François Vivarès Sold at Auction Prices

Francois Vivares

Francois Vivares 1709 Saint-Jean-du-Bruel - 1780 London nach van Goyen - "The dutch fishermen" - Kupferstich/Papier. 27,7 x 37 cm (Sichtmaß). Sign. im Druck r. u.: F. Vivares sculp., l. u.: Van Goyen pinx. Stockfleckig. Dat. m. u.: 1756. Angeschmutzt. Gebräunt. Unter Glas gerahmt. Francois Vivares war ein französischer Landschaftsgraveur.

Francois Vivares, Two Prints After Rembrandt

(French, 1709-1780) comprising "Beggar Seated Warming His Hands at a Chafing Dish" and "Beggar Leaning on a Stick, Facing Left", both on chain-laid paper. Together with Three Prints After Rembrandt, Comprising a 19th C. re-design and reprint of "A Stout Man in a Large Cloak" by Philip Gilbert Hamerton (English, 1834-1894); and two etchings of faces with spurious Rembrandt signatures. 5 pieces Each sight: appx. 3-1/4"h x 2-1/4"w. The largest: 6-3/8"h x 4-1/2"w overall; 5-1/8"h x 3-3/8"w sight

Vivares, François (Saint-Jean-du-Bruel 1709-1780 London),

Landschaften. 5 Radierungen. In den Platten tls. num., alle sign., nicht dat. (2. Hälfte 18. Jahrhundert). Je ca. 8,5 x 14,5 cm. - Unter Passepartout. - Aus einer Ansichtenfolge. - Tls. etw. braunfleckig, sonst nur leicht fleckig und gebräunt.

Vivares, François (Saint-Jean-du-Bruel 1709-1780 London),

Landschaften. 5 Radierungen. In den Platten tls. num., alle sign., nicht dat. (2. Hälfte 18. Jahrhundert). Je ca. 8,5 x 14,5 cm. - Unter Passepartout. - Aus einer Ansichtenfolge. - Tls. etw. braunfleckig, sonst nur leicht fleckig und gebräunt.

VIVARES, FRANCOIS (1709 LODÈVE - 1780 LONDON). ANSICHT DES GRABMALES DER CAECILIA METELLA.

VIVARES, Francois(1709 Lodève - 1780 London) Ansicht des Grabmales der Caecilia Metella Kupferstich. Druckplatte: 39 x 54,6 cm, Blatt: 45 x 62 cm. Ansicht des Grabmonumentes der Caecilia Metella an der Via Appia Antica in Rom, betitelt und beschriftet "The Sepulchre of Cecilia Metella Grassi; uppon the appian Way, Two Miles from Rome; The walls are 25 Feet thick, sounding a trumpet within it the Echo returns 8 times", "published 25 July 1746", nach einem Gemälde von T. Smith Knick- und griffspurig, stockfleckig, Randbereich rissig, Randbereich teils hinterklebt. VIVARES, Francois(1709 Lodève - 1780 London) Ansicht des Grabmales der Caecilia Metella Kupferstich. Druckplatte: 39 x 54,6 cm, Blatt: 45 x 62 cm. Ansicht des Grabmonumentes der Caecilia Metella an der Via Appia Antica in Rom, betitelt und beschriftet "The Sepulchre of Cecilia Metella Grassi; uppon the appian Way, Two Miles from Rome; The walls are 25 Feet thick, sounding a trumpet within it the Echo returns 8 times", "published 25 July 1746", nach einem Gemälde von T. Smith Knick- und griffspurig, stockfleckig, Randbereich rissig, Randbereich teils hinterklebt. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Vivares, Francois

(1709 Saint-Jean-du-Bruel - London 1780). Die Aufteilung der Beute. Kupferstich nach Francisco Simonini bei Vivares, 1759. 37 x 48,5 cm. - Nr. 20 aus einer Folge. - Ränder stockfl. u. tls. mit Einrissen. R

Francois Vivares (1709-1780), afte

Francois Vivares (1709-1780), after Martorelli, landscape idyll with figure scenery, copper engraving with written margin, crease mark lower right, 38 x 56 cm, framed behind glass and passepartout 62 x 73 cm

