Tiziano Vecellio Paintings & Artwork for Sale | Tiziano Vecellio Art Value Price Guide

Oct. 26, 2024
T. BENEDETTI (*1796) after TIZIAN (*1488), Child's head in profile, Etching
Est: €300 - €400
Tommaso Benedetti (1796 - 1863 ) after Tizian: Tiziano Vecellio (around 1488 Belluno - 1576 Venice): Child's head with curly hair looking upwards in profile, 19th century, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Tician. | Benedetti.". Date: 19th century Description: The artwork presented shows a detailed engraving of a child in profile view, with his head facing upwards. His curly hair is carefully depicted and creates a texture that emphasises the play of light and shadow. The play of lines imitates the soft contours of the child's physiognomy. It could be the Christ child, but it could also be a putto Source: Michael Auer () Faust. Poligrafisch illustrirte Zeitschrift für Kunst, Wissenschaft, Industrie, und geselliges Leben, begleitet von Kunst-Beilagen aus mehr als 30 Druckfächern, um 1850 | Magazine, Genre, Landscape, Architecture Keywords: profile view; child; engraving; curls; Christ child; putto; hair; light and shadow; softness; intimacy; face; childlikeness; childlike innocence, 19th century, Baroque, Portraits, Austria, Size: Paper: 34,2 cm x 24,5 cm (13,5 x 9,6 in), Plate: 23,3 cm x 18,3 cm (9,2 x 7,2 in), Depiction: 15,0 cm x 17,5 cm (5,9 x 6,9 in)
Fichter Kunsthandel
Oct. 26, 2024
T. BENEDETTI (*1796) after TIZIAN (*1488), Headpiece of the Maria. Madonna, Etching
Est: €300 - €400
Tommaso Benedetti (1796 - 1863 ) after Tizian: Tiziano Vecellio (around 1488 Belluno - 1576 Venice): Headpiece of Mary Woman with headscarf and inclined gaze Depiction of a saint, 19th century, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Titian. | Benedetti sc.". Date: 19th century Description: This work shows the head of St Mary with a gently inclined gaze, captured in the fine lines of the print. She is wearing a scarf that covers her hair and frames her face. Her gaze is full of kindness and gentleness. Source: Michael Auer () Faust. Poligrafisch illustrirte Zeitschrift für Kunst, Wissenschaft, Industrie, und geselliges Leben, begleitet von Kunst-Beilagen aus mehr als 30 Druckfächern, um 1850 | Magazine, Genre, Landscape, Architecture Keywords: portrait; head study; cloth; drapery; shading; light effects; stillness; contemplation; delicacy; lines; depiction of saints; Mother of God; Madonna, 19th century, Baroque, Religious, Austria, Size: Paper: 34,0 cm x 24,8 cm (13,4 x 9,8 in), Plate: 23,6 cm x 18,0 cm (9,3 x 7,1 in), Depiction: 20,5 cm x 17,0 cm (8,1 x 6,7 in)
Fichter Kunsthandel
Oct. 26, 2024
T. BENEDETTI (*1796) after TIZIAN (*1488), Portrait of an Oriental, Etching
Est: €300 - €400
Tommaso Benedetti (1796 - 1863 ) after Tizian: Tiziano Vecellio (around 1488 Belluno - 1576 Venice): Portrait of an old man with a full white beard, oriental headdress and downward gaze, 18th century, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Titian.| Benedetti sc.". Date: 18th century Description: The depiction shows a portrait of a male individual of oriental appearance, characterised by the traditional headdress, a turban, and facial features of a mature nature. Source: Michael Auer () Faust. Poligrafisch illustrirte Zeitschrift für Kunst, Wissenschaft, Industrie, und geselliges Leben, begleitet von Kunst-Beilagen aus mehr als 30 Druckfächern, um 1850 | Magazine, Genre, Landscape, Architecture Keywords: Orient; Turban; Maturity; Face; Line; Tradition; Headgear; Male, 18th century, Romanticism, Portraits, Austria, Size: Paper: 34,3 cm x 25,3 cm (13,5 x 10 in), Plate: 23,4 cm x 18,0 cm (9,2 x 7,1 in), Depiction: 21,5 cm x 17,0 cm (8,5 x 6,7 in)
Fichter Kunsthandel
Oct. 26, 2024
T. BENEDETTI (*1796) after TIZIAN (*1488), Headpiece of St Joseph, Etching
Est: €300 - €400
