George (1796) Vincent Paintings & Artwork for Sale | George (1796) Vincent Art Value Price Guide

Oct. 09, 2024
GEORGE VINCENT (BRITISH 1796-1836), FISHERFOLK AND DUTCH VESSELS ON YARMOUTH BEACH
Est: £20,000 - £30,000
GEORGE VINCENT (BRITISH 1796-1836)FISHERFOLK AND DUTCH VESSELS ON YARMOUTH BEACH, BENEATH THE NORFOLK NELSON MONUMENTOil on canvasSigned with monogram and dated `1829' (lower left)101.6 x 127cm (40 x 50 in.)Provenance:Dalham Hall, Newmarket, SuffolkPrivate collection, UK'I am a Norfolk man and glory in being so', Admiral Nelson declared after landing at Yarmouth in 1800 as the Hero of the Nile. The Norfolk Nelson Monument, designed by William Wilkins and crowned by a figure of Britannia, was erected in 1819, twenty-four years before Nelson's Column in Trafalgar Square. On the landward side an inscription reads: 'This great man Norfolk boasts her own....in talents, manners and mind'. George Vincent emphasizes the classical grandeur of the monument by bathing it in a shaft of light from a parting cloudscape. The dramatic, swift-moving coastal clouds, the crystalline clarity of his style and the sharp recession of the line of fishing boats all contribute to a sense of dynamism in this painting. The Dutch flags on the boats are a reminder of the long association between East Anglia and The Netherlands. Vincent also used the Nelson Monument as a focus in Dutch fair on Yarmouth beach, Norfolk, 1821 (Great Yarmouth Museum). He made a number of paintings of the Yarmouth shoreline and its lively fish markets, including Fish auction, Yarmouth beach, 1828 (Norwich Castle Museum)The son of a weaver and shawl manufacturer, George Vincent may well have embarked on his career as an artist through the encouragement of the Starks, a family whom his father knew in the dyeing trade. The Starks' son James was training to be an artist. After completing his education at Norwich Grammar School, Vincent joined Stark as a pupil of John Crome (1768-1821). He first exhibited with the Norwich Society of Artists in 1812. In January 1816, after the final defeat of Napoleon, Vincent travelled to France in the company of John Berney Crome, often known as 'Moonlight Crome' (1794-1842), and the surgeon Steele, who married Crome's daughter. On his return, Vincent travelled throughout the south-east, painting views of Essex and Windsor. The friendship with James Stark remained very close and the two young artists lived next door to each other in Newman Street when they moved to London and began their studies at the British Institution Schools in Pall Mall. When Stark was forced to return to Norwich due to ill-health, Vincent embarked upon a tour of Scotland in 1819.George Vincent returned to London, having attended the funeral of his friend and Master Crome in Norwich in 1821, gaining considerable patronage. In 1822 he married the daughter of Dr Cugnoni - whom he erroneously thought to be an heiress - and purchased a house in Camden Town somewhat beyond his means. In 1824, they moved to a smaller house and studio in Bedford Square. However, Vincent was never to learn to spend his money temperately and in December 1824 he ended up in the Third Gallery of the debtors' prison in Fleet Street, from which he was discharged in February 1827. He was able to paint in the Fleet, but only small works. Works by Vincent were shown at the Society of British Artists in 1832, the year that he died. The work of George Vincent in represented in the Norwich Castle Museum; the British Museum and the V&A, London; Nottingham Castle Museum and Art Gallery; Manchester City Art Gallery and the Fitzwilliam Museum, Cambridge.
Dreweatts 1759 Fine Sales
Aug. 03, 2024
George Vincent (1796 - 1831). Landscape With Figures.
Est: $1,200 - $1,800
Oil on canvas, 36 x 45 inches. In a period gilt frame, 40 x 49 inches.
Casco Bay Auctions
Mar. 05, 2024
GEORGE VINCENT OIL ON CANVAS LANDSCAPE SCENE
Est: $500 - $800
George Vincent (British, 1796 - 1831) Landscape Scene Sir Philip Sidney's Birthplace, Kent, 1554 - 1586 painted in 1815 Oil on Canvas Signed in pencil on verso. Original frame with labels Measuring H 16 W 18 in Canvas 10 x 11.5 No Reserve.
