Frans Vervloet Paintings & Artwork for Sale | Frans Vervloet Art Value Price Guide

Mar. 29, 2025
FRANS VERVLOET (1795-1872)
Est: €1,500 - €2,000
FRANS VERVLOET (1795-1872) Femme à la rose Huile sur panneau Signée et datée 1820 (?) sur la table 29,5 x 21,5 cm
HVMC - Hôtel des Ventes de Monte-Carlo
Mar. 20, 2025
FRANS VERVLOET SALA DA CAFFÈ SUL BOSFORO
Est: €3,000 - €5,000
Firmato e datato in basso a destra: F. Vervloet 1844. In cornice.
DAMS Casa d'Aste
Mar. 19, 2025
FRANS VERVLOET (Belgium, 1795 - Venice, 1872). "St Mark's Square at Sunset, Venice", ca.1840. Oil on hardboard. Signed in the lower right corner.
Est: €8,000 - €10,000
FRANS VERVLOET (Belgium, 1795 - Venice, 1872). "St Mark's Square at Sunset, Venice", ca.1840. Oil on hardboard. Signed in the lower right corner. Size: 32 x 46 cm; 44,5 x 57 cm (frame). The iridescent lights of the sunset glimmer over San Marco square, giving an amber varnish to the architecture of the Ducal Palace and the imposing obelisks. Passers-by enjoy the coolness of the evening, with gallant groups and dock workers mingling at that magical hour. In this excellent painting, Frans Vervoloet has managed to combine the heritage of 18th-century Veduism with the contributions of the Posilippo group of landscape painters of which he was a member. In the style of Canaletto, he constructed a play of perspectives with particular emphasis on the panoramic, but he was not so much interested in the quasi cartographic detail of his predecessors as in working on lyrical values through a pictorialist lighting that flirts with Romanticism. The confluence of the pre-photographic precision of the Venetian Vedutists of the previous century with the Posilippo school's emphasis on conveying moods results in a highly evocative urban landscape. Frans Vervloet was a Belgian painter and printmaker. In 1809 he began studying at the Akademie voor Schone Kunsten in Mechelen, where he was also taught by his brother J. J. Vervloet (1790-1869), a genre painter and portraitist. During this early period, he produced both genre works and copies of old masters (including Peter Paul Rubens), although he concentrated mainly on architectural painting, such as the "Installation of Archbishop François Antoine de Méan in Mechelen". Following the great success of this painting, from 1817 onwards he devoted himself to painting church interiors. In 1822 he was awarded a scholarship to study in Italy, where he became more interested in landscape painting and where he spent most of his career. After two years in Rome, Vervloet travelled to Naples in 1824. There he was greatly influenced by the group of painters of the Posillippo School, whose members, in their reaction against the more academic approach to landscape painting of the late 18th century, favoured a more spontaneous approach with an emphasis on plein-air painting. Vervloet settled permanently in Venice in 1854. His work is now in the Museo Correale di Sorrento (NA), Collezione privata, Venice, Museo nazionale di San Martino di Napoli, among other public collections.
Setdart Auction House
Feb. 06, 2025
FRANS VERVLOET (BELGIAN 1795-1872), VIEW OF FLORENCE
Est: £300 - £500
FRANS VERVLOET (BELGIAN 1795-1872)VIEW OF FLORENCEWatercolourSigned and inscribed 'Florence' (lower right)16.5 x 31cm (6¼ x 12 in.)Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts.
Dreweatts 1759 Fine Sales
Dec. 12, 2024
FRANS VERVLOET (Belgium, 1795 - Venice, 1872). "St Mark's Square at Sunset, Venice", ca.1840. Oil on hardboard. Signed in the lower right corner.
