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Eugenio Lucas Velazquez Sold at Auction Prices

b. 1817 - d. 1870

Eugenio Lucas Velázquez (9 February 1817 – 11 September 1870) was a Spanish painter in the Romantic style, known for genre and costumbrista scenes which often featured fantastic elements. Nineteenth-century sources refer to him as Eugenio Lucas Padilla, which has caused some confusion,[1] although it seems reasonable to assume that Velázquez was an adopted name. Few of his paintings are signed, causing a problem with attribution as well.

He was born to a middle-class family in Madrid and was originally a cabinet-maker. It is difficult to reconstruct his artistic studies. In the catalog accompanying his works at the Exposition Universelle (1855), he claims to have attended the Real Academia de Bellas Artes de San Fernando and studied with José de Madrazo, even though he had abandoned the Classicism taught there. It is known that he displayed four works at the Academia in 1841 and spent long hours copying the paintings at the Museo del Prado; especially those of Goya and Diego Velázquez.[1]

He joined the National Militia in 1843 and was a member until the late 1850s. The following year, he married Martina Hernández Muñoz. In 1848, apparently suffering from financial difficulties, they went to live with her aunt, Vicenta. Within a year, thanks to some successful exhibitions, he had acquired commissions that enabled them to establish their own home.

In 1850, he was one of the artists commissioned to provide decorations for the ceiling of the new Teatro Real (since painted over or removed). Queen Isabel II attended the opening, named him an honorary court painter, and made him a Knight in the Order of Charles III.[1] After that, most of his clients came from the upper nobility; most notably, the Marqués de Salamanca, who later had one of Goya's Black Paintings removed and placed in his palace.

In 1852, he took a trip to Paris, possibly accompanied by his mistress, Francisca Villaamil, the sister of Jenaro Pérez Villaamil. In Paris he came under the influence of Delacroix. The following year, he and his wife were separated. He and Francisca had four children, including the artist, Eugenio Lucas Villaamil.[1]

During the 1860s, he made several more trips to Paris, with visits to Switzerland and Italy. On one trip to Paris, it is said that he went to the Louvre and discovered that a painting attributed to Diego Velázquez was actually one of his.[citation needed] True or not, this could serve to explain his use of the name "Velázquez". In his later years, he was criticized as being a mere copier of Goya.

He died on 11 September 1870 in Madrid.

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  • EUGENIO LUCAS VELAZQUEZ (Madrid 1817 - 1870) - Family scene
    Feb. 20, 2025

    EUGENIO LUCAS VELAZQUEZ (Madrid 1817 - 1870) - Family scene

    Est: €9,000 - €12,000

    Oil on canvas. Dimensions: 73 x 67 cm (with frame). Study and certificate by Amadore Porcella included. Provenance: Ottavio Trigona Dargona

    Templum Fine Art Auctions
  • LUCAS VELASQUEZ Eugenio (1817 - 1870) Tableaux Huile sur toile marouf
    Feb. 18, 2025

    LUCAS VELASQUEZ Eugenio (1817 - 1870) Tableaux Huile sur toile marouf

    Est: €600 - €800

    LUCAS VELASQUEZ Eugenio (1817 - 1870) Tableaux Huile sur toile marouflée sur toile "Conversation avec la fileuse sur fond de paysage". Signé en bas à gauche Lucas Eug. pour Lucas Eugénio Velasquez. Ecole espagnole. Dim.:+/-33,3x38,8cm.

    Vanderkindere
  • EUGENIO LUCAS VELAZQUEZ (Madrid 1817 - 1870) - Family scene
    Jan. 23, 2025

    EUGENIO LUCAS VELAZQUEZ (Madrid 1817 - 1870) - Family scene

    Est: €9,000 - €12,000

    Oil on canvas. Dimensions: 73 x 67 cm (with frame). Study and certificate by Amadore Porcella included. Provenance: Ottavio Trigona Dargona

    Templum Fine Art Auctions
  • EUGENIO LUCAS VELAZQUEZ (Madrid 1817 - 1870) - The surprise
    Jan. 23, 2025

    EUGENIO LUCAS VELAZQUEZ (Madrid 1817 - 1870) - The surprise

    Est: €4,000 - €6,000

    Oil on canvas. Measurements: 75 x 63 cm.

    Templum Fine Art Auctions
  • Attributed to EUGENIO LUCAS VELÁZQUEZ (Madrid, 1817 - 1870). Untitled. Oil on canvas. Presents losses in the pictorial layer.
    Jan. 15, 2025

    Attributed to EUGENIO LUCAS VELÁZQUEZ (Madrid, 1817 - 1870). Untitled. Oil on canvas. Presents losses in the pictorial layer.