Dallas Auction Gallery
Feb. 27, 2024
George Vincent - Fishing at dusk
Est: £400 - £600
George Vincent, British 1796-c.1831 Fishing at dusk; oil on canvas, signed and dated 'Geo. Vincent / 77', 51.5 x 77 cm. Provenance: Private Collection, UK.
Roseberys
Feb. 04, 2024
George Vincent 'Mother and Child Crossing Bridge' O/B
Est: $500 - $1,250
A George Vincent (English, 1796 - 1831) oil on board painting titled 'Mother and Child Crossing Bridge' depicting a pastoral scene featuring a mother and child crossing a small stone arch bridge. Signed lower left. Presented in a carved gilt frame. Sight: 13" x 17"
Atlanta Auction Gallery, ltd
Jan. 19, 2024
Painting, George Vincent
Est: $3,000 - $5,000
George Vincent (British, 1796-1831), "Fishing Shacks and a Dismantled Hull in Open Seas," oil on canvas, signed lower left, canvas: 30"h x 49.5"w, overall (with frame): 36.5"h x 56.5"w
Clars Auctions
Jan. 02, 2024
GEORGE VINCENT 1796-1831 LANDSCAPE PAINTING SIGNED
Est: $5,000 - $6,000
George Vincent (UK 1796-1831). A very good landscape painting. The work is oil/canvas and is signed. The work is presented In a period frame, likely original. Measures: 24 1/2" X 33 1/4'' (Exterior Frame) 17'' X 26'' (Work) Provenance: Property of a private Westchester collector.
Austin York LLC
Dec. 15, 2023
Painting, George Vincent
Est: $4,000 - $6,000
George Vincent (British, 1796-1831), "Fishing Shacks and a Dismantled Hull in Open Seas," oil on canvas, signed lower left, canvas: 30"h x 49.5"w, overall (with frame): 36.5"h x 56.5"w
Clars Auctions
Mar. 08, 2023
George Vincent (British, 1796-1831) A view near Norwich
Est: £1,000 - £1,500
George Vincent (British, 1796-1831) A view near Norwich signed with monogram (lower right) oil on panel 44.4 x 59.4cm (17 1/2 x 23 3/8in).
Bonhams
Jan. 25, 2023
George Vincent English, 1796-1831 Driving the Cattle Home Signed with monogram and dated 1826 (lr) Oil on...
Est: $800 - $1,200
George Vincent English, 1796-1831 Driving the Cattle Home Signed with monogram and dated 1826 (lr) Oil on canvas 25 1/4 x 30 1/4 inches (64.2 x 76.7 cm) Provenance: Private collection, Mill Neck, New York C Estate of a Mill Neck, New York Collector
DOYLE Auctioneers & Appraisers
Jul. 19, 2022
George Vincent,
Est: £400 - £600
George Vincent, British 1796-c.1831- Fishing at dusk; oil on canvas, signed and dated 'Geo. Vincent / 77', 51.5 x 77 cm. Provenance: Private Collection, UK. Please refer to department for condition report
Roseberys
Mar. 23, 2022
GEORGE VINCENT (BRITISH 1796-1832)
Est: £300 - £500
GEORGE VINCENT (BRITISH 1796-1832) Property from a Private Collection GEORGE VINCENT (BRITISH 1796-1832) A woodman's cottage signed with the artist's monogram and dated CV 1827 (lower right) oil on canvas 53.5 x 41.7 cm (21 x 16 3/8 in) PROVENANCE: J. Staats Forbes Esq H. Darell Brown, May 1924 Sydney Martineau Esq, London, by 1927 EXHIBITED: Norwich, Norwich Castle Museum and Art Galleries, Exhibition of Norwich School Pictures, 1927, no. 122
Chiswick Auctions
Feb. 11, 2022
Vincent George, Evergreens, two oil paintings on canvas
Est: $100 - $200
Vincent George Evergreens, two oil paintings on canvas signed, unframed.
Link Auction Galleries
Jan. 25, 2022
Attributed to George Vincent (British, 1796-1831) Figures on a path in a rural landscape 8 x 11in (20.4 x 28cm)
Est: $500 - $700
Attributed to George Vincent (British, 1796-1831) Figures on a path in a rural landscape oil on panel 8 x 11in (20.4 x 28cm) For further information on this lot please visit the Bonhams website
Bonhams
Jan. 02, 2022
GEORGE VINCENT 1796-1831 LANDSCAPE PAINTING SIGNED
Est: $5,500 - $6,500
George Vincent (UK 1796-1831). A very good landscape painting. The work is oil/canvas and is signed. One of the better landscapes by Vincent we have seen. In what may be the original, period, frame. Measures: 24 1/2'' X 33 1/4'' (Exterior Frame) 17'' X 26'' (Work) Provenance: Property of a private Westchester collector.