Est: €8,000 - €10,000
FRANS VERVLOET (Belgium, 1795 - Venice, 1872). "St Mark's Square at Sunset, Venice", ca.1840. Oil on hardboard. Signed in the lower right corner. Size: 32 x 46 cm; 44,5 x 57 cm (frame). The iridescent lights of the sunset glimmer over San Marco square, giving an amber varnish to the architecture of the Ducal Palace and the imposing obelisks. Passers-by enjoy the coolness of the evening, with gallant groups and dock workers mingling at that magical hour. In this excellent painting, Frans Vervoloet has managed to combine the heritage of 18th-century Veduism with the contributions of the Posilippo group of landscape painters of which he was a member. In the style of Canaletto, he constructed a play of perspectives with particular emphasis on the panoramic, but he was not so much interested in the quasi cartographic detail of his predecessors as in working on lyrical values through a pictorialist lighting that flirts with Romanticism. The confluence of the pre-photographic precision of the Venetian Vedutists of the previous century with the Posilippo school's emphasis on conveying moods results in a highly evocative urban landscape. Frans Vervloet was a Belgian painter and printmaker. In 1809 he began studying at the Akademie voor Schone Kunsten in Mechelen, where he was also taught by his brother J. J. Vervloet (1790-1869), a genre painter and portraitist. During this early period, he produced both genre works and copies of old masters (including Peter Paul Rubens), although he concentrated mainly on architectural painting, such as the "Installation of Archbishop François Antoine de Méan in Mechelen". Following the great success of this painting, from 1817 onwards he devoted himself to painting church interiors. In 1822 he was awarded a scholarship to study in Italy, where he became more interested in landscape painting and where he spent most of his career. After two years in Rome, Vervloet travelled to Naples in 1824. There he was greatly influenced by the group of painters of the Posillippo School, whose members, in their reaction against the more academic approach to landscape painting of the late 18th century, favoured a more spontaneous approach with an emphasis on plein-air painting. Vervloet settled permanently in Venice in 1854. His work is now in the Museo Correale di Sorrento (NA), Collezione privata, Venice, Museo nazionale di San Martino di Napoli, among other public collections.
Setdart Auction House
Nov. 28, 2024
Frans Vervloet Sala da caffè sul Bosforo
Est: €5,000 - €10,000
Firmato e datato in basso a destra: F. Vervloet 1844. In cornice.
DAMS Casa d'Aste
Nov. 24, 2024
Attribué à Frans VERVLOET (1795 - 1872) L'aumône à Naples
Est: €1,000 - €1,500
Attribué à Frans VERVLOET (1795 - 1872) L'aumône à Naples Huile sur toile 32 x 47,5 cm Avec cadre : 45 x 61 cm Porte une inscription au revers du châssis '46,5 + 30,5' et une étiquette ancienne de vente déchirée Oil on canvas, 12.5 x 18.5 in, with frame : 17.7 x 24 in
Osenat
Oct. 19, 2024
FRANS VERVLOET (1795-1872)
Est: €2,000 - €3,000
FRANS VERVLOET (1795-1872) Femme à la rose Huile sur panneau Signée et datée 1820 (?) sur la table 29,5 x 21,5 cm
HVMC - Hôtel des Ventes de Monte-Carlo
Jun. 27, 2024
Frans Vervloet, 1795 Mechelen – 1872 Venedig, Nachfolge des
Est: €25,000 - €35,000
ANFANG DES CANAL GRANDE IN VENEDIG Öl auf Leinwand. Doubliert. 63 x 87 cm. Rechts unten von fremder Hand: „F. Vervloet 1870“. In ornamental reliefiertem und vergoldetem Rahmen. In lichter Sommerstimmung der beginnende Canal Grande mit dem Hauptportal der Basilika Santa Maria della Salute im Sestiere Dorsoduro, daneben im Hintergrund der Punto della Dogana mit den Atlasfiguren die eine vergoldete Erdkugel stemmen auf der die bronzene Göttin Fortuna steht – ein Werk des Bernardo Falconi. Auf dem Canal Grande zahlreiche Segelschiffe und Gondeln, am linken Bildrand eine Reihe mit Palazzi, im Hintergrund der Campanile des Markusplatzes, der 1902 einstürzte, da man Eisenanker entfernt hatte um einen Aufzug einzubauen und dessen Wiederaufbau schon am 25. April 1903 wieder begann. (14006813) (3) (13) Frans Vervloet, 1795 Mechelen – 1872 Venice, follower of BEGINNING OF THE GRAND CANAL IN VENICE Oil on canvas. Relined. 63 x 87 cm. Signed in an unknown hand lower right: “F. Vervloet 1870”.