    Est: €1,400 - €1,600

    Attributed to EUGENIO LUCAS VELÁZQUEZ (Madrid, 1817 - 1870). Untitled. Oil on canvas. Presents losses in the pictorial layer. Measurements: 61 x 51 cm; 75 x 56 cm (frame). The author of this work offers us a work of clearly romantic heritage, starring a group of bandits resting inside a cave. The work is fully framed within the Spanish regionalist current, still firmly anchored in the aesthetics of the nineteenth century, where the vindication of the Spanish is not limited to the subject matter, but also affects the technical aspect: we see an impastoed and undone invoice, rich in matter and also in detail, which reflects the brightness of the fabrics in the same way that Diego Velázquez did, a great reference along with Francisco de Goya for a nineteenth-century Spanish school that rediscovers the modernity of its old masters. The piece is largely reminiscent of the production of Eugenio Lucas Velázquez. Referred to since the 19th century as Eugenio Lucas Padilla, or Eugenio Lucas the Elder, he was the Spanish Romantic artist who best understood Goya's art. Trained in the neoclassicism of the Academy of San Fernando, he soon turned his training around and dedicated himself to the study of Velázquez and, above all, Goya, whose works he admired and copied in the Prado Museum. In Goya's painting, Lucas Velázquez found the starting point to develop an imaginative personal painting, of fantastic visions and unleashed passions, within the purest romantic style. He also took the subject matter from Goya, and painted scenes of the Inquisition, covens, pilgrimages and bullfights. He also painted, in 1850, the now disappeared ceiling of the Royal Theater of Madrid, and later he was named honorary chamber painter and knight of the order of Carlos III by Queen Isabel II. As a good romantic, he made several trips, among which his stays in Italy, Morocco and Paris stand out. His works are characterized by the use of a spirited brushstroke and a casual style, without draftsmanship concerns, with a dense and impastoed matter of great chromatic richness and with the presence of strong chiaroscuro. He achieved great success as a painter of manners and scenes of fantastic and sinister character, although it is true that he was also an excellent landscape painter and portraitist. His work is well represented in the Prado Museum, and also in other centers such as the Bilbao Fine Arts Museum, the National Art Museum of Catalonia, the Lázaro Galdiano Museum, the British Museum, the Metropolitan Museum of New York and the Goya Museum in Castres (France). It presents losses in the pictorial layer.

    Setdart Auction House
  • EUGENIO LUCAS VELÁZQUEZ (Madrid, 1817 - 1870). "Holy Week in Cordoba", ca. 1850. Based on "Procession of Discipliners" by FRANCISCO DE GOYA (Fuendetodos, 1746 - Bordeaux, 1828). Oil on canvas. Signed and titled on the stretcher frame.
    Dec. 12, 2024

    EUGENIO LUCAS VELÁZQUEZ (Madrid, 1817 - 1870). "Holy Week in Cordoba", ca. 1850. Based on "Procession of Discipliners" by FRANCISCO DE GOYA (Fuendetodos, 1746 - Bordeaux, 1828). Oil on canvas. Signed and titled on the stretcher frame.

    Est: €3,000 - €4,000

    EUGENIO LUCAS VELÁZQUEZ (Madrid, 1817 - 1870). "Holy Week in Cordoba", ca. 1850. Based on "Procession of Discipliners" by FRANCISCO DE GOYA (Fuendetodos, 1746 - Bordeaux, 1828). Oil on canvas. Signed and titled on the stretcher frame. Measurements: 45 x 72,5 cm; 57,5 x 84,5 cm (frame). Eugenio Lucas, a great admirer of Goya, versions in this vibrant composition the painting of small format (conserved in the Real Academia de San Fernando), in which Goya represented the catholic fervor of the autoflagelantes during the Cordovan procession of Holy Week. The disciplinantes, with their naked torsoes, appear in the foreground, their bleeding backs visible. Behind them, crowds of people follow the steps of the Virgin of Solitude and Christ on the Cross. The effigies stand out above the heads, as well as the well-known display of banners, crosses and lanterns. Eugenio Lucas was the Spanish Romantic artist who best understood Goya's art. Trained in the neoclassicism of the Academy of San Fernando, he soon turned his training around and devoted himself to studying Velázquez and, above all, Goya, whose works he admired and copied in the Prado Museum. From the master, Lucas will develop a personal and imaginative painting, of fantastic visions and unleashed passions. Apart from his Goyaesque themes, in 1850 he painted the now disappeared ceiling of the Teatro Real in Madrid, and later he was named honorary chamber painter and knight of the order of Carlos III by Queen Isabel II. As a good romantic, he made several trips, among which his stays in Italy, Morocco and Paris stand out. He achieved great success as a painter of manners and scenes of fantastic and sinister character, although it is true that he was also an excellent landscape painter and portraitist. His work is well represented in the Prado Museum, and also in other centers such as the Bilbao Fine Arts Museum, the National Art Museum of Catalonia, the Lázaro Galdiano Museum, the British Museum, the Metropolitan Museum of New York and the Goya Museum in Castres (France).

    Setdart Auction House
  • EUGENIO LUCAS VELÁZQUEZ (Madrid, 1817 - 1870). "Camp of gypsies". Oil on canvas. Signed in the lower margin.
    Dec. 12, 2024

    EUGENIO LUCAS VELÁZQUEZ (Madrid, 1817 - 1870). "Camp of gypsies". Oil on canvas. Signed in the lower margin.

