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Giovanni (1769) Vendramini Sold at Auction Prices

copperplate engraver, Engraver, b. 1769 - d. 1839

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      • Extremely Rare "Conflagration of Moscow" Propaganda Handkerchief, ca. 1812-1813
        Aug. 07, 2024

        Extremely Rare "Conflagration of Moscow" Propaganda Handkerchief, ca. 1812-1813

        Est: $800 - $1,000

        War of 1812 [England], ca. 1812-1813 Extremely Rare "Conflagration of Moscow" Propaganda Handkerchief, ca. 1812-1813 Textile An extremely rare propaganda handkerchief based on an original aquatint/etching by Italian printmaker Giovanni (John) Vendramini (1769-1839), "Conflagration of Moscow seen from the Kremlin on the entrance of the French Army the 14th of Septr. 1812 which caused their disastrous flight" (1812). The plate-printed cotton handkerchief in two colors, red and black, is of unknown English manufacture, ca. 1812-1813. The handkerchief has been lightly stitched to a supportive muslin backing. Expected gentle and light wear including stiff folds and isolated minor stains. Pencil-inscribed verso on the muslin mount. Else near fine. The actual size of the handkerchief is 23" x 20.75" while the overall size of the mounted handkerchief is 24" x 21.5." Currently folded. Italian-born London-based printmaker Giovanni Vendramini witnessed the burning of Moscow firsthand in September 1812, and later created his original aquatint/etching of the same title; in fact, both the original print and its offshoot, the handkerchief, explicitly state that the artist has depicted "The View taken on the spot." (Please see the attached image of Vendramini's original print included just for reference.) The top panel of the handkerchief reproduces Vendramini's original aquatint/etching, showing various city landmarks, including Saint Basil's Cathedral ("The Church of Saint Basil"); Ivan the Great Bell Tower ("The Belfry of Saint Ivans"); the Spasskaya Tower ("Spaska Varota or Holy Gate"); and the Moskva River ("River Moscow"). Below this panel is an 8-part key or explanation of landmarks, flanked by "A Cossack" on the left and "British Lanciers" on the right. French emperor Napoleon Bonaparte's victory at the Battle of Borodino in early September 1812 paved his way to Moscow as part of his planned invasion of Russia. The exact causes of the Moscow Conflagration are still debated, but most historians conclude that it was started by a series of deliberately set small fires intended to deprive approaching French forces of food, supplies, and shelter. The fire raged uncontrollably between September 14-18, 1812, worsened by unusually strong winds. At its height, the conflagration was reportedly visible up to 130 miles away. Approximately 70% of residential buildings and about 40% of the churches in the city were destroyed. Napoleon's hungry, sickly, and frightened troops fled the fire-ravaged city a month later, in mid-October 1812. This item comes with a Certificate from John Reznikoff, a premier authenticator for both major 3rd party authentication services, PSA and JSA (James Spence Authentications), as well as numerous auction houses. WE PROVIDE IN-HOUSE SHIPPING WORLDWIDE!

        University Archives
      • 19th c. Etching After Leonardo da Vinci's "Leda" by Giovanni Vendramini (1769-1839)
        Jan. 11, 2024

        19th c. Etching After Leonardo da Vinci's "Leda" by Giovanni Vendramini (1769-1839)

        Est: $400 - $600

        A beautiful 19th c. etching after Leonardo da Vinci's "Leda and the Swan" by engraver Giovanni Vendramini (1769-1839),. Piece was published as part of William Young Ottley's (1771-1836) progressive "Italian School of Design", intended as a single volume of Italian art history. Signed at the bottom right corner, print measures 7 3/4" x 9 3/4" *note - foxing, wear with age

        Embassy Auctions International
      • PRINT, GIOVANNI VENDRAMINI (1769-1839)
        Sep. 16, 2023

        PRINT, GIOVANNI VENDRAMINI (1769-1839)

        Est: $60 - $200

        Framed color print engraving, ''Cries of London'', by Giovanni Vendramini (Italian, 1769-1839), after a painting by F. Wheatley, Framed : H: 22 1/2 (57.15 cm) W: 18 in. (45.72 cm)H: 16 in. (40.64 cm) W:11 1/2 (29.21 cm)

        Steven's Art & Antiques
      • PRINT, GIOVANNI VENDRAMINI (1769-1839)
        Sep. 16, 2023

