Pierre Villain Sold at Auction Prices

b. 1880 - d. 1950

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    • PIERRE VILLAIN Painting Old Man
      May. 18, 2024

      PIERRE VILLAIN Painting Old Man

      Est: $200 - $400

      Oil on board painting of an older man with mustache and hat, painted by Pierre Villain, signed on back. Image measures 31" x 23", frame measures 37" x 29". This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.

      Blackwell Auctions LLC
    • PIERRE VILLAIN Children Painting
      May. 18, 2024

      PIERRE VILLAIN Children Painting

      Est: $200 - $400

      Oil on canvas painting of children, titled on back "Group D'Enfante Spectacle", by artist Pierre Villain, signed on back. Image measures 31" x 25", frame measures 38" x 31-1/2". This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.

      Blackwell Auctions LLC
    • PIERRE VILLAIN (French, 1880-1950). View of Paris's Viaduc d'Austerlitz, Oil on a canvas board. Framed.
      Jun. 15, 2023

      PIERRE VILLAIN (French, 1880-1950). View of Paris's Viaduc d'Austerlitz, Oil on a canvas board. Framed.

      Est: $200 - $300

      PIERRE VILLAIN (French, 1880-1950). View of Paris's Viaduc d'Austerlitz, Oil on a canvas board. Framed. - 8.5 x 10.25 inches; frame: 13.5 x 16 inches

      Sloans & Kenyon
    • Redoute - Floral Bouquet - Iris, Daisy
      Mar. 25, 2023

      Redoute - Floral Bouquet - Iris, Daisy

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Rose, Geranium, Chrysanthemum
      Mar. 25, 2023

      Redoute - Floral Bouquet - Rose, Geranium, Chrysanthemum

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Carnation, Buttercup
      Mar. 25, 2023

      Redoute - Floral Bouquet - Carnation, Buttercup

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Rose, Petunia
      Mar. 18, 2023

      Redoute - Floral Bouquet - Rose, Petunia

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Rose, Blanket Flower
      Mar. 18, 2023

      Redoute - Floral Bouquet - Rose, Blanket Flower

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Rose
      Mar. 18, 2023

      Redoute - Floral Bouquet - Rose

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Morning Glory or Bindweed
      Mar. 18, 2023

      Redoute - Floral Bouquet - Morning Glory or Bindweed

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Begonia, Mallow
      Mar. 11, 2023

      Redoute - Floral Bouquet - Begonia, Mallow

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Geranium, Wallflower
      Mar. 11, 2023

      Redoute - Floral Bouquet - Geranium, Wallflower

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Rose, Chrysanthemum
      Mar. 11, 2023

      Redoute - Floral Bouquet - Rose, Chrysanthemum

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Lily, Petunia
      Mar. 11, 2023

      Redoute - Floral Bouquet - Lily, Petunia

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Cornflower & Poppy
      Mar. 04, 2023

      Redoute - Floral Bouquet - Cornflower & Poppy

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Anemone, Buttercup
      Mar. 04, 2023

      Redoute - Floral Bouquet - Anemone, Buttercup

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Roses
      Mar. 04, 2023

      Redoute - Floral Bouquet - Roses

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Carnations, Cyclamen, Pansies
      Mar. 04, 2023

      Redoute - Floral Bouquet - Carnations, Cyclamen, Pansies

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Peony, Geranium
      Feb. 11, 2023

      Redoute - Floral Bouquet - Peony, Geranium

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Iris, Anemone, Geranium
      Feb. 11, 2023

      Redoute - Floral Bouquet - Iris, Anemone, Geranium

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Lily, Water Lily
      Feb. 11, 2023

      Redoute - Floral Bouquet - Lily, Water Lily

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Gloxinia, Geranium
      Feb. 11, 2023

      Redoute - Floral Bouquet - Gloxinia, Geranium

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Tulip, Chrysenthemum
      Jan. 28, 2023

      Redoute - Floral Bouquet - Tulip, Chrysenthemum

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Rhodendron, Clockvine, Morning Glory or Bindweed
      Jan. 28, 2023

      Redoute - Floral Bouquet - Rhodendron, Clockvine, Morning Glory or Bindweed

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Lily, Sweet Pea, Blanket Flower
      Jan. 28, 2023

      Redoute - Floral Bouquet - Lily, Sweet Pea, Blanket Flower

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Rose, Petunia
      Jan. 28, 2023

      Redoute - Floral Bouquet - Rose, Petunia

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Rose, Phlox
      Jan. 21, 2023