Tommaso Benedetti (1796 - 1863 ) after Tizian: Tiziano Vecellio (around 1488 Belluno - 1576 Venice): Headpiece of St Joseph, profile portrait to the right, from an elevated angle, 18th century, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Tician. | Benedetti.". Lower middle inscribed by another person: "H. Joseph". Date: 18th century Description: The artwork shows the profile of a bearded man, skilfully depicted in the style of the time. The precision of the fine lines allows both textured sections of hair and finely graduated shading in the face to stand out. Source: Michael Auer () Faust. Poligrafisch illustrirte Zeitschrift für Kunst, Wissenschaft, Industrie, und geselliges Leben, begleitet von Kunst-Beilagen aus mehr als 30 Druckfächern, um 1850 | Magazine, Genre, Landscape, Architecture Keywords: Portrait; man; bearded; profile view; lines; texture; hair; shading; face; composition;, 18th century, Realism, Portraits, Austria, Size: Paper: 34,3 cm x 25,3 cm (13,5 x 10 in), Plate: 23,3 cm x 18,2 cm (9,2 x 7,2 in), Depiction: 21,0 cm x 16,5 cm (8,3 x 6,5 in)
Fichter Kunsthandel
Oct. 14, 2024
Girl With Fruit Basket, Oil on Canvas, After Tiziano Vecellio (1485-1576)
Est: $500 - $10,000
Girl With Fruit Basket, Oil on Canvas, After Tiziano Vecellio (1485-1576). Framed size: 49" x 54.5". Sight size: 34" x 40". Small puncture, slight losses. Good overall. Part two of a single-owner Lancaster, Ohio collection. We sold the first part of this collection last July. All sales final. Invoices above $2500 must be paid with cash, cashier's check or wire transfer. In-house shipping is available. Pickup is Tuesday, Oct. 15 from 1 pm to 3 pm in Carroll, OH or by appointment by Nov. 1. We can provide in-house shipping for this item. We pack once the lot is paid for. Once packed up we will send you an invoice for shipping and handling. Shipping questions: shipping@burnsbid.com Sales tax will be collected on all bidders. If tax exempt, make sure your certification is submitted with the bid platform.
Burns Auction & Appraisal, LLC.
Oct. 12, 2024
AFTER TIZIANO VECELLIO (ITALIAN, D 1576)
Est: $1,000 - $3,000
AFTER TIZIANO VECELLIO (ITALIAN, D 1576) Mocking of Christ with the Crown of Thorns 19th century copy, oil on canvas, unsigned, back of the canvas is inked "A. Alexander." Active scene with men holding spears around Christ as his crown of thorns is put on, with a bust of Caesar watching from above in front of a banner reading "TIBERIUS CAESAR".
Selkirk Auctioneers & Appraisers
Sep. 26, 2024
TIZIANO VECELLIO, GENANNT „TIZIAN“, 1485 – 1576, NACHFOLGE DES
Est: €5,000 - €7,000
REUIGE MARIA MAGDALENA Öl auf Holz. 35,5 x 25 cm. Verso mit älterem Monogramm in Ligatur. In gekehltem, bronzierten Rahmen. Vor einem Felsvorsprung kniend dem Betrachter zugewandt Maria Magdalena in rot-weißem Gewand mit rotem gewelltem Haar und emporgerichteten Blick. Vor ihr ein geöffnetes Buch, ein Schädel und ein ihr attributiv zukommendes Salbgefäß. Im Hintergrund bläulich eine hügelige Landschaft mit Architektur. Seitenverkehrte, wohl nach druckgrafischem Vorbild ausgeführte, Wiederholung des Gemäldes im Museo Nazionale di Capodimonte in Neapel (Inv.Nr. Q136). (14111417) (3) (13)
Hampel Fine Art Auctions
Sep. 26, 2024
TIZIANO VECELLIO, 1485 BEI BELLUNO – 1576 VENEDIG, NACHFOLGE DES 17./ 18. JH.
Est: €16,000 - €18,000
FRAU MIT SPIEGEL Öl auf Leinwand. 110 x 90 cm. In ornamental reliefiertem und vergoldetem Rahmen. Vor einer steinernen Brüstung innerhalb eines durch einen einzigen rückwärtigen Winkel definierten Innenraumes eine Frau in edler Kledigung mit Perlohring mit einer Hand auf ihr Gesicht weisend, mit der anderen ein Gefäß berührend, das neben einem Kamm steht. Eine Zofe oder wie im Original ein Diener hält einen kleinen Handspiegel und berührt einen weiteren großen Spiegel hinter der Frau. Das vorliegende Gemälde nimmt Bezug auf Tizians um 1515 entstandenes Gemälde, das sich heute im Musée du Louvre in Paris befindet. (1410581) (13) Tiziano Vecellio, 1485 near Belluno – 1576 Venice, follower of the 17th/ 18th century WOMAN WITH MIRROR Oil on canvas. 110 x 90 cm. The present painting refers to Titian‘s painting from ca. 1515, which is now held at the Musée du Louvre in Paris.