Vivares, Francois

(1709 Saint-Jean-du-Bruel - London 1780). Die Aufteilung der Beute. Kupferstich nach Francisco Simonini bei Vivares, 1759. 37 x 48,5 cm. - Nr. 20 aus einer Folge. - Ränder stockfl. u. tls. mit Einrissen. R

Francois Vivares (1709-1708), After Claude Lorrain (1600-1682), French School, Engraving, A wooded l

Francois Vivares (1709-1708), After Claude Lorrain (1600-1682), French School, Engraving, A wooded landscape with a bridge, figures and a boat. Ascribed verso. Approx. 11 1/4" x 15"

Vivares, Francois

(1709 Saint-Jean-du-Bruel - London 1780). Die Aufteilung der Beute. Kupferstich nach Francisco Simonini bei Vivares, 1759. 37 x 48,5 cm. - Nr.20 aus einer Folge. - Ränder stockfl. u. tls. mit Einrissen. R

Francis Vivares After Rembrandt, Beggars

Francis Vivares (French 1709-1780) Two etchings of beggars after Rembrandt, c.1766, the image on the left inscribed in the plate, Rembrandt, 1639, and inscribed F.V. Fecit. Matted and framed in a single frame. Dimensions: 3 x 2 in. image size each, 13.5 x 16 in. as framed. Condition: Appears very good, slight paper wrinkles at edges of matting, not examined out of frame. Provenance: Estate of Dr. Frank Kysela, Rocky River, Ohio. David Barnett Gallery, Milwaukee, Wisconsin

Francois Vivares (1709-1708), After Claude Lorrain (1600-1682), French Scho

Francois Vivares (1709-1708), After Claude Lorrain (1600-1682), French School, Engraving, A wooded landscape with a bridge, figures and a boat. Ascribed verso. Approx. 11 1/4" x 15"

FRANCOIS VIVARES (1709-1782) AFTER PIERRE PATEL Engraved from a picture after Patel generally called The French Claude Engraving, 43.5 x 52cm (sheet size)

FRANCOIS VIVARES (1709-1782) AFTER PIERRE PATEL Engraved from a picture after Patel generally called The French Claude Engraving, 43.5 x 52cm (sheet size)

Vivares, Francois

(1709 Saint-Jean-du-Bruel - London 1780). Die Aufteilung der Beute. Kupferstich nach Francisco Simonini bei Vivares, 1759. 37 x 48,5 cm. - Nr.20 aus einer Folge. - Ränder stockfl. u. tls. mit Einrissen. R

Vivares, Francois

(1709 Saint-Jean-du-Bruel - London 1780). Die Aufteilung der Beute. Kupferstich nach Francisco Simonini bei Vivares, 1759. 37 x 48,5 cm. - Nr.20 aus einer Folge. - Ränder stockfl. u. tls. mit Einrissen. R

Francois Vivares Colored Engraving 1779

Francois Vivares ( 1709-1780) colored engraving dated '1779'. Titled 'View of Village in a Wood near Antwerp'. Tape upper edge and tears lower edge outside of image. Image measures 14.75 in. x 19.5 in. and sheet measures 18 in. x 21 in. Unframed, loose and not glued or mounted. If lot is absent of a condition report one may be requested via email. Condition report is provided as an opinion only and is no guarantee as grading can be subjective. Buyer must view photographs or scans to assist in determining condition and ask further questions if so desired. Our in-house shipping department will gladly pack and ship any item that fits into a 16x16x16 inch or 30x5x24 inch or equivalent or smaller box/folio. We will charge for labor to pack and process based on actual time it takes, actual cost of materials used to pack and actual shipper charges that will include insurance and signature required. We generally use USPS and Fed Ex and compare the pricing between the two. Books maximum box size will be 14x14x14 inch or equivalent and will be shipped USPS Media Mail unless otherwise requested. We gladly will give shipping estimates prior to auction. Please make this request at least 24 hours prior to auction for our shipping department to respond. We will also gladly combine items if they fit into one box and meet our maximum box size stated here. We reserve the right to require an outside shipper on any item(s) in the auction.