      Redoute - Floral Bouquet - Rose, Phlox

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Lily or Mexican Shell Flower, Pavonia
      Jan. 21, 2023

      Redoute - Floral Bouquet - Lily or Mexican Shell Flower, Pavonia

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Rockrose, Love-in-a-mist
      Jan. 21, 2023

      Redoute - Floral Bouquet - Rockrose, Love-in-a-mist

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Hydrangea, Fuchsia
      Jan. 21, 2023

      Redoute - Floral Bouquet - Hydrangea, Fuchsia

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Anemone, New Zealand Christmas Tree
      Jan. 14, 2023

      Redoute - Floral Bouquet - Anemone, New Zealand Christmas Tree

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Carnation
      Jan. 14, 2023

      Redoute - Floral Bouquet - Carnation

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Carnation, Rose
      Jan. 14, 2023

      Redoute - Floral Bouquet - Carnation, Rose

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Floral Bouquet - Camelia
      Jan. 14, 2023

      Redoute - Floral Bouquet - Camelia

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Bouquet of Rose & Calendula
      Jan. 07, 2023

      Redoute - Bouquet of Rose & Calendula

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Bouquet of Primula or Auricula & Apple Blossom
      Jan. 07, 2023

      Redoute - Bouquet of Primula or Auricula & Apple Blossom

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • Redoute - Bouquet of Rose & Daisy
      Dec. 31, 2022

      Redoute - Bouquet of Rose & Daisy

      Est: $500 - $1,500

      This lovely and exceedingly rare hand-colored lithograph is from an untitled work involving Pierre Joseph Redoute. The publication information is very limited in what could be researched. and was likely printed in the 1830s to 1850s in Paris by Chez Clement. Great Flower Books does mention an uncoloured quarto series of floral bouquets and Hunt records a color issue but little more is known, and this is likely one of the last publications in Redoute's lifetime. Nomenclature on the plate reads "Peint par P. J. Redoute" which could be translated to mean coloring by Redoute or drawn by Redoute. Additional nomenclature reads the same denoting either Pointel du Portail, Prevost, or Courtin as well. Based on the design of the bouquets and research available, it is probably a safe presumption that Redoute would be responsible for the illustrations and Portail, Prevost, & Courtin for the coloring. The lithography process is at least clearly credited to Villain. There is a bookplate present that reads Henry Rogers Broughton and shows his family crest. Broughton (1900-1973) amassed one of the most important collections of botanical art in the world. The work was bound without title, but a small printing adhered to the endpapers stating mostly what is present to the nomenclature. The cover to the work only had name REDOUTÉ stamped in gilt. No. 81 is also present on the end paper, though this could just be a hand-written note for Broughton's collection, as actual information on the publication is scant. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.

      Trillium Antique Prints & Rare Books
    • PIERRE VILLAIN, Painting - Portrait of a Woman
      Jul. 11, 2020

      PIERRE VILLAIN, Painting - Portrait of a Woman

      Est: $200 - $400

      Pierre Villain (French, 1880-1950). Oil on Canvas, Untitled. Subject is a woman with blue eyes, looking over her left shoulder. Signed Pierre Villain and dated 1928 at top right. Canvas size is 16" x 13" and framed size is 21" x 18". Strongly rooted in European Social Realism, Villain's work shows influence by Robert Henri and George Bellows, and bears a resemblance to work by his contemporaries, Moses and Raphael Soyer. Minor abrasions. Craquelure near top.

      Blackwell Auctions LLC
    • VINTAGE FRENCH SCHOOL PAINTING SIGNED VILLAIN
      May. 20, 2020

      VINTAGE FRENCH SCHOOL PAINTING SIGNED VILLAIN

      Est: $60 - $100

      French school w/c painting of a European city on the water with a bridge in the foreground. Painting is signed, Pierre Villain (French 1880-1950). It is framed, under glass. Sight: 8 3/4" x 12", Frame: 16 1/2" x 19 3/8"

      Austin York LLC
    • FRENCH SCHOOL EURO CITY PAINTING SIGNED
      Jan. 29, 2020

      FRENCH SCHOOL EURO CITY PAINTING SIGNED

      Est: $80 - $150

      French school w/c painting of a European city on the water with a bridge in the foreground. Painting is signed, Pierre Villain (French 1880-1950). It is framed, under glass. Measures: Sight: 8 3/4" x 12", Frame: 16 1/2" x 19 3/8" Condition: Rubbing to frame. Work is in good condition. Not examined out of frame.