Hampel Fine Art Auctions
Sep. 19, 2024
Tiziano Vecellio (Pieve di Cadore 1488/1490 - Venezia 1576) bottega/seguace di
Est: €2,400 - €3,500
Tiziano Vecellio (Pieve di Cadore 1488/1490 - Venezia 1576) bottega/seguace di Allegoria della Vanità Olio su tela 88 x 80 cm L'opera riprende la tela di Tiziano, Vanità, conservata presso l'Alte Pinakothek di Monaco di Baviera. Per circoscrivere l'ambito attributivo, il riferimento va all'entourage del maestro, a quei pittori cresciuti affianco a Tiziano nei suoi quasi cinquant'anni di attività. La fonte principale degli aiutanti era la sua famiglia, quindi troviamo il fratello Francesco Vecellio (Pieve di Cadore 1475 - Venezia 1560), il figlio Orazio Vecellio (Venezia 1528 circa - 1576) e i suoi due cugini Cesare Vecellio (Pieve di Cadore 1530 - Venezia 1601) e Marco Vecellio (Pieve di Cadore 1545 - Venezia 1611). Infine, fuori dal campo parentale, Girolamo Dente (Ceneda 1510 - 1568), che fu un ossequioso pittore tizianesco, tanto da essere chiamato Girolamo di Tiziano e Polidoro da Lanciano, nato Polidoro de' Renzi, fortemente influenzato dalla produzione tizianesca della prima maturità con reminiscenze del Giorgione. Tiziano Vecellio (Pieve di Cadore 1488/1490 - Venice 1576) workshop/follower of Allegory of Vanity Oil on canvas 88 x 80 cm The artwork is based on Titian's canvas, Vanity, preserved at the Alte Pinakothek in Munich.
Lucas Aste
Aug. 13, 2024
TITIAN (1488-1576) LITHOGRAPH TITLED PORTRAIT OF RANUCCIO FARNESE, 29.5IN x 35.5IN (75cm x 90cm)
Est: $1,250 - $1,500
Titian (1488-1576) lithograph titled Portrait of Ranuccio Farnese. It is after the original which was painted in 1541 and now hangs in the National Gallery of Art in Washington DC. With frame, it measures 29.5 inches x 35.5 inches. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a simple, black frame. Acquired from a Metro Washington DC estate.
The Rug Life Auctions
Jul. 23, 2024
TITIAN (1488-1576) LITHOGRAPH TITLED PORTRAIT OF RANUCCIO FARNESE, 29.5IN x 35.5IN (75cm x 90cm)
Est: $1,250 - $1,500
Titian (1488-1576) lithograph titled Portrait of Ranuccio Farnese. It is after the original which was painted in 1541 and now hangs in the National Gallery of Art in Washington DC. With frame, it measures 29.5 inches x 35.5 inches. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a simple, black frame. Acquired from a Metro Washington DC estate.
The Rug Life Auctions
Jul. 16, 2024
(circle of) TIZIANO VECELLIO (1485-1576), VIRGIN WITH CHILD AND ANGELS
Est: €3,000 - €5,000
(circle of) TIZIANO VECELLIO (1485-1576), VIRGIN WITH CHILD AND ANGELS Oil on canvas. Gilded wood frame. Losses, defects and canvas with small rips. Dim.: 121x182 cm.
Renascimento
Jul. 05, 2024
Tiziano Vecellio 1488/1490 Pieve di Cadore-1576 Venezia, copia da Venere allo specchio
Est: €4,000 - €6,000
.
Cambi Casa d'Aste
Jul. 05, 2024
Tiziano Vecellio 1488/1490 Pieve di Cadore-1576 Venezia, copia da Donna allo specchio
Est: €4,000 - €5,000
.
Cambi Casa d'Aste
Jul. 02, 2024
TITIAN (1488-1576) LITHOGRAPH TITLED PORTRAIT OF RANUCCIO FARNESE, 29.5IN x 35.5IN (75cm x 90cm)
Est: $1,250 - $1,500
Titian (1488-1576) lithograph titled Portrait of Ranuccio Farnese. It is after the original which was painted in 1541 and now hangs in the National Gallery of Art in Washington DC. With frame, it measures 29.5 inches x 35.5 inches. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a simple, black frame. Acquired from a Metro Washington DC estate.
The Rug Life Auctions
Jul. 02, 2024
TIZIANO VECELLIO, CALLED TITIAN (PIEVE DI CADORE C. 1485⁄90-1576 VENICE). T
Est: £15,000,000 - £25,000,000
TIZIANO VECELLIO, CALLED TITIAN (PIEVE DI CADORE C. 1485⁄90-1576 VENICE). The Rest on the Flight into Egypt. oil on canvas, laid on panel 18 ¼ x 24 ¾ in. (46.2 x 62.9 cm.).