    Est: €5,000 - €6,000

    EUGENIO LUCAS VELÁZQUEZ (Madrid, 1817 - 1870). "Camp of gypsies". Oil on canvas. Signed in the lower margin. Measurements: 47 x 58 cm; 67 x 78,5 cm (frame). The thematic of the gypsies was frequently treated by Eugenio Lucas, following in it a romantic and folklorist style in a tenebrist and expressive line of Goyaesque roots. This is evident in this scene, rich in narrative and anecdotes developing in the different human groups. Eugenio Lucas was the Spanish romantic artist who best understood Goya's art. Trained in the neoclassicism of the Academy of San Fernando, he soon turned his training around and devoted himself to studying Velázquez and, above all, Goya, whose works he admired and copied in the Prado Museum. From the master, Lucas will develop a personal and imaginative painting, of fantastic visions and unleashed passions. Apart from his Goyaesque themes, in 1850 he painted the now disappeared ceiling of the Teatro Real in Madrid, and later he was named honorary chamber painter and knight of the order of Carlos III by Queen Isabel II. As a good romantic, he made several trips, among which his stays in Italy, Morocco and Paris stand out. He achieved great success as a painter of manners and scenes of fantastic and sinister character, although it is true that he was also an excellent landscape painter and portraitist. His work is well represented in the Prado Museum, and also in other centers such as the Bilbao Fine Arts Museum, the National Art Museum of Catalonia, the Lázaro Galdiano Museum, the British Museum, the Metropolitan Museum of New York and the Goya Museum in Castres (France).

    Setdart Auction House
  • EUGENIO LUCAS VELAZQUEZ Madrid (1817 / 1870) "Women", 1855
    Dec. 10, 2024

    EUGENIO LUCAS VELAZQUEZ Madrid (1817 / 1870) "Women", 1855

    Est: €900 - €1,200

    Watercolor on paper Signed and dated in the lower right corner Measurements: 24.5 x 15 cm

    Ansorena
  • EUGENIO LUCAS VELÁZQUEZ (Madrid, 1817 - 1870) "Aquelarre ".
    Dec. 03, 2024

    EUGENIO LUCAS VELÁZQUEZ (Madrid, 1817 - 1870) "Aquelarre ".

    Est: -

    EUGENIO LUCAS VELÁZQUEZ (Madrid, 1817 - 1870) "Aquelarre ". Oil on canvas Signed in lower right corner 54 x 65 cm. ESCUELA EUROPEA (S.XIX) "Interior de iglesia. Adoración al Santisimo. ". Óleo sobre lienzo Firma ilegible en el ángulo inferior derecho. Medidas:71x52 cm

    Magna Art Auctions
  • ATTRIB. TO EUGENIO LUCAS VELASQUEZ (1817-1870). "The bandits".
    Nov. 28, 2024

    ATTRIB. TO EUGENIO LUCAS VELASQUEZ (1817-1870). "The bandits".

    Est: €2,500 - €4,500

    Oil on canvas. Signed "Eº Lucas", the E being apocryphal. The paint layer has interventions. 80 x 100 cm; 101 x 122 cm (frame).

    Subarna Subastas
  • ATTRIB. TO EUGENIO LUCAS VELASQUEZ (1817-1870). "Scene of Don Quixote and Sancho".
    Nov. 28, 2024

    ATTRIB. TO EUGENIO LUCAS VELASQUEZ (1817-1870). "Scene of Don Quixote and Sancho".

    Est: €2,500 - €4,500

    Oil on canvas. The canvas has visible restorations on the reverse and has been reinforced with bands. The paint layer has also been treated. 82 x 122 cm; 102 x 142 cm (frame).

    Subarna Subastas
  • EUGENIO LUCAS VELÁZQUEZ (MADRID, 1817 - 1870)
    Nov. 26, 2024

    EUGENIO LUCAS VELÁZQUEZ (MADRID, 1817 - 1870)

    Est: €900 - €1,200

    Eugenio Lucas Velázquez (Madrid, 1817 - 1870) 'Majas en el balcón' (Young women on a balcony) Oil on panel. Accompanied by a 19th-century carved, gilded, and stuccoed wooden frame. 20,5 x 15 cm.

    La Suite Subastas
  • Attributed to Eugenio Lucas Velázquez (Madrid, 1817 - 1870) “Majos”
    Oct. 23, 2024

    Attributed to Eugenio Lucas Velázquez (Madrid, 1817 - 1870) “Majos”

    Est: €600 - €800

    Attributed to Eugenio Lucas Velázquez (Madrid, 1817 - 1870) “Majos” Oil on cardboard 22 x 34 cm 600 - 800 €

    Greco Subastas
  • Eugenio Lucas Velázquez. Flirting
    Oct. 23, 2024

    Eugenio Lucas Velázquez. Flirting

    Est: -

    Oil on canvas. Signed in the lower left corner.