Hampel Fine Art Auctions
Jun. 20, 2024
FRANS VERVLOET (MALINES, 1795 - VENEZIA, 1872) - PONTE VECCHIO
Est: €800 - €1,200
Acquerello su carta , cm. 23,5x35. Firma in basso a destra.
Pananti Casa D'Aste SRL
Jun. 11, 2024
Frans Vervloet
Est: €1,500 - €2,500
Interior of the Basilica of San Marco, 1864 oil on panel, cm. 18x30 Place on lower left: Venice; signed and dated on lower right: Vervloet 1864
Bolli & Romiti s.r.l
May. 29, 2024
Frans Vervloet (1795-1872)
Est: €3,000 - €6,000
Frans Vervloet (1795-1872), ‘The Ponte Vecchio in Florence’ & ‘The Palazzo Vecchio in Florence’, both signed ‘F Vervloet, Florence’ lower right.
Vendu Rotterdam
May. 23, 2024
FRANS VERVLOET (Belgium, 1795 - Venice, 1872). "St Mark's Square at Sunset, Venice", ca.1840. Oil on hardboard. Signed in the lower right corner.
Est: €15,000 - €20,000
FRANS VERVLOET (Belgium, 1795 - Venice, 1872). "St Mark's Square at Sunset, Venice", ca.1840. Oil on hardboard. Signed in the lower right corner. Size: 32 x 46 cm; 44,5 x 57 cm (frame). The iridescent lights of the sunset glimmer over San Marco square, giving an amber varnish to the architecture of the Ducal Palace and the imposing obelisks. Passers-by enjoy the coolness of the evening, with gallant groups and dock workers mingling at that magical hour. In this excellent painting, Frans Vervoloet has managed to combine the heritage of 18th-century Veduism with the contributions of the Posilippo group of landscape painters of which he was a member. In the style of Canaletto, he constructed a play of perspectives with particular emphasis on the panoramic, but he was not so much interested in the quasi cartographic detail of his predecessors as in working on lyrical values through a pictorialist lighting that flirts with Romanticism. The confluence of the pre-photographic precision of the Venetian Vedutists of the previous century with the Posilippo school's emphasis on conveying moods results in a highly evocative urban landscape. Frans Vervloet was a Belgian painter and printmaker. In 1809 he began studying at the Akademie voor Schone Kunsten in Mechelen, where he was also taught by his brother J. J. Vervloet (1790-1869), a genre painter and portraitist. During this early period, he produced both genre works and copies of old masters (including Peter Paul Rubens), although he concentrated mainly on architectural painting, such as the "Installation of Archbishop François Antoine de Méan in Mechelen". Following the great success of this painting, from 1817 onwards he devoted himself to painting church interiors. In 1822 he was awarded a scholarship to study in Italy, where he became more interested in landscape painting and where he spent most of his career. After two years in Rome, Vervloet travelled to Naples in 1824. There he was greatly influenced by the group of painters of the Posillippo School, whose members, in their reaction against the more academic approach to landscape painting of the late 18th century, favoured a more spontaneous approach with an emphasis on plein-air painting. Vervloet settled permanently in Venice in 1854. His work is now in the Museo Correale di Sorrento (NA), Collezione privata, Venice, Museo nazionale di San Martino di Napoli, among other public collections.
Setdart Auction House
Dec. 18, 2023
FRANS VERVLOET (Belgium, 1795 - Venice, 1872). "St Mark's Square at Sunset, Venice", ca.1840. Oil on hardboard. Signed in the lower right corner.