Christie's
Jun. 27, 2024
Tiziano Vecellio, genannt „Tizian“, 1485 – 1576, Nachfolge des
Est: €10,000 - €20,000
VENUS MIT CUPIDO UND DIENER Öl auf Leinwand. Doubliert. 87 x 80 cm. In vergoldetem Rahmen mit Akanthusblattrelief. Vor einem angedeuteten Fenster mit rechts abschließendem dunkelgrünen Vorhang hinter einem Mauervorsprung sitzend Venus mit einem Pfeil in ihrer Hand. Neben ihr der dazugehörige Köcher und der rücklings zum Betrachter stehende Cupido aus dem Bildfeld dem Betrachter entgegenblickend. Vor dem Fenster zeichnet sich die Gestalt eines Dieners mit Früchtekorb ab. Insgesamt nimmt die Komposition Vorbilder des Tizian auf, ist jedoch in seiner späten Nachfolge entstanden und dürfte Bezug nehmen auf Tizians „Einweihung in die Geheimnisse des Bacchus“. (1400031) (13) Tiziano Vecellio, also known as „Tizian“, 1485 – 1576, follower of VENUS AND CUPID WITH SERVANT Oil on canvas. Relined. 87 x 80 cm.
Hampel Fine Art Auctions
Jun. 27, 2024
Tiziano Vecellio, genannt „Tizian“, 1485 bei – 1576, Nachfolge des 17. Jh.
Est: €16,000 - €18,000
VENUS VERBINDET AMOR DIE AUGEN Öl auf Leinwand. Doubliert. 112 x 169 cm. Links vor dunklem Hintergrund mit rotem, zur Seite gezogenem Velum, die prachtvoll gekleidete Venus in weißem Kleid mit blauem Umhang sowie mit frisiertem langem dunkelblondem Haar, auf dem eine Krone sitzt. Sie ist zu sehen, wie sie dem geflügelten Amor auf ihrem Schoß entschlossen die Augen mit einem langen Tuch verbindet, während hinter ihr ein zweiter Amor seine ganze Aufmerksamkeit diesem Geschehen widmet. Rechts nähern sich zwei Frauen mit Bogen und mit Pfeilen gefülltem Köcher, wahrscheinlich die Nymphen Dori und Armilla. Im Hintergrund eine bergige Landschaft im rötlichen Licht der untergehenden Sonne. Anmerkung: Das Originalgemälde von Tizian, Öl auf Leinwand, befindet sich in der Galleria Borghese, Rom und ist 116 x 184 cm. (1400841) (18) Tiziano Vecellio, also known as “Titian“, 1485 near Belluno – 1576 Venice, follower of the 17th century VENUS BLINDFOLDING CUPID Oil on canvas. Relined. 112 x 169 cm. Notes: The original painting by Titian, oil on canvas, is held at Galleria Borghese in Rome and measures 116 x 184 cm.
Hampel Fine Art Auctions
Jun. 11, 2024
TITIAN (1488-1576) LITHOGRAPH TITLED PORTRAIT OF RANUCCIO FARNESE, 29.5IN x 35.5IN (75cm x 90cm)
Est: $1,250 - $1,500
Titian (1488-1576) lithograph titled Portrait of Ranuccio Farnese. It is after the original which was painted in 1541 and now hangs in the National Gallery of Art in Washington DC. With frame, it measures 29.5 inches x 35.5 inches. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a simple, black frame. Acquired from a Metro Washington DC estate.
The Rug Life Auctions
May. 21, 2024
TITIAN (1488-1576) LITHOGRAPH TITLED PORTRAIT OF RANUCCIO FARNESE, 29.5IN x 35.5IN (75cm x 90cm)
Est: $1,250 - $1,500
Titian (1488-1576) lithograph titled Portrait of Ranuccio Farnese. It is after the original which was painted in 1541 and now hangs in the National Gallery of Art in Washington DC. With frame, it measures 29.5 inches x 35.5 inches. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a simple, black frame. Acquired from a Metro Washington DC estate.
The Rug Life Auctions
May. 14, 2024
Tiziano Vecellio (1488 o 1490 - 1576) cerchia/allievo di
Est: €6,000 - €9,000
Tiziano Vecellio (1488 o 1490 - 1576) cerchia/allievo di Ritratto di Andrea Barbarigo Olio su tela 102,5 x 91 cm L'opera in esame evidenzia l'impostazione di alcuni ritratti di Tiziano, si veda Ritratto di Filippo II conservato a Capodimonte oppure Ritratto di Alfonso d'Avalos conservato presso la collezione De Ganay di Parigi. In entrambi i casi l'effigiato è ripreso di tre quarti e con lo sguardo rivolto altrove. Il riferimento stilistico sommato alla qualità dell'opera inducono a considerare che il dipinto sia nato nell'entourage del maestro, da quei pittori cresciuti affianco a Tiziano nei suoi quasi cinquant'anni di attività. La fonte principale degli aiutanti era la sua famiglia, quindi troviamo il fratello Francesco Vecellio, il figlio Orazio Vecellio e i suoi due cugini Cesare Vecellio e Marco Vecellio. Infine, fuori dal campo parentale, Girolamo Dente (Ceneda 1510 - 1568), che fu un ossequioso pittore tizianesco, tanto da essere chiamato Girolamo di Tiziano e Polidoro da Lanciano, nato Polidoro de' Renzi, fortemente influenzato dalla produzione tizianesca della prima maturità con reminiscenze del Giorgione. Tiziano Vecellio (1488 or 1490 - 1576) circle/pupil of Portrait of Andrea Barbarigo Oil on canvas 102,5 x 91 cm The artwork in question shows the setting of some portraits by Titian, you should see Portrait of Philip II preserved in Capodimonte or Portrait of Alfonso d'Avalos preserved in the De Ganay collection in Paris. In both cases, the depicted person is portrayed in three-quarters view and with his gaze turned elsewhere.