    Duran Arte y Subastas
  • EUGENIO LUCAS VELÁZQUEZ ( Madrid, 1817-1870) "Procession"
    Oct. 15, 2024

    EUGENIO LUCAS VELÁZQUEZ ( Madrid, 1817-1870) "Procession"

    Est: €1,400 - €2,000

    EUGENIO LUCAS VELÁZQUEZ ( Madrid, 1817-1870) "Procession" Oil on canvas Signed E. Lucas 24,5 x 37 cm 1.400 - 2.000 €

    Bayeu Subastas
  • EUGENIO LUCAS VELÁZQUEZ - The market
    Sep. 17, 2024

    EUGENIO LUCAS VELÁZQUEZ - The market

    Est: -

    EUGENIO LUCAS VELÁZQUEZ Madrid 1817 - 1870 The market Oil on canvas Signed Measurements 33.5 x 49 cm

    Subastas Segre
  • EUGENIO LUCAS VELÁZQUEZ - Picador
    Sep. 17, 2024

    EUGENIO LUCAS VELÁZQUEZ - Picador

    Est: -

    EUGENIO LUCAS VELÁZQUEZ Madrid 1817-1870 Picador Watercolor on paper Measurements 130 x 140 mm

    Subastas Segre
  • Attributed to EUGENIO LUCAS VELÁZQUEZ, (Madrid, 1817 - 1870). "The forge of Vulcan. Oil on panel.
    Sep. 12, 2024

    Attributed to EUGENIO LUCAS VELÁZQUEZ, (Madrid, 1817 - 1870). "The forge of Vulcan. Oil on panel.

    Est: €1,000 - €1,200

    Attributed to EUGENIO LUCAS VELÁZQUEZ, (Madrid, 1817 - 1870). "The forge of Vulcan. Oil on panel. Measurements: 28 x 37 cm. Mentioned since the 19th century as Eugenio Lucas Padilla, or Eugenio Lucas the Elder, he was the Spanish romantic artist who best understood the art of Goya. Trained in the neoclassicism of the Academy of San Fernando, he soon turned his training around and dedicated himself to the study of Velázquez and, above all, Goya, whose works he admired and copied in the Prado Museum. In Goya's painting, Lucas Velázquez found the starting point to develop an imaginative personal painting, of fantastic visions and unleashed passions, within the purest romantic style. His work represents, in fact, the best costumbrismo of the Madrid school of Spanish Romanticism. He also takes the subject matter from Goya, and will paint scenes of the Inquisition, covens, pilgrimages and bulls. His canvases such as "Condemned by the Inquisition" or "The Hunter" (both in the Prado Museum) even attracted Manet himself during his trip to Spain. Lucas Velázquez also painted, in 1850, the now disappeared ceiling of the Teatro Real in Madrid, and the following year he was appointed honorary painter of the chamber as a landscape painter. In 1853 he was named Knight of the Order of Carlos III by Queen Isabel II. During the decade of the fifties he continued his palace career, being named appraiser of Goya's Black Paintings in 1855, the same year in which he took part in the Universal Exposition of Paris, where his work was very well received by the French critics. From 1868, the year of Isabel II's resignation to the throne, his decline began in parallel to that of the monarchy. In the sixties, as a good romantic, he made several trips, among which his stays in Italy, Morocco and Paris stand out. In the French capital, he also met one of the greatest exponents of French impressionism, Edouard Manet. He died in 1870, leaving as a legacy an important and varied work in which we can glimpse a man of unquestionable originality and to whom no field was alien. His works are characterized by the use of a spirited brushstroke and a casual style, without drawing concerns, with a dense and impastoed matter of great chromatic richness and with the presence of strong chiaroscuro. He achieved great success as a painter of manners and scenes of fantastic and sinister character, although it is true that he was also an excellent landscape painter and portraitist. The work of Lucas Velázquez is very well represented in the Prado Museum, and also in other centers such as the Fine Arts Museum of Bilbao, the National Art Museum of Catalonia, the Lázaro Galdiano Museum, the British Museum, the Metropolitan Museum of New York and the Goya Museum in Castres (France).

    Setdart Auction House
  • EUGENIO LUCAS VELÁZQUEZ. Attributed to. Interior of a church.
    Jul. 11, 2024

    EUGENIO LUCAS VELÁZQUEZ. Attributed to. Interior of a church.

    Est: €320 - €370

    Oil on canvas 30x38.5 cm.

    Balclis
  • Attributed to EUGENIO LUCAS VELÁZQUEZ (Madrid, 1817 - 1870). Untitled. Oil on canvas.
    Jul. 08, 2024

    Attributed to EUGENIO LUCAS VELÁZQUEZ (Madrid, 1817 - 1870). Untitled. Oil on canvas.