Vivares, Francois

(1709 Saint-Jean-du-Bruel - London 1780). Der Quacksalber. Gegenseitige Kopie n. Rembrandt. Radierung auf dünnem Papier. Blgr. 7,6 x 4,8 cm. Auf Karton aufgezogen. Mit dem Monogr. "V.F. fecit", dem Namenszug "Rembrandt f. 1635" u. der Nr. 1 ob. re. i.d. Platte. Unter Passep. mont. - B. 129. - Gering angestaubt u. leicht fleckig. D

Vivares, François (1709-1780)

"The Cascade", so im Werk betitelt. Kolorierter Kupferstich (Atersspuren) nach Gaspard Poussin, veröffentlicht 1785 durch John. Plattenmaß ca. 31x 40 cm. Rahmen (best.), 49x 59 cm.

Vivares, Francois

(1709 Saint-Jean-du-Bruel - London 1780). Die Aufteilung der Beute. Kupferstich nach Francisco Simonini bei Vivares, 1759. 37 x 48,5 cm. - Nr.20 aus einer Folge. - Ränder stockfl. u. tls. mit Einrissen. - R

Vivares, Francois

(1709 Saint-Jean-du-Bruel - London 1780). Die Aufteilung der Beute. Kupferstich nach Francisco Simonini bei Vivares, 1759. 37 x 48,5 cm. - Nr.20 aus einer Folge. - Ränder stockfl. u. tls. mit Einrissen. - R

Francois Vivares ( 1709-1780) after Thomas Smith ( of Derby, 1720-1767), etching and engraving,

Francois Vivares ( 1709-1780) after Thomas Smith ( of Derby, 1720-1767), etching and engraving, 'A Prospect of Matlock - Bath & c from the lovers walk, 1743'.

Francois Vivares ( 1709-1780) after Thomas Smith ( of Derby, 1720-1767), etching and engraving,

Francois Vivares ( 1709-1780) after Thomas Smith ( of Derby, 1720-1767), etching and engraving, 'Prospect on the River Wie in Monsal- Dale two miles North -Weft of Bakewell' ( J Boydell execut London 1769), 15 1/4 x 21 3/4" (48.8 x 55.3 cm).

Vivares, Francois

(1709 Saint-Jean-du-Bruel - London 1780). Der Quacksalber. Gegenseitige Kopie n. Rembrandt. Radierung auf dünnem Papier. Blgr. 7,6 x 4,8 cm. Auf Karton aufgezogen. Mit dem Monogr. "V.F. fecit", dem Namenszug "Rembrandt f. 1635" u. der Nr. 1 ob. re. i.d. Platte. Unter Passep. mont. - B. 129. - Gering angestaubt u. leicht fleckig.

Francois Vivares (1709-1780), After J. Smith, A So

Francois Vivares (1709-1780), After J. Smith, A South West View of Chatsworth, hand coloured engraving with inscribed mount, published in 1744, 40cm x 55cm.

Francois Vivares 18th c. Engraving After Rembrandt

Two framed and matted prints to include: Francois Vivares (French 1709 - 1780) 18th c. engraving after "The Windmill" by Rembrandt, sight 5 5/8"h x 8 1/8"w; and Gerlad Lubeck (New Jersey, b. 1942) print "Waiting their Turn", # 81/300, pencil signed

Stourhead English Country House View

A View of Stour Head. English country house architectural landscape view. Engraving by Francis Vivares, London 1777. 18 1/2" x 24".