Est: €15,000 - €20,000
FRANS VERVLOET (Belgium, 1795 - Venice, 1872). "St Mark's Square at Sunset, Venice", ca.1840. Oil on hardboard. Signed in the lower right corner. Size: 32 x 46 cm; 44,5 x 57 cm (frame). The iridescent lights of the sunset glimmer over San Marco square, giving an amber varnish to the architecture of the Ducal Palace and the imposing obelisks. Passers-by enjoy the coolness of the evening, with gallant groups and dock workers mingling at that magical hour. In this excellent painting, Frans Vervoloet has managed to combine the heritage of 18th-century Veduism with the contributions of the Posilippo group of landscape painters of which he was a member. In the style of Canaletto, he constructed a play of perspectives with particular emphasis on the panoramic, but he was not so much interested in the quasi cartographic detail of his predecessors as in working on lyrical values through a pictorialist lighting that flirts with Romanticism. The confluence of the pre-photographic precision of the Venetian Vedutists of the previous century with the Posilippo school's emphasis on conveying moods results in a highly evocative urban landscape. Frans Vervloet was a Belgian painter and printmaker. In 1809 he began studying at the Akademie voor Schone Kunsten in Mechelen, where he was also taught by his brother J. J. Vervloet (1790-1869), a genre painter and portraitist. During this early period, he produced both genre works and copies of old masters (including Peter Paul Rubens), although he concentrated mainly on architectural painting, such as the "Installation of Archbishop François Antoine de Méan in Mechelen". Following the great success of this painting, from 1817 onwards he devoted himself to painting church interiors. In 1822 he was awarded a scholarship to study in Italy, where he became more interested in landscape painting and where he spent most of his career. After two years in Rome, Vervloet travelled to Naples in 1824. There he was greatly influenced by the group of painters of the Posillippo School, whose members, in their reaction against the more academic approach to landscape painting of the late 18th century, favoured a more spontaneous approach with an emphasis on plein-air painting. Vervloet settled permanently in Venice in 1854. His work is now in the Museo Correale di Sorrento (NA), Collezione privata, Venice, Museo nazionale di San Martino di Napoli, among other public collections.
Setdart Auction House
Nov. 29, 2023
FRANS VERVLOET
Est: €5,000 - €7,000
Malines, 1795 - Venezia, 1872 Veduta dal molo di Napoli Monogramma FV, Napoli e data 1824 in basso a destra Olio su carta applicata su tela, cm 31X44,5 Nato in Belgio, figlio di Frans I, direttore dell'Accademia di Belle Arti di Malines e suo primo insegnante, Vervloet completa la sua formazione ad Amsterdam, prima di trasferirsi nel 1822 a Roma, dove conoscerà François Marius Grenet e Antonio Canova. Si sposterà, due anni più tardi, a Napoli, che con Venezia, saranno le sue vere città d'adozione, di cui è testimonianza l'olio su carta, datato 1824, qui pubblicato. In questa veduta del molo di Napoli, Vervloet dimostra la sua abilità nel combinare l'influenza del vedutismo settecentesco, evidente nella definizione delle piccole figure che animano la scena, con gli elementi distintivi del gruppo di paesaggisti di Posillipo. Il risultato è un'opera straordinariamente personale in cui la gradazione degli effetti atmosferici è ottenuta attraverso l'uso di trasparenze delicate e tonalità tenui e avvolgenti, che creano un'atmosfera intima e suggestiva. Bibliografia di riferimento: G. De Marco, Un inedito viaggio in Calabria nei disegni di François Vervloet in Quaderni del Dipartimento Patrimonio Architettonico e Urbanistico, Roma 1998, pp. 85-98, n. 13-14 A.A.V.V. Vervloet, in Vedute napoletane dell'Ottocento, Napoli 2002, pp. 28-29
Wannenes Art Auctions
Sep. 14, 2023
FRANS VERVLOET (Belgium, 1795 - Venice, 1872). "St Mark's Square at Sunset, Venice", ca.1840. Oil on hardboard. Signed in the lower right corner.