    Est: €3,000 - €4,000

    Attributed to EUGENIO LUCAS VELÁZQUEZ (Madrid, 1817 - 1870). Untitled. Oil on canvas. Measurements: 74 x 50 cm; 90 x 65 cm (frame). The brushstroke and the theme of this work bring us closer to the painting of Eugenio Lucas. In the center of the scene, a character takes up almost the totality of a space that is diluted in the shadows. On this darkness, the ochre of the body and the white of the protagonist's shirt stand out, as well as the sketchy figures in the background, which are barely perceptible. The dim lighting, the fast and strongly applied brushstroke and the composition in a cross shape are reminiscent of Goya's painting "Vuelo de Brujas" (Flight of Witches), making up an image of great expressiveness and evident artistic skill. Eugenio Lucas is considered the Spanish romantic painter who best understood Goya's art, becoming the most important and passionate follower of the Goyaesque universe after the death of the brilliant Aragonese painter, whose essence he managed to assimilate to the point of making it difficult on certain occasions to correctly attribute some of his works. In Goya's painting, Lucas Velázquez found the starting point to develop an imaginative personal painting, of fantastic visions and unleashed passions, within the purest romantic style. He also took the subject matter from Goya, and painted scenes of the Inquisition, covens, pilgrimages and bullfights. He also painted, in 1850, the now disappeared ceiling of the Royal Theater of Madrid, and later he was named honorary chamber painter and knight of the order of Carlos III by Queen Isabel II. As a good romantic, he made several trips, among which his stays in Italy, Morocco and Paris stand out. His works are characterized by the use of a spirited brushstroke and a casual style, without draftsmanship concerns, with a dense and impastoed matter of great chromatic richness and with the presence of strong chiaroscuro. He achieved great success as a painter of manners and scenes of fantastic and sinister character, although it is true that he was also an excellent landscape painter and portraitist. His work is well represented in the Prado Museum, and also in other centers such as the Bilbao Fine Arts Museum, the National Art Museum of Catalonia, the Lázaro Galdiano Museum, the British Museum, the Metropolitan Museum of New York and the Goya Museum in Castres (France).

    Setdart Auction House
  • LUCAS VELASQUEZ, EUGENIO. Gesellschaft im Freien. Öl auf Leinwand.
    Jun. 28, 2024

    LUCAS VELASQUEZ, EUGENIO. Gesellschaft im Freien. Öl auf Leinwand.

    Est: €800 - €1,000

    LUCAS VELASQUEZ, EUGENIO 1817 Madrid - 1870 ebd. Gesellschaft im Freien Öl auf Leinwand. R. u. signiert. Doubliert. Restauriert, Craquelé. 23 x 32,5 cm. Rahmen.

    Scheublein Art & Auktionen
  • EUGENIO LUCAS VELAZQUEZ Madrid (1817 / 1870) "Bullfight"
    Jun. 25, 2024

    EUGENIO LUCAS VELAZQUEZ Madrid (1817 / 1870) "Bullfight"

    Est: €4,500 - €6,000

    Oil on canvas. Provenance: - Thibault-Sisson Collection, Paris (France). - Minneapolis Institute of Art, Minneapolis, Minnesota (United States). - Private collection, New York (United States) - Private collection, Madrid. Bibliography: - Bulletin of the Minneapolis Institute of Art, January 7th, 1939. Exhibitions: Durlacher Bros, New Yok, Eugenio Lucas, February 28th - March 24th, 1956, cat. 1 (The bullfight). This interesting painting reflects Eugenio Lucas' admiration for the work of Francisco de Goya and his love for the world of bullfighting. Resolved with his usual technique of energetic lines and sketched workmanship, some models are directly inspired by well-known repertoires of the Aragonese painter. The documentation corresponding to the bibliography and exhibitions is attached. Measurements: 55 x 81 cm.

    Ansorena
  • EUGENIO LUCAS VELAZQUEZ Madrid (1817 / 1870) "Sketches"
    Jun. 25, 2024

    EUGENIO LUCAS VELAZQUEZ Madrid (1817 / 1870) "Sketches"

    Est: €1,200 - €1,600

    Two inks on paper Numbered at the bottom 38 and 74 Pieces from the collection of Manuel Casamar Measurements: Frame: 20 x15 cm each

    Ansorena
  • Feria de ganado en Madrid
    Jun. 18, 2024

    Feria de ganado en Madrid

    Est: -

    Firmado "E. Lucas / 1856".

    Isbilya Subastas
  • La alcahueta
    Jun. 18, 2024

    La alcahueta

    Est: -

    Firmado en el ángulo inferior izquierdo: "Lucas".

    Isbilya Subastas
  • EUGENIO LUCAS VELÁZQUEZ - Exorcismo
    May. 21, 2024

    EUGENIO LUCAS VELÁZQUEZ - Exorcismo

    Est: -

    EUGENIO LUCAS VELÁZQUEZ Madrid 1817 - 1870 Exorcismo Óleo sobre lienzo Firmado Medidas 43 x 52,5 cm

    Subastas Segre
  • EUGENIO LUCAS VELÁZQUEZ - Majas y majos
    May. 21, 2024

    EUGENIO LUCAS VELÁZQUEZ - Majas y majos

    Est: -

    EUGENIO LUCAS VELÁZQUEZ Madrid 1817 - 1870 Majas y majos Óleo sobre lienzo Firmado Medidas 59,5 x 77 cm