Lucas Aste
May. 14, 2024
Tiziano Vecellio (1488 o 1490 - 1576) allievo/seguace del XVI/XVII secolo
Est: €3,000 - €5,000
Tiziano Vecellio (1488 o 1490 - 1576) allievo/seguace del XVI/XVII secolo Ritratto di Laura Dianti Olio su tela 55 x 65 cm La tela riprende il dipinto di Tiziano conservato in collezione Kisters di Kreuzlingen. Tra le copie esistenti una è conservata alla Galleria Borghese di Roma. L'opera in esame, per le peculiarità tizianesche che mostra, fa supporre che possa essere di un maestro veneto cresciuto nell'ambiente tizianesco o dal quale abbia subito una forte influenza. Il riferimento va dunque all'entourage del maestro, a quei pittori cresciuti affianco a Tiziano nei suoi quasi cinquant'anni di attività. La fonte principale degli aiutanti era la sua famiglia, quindi troviamo il fratello Francesco Vecellio, il figlio Orazio Vecellio e i suoi due cugini Cesare Vecellio e Marco Vecellio. Infine, fuori dal campo parentale, Girolamo Dente, che fu un ossequioso pittore tizianesco, tanto da essere chiamato Girolamo di Tiziano e Polidoro da Lanciano, nato Polidoro de' Renzi, fortemente influenzato dalla produzione tizianesca della prima maturità con reminiscenze del Giorgione. Tiziano Vecellio (1488 or 1490 - 1576) pupil/follower of the 16th/17th century Portrait of Laura Dianti Oil on canvas 55 x 65 cm The canvas recalls the painting by Titian preserved in the Kisters collection in Kreuzlingen. Among the existing copies, one is preserved in the Borghese Gallery in Rome.
Lucas Aste
May. 04, 2024
Tiziano, Vecellio
Est: -
Tiziano, Vecellio 1488/90 Pieve di Cadore - 1576 Venedig (nach) Jungfrau Maria im Tempel zu Jerusalem. Mischt./Lwd., 68 x 136 cm.
Dusseldorfer Auktionshaus
May. 04, 2024
Tiziano, Vecellio
Est: -
Tiziano, Vecellio 1488/90 Pieve di Cadore - 1576 Venedig (nach) Einweihung in die Geheimnisse Bacchus. Öl/Lwd., 116 x 132 cm.
Dusseldorfer Auktionshaus
Apr. 30, 2024
TITIAN (1488-1576) LITHOGRAPH TITLED PORTRAIT OF RANUCCIO FARNESE, 29.5IN x 35.5IN (75cm x 90cm)
Est: $1,250 - $1,500
Titian (1488-1576) lithograph titled Portrait of Ranuccio Farnese. It is after the original which was painted in 1541 and now hangs in the National Gallery of Art in Washington DC. With frame, it measures 29.5 inches x 35.5 inches. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a simple, black frame. Acquired from a Metro Washington DC estate.
The Rug Life Auctions
Apr. 09, 2024
TITIAN (1488-1576) LITHOGRAPH TITLED PORTRAIT OF RANUCCIO FARNESE, 29.5IN x 35.5IN (75cm x 90cm)
Est: $1,250 - $1,500
Titian (1488-1576) lithograph titled Portrait of Ranuccio Farnese. It is after the original which was painted in 1541 and now hangs in the National Gallery of Art in Washington DC. With frame, it measures 29.5 inches x 35.5 inches. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a simple, black frame. Acquired from a Metro Washington DC estate.