Austin York LLC
Jun. 23, 2021
GEORGE VINCENT 1796-1831 LANDSCAPE PAINTING SIGNED
Est: $6,000 - $8,000
George Vincent (UK 1796-1831). A very good landscape painting. The work is oil/canvas and is signed. One of the better landscapes by Vincent we have seen. In what may be the original, period, frame. Measures: 24 1/2'' X 33 1/4'' (Exterior Frame) 17'' X 26'' (Work) Provenance: Property of a private Westchester collector.
Austin York LLC
Mar. 23, 2021
Attributed to George Vincent, British 1796-c.1832- Norfolk landscape; oil on canvas, signed ind
Est: £500 - £700
Attributed to George Vincent, British 1796-c.1832- Norfolk landscape; oil on canvas, signed indistinctly with initials, 19.5x24.5cm Held in a gilded composition Louis XV style swept and pierced frame with green velour mounted slip, circa mid-late 20th century The reverse of the frame and part of the salvage is covered over with brown tape. The canvas has been relined circa mid-late 20th century. The wooden stretcher with single vertical cross brace member appears to be the original and bears old numerical stencil and chalk marks. The paint surface with two vertical bar marks centre and right The paint surface has been cleaned in recent years. Under UV light inspection there is evidence of heightening to the trees and trunks, and to the shrubs to the right. There are some small areas of retouching within the sky. Overall in good condition.
Roseberys
Dec. 09, 2020
George Vincent (1796-1831) after John Crome
Est: £1,000 - £1,500
George Vincent (1796-1831) after John Crome George Vincent (1796-1831) after John Crome Chapelfields, Norwich oil on canvas 63 x 76cm Provenance: with Frost & Reed, Christie's, 26 February 1917, lot 49 (as Crome); Staats Forbes Collection; Percy M Turner, Christie's London, 16 March 1934, Lot 122 (£84 to Atkins); Sir Jeremiah Colman; the collection of Surgeon Vice Admiral Godfrey Milton-Thompson. Literature: N L Goldberg 'John Crome the Elder', pub. New York University Press, p.215-216. Exhibited: City of Norwich Museums (on loan from J & J Colman).
Sworders
Nov. 10, 2020
Attributed to George Vincent (British, 1796-1831) A view on the broads with men fishing from punts
Est: £1,000 - £1,500
Attributed to George Vincent (British, 1796-1831) A view on the broads with men fishing from punts oil on canvas 64.8 x 87.7cm (25 1/2 x 34 1/2in). For further information on this lot please visit the Bonhams website
Bonhams
Sep. 16, 2020
George Vincent (British, 1796-1831) An Old Farmstead near Norwich Oil on canvas
Est: $1,000 - $1,500
George Vincent (British, 1796-1831) An Old Farmstead near Norwich Oil on canvas 25 x 30-1/4 inches (63.5 x 76.8 cm) Signed lower left: George Vincent HID01801242017
Heritage Auctions
May. 08, 2020
GEORGE VINCENT (1796 - ) ENGLISH OIL PAINTING ON BOARD GOLD LEAF FRAME ANTIQUE
Est: $480 - $550
Frame Size 18 1/4" X 14 1/2" George Vincent (1796 - ) English Oil Painting on Board Gold Leaf Frame Antique
Auction by Daum
Apr. 12, 2020
GEORGE VINCENT ENGLISH OIL PAINTING ON BOARD
Est: $2,500 - $8,000
George Vincent (English, 1796-1831) oil painting on board landscape scene unsigned measures 9 1/2" x 13 1/2" frame is 2"
Auction by Daum
Mar. 27, 2020
GEORGE VINCENT ENGLISH OIL PAINTING ON BOARD
Est: $2,500 - $8,000
George Vincent (English, 1796-1831) oil painting on board landscape scene unsigned measures 9 1/2" x 13 1/2" frame is 2"
Auction by Daum
Mar. 08, 2020
George Vincent English Oil Painting on Board
Est: $250 - $300
George Vincent (English, 1796-1831) oil painting on board landscape scene unsigned measures 9 1/2" x 13 1/2" frame is 2"
Bruce Kodner Galleries
Feb. 23, 2020
George Vincent English Oil Painting on Board
Est: $250 - $300
George Vincent (English, 1796-1831) oil painting on board landscape scene unsigned measures 9 1/2" x 13 1/2" frame is 2"
Bruce Kodner Galleries
Sep. 11, 2019
George Vincent (British, 1796-1831) St. Paul's from the Surrey side of Blackfriars bridge, figures and sailing... oil on canvas 52 ¼ x 55 ½ in. (132.7 x 141 cm.)