    Subastas Segre
  • EUGENIO LUCAS VELÁZQUEZ - Retrato de majo
    May. 21, 2024

    EUGENIO LUCAS VELÁZQUEZ - Retrato de majo

    Est: -

    EUGENIO LUCAS VELÁZQUEZ Madrid 1817-1870 Retrato de majo Óleo sobre lienzo Medidas 42,3 x 36 cm

    Subastas Segre
  • EUGENIO LUCAS VELÁZQUEZ - El garrochista
    May. 21, 2024

    EUGENIO LUCAS VELÁZQUEZ - El garrochista

    Est: -

    EUGENIO LUCAS VELÁZQUEZ Madrid 1817-1870 El garrochista Óleo sobre tabla Medidas 46 x 38 cm

    Subastas Segre
  • EUGENIO LUCAS VELÁZQUEZ (Madrid, 1817 - 1870). "Goyaesque scene". Gouache on paper. Signed in the lower right corner.
    Apr. 23, 2024

    EUGENIO LUCAS VELÁZQUEZ (Madrid, 1817 - 1870). "Goyaesque scene". Gouache on paper. Signed in the lower right corner.

    Est: €2,500 - €3,000

    EUGENIO LUCAS VELÁZQUEZ (Madrid, 1817 - 1870). "Goyaesque scene". Gouache on paper. Signed in the lower right corner. Measurements: 47 x 72 cm; 63 x 88 cm (frame). Eugenio Lucas Velázquez offers us a work of clearly Goyaesque heritage, starring a group of characters of great profusion. The work is fully framed within the Spanish regionalist current, still firmly anchored to romanticism, where the vindication of the Spanish is not limited to the thematic, but also affects the technical aspect: we see an impastoed and undone invoice, rich in matter and also in detail, which reflects the brightness of the canvases in the same way that Diego Velázquez did, great reference along with Francisco de Goya for a nineteenth-century Spanish school that rediscovers the modernity of his old masters. Mentioned since the 19th century as Eugenio Lucas Padilla, or Eugenio Lucas the Elder, he was the Spanish Romantic artist who best understood Goya's art. Trained in the neoclassicism of the Academy of San Fernando, he soon turned his training around and dedicated himself to the study of Velázquez and, above all, Goya, whose works he admired and copied in the Prado Museum. In Goya's painting, Lucas Velázquez found the starting point to develop an imaginative personal painting, of fantastic visions and unleashed passions, within the purest romantic style. He also took the subject matter from Goya, and painted scenes of the Inquisition, covens, pilgrimages and bullfights. He also painted, in 1850, the now disappeared ceiling of the Royal Theater of Madrid, and later he was named honorary chamber painter and knight of the order of Carlos III by Queen Isabel II. As a good romantic, he made several trips, among which his stays in Italy, Morocco and Paris stand out. His works are characterized by the use of a spirited brushstroke and a casual style, without draftsmanship concerns, with a dense and impastoed matter of great chromatic richness and with the presence of strong chiaroscuro. He achieved great success as a painter of manners and scenes of fantastic and sinister character, although it is true that he was also an excellent landscape painter and portraitist. His work is well represented in the Prado Museum, and also in other centers such as the Bilbao Fine Arts Museum, the National Art Museum of Catalonia, the Lázaro Galdiano Museum, the British Museum, the Metropolitan Museum of New York and the Goya Museum in Castres (France).

    Setdart Auction House
  • Attributed to EUGENIO LUCAS VELÁZQUEZ (Madrid, 1817 - 1870). Untitled. Oil on canvas.
    Mar. 18, 2024

    Attributed to EUGENIO LUCAS VELÁZQUEZ (Madrid, 1817 - 1870). Untitled. Oil on canvas.

    Est: €3,000 - €4,000

    Attributed to EUGENIO LUCAS VELÁZQUEZ (Madrid, 1817 - 1870). Untitled. Oil on canvas. Measurements: 74 x 50 cm; 90 x 65 cm (frame). The brushstroke and the theme of this work bring us closer to the painting of Eugenio Lucas. In the center of the scene, a character takes up almost the totality of a space that is diluted in the shadows. On this darkness, the ochre of the body and the white of the protagonist's shirt stand out, as well as the sketchy figures in the background, which are barely perceptible. The dim lighting, the fast and strongly applied brushstroke and the composition in a cross shape are reminiscent of Goya's painting "Vuelo de Brujas" (Flight of Witches), making up an image of great expressiveness and evident artistic skill. Eugenio Lucas is considered the Spanish romantic painter who best understood Goya's art, becoming the most important and passionate follower of the Goyaesque universe after the death of the brilliant Aragonese painter, whose essence he managed to assimilate to the point of making it difficult on certain occasions to correctly attribute some of his works. In Goya's painting, Lucas Velázquez found the starting point to develop an imaginative personal painting, of fantastic visions and unleashed passions, within the purest romantic style. He also took the subject matter from Goya, and painted scenes of the Inquisition, covens, pilgrimages and bullfights. He also painted, in 1850, the now disappeared ceiling of the Royal Theater of Madrid, and later he was named honorary chamber painter and knight of the order of Carlos III by Queen Isabel II. As a good romantic, he made several trips, among which his stays in Italy, Morocco and Paris stand out. His works are characterized by the use of a spirited brushstroke and a casual style, without draftsmanship concerns, with a dense and impastoed matter of great chromatic richness and with the presence of strong chiaroscuro. He achieved great success as a painter of manners and scenes of fantastic and sinister character, although it is true that he was also an excellent landscape painter and portraitist. His work is well represented in the Prado Museum, and also in other centers such as the Bilbao Fine Arts Museum, the National Art Museum of Catalonia, the Lázaro Galdiano Museum, the British Museum, the Metropolitan Museum of New York and the Goya Museum in Castres (France).

