastus Bombastus von Hoheim (Paracelsus), circa 1630, engraving on laid paper, with foolscap, trimmed to plate mark, residue of mounting paper to corners verso, with some light associated skinning, sheet size 302 x 216 mm (11.9 x 8.6 ins), Willem de Passe (1598-circa 1637), Portrait of Darcy Wentworth, 1624, Wenceslaus Hollar (1607-1677), Mulai Al-Rashid (Muley Arsheid Zeriff, Prince of Taffeleta, Emperour of Marocco Fezz, 1670, etching on laid paper, trimmed just inside the platemark, Richard Gaywood (active circa 1650-1680), William Fairfax, 1656, etching and engraving on laid paper, trimmed to platemark, Michel Lasne (1590-1667), Francois de Bassompierre, George Vertue (1684-1756), Abraham Cowley, after Lely, John Bowles (1701-1779, publisher), Miss Eyebright, circa 1760s, mezzotint on laid paper, a 17th century engraved portrait on laid paper of King James I [reissued in 1798 by Robert Wilkinson, 'Engraved from a Scarce Print in the Possession of George Chalmers], etc Qty: (24)
Dominic Winter Auctions
Jul. 04, 2020
Vorsterman, Lucas d.Ä.
Est: €100 - €150
(1595 Antwerpen - 1675) gegenseitige Kopie nach. Reuige Magdalena u. ihre Schwester Martha. Anonymer Kupferstich auf Bütten n. Rubens. 29 x 22, Blgr. 30,4 x 22,4 cm. Knapp innerhalb d. Plattenkante geschn. Am li. Rd. auf altes Bütten geklebt.
Kiefer Buch- und Kunstauktionen
Jun. 30, 2020
[FINE ARTS: GRAPHIC ARTS, PAINTINGS & DRAWINGS 16TH-19TH CENTURY] TWELVE ETCHINGS BY LUCAS VORSTERMAN I (C. 1595 - C. 1674)
Est: €100 - €200
(1) "Satalia nel Arcipelago"; (2) "Camos nel Arcipelago"; (3) "Canis Pro nel Arcipelago"; (4) "Tripoli de Soria"; (5) "Oran e Marsaguiur"; (6) "Gli Dardanelli"; (7) "Gibralter"; (8) "Gli Dardanelli"; (9) "Bartanico nel Arcipelago"; (10) "Penon de Velez"; (11) "Pelaguse nel Arcipelago"; (12) "Fanar nel Arcipelago". Twelve etchings after Johannes Peeters and published by him, each 10 x 26.5 cm. (total 12)
Zwiggelaar Auctions
Jun. 11, 2020
Lucas Vorsterman (Zaltbommel, 1595 – Anversa, 1675), Loth e le figlie
Est: €100 - €200
acquaforte e bulino II stato/II, mm 330x430, La prova, nitida e ben contrastata nel II stato di 2 con la dedica impressa su carta databile alla prima metà del Seicento, presenta una filigrana di difficile lettura. Il soggetto è evidentemente tratto da un dipinto di Orazio Gentileschi, oggi custodito presso la National Gallery of Canada. Apposta sul verso appare la firma dell'antico collezionista londinese John Barnard (? - 1748). Bibliografia: Le Blanc, n. 82; Ex coll. Lugt, n. 1420
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