Est: £3,000 - £5,000
George Vincent (British, 1796-1831) St. Paul's from the Surrey side of Blackfriars bridge, figures and sailing barges in the foreground oil on canvas 52 ¼ x 55 ½ in. (132.7 x 141 cm.)
Christie's
May. 07, 2019
George Vincent (British, 1796-1831)
Est: $1,200 - $1,800
Riverscene; Cart in the Village oil on canvas, pair, signed l.l.c. 'G. Vincent', signed l.r.c. 'G. Vincent' (2)
Shapiro Auctioneers
Mar. 27, 2019
Attributed to George Vincent (1796-c.1831) British. "A View Near Norwich, with Cattle Grazing", Oil on Panel, Inscribed on a label on reverse, 11" x 16.5".
Est: £150 - £250
Attributed to George Vincent (1796-c.1831) British. "A View Near Norwich, with Cattle Grazing", Oil on Panel, Inscribed on a label on reverse, 11" x 16.5".
John Nicholson's Fine Art Auctioneers & Valuers
Jan. 24, 2019
George Vincent (1796 - 1831) Oil on Canvas.
Est: $2,000 - $3,000
29 1/2" x 35" signed lower left. Restoration noted throughout. Lovely 19th century Landscape.
Weiss Auctions
Nov. 21, 2018
GEORGE VINCENT (1796-1832) British Figures Before a Riverside Thatched Cott
Est: £2,000 - £3,000
GEORGE VINCENT (1796-1832) British Figures Before a Riverside Thatched Cottage, a Windmill Beyond; together with Figure in a Landscape, a River and Windmill Beyond Oils on panel, old inscribed labels to verso and latter with remnants of typed label to verso, framed. 27 x 20.5 cm. (a pair) (2) Provenance: THE SIR WILLIAM AGNEW PICTURES FROM ROUGHAM HALL (Lots 887-905 inclusive) Sir William Agnew, 1st Baronet (1825-1910) English, was one of the most successful art dealers of the 19th century, with Thomas Agnew & Sons, his London art business in Mayfair, flourishing as one of the leading art dealerships in London from 1860 until it closed in April 2013. Originally his early clients were the new hugely wealthy class of industrialists, merchants and bankers making it big in industrial Britain. Sir William knew many of the contemporary artists of his time personally. In 1870 Sir William invited Frederick Walker (1840-1875) British, John Evan Hodgson (1831-1895) British, Charles Leslie (1839-1886) British and Stacy Marks (1829-1898) British, to his Salford House, Summer Hill. When asked if they could play billiards in the newly added billiard room on Sunday morning, Sir William replied that they did not do that on Sundays at Summer Hill. Having left the room in slightly haughty manner, Sir William returned an hour later and found that Walker had just finished a large mermaid on the lining paper of the walls (the Paris wallpaper had yet to arrive), Charles Leslie had painted a landscape of the Thames, Stacy Marks had sketched Walker and Agnew playing billiards, and Hodgson had started a highland landscape. After working until midnight and all the next day, the Paris wallpaper was cancelled and the drawings varnished. Sir William was also a well known figure at auction. There is a description of Sir William at the Christie's Wells sale in 1890 which reads ''Christie's was crammed full on Saturday afternoon, though the sale could have been conducted quite as well in a four wheel cab for Mr Agnew bought nearly everything. Roughly speaking he spent nearly £50,000 out of £77,000 which the sale produced.... You cannot see Mr Agnew's jovial countenance, you cannot hear Mr Agnew's formidable voice, but that hat of his holds you like the eye of the ancient mariner. Every bob of the hat means a thousand. It is splendid.'' In 1889 Sir William bought Edward Burne Jones's four major panels illustrating the Legend of the Briar Rose and exhibited them in his Bond Street Gallery from 1890, attracting over 1,000 visitors per day. Sir William's business was now becoming more and more international with clients including Junius Spencer Morgan (183-1890) American, Cornelius Vanderbilt (1794-1877) American, as well as several members of the Rothschild family. Sir William's last great achievement was probably the collection he assembled for Edward Cecil Guinness, 1st Earl of Iveagh from 1887 which included a Boucher, two Van Dycks, walls full of Gainsboroughs, Reynolds and Romneys, and a Vermeer and one of the greatest late Rembrandt self portraits ever painted. Few people knew of the Iveagh collection as business was conducted in great secrecy and all communications were in code. In total Lord Iveagh bought 240 pictures and drawings from Agnew's and when he left Kenwood to the nation in 1927 sixty-two of the sixty-three pictures included were purchased from Agnew's. The collection was described by the Guardian as the most valuable gift of paintings to the nation of the 20th century. Sir William retired from the Agnew's firm in 1895 when Lord Rosebery had him made a baronet for his services to art. When he died Sir William was described in newspaper obituaries as a Prince of Art Dealers.