      Austin York LLC
    • PIERRE VILLAIN (1880-1950) OIL ON BOARD
      Oct. 27, 2019

      PIERRE VILLAIN (1880-1950) OIL ON BOARD

      Est: $275 - $375

      Oil on Board by Pierre Villain (French, 1880-1950) Washerwoman. A member of the Society of French Artists (Societe des Artistes Francais) medal of honor, 1947. Strongly rooted in European Social Realism, Villain's work shows influence by Robert Henri and George Bellows, and bears a resemblance to work by his contemporaries, Moses and Raphael Soyer Board 16"x13". In wood frame 16 3/4"x20x2". Weight 3 pds 10 oz. PROVENANCE: A Charleston SC Private Estate.

      Charleston Estate Auctions
    • PIERRE VILLAIN, Still Life, Oil on Board
      Oct. 12, 2019

      PIERRE VILLAIN, Still Life, Oil on Board

      Est: $200 - $400

      Oil on canvas still life depicting a nude, pipe and clock by Pierre Villain (French, 1880-1950). Signed at lower right. Very good condition with some minor abrasions. Nicely framed. Board measures 13" wide x 16 1/8" high. Framed to 16 3/4" wide x 19 7/8" high.

      Blackwell Auctions LLC
    • PIERRE VILLAIN, Castle Landscape, Oil on Board
      Oct. 12, 2019

      PIERRE VILLAIN, Castle Landscape, Oil on Board

      Est: $400 - $800

      Oil on canvas landscape with a castle or church in the distance by Pierre Villain (French, 1880-1950). Signed at lower right. Excellent condition. Nicely framed. Board measures 24" x 18". Framed to 28" x 22".

      Blackwell Auctions LLC
    • PIERRE VILLAIN, Oil on Board
      Oct. 12, 2019

      PIERRE VILLAIN, Oil on Board

      Est: $200 - $400

      Oil on canvas depicting a boat and river scene by Pierre Villain (French, 1880-1950). Identified on dealer label verso. Board masures 20 7/8" wide x 17 1/4" high. Framed to 23 1/8" wide x 19 1/2" high.

      Blackwell Auctions LLC
    • PIERRE VILLAIN, Oil on Board
      Oct. 12, 2019

      PIERRE VILLAIN, Oil on Board

      Est: $200 - $400

      Oil on canvas depicting children eating at a table by Pierre Villain (French, 1880-1950). Signed at lower right. Excellent condition. Nicely framed. Board measures 18" wide x 15" high. Framed to 21 7/8" wide x 18 3/4" high.

      Blackwell Auctions LLC
    • Pierre Villain, Oil Painting of Girls at Lunch
      Jan. 12, 2019

      Pierre Villain, Oil Painting of Girls at Lunch

      Est: $200 - $400

      Pierre Villain (French, 1880-1950). Oil on board. Painting of young girls eating at a table. Signed P. Villain upper right. 20" x 16-1/2" overall. Strongly rooted in European Social Realism, Villain's work shows influence by Robert Henri and George Bellows, and bears a resemblance to work by his contemporaries, Moses and Raphael Soyer.

      Blackwell Auctions LLC
    • PIERRE VILLAIN Painting of French Soldiers
      Nov. 10, 2018

      PIERRE VILLAIN Painting of French Soldiers

      Est: $200 - $400

      Pierre Villain (French, 1880-1950). Oil on canvas painting of French soldiers in foxhole or trench, one throwing a grenade. Signed "P Villain" at lower right. Label on canvas verso, from Salon de L'Armee, titles the piece "Grenadiers." Strongly rooted in European Social Realism, Villain's work shows influence by Robert Henri and George Bellows, and bears a resemblance to work by his contemporaries, Moses and Raphael Soyer. About 23" x 27" overall.

      Blackwell Auctions LLC
    • PIERRE VILLAIN, Impressionist Landscape Painting
      Nov. 10, 2018

      PIERRE VILLAIN, Impressionist Landscape Painting

      Est: $200 - $400

      Pierre Villain (French, 1880-1950). Oil on canvas painting of French countryside with town and livestock. Signed "Pierre Villain" at lower right. Strongly rooted in European Social Realism, Villain's work shows influence by Robert Henri and George Bellows, and bears a resemblance to work by his contemporaries, Moses and Raphael Soyer. Several of his pre-war works are in today's sale. Frame size measures 28" x 22".

      Blackwell Auctions LLC
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