The Rug Life Auctions
Feb. 20, 2024
Tiziano Vecellio (Pieve di Cadore 1488/1490 - Venezia 1576) bottega di
Est: €3,000 - €5,000
Tiziano Vecellio (Pieve di Cadore 1488/1490 - Venezia 1576) bottega di Concerto campestre (incompiuto) Olio su tela 105 x 138 cm La tela, nelle parti definite, evidenzia una squisita qualità, un far pittorico deciso e tipicamente veneziano per il sapiente uso della pennellata sfrangiata e dello sfregazzo. Supporto, materiali e tecnica inducono a datare la tela nel XVI secolo, e in virtù di queste considerazioni, si avvalora l'ipotesi che essa sia uscita dalla bottega del Tiziano, ovvero, a nostro avviso, realizzata sotto la sua diretta supervisione. L'opera originale, conservata al Louvre, è stata attribuita a Giorgione ma oggi l'opinione comune degli studiosi riconosce in Tiziano l'autore. Il tema colto e sofisticato, allude ai piaceri arcadici e al piacere dei sensi, alla purezza e all'eros alla simultaneità del visibile e dell'invisibile, dell'umano percepire e della percezione poetico filosofica. Appartenuta ai Gonzaga, venne acquisita da Carlo I d'Inghilterra e poi dal banchiere francese Eberhard Jabach, che a sua volta la vendette, nel 1671, a Luigi XIV re di Francia. Il celeberrimo dipinto Déjeuner sur l'herbe di Édouard Manet è l'omaggio dell'artista francese a quest'opera che ebbe modo vedere e amare profondamente. Tiziano Vecellio (Pieve di Cadore 1488/1490 - Venice 1576) workshop of Country Concert (Unfinished) Oil on canvas 105 x 138 cm The canvas, in the defined parts, highlights an exquisite quality, a decisive and typically Venetian pictorial approach due to the skillful use of sfrangiato and sfregazzo. Support, materials, and technique led to dating the canvas in the 16th century, and by these considerations, the hypothesis is supported that it came out of Titian's workshop, or, in our opinion, created under his direct supervision. The original artwork, now in the Louvre, was attributed to Giorgione but today the common opinion of scholars recognizes Titian as the author. The cultured and sophisticated theme alludes to Arcadian pleasures and the pleasure of the senses, to purity and eros, to the simultaneity of the visible and the invisible, of human perception and poetic-philosophical perception. Having belonged to the Gonzaga family, it was acquired by Charles I of England and then by the French banker Eberhard Jabach, who in turn sold it, in 1671, to Louis XIV, king of France. The famous painting Déjeuner sur l'herbe di Édouard Manet is the French artist's homage to this artwork that he had the opportunity to see and love deeply.
Lucas Aste
Feb. 01, 2024
Portrait of the Artist
Est: $30,000 - $40,000
Attributed to Tiziano Vecellio, called Titian Pieve di Cadore circa 1485 or 1490 - 1576 Venice Portrait of the Artist oil on canvas canvas: 17 ½ by 13 ⅜ in.; 44.5 by 34.0 cm. framed: 29 ⅛ by 24 ⅞ in.; 74.0 by 63.2 cm.
Sotheby's
Dec. 05, 2023
TIZIANO VECELLIO (PIEVE DI CADORE 1488/1490 - VENEZIA 1576) COPIA DEL XVIII SECOLO
Est: €1,000 - €1,500
Tiziano Vecellio (Pieve di Cadore 1488/1490 - Venezia 1576) copia del XVIII secolo Incoronazione di spine Olio su tela 78 x 61,5 cm L'opera riprende il dipinto di Tiziano, realizzato nel 1576, conservato nella Alte Pinakothek di Monaco di Baviera, in Germania. Tiziano Vecellio (Pieve di Cadore 1488/1490 - Venice 1576) 18th century copy The crowning with thorns Oil on canvas 78 x 61,5 cm The artwork takes up the painting by Tiziano, made in 1576, kept in the Alte Pinakothek in Munich, Germany.
Lucas Aste
Nov. 17, 2023
Tiziano Vecellio: Venus and Adonis
Est: €10,000 - €20,000
VECELLIO, TIZIANO ('Tizian') ca. 1489 Pieve di Cadore - 1576 Venedig Circle Title: Venus and Adonis. Technique: Oil on canvas. Mounting: Relined. Measurement: 61 x 77cm. Frame: Framed. Provenance: Private ownership, Germany. Who in this country was worshipped and praised as a "Maler-Fürst" (engl. Painter Prince) in the 19th century, for example Franz von Lenbach or Franz von Stuck in Munich, he could not only show a splendid estate, but also had an almost public, opulent lifestlye and knew how to celebrate roaring artist parties with their followers. All of this, however, was nothing against the adoration of artists in Italy, especially in 16th century Italy. At that time, artists were downright put on a pedestal. He was celebrated as a genius and worshipped him almost like an "artist-god". Leonardo da Vinci, Raffael, Michelangelo, Tintoretto would be examples for this - and, of course, especially: Tiziano! Tiziano, actually Tiziano Vecellio, was born in 1488 in Pieve die Cadore and died at the age of ca. 86 in Venice in 1576. Already as a young person he had come to Venice. The brothers Gentile and Giovanni Bellini recognised his artistic talent and taught hime. At the age of 25 he