Rowley Fine Art Auctioneers and Valuers
Sep. 25, 2018
George Vincent (Attributed) (British, 1796-1931), English Landscape Painting with sheep, oil on canvas, no visible signature, 25" x ...
Est: $1,500 - $2,500
George Vincent (Attributed) (British, 1796-1931), English Landscape Painting with sheep, oil on canvas, no visible signature, 25" x 30", framed 31-1/2" x 36-1/2", good condition, old relining and restoration, age cracking, inpainting
William Bunch Auctions & Appraisals
Sep. 12, 2018
George Vincent (British, 1796-1831) - An extensive wooded river landscape, with cottages, cattle and sheep in the foreground
Est: £3,000 - £5,000
George Vincent (British, 1796–1831) An extensive wooded river landscape with cottages, cattle and sheep in the foreground oil on panel h:63 w:102 cm Provenance: Possibly acquired from the artist (label on the reverse possibly with his signature and address 26 Newman Street, London); Also on the reverse a label of Thomas Agnew & Sons, no. 4546; Thomas Damant Eaton (1800-1871) of Eaton Hall, Norwich, and by descent Other Notes: The painting will be included in the forthcoming catalogue raisonne on George Vincent by Alastair Tort.
Cheffins
Jun. 23, 2018
George III Sterling Tea Caddy, William Vincent
Est: $600 - $900
George III Sterling Tea Caddy, London, 1780, made by William Vincent, oval box engraved with floral garland etc. Approx. Weight: 19 ozt. [4](HART6303)(PR)
Litchfield Auctions
May. 31, 2018
George III silver tea caddy, William Vincent
Est: $1,500 - $2,000
George III silver tea caddy, William Vincent London, dated 1774, hinged cylinder design with foliate finial, stipple and bright-cut decorated swag and ribbon motifs and heraldic pendant, complete hallmarks, H5" Dia.4", and 12.6ozT Provenance: New York collection
Charlton Hall
Jul. 08, 2017
CONDITION UPDATED: GEORGE VINCENT (United Kingdom, 1796 - 1832) - CATTLE IN THE COUNTRY - Oil on hardboard realist scene of cattle d...
Est: $800 - $1,200
CONDITION UPDATED: GEORGE VINCENT (United Kingdom, 1796 - 1832) - CATTLE IN THE COUNTRY - Oil on hardboard realist scene of cattle drinking from a stream with the farmer and child nearby. A windmill and open pasture is seen in the background. Painting is in well preserved condition. Board has been repaired and additional oil paint has been added to conceal the damage. one slight crack is visible in the center left of the piece. Framed in a gilt wood frame and with a wood lattice support on the back of the piece. Measures 24"L x 30.5"W
Pacific Galleries
Apr. 30, 2017
VINCENT, George (British 1796-?)
Est: $800 - $1,000
River Valley with Cottage, 1841. Signed & dated lower right.
Davidson Auctions
Dec. 11, 2016
Painting, George Vincent
Est: $700 - $1,000
George Vincent (British, 1796-1831), Lake Scene with Castle, oil on canvas, signed lower right, overall (with frame): 18"h x 23"w
Clars Auctions
Dec. 04, 2016
VINCENT, George (British 1796-?)