        PRINT, GIOVANNI VENDRAMINI (1769-1839)

        Est: $60 - $200

        Framed color print engraving, ''Cries of London'', by Giovanni Vendramini (Italian, 1769-1839), after a painting by F. Wheatley, Framed : H: 22 1/2 (57.15 cm) W: 18 in. (45.72 cm)H: 16 in. (40.64 cm) W:11 1/2 (29.21 cm)

        Steven's Art & Antiques
      • G. VENDRAMINI (*1769) after PORTER (*1777), Soldier and Cupid, around 1805, Crayon manner
        Sep. 02, 2023

        G. VENDRAMINI (*1769) after PORTER (*1777), Soldier and Cupid, around 1805, Crayon manner

        Est: €120 - €200

        Giovanni Vendramini (1769 - 1839 ) after Robert Ker Porter (1777 - 1842 ): The Lemnic Cave from Odes of Anacreon, c. 1805, Crayon manner Technique: Crayon manner on Paper Inscription: Lower middle signed in the printing plate: "Robert Ker Porter del. / John Vendramini sculp.". Lower middle further inscription: "Once to this Lemnian cave of flame / The crested Lord of battles came / Twas from the ranks of war he rush'd / His spear with many a life-drop blush'd! / He saw the mystic darts, and smil'd / Derision on the archer-child / ODE XXVII". Lower middle additional inscription: "London, Published June 4th 1803 by John P. Thompson, Gt. Newport Street and No. 51 Dean Street, Printseller to His Majesty, & the Duke and Duchess of York". Date: c. 1805 Description: Illustration to the "Odes of Anacreon", translated by Thomas Moore; a soldier stands with a spear in his right hand and a shield in his left. He is looking to the right. There Amor kneels, who has laid down his bow beside him and holds arrows in his hand. Person: Anakreon (around 575 BC Work - 495 BC Athen) Greek poet in the canon of the nine poets Source: Robert Ker Porter (1777 Durham-1842 St Petersburg) A Series of Engravings, After Drawings by Robert Ker Porter from the Celebrated Odes af Anacreon, Translated by Thomas Moore, Esq., 1805 | print suite, Series by the artist, Mythology Keywords: Anacreon, Thomas Moore, Thomas More, Mythology, 19th century, Romanticism, Mythology, United Kingdom,

        Fichter Kunsthandel
      • GIOVANNI VENDRAMINI (Italy, 1769 - England, 1839) "The Rape of Europe. Engraving. The paper presents folds, damages and numerous humidity stains.
        Jul. 20, 2023

        GIOVANNI VENDRAMINI (Italy, 1769 - England, 1839) "The Rape of Europe. Engraving. The paper presents folds, damages and numerous humidity stains.

        Est: €80 - €100

        GIOVANNI VENDRAMINI (Italy, 1769 - England, 1839) "The Rape of Europe. Engraving. The paper presents folds, damages and numerous humidity stains. Measurements: 33,5 x 26 cm. Giovanni or John Vendramini was formed in Italy until the age of nineteen, when he moves to London and settles definitively in the city. There he completed his training with Francesco Bartolozzi. He also worked for a few years in Russia in the service of the Tsar and his court between 1805 and 1807. In fact, his fame was such in the Russian court that he was not allowed to return to London, which eventually led him to escape clandestinely. He is now represented in the British Museum and other public and private collections.

        Setdart Auction House
      • VENDRAMINI after WHEATLEY: "Scarlet Strawberrys"
        Feb. 25, 2023

        VENDRAMINI after WHEATLEY: "Scarlet Strawberrys"

        Est: $300 - $400

        John VENDRAMINI (1769-1839), after Francis WHEATLEY (1747-1801): "Strawberrys, Scarlet Strawberrys". Stipples engraving on paper, 1795. Refs: Le Blanc 16, Nagler 21. From the series "Cries of London". With letters. Plate size: 14 x 11 inches.