already opened his own artist's workshop. he did not miss anything. His artistic talent quickly was highly praised and his reputation as a gifted painter hurried ahead of him. ALl over Europe, he received commissions, on which he worked alongside his most talented student. As a result Tizian portrayed, for example, Charles V, emperor of the Holy Roman Empire, and Pope Paul III in Rome, as well as Philipp II in Spain. No other painter infused the presented personalities with such vividness as he did at that time. No other treated the materiality of the substances in an as differentiated way as this artist. The silky shiny hair of a portrayed lady entice to touching, the velvety-soft garments prompt the oberserver's eyes to follow the fluid drapery, the exact representation of the precious satin fabric call for admiration on all sides. Tiziano knew how to handle colouring and used it in a way utterly surprising for his contemporaries. This was a new kind of painting that was, especially at that time, fascinating for all observers. Except for the portraits that were highly popular amongst chirch and aristocracy, Tiziano also painted ladscapes as well as mythological and religious motifs. In his brilliant versatility he produced moving depcitions of Madonna, impressive ceiling frescos and altar pieces rich in figures. Time and again he dealt with diverse motifs of Roman mythology all life long. This way he was also fascinated by the famous love story of Venus and Adonis and implemented this in a painting at the age of 65: The goddess of love, Venus, falls in love with the young Adonis because he is astoundingly beautiful. However, this erotic relatioship suddenly ends when Adonis is killed by a boar during the hunt. From his blood venus lets bloom a flower due to her aching heart, the so-called pheasant's eye. This way, Adonis can bloom as a flower on earth for some time of the year while he must reside in the underworld for the left time. In his painting Tizian now grasps the dramtic moment in his painting when Venus is trying to prevent her young beloved from the hunt because she knows that he would die if he actually went hunting. Despite all of her struggles she cannot hold back Adonis. The observer knows how the story will end and Tiziano confirms the uncomfortable feeling with all the means available to him. The artist lets the bare Venus cling in compicated body twists to Adonis who is rushing forward, cled in signal red garments.The accompanying hounds are already tugging at the leashes and are picking up the scent of the quarry. In the middle ground on the left Cupid is oversleeping the significant moment. He does not help her at all. And in the sky, mountains of clouds are looming in a threatening manner, from which the first rays of sunshine are tediously fighting their way out. This artwork of the almost worshipped artist shook up soceity at that time. No wonder that it had been copied by his students more than once within the artist's workshop during Tiziano's life time. And also after Tiziano's death it did not lose its radiance. There are once and again artists during that time that are inspired by the original that is exhibited at the Prado nowadays and then interpret it in their personal style. Our offered artwork was created shortly after Tiziano's death in his closest circle of students, according to our judgement. The artist perfectly managed to transfer the motif of the large-scale original with the measurements 186 x 207 cm to a smaller-scale version. It convinces with its strong contrasts of colours and its artistic treatment of details. Thus the elaboration of Venus' hair style for example hints distinctly ata Venetian artist. Only these were skilled enough to ban the silky soft hair of a female figure onto the canvas. The present painting radiates a personal artistic trademark. It grasps wide beyong being a mere copy of Tiziano's famous motif of Venus and Adonis by means of a self-confident artistic interpretation. Explanations to the Catalogue Estimated shipping costs for this lot: Germany: 77,31 Euro plus 14,69 Euro VAT EU: 100,84 Euro plus 19,16 Euro VAT Worldwide: 159,66 Euro plus 30,34 Euro VAT additional shipping insurance
Van Ham Kunstauktionen
Oct. 14, 2023
Vecellio, Tiziano
Est: €160 - €240
(1477 Pieve di Cadore - Venedig 1576), nach. Das Märtyrium des Hl. Petrus. Kupferstich. Plgr. ca. 44 x 34,5 cm. Blgr. 46 x 36,5 cm. Mit Namenszug i.d.Pl. - Minimal fl. sowie kl. Löchlein im li. weißen Rand. D
Kiefer Buch- und Kunstauktionen
Sep. 28, 2023
Tiziano Vecellio, auch "Tizian", 1485 bei Belluno - 1576 Venedig, Werkstatt des
Est: €50,000 - €70,000