Est: $800 - $1,000
VINCENT, George (British 1796-?) River Valley with Cottage, 1841. Signed & dated lower right.
Davidson Auctions
Dec. 01, 2016
Attrib. to George Vincent (1796-1831), oil on panel, 'On the River Yare
Est: £400 - £600
Attributed to George Vincent (1796-1831), oil on panel, ''On the River Yare'' 11.5 x 13.5in
Gorringes
Sep. 11, 2016
VINCENT, George (British 1796-?)
Est: $1,000 - $2,000
VINCENT, George (British 1796-?) River Valley with Cottage, 1841. Signed & dated lower right. Oil on Canvas 48x68cm
Davidson Auctions
Jul. 09, 2016
George Vincent, Norwich, UK (1796-1831)
Est: $400 - $700
George Vincent, Norwich, UK (1796-1831), oil on canvas painting titled on reverse "A Quiet Pool" , two boys fishing near their homestead, signed on the reverse " by Geo Vincent, Norwich" 12" X 9", modern gold molded frame with a cloth liner.
The Cobbs
Jun. 26, 2016
Manner Of George Vincent, "Wayside Conversation"
Est: $800 - $1,200
Continental School, second half 19th century. Manner of George Vincent (English, 1796-1831), "A Wayside Conversation", oil on canvas, apparently unsigned, with inscription to frame "VINCENT", with label to verso "Artist: Circle of George Vincent, Title: Wayside Conversation Oil on Canvas Circle of George Vincent (1796-1831) Circa 19th Century Stock No JMP828 Price $15,850", with label to verso "TB 541", with label to verso "Circle of George Vincent (1796-1831) 'A Wayside Conversation' 18 x 24 JBP003 CSK 10/2/00/190", with label to verso "T.Mc T.JMP828 ILID SC 01107", with framer's label to verso "BROs Established Nearly Half A Century 241, King's Rd. Chelsea (Opposite Carlyle Square". Finely rendered figural pastoral landscape painting depicting a seated man and standing peasant woman near a group of cattle or cows in the foreground, with a barn and small village dotted with verdant trees in the midground and a mountain ridge in the distance, with cumulous clouds in blue skies overhead. Framed approximately 27.25" x 33.5". Unframed approximately 18" x 24.125".
Ahlers & Ogletree Inc.
May. 22, 2016
Painting, George Vincent
Est: $2,000 - $4,000
George Vincent (British, 1796-1831), "An Old Farmstead Near Norwich," oil on canvas, signed lower left, title placard affixed lower center, canvas: 25"h x 30.5"w, overall (with frame): 32"h x 37"w
Clars Auctions
May. 21, 2016
George Vincent (1796-1831) oil on canvas girl in farm landscape, signed bottom center G
Est: $400 - $800
George Vincent (1796-1831) oil on canvas girl in farm landscape, signed bottom center G. Vincent. ss 18 1/2" x 15"
Nadeau's Auction Gallery
Apr. 08, 2016
Attributed to George Vincent, (British, 1796-1831), Street Scene with Canterbury Cathedral in Background
Est: $800 - $1,200
Attributed to George Vincent (British, 1796-1831) Street Scene with Canterbury Cathedral in Background oil on canvas 24 x 20 inches.
Hindman
Feb. 21, 2016
Painting, George Vincent
Est: $3,000 - $5,000
George Vincent (British, 1796-1831), "An Old Farmstead Near Norwich," oil on canvas, signed lower left, title placard affixed lower center, canvas: 25"h x 30.5"w, overall (with frame): 32"h x 37"w
Clars Auctions
Feb. 07, 2016
Tableau: Aquarelle -Le lac de Killarney- titré et signé au dos et de *VINCENT G.* (George) (1796. c1831) 12.5x17.5cm cadre sous verre
Est: €100 - €150
Tableau: Aquarelle -Le lac de Killarney- titré et signé au dos et de *VINCENT G.* (George) (1796. c1831) 12.5x17.5cm cadre sous verre
Monsantic.com
Dec. 20, 2015
Vincent, George (1796-1836) Grande-Bretagne/Great Britain - Cows on the riverside
Est: $1,000 - $1,500
Huile sur toile, signée en bas à droite Geo Vincent Oil on canvas, signed on lower right Geo Vincent 12 x 18; 30.48 x 45.72 cm
Lapointe & Champagne