        Armstrong Fine Art
      • G. VENDRAMINI (*1769) after PORTER (*1777), Soldier and Cupid, around 1805, Crayon manner
        Feb. 18, 2023

        G. VENDRAMINI (*1769) after PORTER (*1777), Soldier and Cupid, around 1805, Crayon manner

        Est: €120 - €200

        Giovanni Vendramini (1769 - 1839 ) after Robert Ker Porter (1777 - 1842 ): The Lemnic Cave from Odes of Anacreon, c. 1805, Crayon manner Technique: Crayon manner on Paper Inscription: Lower middle signed in the printing plate: "Robert Ker Porter del. / John Vendramini sculp.". Lower middle further inscription: "Once to this Lemnian cave of flame / The crested Lord of battles came / Twas from the ranks of war he rush'd / His spear with many a life-drop blush'd! / He saw the mystic darts, and smil'd / Derision on the archer-child / ODE XXVII". Lower middle additional inscription: "London, Published June 4th 1803 by John P. Thompson, Gt. Newport Street and No. 51 Dean Street, Printseller to His Majesty, & the Duke and Duchess of York". Date: c. 1805 Description: Illustration to the "Odes of Anacreon", translated by Thomas Moore; a soldier stands with a spear in his right hand and a shield in his left. He is looking to the right. There Amor kneels, who has laid down his bow beside him and holds arrows in his hand. Person: Anakreon (around 575 BC Work - 495 BC Athen) Greek poet in the canon of the nine poets Source: Robert Ker Porter (1777 Durham-1842 St Petersburg) A Series of Engravings, After Drawings by Robert Ker Porter from the Celebrated Odes af Anacreon, Translated by Thomas Moore, Esq., 1805 | print suite, Series by the artist, Mythology Keywords: Anacreon, Thomas Moore, Thomas More, Mythology, 19th century, Romanticism, Mythology, United Kingdom,

        Fichter Kunsthandel
      • John Vendramini
        Mar. 21, 2018

        John Vendramini

        Est: £800 - £1,200

        John Vendramini, Italian 1769-1839- The Glorius Conquest of Seringapatam, The Storming of Seringapatam, The Death of General Sir R Abercrombie and The last effort of Tippoo Sultan, in defence of the Fortress of Seringapatam, after Sir Robert Ker Porter; stipple engravings, four, publ. by R K Porter and J P Thompson, London, ea. 61x90cm (approx.), (4)

        Roseberys
      • JOHN VENDRAMINI AFTER ROBERT KER PORTER 'The Last Effort of Tippoo Sultan
        Feb. 28, 2018

        JOHN VENDRAMINI AFTER ROBERT KER PORTER 'The Last Effort of Tippoo Sultan

        Est: £500 - £700

        JOHN VENDRAMINI AFTER ROBERT KER PORTER 'The Last Effort of Tippoo Sultann in defence of the fortress of Seringapatam', hand coloured engraving, pub. c1803 by Robert Ker Porter and John P Thompson, the margin with printed inscription 'To the Honorable the Court of Directors of The East India Company', 59 x 89.5cm

        Mallams
      • After Sir Robert Ker Porter (1777-1842), PSYCHE CROWNING CUPID, Handcoloured lithograph on wove paper; engraved by John Vendramini (1769-1839). Unframed., Sheet 9.3" x 7.4" — 23.5 x 18.7 cm.
        Jul. 13, 2017

        After Sir Robert Ker Porter (1777-1842), PSYCHE CROWNING CUPID, Handcoloured lithograph on wove paper; engraved by John Vendramini (1769-1839). Unframed., Sheet 9.3" x 7.4" — 23.5 x 18.7 cm.

        Est: $50 - $80

        AFTER SIR ROBERT KER PORTER (1777-1842) , SCOTTISHPSYCHE CROWNING CUPIDHandcoloured lithograph on wove paper; engraved by John Vendramini (1769-1839). Unframed.Sheet 9.3" x 7.4" — 23.5 x 18.7 cm.Provenance:Ex. Coll. Dr. & Mrs. Gilbert Bagnani;Gifted by the above to The Art Gallery of Ontario, Toronto, Accession Nos. .22179;Deaccessioned to benefit art purchases at the AGOEstimate: $50—80

        Waddington's
      • Rare engraving, Giovanni Vendramini (1769 - 1839)
        Nov. 12, 2013

        Rare engraving, Giovanni Vendramini (1769 - 1839)