François Vivares

François Vivares, French 1709-1780- A View from Richmond Hill up the River; after Jolly, printed by John Boydell in Cornhil & Carrington Bowles in St Paul's Church Yard, London; hand-coloured copper engraving, 28x41cm: François Vivares, French 1709-1780- A View from Richmond Hill down the River; after Jolly, publ. 13 February 1749; hand-coloured copper engraving, 28x42.5cm: Johann Sebastian Müller, German/British 1715-1792- A General Prospect of Vauxhall Gardens; after Samuel Wale, hand-coloured copper engraving, 27.5x39cm: Charles Gignon, British 1721-1819- A View of the Canal Chinese Building, Rotunde in Ranelagh Gardens with Masquerade &c; after Antonio Canaletto, hand-coloured copper engraving, 24.5x41cm: William Henri Toms, British c.1700-c.1755- Bethlehem Hospital; hand-coloured copper engraving, 20.5x37.2cm: Balthazaar F Leizelt, German act. 1750-1800- A View of the Monument erected in Memory of the dreadful Fire in the year 1666, London; after Antonio Canaletto, hand-coloured copper engraving, 30x38.5cm: Thomas Bowles II, British ca.1689-1767- A View of the Royal Hospital at Chelsea & the Rotunda in Ranelagh Gardens; publ. August 20th 1751, hand-coloured copper engraving, 25x37.7cm: British School, mid 18th century- The Foundling Hospital, London; publ. 4th May 1756, hand-coloured copper engraving, 28x41cm: French School, late 18th century- Vue du Marche aux Herbes a Edimbourg; publ. by Basset, Paris, c.1830, hand-coloured copper engraving, 26.5x39.3cm, (9)

François Vivares (1709 – 1780)

François Vivares (1709 – 1780) Moon-Light, after Aert Van Der Neer (1603/04-1677) A moonlit river landscape with shipping and a town beyond. Lettered below the image with the title, Vander Neer pinx./ printed; Vivares Sculp In the Collection of Christopher Batt Esq.r / 2 Feet 3 Inches ½ wide / 1 ..... [Foot] 6 .....[Inches] ½ high/Published January 20th 1775 by John Boydell Engraver in Cheapside London. 48.8 cm x 65.5 cm Catalogue notes: Other examples include those in the Fitzwilliam Museum Cambridge, Object Number: 31.K.3-63, the The Harvard Art Museum, Object Number R2740 and the Royal Academy of Arts Object number 03/1428.

Drury View of Giant's Causeway, Ireland

The East & West Prosepct of the Giant’s Causway in the County of Antrim in the Kingdom of Ireland. François Vivares (1709-1780), after S. Drury. Engraving. Published in 1743-44 by S. Drury, whose original paintings [obtained the prize for the year 1740 ..., from the] Dublin Society for the Encouragement of Arts and Sciences. 16 3/4 x 26 3/4 inches sheet.

Vivares (Francoise, 1709-1780), Pastoral landscape with cattle and classical ruin.

Vivares (Françoise, 1709-1780), Pastoral landscape with cattle and classical ruin, pen and brown ink, watercolour, on laid paper, watermarked with fleur-de-lis, inscribed in pen and brown ink on verso: 'an entire Original Desyn,/ by J. Vivares', 195 x 250 mm. (7 3/4 x 9 3/4 in), unframed ⁂ Vivares moved to England while still a young man, aged only 18. It was here that he established himself as a printmaker of landscapes, and produced numerous works of his own design, as well as engravings after paintings by Claude Lorraine, Poussin, Gainsborough, Ruisdael and others. In the present rare example of his draughtsmanship, Ruisdael and Lorraine appear to have been at the forefront of the artist's mind.

Francois Vivares (French, 1709-1780)

Pair of engravings, circa 1760 After Gaspar Poussin, arcadian scene in the collection of the Right Hon. Sir. Robert Walpole, circa 1741 After Claude Duflos, The Killing of the Innocence Framed in original Hogarth frame

Vivares, Francis: Arkadische Landschaft mit Badenden

Arkadische Landschaft mit Badenden. Radierung, nach Franz de Paula Ferg. 40 x 49,8 cm. 1756. Le Blanc 35. Prachtvoller, schön abgestufter Druck. Mit breitem Rand. Dieser leicht fleckig und gebrauchsspurig, sonst sehr gut erhalten. Aus dem Kupferstichkabinett Dresden mit dem Veräußerungsstempel (Lugt 1647, 1618).

FRANCOIS VIVARES AFTER THOMAS SMITH (1709-1780) SOUTH EAST VIEW OF KIRSTALL along with 8 other prints. Hand colored engraving: 15 x...

FRANCOIS VIVARES AFTER THOMAS SMITH (1709-1780) SOUTH EAST VIEW OF KIRSTALL along with 8 other prints. Hand colored engraving: 15 x 21 in.