Est: €30,000 - €40,000
FRANS VERVLOET (Belgium, 1795 - Venice, 1872). "St Mark's Square at Sunset, Venice", ca.1840. Oil on hardboard. Signed in the lower right corner. Size: 32 x 46 cm; 44,5 x 57 cm (frame). The iridescent lights of the sunset glimmer over San Marco square, giving an amber varnish to the architecture of the Ducal Palace and the imposing obelisks. Passers-by enjoy the coolness of the evening, with gallant groups and dock workers mingling at that magical hour. In this excellent painting, Frans Vervoloet has managed to combine the heritage of 18th-century Veduism with the contributions of the Posilippo group of landscape painters of which he was a member. In the style of Canaletto, he constructed a play of perspectives with particular emphasis on the panoramic, but he was not so much interested in the quasi cartographic detail of his predecessors as in working on lyrical values through a pictorialist lighting that flirts with Romanticism. The confluence of the pre-photographic precision of the Venetian Vedutists of the previous century with the Posilippo school's emphasis on conveying moods results in a highly evocative urban landscape. Frans Vervloet was a Belgian painter and printmaker. In 1809 he began studying at the Akademie voor Schone Kunsten in Mechelen, where he was also taught by his brother J. J. Vervloet (1790-1869), a genre painter and portraitist. During this early period, he produced both genre works and copies of old masters (including Peter Paul Rubens), although he concentrated mainly on architectural painting, such as the "Installation of Archbishop François Antoine de Méan in Mechelen". Following the great success of this painting, from 1817 onwards he devoted himself to painting church interiors. In 1822 he was awarded a scholarship to study in Italy, where he became more interested in landscape painting and where he spent most of his career. After two years in Rome, Vervloet travelled to Naples in 1824. There he was greatly influenced by the group of painters of the Posillippo School, whose members, in their reaction against the more academic approach to landscape painting of the late 18th century, favoured a more spontaneous approach with an emphasis on plein-air painting. Vervloet settled permanently in Venice in 1854. His work is now in the Museo Correale di Sorrento (NA), Collezione privata, Venice, Museo nazionale di San Martino di Napoli, among other public collections.
Setdart Auction House
Jun. 29, 2023
Frans Vervloet, 1795 Mecheln – 1872 Venedig, zugeschrieben/ Kreis des
Est: €6,000 - €9,000
VENEDIG, BLICK ÜBER DEN CANAL GRANDE AUF DIE RIALTO-BRÜCKE Öl auf Leinwand. 46 x 65 cm. In vergoldetem Rahmen. Ansicht des ruhigen Canal Grande mit seitlich ankernden Booten und Gondeln im Licht der untergehenden gelb-orangen Sonne, die linksseitig die Häuserfront noch erhellt, während die Bauten der rechten Uferseite bereits im Schatten liegen. In der Mitte des Hintergrundes die Rialto-Brücke mit benachbarten Gebäuden bereits im diffusen grauen Licht. Rest., teils Retuschen. (1360182) (3) (18)
Hampel Fine Art Auctions
Jun. 14, 2023
VERVLOET FRANS (1795 - 1872) Baia (Posillipo, Nisida, Monte S. Angelo)
Est: €9,000 - €12,000
VERVLOET FRANS (1795 - 1872). Baia (Posillipo, Nisida, Monte S. Angelo). Signed lower left. Titled at the back.. Cm 40,00 x 25,00.
Capitolium Art
May. 15, 2023
Frans Vervloet: Stairs at San Pietro in Vincoli, Rome
Est: €5,000 - €7,000
VERVLOET, FRANS 1795 Mecheln - 1872 Venedig Title: Stairs at San Pietro in Vincoli, Rome. Technique: Oil on wood. Measurement: 40 x 30,5cm. Notation: Signed and dated lower left: F. Vervloet Roma/1822. Frame: Framed. Verso: Old adhesive label with description. Provenance: Dutch private ownership, acquired on 16.3.1976 at the auction house Mak van Waay, Amsterdam. Explanations to the Catalogue
Van Ham Kunstauktionen
Mar. 29, 2023
Frans Vervloet (Belgian, 1795-1872) A view of the Fatih Mosque, Instanbul
Est: £25,000 - £35,000
Frans Vervloet (Belgian, 1795-1872) A view of the Fatih Mosque, Instanbul signed, inscribed and dated 'R Vervloet Constantinople/1843' (lower right) oil on paper laid on canvas 40.7 x 31.4cm (16 x 12 3/8in).
Bonhams
Dec. 13, 2022
FRANS VERVLOET (BELGIAN, 1795–1872) Woman at a window, Mechelen, 1816 oil o
Est: £30,000 - £50,000
FRANS VERVLOET (BELGIAN, 1795–1872) Woman at a window, Mechelen, 1816 oil on panel 14 3/8 x 11 3/8 in. (36.4 x 29 cm.)
Christie's
Nov. 20, 2022
Att. to Frans Vervloet (1795 - 1872) Watercolor
Est: $100 - $500
A Florence scene, signed at the lower left.