        Est: $300 - $500

        Rare engraving, Giovanni Vendramini (1769 - 1839) England "The glorious conquest of Seringapatam" Engraving Illustrated by John Vendramini, dated January 1802, mounted in a 18th century carved gilt frame, engraving 61 x 82 cm. Frame 77.5 x 97 cm. See British Library Collection & Getty Museum USA

        Vickers & Hoad
      • "Cries of London" by G. Vendramini, Print after F. Wheatly
        Aug. 16, 2013

        "Cries of London" by G. Vendramini, Print after F. Wheatly

        Est: €80 - €100

        Colour Print, early 20th Century Print after Francis Wheatley (1747-1801), English Portrait and Landscape painter Printed after Giovanni Vendramini (1769-1839), Italian Engraver Titled and inscribed in the printed area Softly coloured Framed with passé-partout Total size: 39.58 x 48.8 cm The sheet shows a knife and scissor grinder, offering his services on a London street. Two young women, one with scissors in her hands, are eagerly discussing with him. Another woman with a child on her back is already walking away down the road. The sheet is inscribed with the original painter's name „Painted by F. Wheatley, R. A." and that of the original printer „D'après G. Vendramini". It is titled „Knives, Scissors and Razors to Grind. CRIES OF LONDON. Couteaux, Ciseaux, Rasoirs a repasser." Francis Wheatley (1747-1801) has made a whole series named „The cries of London", each depicting a scene of London's barkers at work. Dimensions: 39.58 x 48.8 cm framed; the passé-partout cut-out measures 24.8 x 33.4 cm. The sheet shows yellowing; the frame traces of wear. Giovanni Vendramini (1769-1839) Vendramini, born in Roncade in Treviso, Italy, moved to London when he was 19 years old to complete his artistic education. He married an English woman and both moved to Russia in 1805. Vendramini was so appreciated there that he got patronized by the emperor and he was refused his passport in order to keep him in Russia. He managed to flee and return to England where he continued his successful career. It is said that he was so talented that he frequently engraved from a picture without making a preparatory drawing. Francis Wheatley (1747-1801) Wheatley started his career in a classical and promising way, studying at the Royal Academy and presenting his first works there. But he then decided to elope with one his colleagues' wives and had to flee to Ireland in 1779. He built up a new circle of clients there but had to return to England when the truth about his private life came to light. He was finally elected a member of the Royal Academy in 1790. He is mainly known for his genre paintings but he has also done some engravings.

        Auctionata Paddle8 AG
      • Cries of London Plate 9 Engraving
        May. 09, 2013

        Cries of London Plate 9 Engraving

        Est: $300 - $500

        "Strawberries, Scarlet Strawberries", plate 9 of 'The Cries of London', engraved by Giovanni Vendramini (1769-1839), pub. by Colnaghi & Co., 1795 (stipple engraving), the image measuring 15.5" x 12", very slight foxing to margins

        J Levine Auction & Appraisal LLC
      • Giovanni (John) Vendramini, Italian 1769-1839-
        Aug. 11, 2012

        Giovanni (John) Vendramini, Italian 1769-1839-

        Est: £80 - £120

        Giovanni (John) Vendramini, Italian 1769-1839- "Strawberrys Scarlet Strawberrys", "A New Love Story Only Half a Penny a Piece", "Two bunches a penny primroses, two bunches a penny", "Knives, Scissors and Razors to Grind", from 'Cries of London', after Francis Wheatley RA; hand coloured stipple engravings, four, in matching veneered frames, ea. 38.5x29.5cm, (4)

        Roseberys
      • Print, Giovanni Vendramini
        Feb. 05, 2011

        Print, Giovanni Vendramini

        Est: $40 - $60

        Framed color engraving, ''Cries of London'', by Giovanni Vendramini (Italian, 1769-1839), after a painting by F. Wheatley, overall: 14.75''h x 11.25''w

        Clars Auctions
      • John Vendramini (1769-1839), after Robert Ker Porter
        Sep. 24, 2008

        John Vendramini (1769-1839), after Robert Ker Porter

        Est: £700 - £1,000

        John Vendramini (1769-1839), after Robert Ker Porter The last effort of Tippoo Sultan, in defence of the Fortress of Seringapatam; and The Glorious Conquest of Seringapatam stipple engravings, published by R.K.Porter and J.P.Thompson, London, 1802 and 1803 S. 26 x 37½in. (66 x 95.2cm.) (2)

        Christie's
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