RAFAEL VILLANUEVA Sold at Auction Prices

b. 1932 -

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      • RAFAEL VILLANUEVA Seville (1932) "View of Cadiz", 1971
        Sep. 25, 2024

        RAFAEL VILLANUEVA Seville (1932) "View of Cadiz", 1971

        Est: €300 - €400

        Mixed technique on canvas attached to board Located, signed and dated in the upper right corner Measurements: 60.5 x 75 cm

        Ansorena
      • Ronda III
        Jun. 19, 2024

        Ronda III

        Est: -

        Firmado y fechado en 1983 anverso y reverso.

        Isbilya Subastas
      • También nos arrebataron la paloma II
        Jun. 19, 2024

        También nos arrebataron la paloma II

        Est: -

        Firmado en el ángulo inferior derecho. Fechado en 1975

        Isbilya Subastas
      • VILLANUEVA, RAFAEL (1932)
        May. 28, 2024

        VILLANUEVA, RAFAEL (1932)

        Est: -

        Mixed technique on board. Signed and dated (76) in the lower left corner. Provenance: - Club Financiero Génova Collection.

        Duran Arte y Subastas
      • Rafael Enriquez y Villanueva (1850 - 1937) - La Bailaora (The Flamenco Dancer)
        Mar. 09, 2024

        Rafael Enriquez y Villanueva (1850 - 1937) - La Bailaora (The Flamenco Dancer)

        Est: ₱800,000 - ₱1,040,000

        La Bailaora (The Flamenco Dancer) signed and dated 1881 (upper left) oil on canvas 24" x 20" (61 cm x 51 cm) PROVENANCE: Artcurial, Sale of Old Masters & 19th Century Art, France, 23 September 2023, Lot 528, titled Portrait de Jeune Femme à la Rose (Portrait of a Young Woman with a Rose) WRITE UP: Rafael Enriquez: The Flamenco Dancer of Andalusia Like Luna and Hidalgo, Rafael Enriquez was among the ilustrados who found their metier in Madrid and Paris. Born in Naga, then called Nueva Caceres, he would next take the familiar route of study at the Ateneo Municipal and then the Universidad de Santo Tomas, both in Manila. He also enrolled in the Academia de Dibujo y Pintura, then under the direction of Don Agustin Saez, where he had his first artistic training, according to the eminent biographer of Filipino men of art and science, E.A. Manuel. He would next sail to Spain to study law and like Hidalgo, once he had discharged his familial duties would enter the world of fine arts at the Royal Academy of San Fernando in Madrid. He would, however, find the French capital and its more libertarian atmosphere more conducive to his art. In 1879 he would move to Paris and stay for the next eight years, the same period in which this work at hand was created. Enriquez would become a noted portraitist and his sitters would include European aristocracy such as the Marques de Rivera, the Marques del Togo del Valle as well as the Duque de Banns, in no small part as a result of marrying into their circle. He would marry a noblewoman from Antequera, Andalucia, the daughter of the Marques de Zela. His daughter would recall in later years that the best of his works were to be found in Europe where he lived longest and had the best commissions. This is true indeed for the work at hand, La Bailaora (The Flamenco Dancer), the portrait of a young flower of Andalucia — from his wife’s hometown — and its spring festivals or ferias, where song, dance and romance are in the air. The dancer is dressed in the traditional black and red of the flamenco, a richly embroidered manton de Manila thrown on her shoulders. These large shawls were favored by the performers to cover their arms, their swirling long fringes accenting their movements. In her hair is the traditional gold peineta (comb) and roses. Enriquez has used the lightest hand to outline the tendrils of her hair, the red coral beads of her necklace, flushed cheeks and pretty smile. Roses are particularly Spanish symbols of the flamenco, the bullfights, the parades — and courtship. Enriquez has painted two roses, one a bud, the other in full bloom as symbols of the promise and fulfillment of love. (Lisa Guerrero Nakpil)

        Leon Gallery
      • Ronda III
        Jun. 15, 2023

        Ronda III

        Est: -

        Firmado y fechado en 1983 anverso y reverso.

        Isbilya Subastas
      • También nos arrebataron la paloma II
        Jun. 13, 2023

        También nos arrebataron la paloma II

        Est: -

        Firmado en el ángulo inferior derecho. Fechado en 1975

        Isbilya Subastas
      • RAFAEL VILLANUEVA Seville (1932) "Trujillo"
        Jun. 13, 2023

        RAFAEL VILLANUEVA Seville (1932) "Trujillo"

        Est: €45 - €60

        Mixed technique and collage on wood. Signed and dated in the lower right corner. Signed and dated on the back with inscription: nº238. Measurements: 40 x 29 cm

        Ansorena
      • RAFAEL VILLANUEVA Seville (1932) "Trujillo"
        Jan. 18, 2023

        RAFAEL VILLANUEVA Seville (1932) "Trujillo"

        Est: €90 - €120

        Mixed technique and collage on wood Signed and dated in the lower right corner Signed and dated on the back with inscription: "nº238 DRAWING (3) Measurements: 40 x 29 cm

        Ansorena
      • RAFAEL VILLANUEVA Sevilla (1932) "Trujillo"
        Sep. 27, 2022

        RAFAEL VILLANUEVA Sevilla (1932) "Trujillo"

        Est: €150 - €200

        Mixed technique and collage on board Signed and dated in the lower right corner Signed and dated on the back with inscription: "nº238 DRAWING (3) Measurements: 40 x 29 cm

        Ansorena
      • TAMBIÉN NOS ARREBATARON LA PALOMA II
        Mar. 10, 2022

        TAMBIÉN NOS ARREBATARON LA PALOMA II

        Est: -

        Firmado en el ángulo inferior derecho. Fechado en 1975

        Isbilya Subastas
      • RAFAEL ENRÍQUEZ Y VILLANUEVA - Portrait of a gentleman
        Jun. 29, 2021

        RAFAEL ENRÍQUEZ Y VILLANUEVA - Portrait of a gentleman

        Est: -

        RAFAEL ENRÍQUEZ Y VILLANUEVA Nueva Cáceres 1850 - Philippines 1937 Portrait of a gentleman Oil on canvas Signed Measurements 39.5 x 31.5 cm

        Subastas Segre
      • RAFAEL VILLANUEVA - ARCO DEL POSTIGO, SEVILLA
        Oct. 20, 2016

        RAFAEL VILLANUEVA - ARCO DEL POSTIGO, SEVILLA

        Est: -

        RAFAEL VILLANUEVA 1932 Sevilla - Arco del Postigo, Sevilla Firmado. 75 x 60 cm Encáustica y óleo sobre lienzo pegado a tabla

        Isbilya Subastas
      • RAFAEL VILLANUEVA - LA CATEDRAL DE SEVILLLA
        Oct. 20, 2016

        RAFAEL VILLANUEVA - LA CATEDRAL DE SEVILLLA

        Est: -

        RAFAEL VILLANUEVA 1932 Sevilla - La Catedral de Sevillla Firmado. 75 x 60 cm Encáustica y óleo sobre lienzo pegado a tabla

        Isbilya Subastas
      • RAFAEL VILLANUEVA
        Jun. 23, 2016

        RAFAEL VILLANUEVA

        Est: -

        RAFAEL VILLANUEVA 1932 Sevilla - Ronda III Encáustica sobre madera Firmado y fechado en 1983 anverso y reverso. 50 x 61 cm

        Isbilya Subastas
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