Locati LLC
Oct. 21, 2022
FRANS VERVLOET (MALINES, 1795 - VENEZIA, 1872) - INTERNO DI CHIESA ROMANA
Est: €12,000 - €15,000
Olio su tela, cm. 47x61. Sul verso: "v. 70"; sul telaio, iscrizione "Interieur de l'eglise de [...] à Rome"; etichetta con dati dell'opera.
Pananti Casa D'Aste SRL
Jun. 30, 2022
Frans Vervloet, 1795 Mechelen – 1872 Venedig
Est: €22,000 - €30,000
ANSICHT VON VENEDIG Öl auf Holz. 30 x 25 cm. Rechts unten signiert und datiert „F. Vervloet Venezia 1855“. Durch einen hohen Arkadenbogen fällt der Blick auf die gut besuchte Piazetta mit dem Dogenpalast und weiteren Gebäuden entlang des Canal Grande. Im Hintergrund geht langsam die Sonne hinter einer großen Wolkenformation unter; ihre letzten Sonnenstrahlen beleuchten harmonisch die Stadtansicht von Venedig und das Wasser, auf dem zahlreiche Boote und Gondeln schippern. Im Vordergrund einige Händler beim Tragen von Paketen und Körben sowie eine Frau mit rotem Kopftuch und einem Hund, die unter dem Bogen sitzt, der zur Biblioteca Marciana gehört. Stimmungsvolle Wiedergabe mit gekonnter Lichtführung. (12821041) (18) Frans Vervloet, 1795 Mechelen – 1872 Venice VIEW OF VENICEOil on panel. 30 x 25 cm. Signed and dated “F. Vervloet Venezia 1855” lower right. Archway belonging to the Biblioteca Marciana. Atmospheric painting with masterful direction of light.
Hampel Fine Art Auctions
Jun. 30, 2022
Frans Vervloet, 1795 Mechelen – 1872 Venedig
Est: €35,000 - €55,000
BLICK AUF DIE BEIDEN SÄULEN AM EINGANG DER PIAZZA SAN MARCO, VENEDIG Öl auf Leinwand. Doubliert. 33,5 x 25,5 cm. Rechts unten signiert „Vervloet Venice 18“. In dekorativem vergoldeten Rahmen. Im weichen Licht der Sonne, Blick auf die Piazza San Marco mit den beiden Säulen, die Venedigs Stadtheiligen Markus und Theodorus gewidmet sind. Auf den Säulen befinden sich daher der Markuslöwe bzw. die San Teodoro Statue. Im Hintergrund, unter hellblauem Himmel, die Lagune mit diversen Gebäuden. Auf der Piazza sind einige Händler und auch Besucher zu sehen. Feine Malerei in stimmungsvollem Licht. Minimale Rahmenschäden. (13220018) (18) Frans Vervloet, 1795 Mechelen – 1872 Venice VIEW OF THE TWO COLUMNS AT THE ENTRANCE OF SAINT MARK’S SQUARE, VENICEOil on canvas. Relined. 33.5 x 25.5 cm. Signed “Vervloet Venice 18” lower right. In decorative gilt frame. View of the Saint Mark´s Square with the two columns dedicated to the patron saints of Venice, Saint Mark and Saint Theodore, bathed in soft sunlight. Fine painting with atmospheric light. With minimal damage to the frame.
Hampel Fine Art Auctions
Jun. 14, 2022
View of the interior of the Basilica of San Marco
Est: €2,800 - €3,200
Signed and dated lower right: Vervloet 1864
Casa d'aste ARCADIA
Jun. 08, 2022
Franz Vervloet (Mechelen 1795-Venezia 1872) - Florence, Piazza della Signoria
Est: €1,800 - €2,500
watercolour on card signed and located lower right: F. Vervloet Firenze
Finarte
Dec. 10, 2021
FRANS VERVLOET (1795-1862) PAESAGGIO CON ACQUEDOTTO E PASTORI
Est: €500 - €800
Acquerello su carta, cm. 19,5x26,5 Firma in basso a sinistra.