    Setdart Auction House
  • Eugenio Lucas Velázquez. Sunset on the coast
    Feb. 21, 2024

    Eugenio Lucas Velázquez. Sunset on the coast

    Est: -

    Oil on paper adhered to canvas. Work cataloged by Don Enrique Arias Anglés according to the label on the back.

    Duran Arte y Subastas
  • EUGENIO LUCAS VELÁZQUEZ - Popular Types
    Feb. 06, 2024

    EUGENIO LUCAS VELÁZQUEZ - Popular Types

    Est: -

    EUGENIO LUCAS VELÁZQUEZ Madrid 1817 - 1870 Popular types Wash and pencil on paper Measurements 170 x 270 mm

    Subastas Segre
  • EUGENIO LUCAS VELÁZQUEZ - Corrida de toros…
    Jan. 31, 2024

    EUGENIO LUCAS VELÁZQUEZ - Corrida de toros…

    Est: €6,000 -

    EUGENIO LUCAS VELÁZQUEZ - Corrida de toros

    Arte Subastas Bilbao
  • EUGENIO LUCAS VELAZQUEZ Madrid (1817 / 1870) "The silly soup", 1856
    Dec. 18, 2023

    EUGENIO LUCAS VELAZQUEZ Madrid (1817 / 1870) "The silly soup", 1856

    Est: €6,750 - €9,000

    Oil on panel Signed and dated on the bottom. Measurements: 52 x 39.5 cm

    Ansorena
  • EUGENIO LUCAS VELAZQUEZ Madrid (1817 / 1870) "Coven"
    Dec. 18, 2023

    EUGENIO LUCAS VELAZQUEZ Madrid (1817 / 1870) "Coven"

    Est: €2,100 - €2,800

    Oil on canvas With a later signature at the bottom Measurements: 37.5 x 49 cm

    Ansorena
  • EUGENIO LUCAS VELAZQUEZ Madrid (1817 / 1870) "The drinkers", 1862
    Dec. 18, 2023

    EUGENIO LUCAS VELAZQUEZ Madrid (1817 / 1870) "The drinkers", 1862

    Est: €900 - €1,200

    Inks on laid paper Signed and dated in the lower left corner Measurements: 20 x 30 cm

    Ansorena
  • EUGENIO LUCAS VELAZQUEZ Madrid (1817 / 1870) "Courtship", 1862
    Dec. 18, 2023

    EUGENIO LUCAS VELAZQUEZ Madrid (1817 / 1870) "Courtship", 1862

    Est: €900 - €1,200

    Inks on laid paper Signed and dated in the lower left corner Measurements: 20 x 30 cm

    Ansorena
  • EUGENIO LUCAS VELÁZQUEZ (Madrid, 1817 - 1870). "Sunset on a North African coast", 1850-1860. Oil on canvas.
    Dec. 18, 2023

    EUGENIO LUCAS VELÁZQUEZ (Madrid, 1817 - 1870). "Sunset on a North African coast", 1850-1860. Oil on canvas.

    Est: €3,200 - €3,500

    EUGENIO LUCAS VELÁZQUEZ (Madrid, 1817 - 1870). "Sunset on a North African coast", 1850-1860. Oil on canvas. Measurements: 45 x 55 cm; 57 x 68 cm (frame). Mentioned since the 19th century as Eugenio Lucas Padilla, or Eugenio Lucas the Elder, he was the Spanish romantic artist who best understood Goya's art. Trained in the neoclassicism of the Academy of San Fernando, he soon turned his training around and dedicated himself to the study of Velázquez and, above all, Goya, whose works he admired and copied in the Prado Museum. In Goya's painting, Lucas Velázquez found the starting point to develop an imaginative personal painting, of fantastic visions and unleashed passions, within the purest romantic style. His work represents, in fact, the best costumbrismo of the Madrid school of Spanish Romanticism. He also takes the subject matter from Goya, and will paint scenes of the Inquisition, covens, pilgrimages and bulls. His canvases such as "Condemned by the Inquisition" or "The Hunter" (both in the Prado Museum) even attracted Manet himself during his trip to Spain. Lucas Velázquez also painted, in 1850, the now disappeared ceiling of the Teatro Real in Madrid, and the following year he was appointed honorary painter of the chamber as a landscape painter. In 1853 he was named Knight of the Order of Carlos III by Queen Isabel II. During the decade of the fifties he continued his palace career, being named appraiser of Goya's Black Paintings in 1855, the same year in which he took part in the Universal Exposition of Paris, where his work was very well received by the French critics. From 1868, the year of Isabel II's resignation to the throne, his decline began in parallel to that of the monarchy. In the sixties, as a good romantic, he made several trips, among which his stays in Italy, Morocco and Paris stand out. In the French capital, he also met one of the greatest exponents of French impressionism, Edouard Manet. He died in 1870, leaving as a legacy an important and varied work in which we can glimpse a man of unquestionable originality and to whom no field was alien. His works are characterized by the use of a spirited brushstroke and a casual style, without drawing concerns, with a dense and impastoed matter of great chromatic richness and with the presence of strong chiaroscuro. He achieved great success as a painter of manners and scenes of fantastic and sinister character, although it is true that he was also an excellent landscape painter and portraitist. The work of Lucas Velázquez is very well represented in the Prado Museum, and also in other centers such as the Fine Arts Museum of Bilbao, the National Art Museum of Catalonia, the Lázaro Galdiano Museum, the British Museum, the Metropolitan Museum of New York and the Goya Museum in Castres (France).