François Vivares (1709-1780): a copperplate

François Vivares (1709-1780): a copperplate engraving entitled The Dutch Fishermen, 27 by 36cm.

Artwork by - Vivares Francois (1709 - 1780)

Artwork by - Vivares Francois (1709 - 1780)

FRANCIS VIVARES, (English, 1709-1780), IN THE PAMPHILI PALACE AT ROME and JUPITER AND EUROPA, after Claude Lorraine, engraving;

FRANCIS VIVARES (English, 1709-1780) IN THE PAMPHILI PALACE AT ROME and JUPITER AND EUROPA, after Claude Lorraine engraving; No. 25, Pamphili Palace, c. 1764; No. 30, Jupiter and Europa, c. 1771; in matching gilt wood frames: 25 x 30 inches

Eighteenth-century engraving

Eighteenth-century engraving, A view of a bridge near Antwerp, Engraving by Francois Vivares, Published 1779 Dimentions: 37 x 49 cms.

A Small Collection of 18th Century Italian Views

A Small Collection of 18th Century Italian Views comprising six etchings by François Vivares, after Marco Ricci, two after Andrea Zuccarelli, one after Pietro Longhi, and two others after Carle Vernet, on various papers, all with margins, various conditions and sizes, some with creases, soiling and other minor defects, otherwise in generally good condition P. 460 x 330 mm., S. 570 x 430 mm. (and smaller) (11)

Vivares, Francois efter Poussin, Gaspard,

Vivares, Francois efter Poussin, Gaspard, kopparstick, klassicerande landskap, 28 x 38 cm, skador

François Vivares (1709-1780), after S. Drury

François Vivares (1709-1780), after S. Drury The West Prospect of the Giant's Causeway in the County of Antrim, in the Kingdom of Ireland; and The East Prospect of the Giant's Causeway in the County of Antrim, in the Kingdom of Ireland engravings, published by J.Boydell, London, 1777 S. 17 x 27¼in. (43 x 69.2cm.) (2)

François Vivares (1709-1780) and others, after Thomas Smith

François Vivares (1709-1780) and others, after Thomas Smith Views in Derbyshire and Yorkshire: The High Force, on the River Teese; South East View of Kirkstall Abbey; Matlock High Tor; A View of the Petrifying Spring, Commonly called The Dropping Well, at Knaresborough, in Yorkshire; Thorp Cloud - This Pyramidal Mountain in Derbyshire, the River Dove washes its foot; Fountains Abbey, from the South East; Gordal, at Malham, in Craven, in Yorkshire; a Prospect of the River Chee Torr on the River Wie, two miles below Buxton; and Kenilworth Castle, from the south engravings, published by T.Smith, 1751 S. 16½ x 23in. (42 x 58.5cm.) (9)

After Claude Gellée, called Claude Lorrain Landscape with Narcissus and Echo Etching and engraving, by Francois Vivares, on laid paper published 1743 by A.Pond

Landscape with Narcissus and Echo Etching and engraving, by Francois Vivares, on laid paper published 1743 by A.Pond 31.5 x 40.5cm (12 3/8 x 15 15/16in).

François Vivares ( 1709-1780 ) Pair of framed

François Vivares ( 1709-1780 ) Pair of framed etchings Rural farming landscape views-' No. 15 Engraved from an original picture of F Luccarelli, in the possession of Wm Herring Esq ' and ' No. 16 ... in the possession of Frederick Frankland Esq ' Signed, titled and ' published by F. Vivares 15th January 1756 ' lower, with 'Francis Harvey, London ' label verso Both 16 1/4" x 19 3/4"

ORIGINAL ENGRAVING, FRANCOIS VIVARES (1709-1782)

ORIGINAL ENGRAVING, FRANCOIS VIVARES (1709-1782) Framed original engraving, Grand Tour,"Engraved from a picture after M. Wooton", published by Francois Vivares 20, March 1761, sight: 16"h, 19.25"w, overall: 22"h, 25"w,

François VIVARES (1709-1780) Gravure représentant

François VIVARES (1709-1780) Gravure représentant un palais italien 22,5 x 32 cm 200 / 300

Francis Vivares