Pananti Casa D'Aste SRL
Sep. 23, 2021
Frans Vervloet, 1795 Mechelen – 1872 Venedig
Est: €15,000 - €20,000
RefOld13921 RefImp13921 ANSICHT VON VENEDIG Öl auf Holz. 30 x 25 cm. Rechts unten signiert und datiert „F. Vervloet Venezia 1855“.Durch einen hohen Arkadenbogen fällt der Blick auf die gut besuchte Piazetta mit dem Dogenpalast und weiteren Gebäuden entlang des Canal Grande. Im Hintergrund geht langsam die Sonne hinter einer großen Wolkenformation unter; ihre letzten Sonnenstrahlen beleuchten harmonisch die Stadtansicht von Venedig und das Wasser, auf dem zahlreiche Boote und Gondeln schippern. Im Vordergrund einige Händler beim Tragen von Paketen und Körben sowie eine Frau mit rotem Kopftuch und einem Hund, die unter dem Bogen sitzt, der zur Biblioteca Marciana gehört. Stimmungsvolle Wiedergabe mit gekonnter Lichtführung. (12821041) (18)Frans Vervloet, 1795 Mechelen – 1872 VeniceVIEW OF VENICE Oil on panel.30 x 25 cm.Signed and dated “F. Vervloet Venezia 1855” lower right. Archway belonging to the Biblioteca Marciana. Atmospheric painting with masterful direction of light.
Hampel Fine Art Auctions
Apr. 27, 2021
FRANS VERVLOET (MALINES 1795-1872 VENISE)
Est: €10,000 - €15,000
FRANS VERVLOET (MALINES 1795-1872 VENISE) Vue de la baie de Naples avec le Castel dell' Ovo 67,5 x 93 cm. (26 ½ x 36 5/8 in.) huile sur toile
Christie's
Apr. 19, 2021
Frans Vervloet, Lotto composto di 2 acquerelli. Prima metà del XIX secolo.
Est: €140 - €280
Acquerelli su carta. mm 68x142 e mm 145x65. Firmati in basso a destra. (2)
Gonnelli Casa d'Aste
Dec. 01, 2020
Frans Vervloet, Venice.
Est: €100 - €200
Acquerello su carta. Firmato e titolato in basso a sinistra.
Gonnelli Casa d'Aste
Jul. 15, 2020
FRANS VERVLOET (MALINES 1795-1872 VENISE) VUE DU PALAIS DES DOGES ET DU GRAND CANAL À VENISE
Est: €12,000 - €18,000
FRANS VERVLOET (MALINES 1795-1872 VENISE)VUE DU PALAIS DES DOGES ET DU GRAND CANAL À VENISE signature renforcée par dessus une signature ancienne 'F Vervloet 1860.' (en bas à droite) huile sur toile, sur sa toile d'origine 43 x 60,5 cm. (167⁄8 x 237⁄8 in.)
Christie's
Jul. 01, 2020
Frans Vervloet (1795-1872), Vues de Venise, suite de 3 huiles sur métal, signées et datées 12,5x18 cm
Est: CHF6,000 - CHF8,000
Frans Vervloet (1795-1872), Vues de Venise, suite de 3 huiles sur métal, signées et datées 12,5x18 cm Frans Vervloet (1795-1872), Vues de Venise, suite de 3 huiles sur métal, 12,5x18 cm
Piguet Hôtel des Ventes | Genève
Mar. 15, 2020
Frans VERVLOET (1795-1872) Florence Aquarelle Signé et daté en bas à droite 14,5 x 8 cm (à vue) Avec
Est: €200 - €300
Frans VERVLOET (1795-1872) Florence Aquarelle Signé et daté en bas à droite 14,5 x 8 cm (à vue) Avec cadre : 26,5 x 20,5 cm Watercolour, signed and dated lower right, 5 11/16 x 3 1/8 in With frame : 10 7/16 x 8 3/32 in
Osenat
Dec. 12, 2019
VERVLOET FRANS (1795 - 1872) Venice landscape. Chiesa della Salute.
Est: €5,000 - €8,000
VERVLOET FRANS (1795 - 1872). Venice landscape. Chiesa della Salute.. Signature lower right and dated 1849. Restoration.. Cm 34,50 x 26,00.