    Setdart Auction House
  • EUGENIO LUCAS VELÁZQUEZ (1817-1870). "STUDY FOR A FIGURE".
    Nov. 30, 2023

    EUGENIO LUCAS VELÁZQUEZ (1817-1870). "STUDY FOR A FIGURE".

    Est: €1,000 - €1,800

    Oil on canvas. Signed. 50 x 43 cm; 66.5 x 59.5 cm (frame). 

    Subarna Subastas
  • Feria de ganado en Madrid
    Nov. 29, 2023

    Feria de ganado en Madrid

    Est: -

    Firmado "E. Lucas / 1856".

    Isbilya Subastas
  • Attributed to Eugenio Lucas Velazquez (Madrid, 1817-1870) "The Mass"
    Oct. 18, 2023

    Attributed to Eugenio Lucas Velazquez (Madrid, 1817-1870) "The Mass"

    Est: €1,800 - €2,000

    Attributed to Eugenio Lucas Velazquez (Madrid, 1817-1870) "The Mass" Oil on canvas 56 x 76 cm 1.800 - 2.000 €

    Greco Subastas
  • EUGENIO LUCAS VELÁZQUEZ - The market
    Sep. 19, 2023

    EUGENIO LUCAS VELÁZQUEZ - The market

    Est: -

    EUGENIO LUCAS VELÁZQUEZ Madrid 1817 - 1870 The market Oil on canvas Signed Measurements 33.5 x 49 cm

    Subastas Segre
  • EUGENIO LUCAS VELÁZQUEZ Madrid (1817 / 1870) "And the house burns"
    Jul. 19, 2023

    EUGENIO LUCAS VELÁZQUEZ Madrid (1817 / 1870) "And the house burns"

    Est: €90 - €120

    Sepia gouache on laid paper. Signed in the lower right corner. Inspired by engraving no. 18 of the series "Los Caprichos de Goya", published in 1799. Measurements: 20.2 x 12.7 cm.

    Ansorena
  • EUGENIO LUCAS VELÁZQUEZ - The arrival of the bandits
    Jul. 04, 2023

    EUGENIO LUCAS VELÁZQUEZ - The arrival of the bandits

    Est: -

    EUGENIO LUCAS VELÁZQUEZ Madrid 1817-1870 The arrival of the bandits Oil on canvas Signed Size 61 x 82.5 cm

    Subastas Segre
  • EUGENIO LUCAS VELÁZQUEZ (1817-1870). "CRUCIFIED CHRIST INSIDE A CHURCH".
    Jun. 21, 2023

    EUGENIO LUCAS VELÁZQUEZ (1817-1870). "CRUCIFIED CHRIST INSIDE A CHURCH".

    Est: €500 - €1,200

    Oil on board. Signed. Restorations. 25 x 19 cm; 40.5 x 34 cm (frame).

    Subarna Subastas
  • EUGENIO LUCAS VELÁZQUEZ (1817-1870). "THE SERMON", 1855.
    Jun. 21, 2023

    EUGENIO LUCAS VELÁZQUEZ (1817-1870). "THE SERMON", 1855.

    Est: €500 - €1,200

    Oil on board. Signed and dated. 35 x 30 cm; 59 x 53 cm (frame).

    Subarna Subastas
  • LUCAS VELASQUEZ EUGENIO (1817 - 1870). ATTRIBUÉ À. HUILE SUR TOILE "DEUX ÉLÉGANTES SOUS LA PLUIE". A
    Jun. 20, 2023

    LUCAS VELASQUEZ EUGENIO (1817 - 1870). ATTRIBUÉ À. HUILE SUR TOILE "DEUX ÉLÉGANTES SOUS LA PLUIE". A

    Est: €1,200 - €1,600

    Huile sur toile "Deux élégantes sous la pluie". Attribué à Eugenio Lucas Velázquez. Ecole espagnole. Dim.:+/-86,5x61cm.

    Vanderkindere
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