Capitolium Art
Jun. 12, 2019
Frans Vervloet (1795-1872), Veduta di Piazza della Signoria a Firenze
Est: €2,500 - €3,500
acquerello su carta
Cambi Casa d'Aste
May. 15, 2019
Frans VERVLOET (Malines 1795-Venise 1872)
Est: €600 - €800
Frans VERVLOET (Malines 1795-Venise 1872) Intérieur animé d’église à Venise Aquarelle sur traits de crayon noir partiellement rehaussée de gouache blanche Signé et situé "Venise" en bas à gauche Animated interior of a church in Venice, watercolour on black pencil lines partially enhanced with white gouache, signed and located "Venise" lower left 30,5 x 22,5 CM - 12 X 8 7/8 IN. €600-800
Tajan
Feb. 04, 2019
Frans Vervloet, Barche a Venezia.
Est: €140 - €280
Acquerello su carta. mm 204x280. Firmato e titolato in basso a sinistra: "F Vervloet Venice"
Gonnelli Casa d'Aste
Dec. 12, 2018
FRANS VERVLOET | View of Naples with the Lighthouse, Vesuvius Beyond
Est: £8,000 - £12,000
oil on canvas laid on panel
Sotheby's
Mar. 21, 2018
Frans Vervloet
Est: £2,000 - £3,000
Frans Vervloet, Belgian 1795-1872- View of Florence; watercolour, signed and inscribed, 16.5x31.3cm
Roseberys
Dec. 05, 2017
FRANS VERVLOET | Venice, a view of the Piazzetta looking south from Piazza San Marco; Venice, a view of the Palazzo Ducale looking east down the Riva degli Schiavoni
Est: £25,000 - £35,000
a pair; the former oil on paper, laid on board the latter oil on paper, laid on canvas
Sotheby's
Nov. 14, 2017
Frans Vervloet Malines, 1795 - Venise, 1872 La Piazzetta au couchant, Venise Huile sur carton
Est: €10,000 - €15,000
Frans Vervloet Malines, 1795 - Venise, 1872 La Piazzetta au couchant, Venise Huile sur carton Signé 'F. Vervloet' en bas à droite The Piazzetta at sunset, Venice, oil on cardboard, signed, by F. Vervloet h: 32 w: 46 cm Provenance : Vente anonyme ; Granville, Hôtel des ventes de la Baie, 27 avril 2008, n° 26 ; Acquis lors de cette vente par l'actuel propriétaire ; Collection particulière, Paris Commentaire : Après un long séjour à Naples, Frans Vervloet s'installe à Venise en 1854. Il ne quittera plus la ville dans laquelle il mourut. Selon le voeu cher à nombre d'artistes du XIXe siècle, son corps et la lagune ne font qu'un dans le vieux cimetière de San Michele. Estimation 10 000 - 15 000 €
Artcurial
Oct. 26, 2017
Frans Vervloet (1795-1872), attribuito a, La Certosa di San Martino a Napoli
Est: €2,000 - €2,500
olio su tela, cm 26x20
Cambi Casa d'Aste
Oct. 10, 2017
Frans Vervloet, Mercato vecchio a Firenze con la Colonna dell'Abbondanza.
Est: €140 - €280
Acquerello su carta. mm 125x75. Firmato a penna e titolato "Florence" in basso a sinistra.
Gonnelli Casa d'Aste
Jul. 03, 2017
A Chinese blue and white vase
Est: €1,500 - €2,000
Wanli period (1573-1619) Decorated with a dignitary seated on a terrace in a garden landscape with two boys, the shoulder with a band of ruyi. H. 14 cm
AAG Auctioneers
Jun. 26, 2017
Frans Vervloet (Mechelen 1795 - Venice 1872)
Est: €1,000 - €2,000
Le roi Guillaume passant la revue du régiment des lanciers à Malines sur le marché au Bétail. Dans le fond, la tour et l'eglise de Saint-Jean. Oil on panel, 49.6 x 58.3 cm Provenance: - Collection Mr. Criquillon (Lieutenant-General of the cavallery, Commander of the province of Flanders) - Galerie Haffermann, Brussels - Private collection, Belgium N.B.: On the reverse traces of a label with a declaration of authenticity and wax seal by Galerie Haffermann.
AAG Auctioneers
Jun. 13, 2017
Frans Vervloet (1795-1872) - A view from the Piazza San Marco towards the Porta della Carta, Venice
Est: €15,000 - €25,000
Frans Vervloet (1795-1872) A view from the Piazza San Marco towards the Porta della Carta, Venice oil on canvas 47 x 36 cm.
Christie's