DANAE Öl auf Leinwand. Doubliert. 127 x 189 cm. In vergoldetem Profilrahmen. Beigegeben eine technische Analyse von Dr. Giuseppe Di Girolami, Ascoli Piceno vom 17. Oktober 2019, in Kopie. Die Analyse hat Stiche auf dem Pigment gezeigt, die von einem Vorlagekarton stammen dürften, sowie verschiedene Pentimenti. Ebenso beigegeben eine Korrespondenz mit Bernard Jan Hendrik Aikema, Fondazione Centro Studi e Cadori, der nach der Beurteilung von Fotografien nicht ausschließt, dass es sich um eine Werkstattsarbeit Tizians handeln könnte. Danae liegt auf ihrer Bettstatt in ihrem Turm, in den ihr Vater sie eingesperrt hatte, um zu verhindern, dass sie Nachkommen zeugt - denn es wurde prophezeit, dass ihr Sohn seinen Großvater töten würde. Wir werden als Betrachter Zeuge des wundersamen Augenblicks, in dem Zeus in Gestalt eines Goldregens mit Danae den Sohn Perseus zeugt - der seinen Großvater letztendlich doch versehentlich bzw. der Lenkung der Götter gemäß mit einem Diskus tötet. In diesem Moment läuft eine Amme herbei, um den Goldregen aufzufangen. Die Darstellung – ob nun aus der Werkstatt oder in der Nachfolge entstanden – geht zurück auf das berühmte Werk Tizians, welches 1560-65 ausgeführt wurde und im Prado in Madrid unter Inv.Nr. P00425 verwahrt wird und 129,8 x 181,2 cm misst. Auch in der Hermitage in St. Petersburg wird eine Version mit Amme verwahrt (120 x 187 cm). Die erste Danae wurde von Tizian in Rom 1544-45 für Cardinal Alessandro Farnese in Bezug auf seine Affäre mit einer Kurtisane gefertigt. Dieses Gemälde war Vorbild etwa für das Gemälde für Philip II, bei dem Cupido durch eine alte Amme ersetzt wurde, die einen willkommenen Kontrast zur jugendlichen Schönheit Danaes bietet. Das Pradogemälde entstand um 1565 und gehörte einst vermutlich Giovanni Carlo Doria und danach Velázquez, dem 1634 1000 Dukaten für 18 Gemälde - darunter die Danae - bezahlt wurden. (1370831) (13) Tiziano Vecellio, also known as "Titian", 1485 near Belluno – 1576 Venice, workshop of DANAË Oil on canvas. Relined. 127 x 189 cm. Accompanied by a technical analysis by Dr Giuseppe Di Girolami, Ascoli Piceno dated 17 October 2019, in copy. The analysis has shown pricks on the pigment that may originate from a cartoon and various pentimenti. Also enclosed is the correspondence with Bernard Jan Hendrik Aikema, Fondazione Centro Studi Tiziano e Cadore. After assessing the photographs, he does not rule out that this could be a work by Titian’s workshop.
Hampel Fine Art Auctions
Sep. 20, 2023
Follower of TIZIANO VECELLIO (Pieve di Cadore, Belluno, Veneto, ca. 1477/1490-Venice, 1576), c.1900. "Salome". Oil on canvas. It presents faults and restorations on the pictorial surface.
Est: €500 - €600
Follower of TIZIANO VECELLIO (Pieve di Cadore, Belluno, Veneto, ca. 1477/1490-Venice, 1576), c.1900. "Salome. Oil on canvas. It presents faults and restorations on the pictorial surface. Measurements: 88 x 81 cm. Salome, Idumean princess, daughter of Herodias and wife of Herod Philip I, carries on a tray the decapitated head of Saint John the Baptist, illustrating a Gospel passage narrated by Matthew (14:1-11) and Mark (6: 22-28). Titian approached this subject as early as 1516 (Rome, Doria-Pamphilj), conceiving the scene in pyramidal form, with Salome holding the Baptist's head on a tray at chest level and a maid. The scene was set in an interior, with an arch in the background. Titian then gave the scene an erotic dimension, common in depictions of this episode in early 16th-century Venetian art, through Salome's suggestive clothing and the way her bare arm brushes the prophet's hair. Several historians believe that the Baptist's head is a self-portrait by Titian, who thus inaugurated a sub-genre, the décapité self-portrait, which would be taken up by Caravaggio. The present work, although executed in Spain in the 19th century, was originally conceived by Titian. In the present work, the main focus is on Salome, who holds up the Baptist's head. In contrast to the solid pyramidal structure of the first version, this one displays a dynamism that evokes the dance that Salome performed to seduce the Baptist. In a lively contrapposto, the body traces a diagonal line underlined in parallel by an ethereal gauze, balanced by the verticals of the head and the left arm. The addressee of the seduction is now the spectator, whom Salome interpellates with her gaze.
Setdart Auction House
Sep. 13, 2023
Follower of Tiziano Vecellio, called Titian (Pieve-di-Cadore 1485-1576 Venice) Portrait of an elderly man in senator's robes
Est: £2,000 - £3,000
Follower of Tiziano Vecellio, called Titian (Pieve-di-Cadore 1485-1576 Venice) Portrait of an elderly man in senator's robes indistinctly inscribed and dated 'MA***/CANC/MD*' (upper right) oil on canvas 70.7 x 55.2cm (27 13/16 x 21 3/4in).
Bonhams
Jun. 29, 2023
TIZIANO VECELLIO E AIUTI DI BOTTEGA, Olio su tavola
Est: €150,000 - €250,000
TIZIANO VECELLIO E AIUTI DI BOTTEGA (Pieve di Cadone 1488/1490 - Venezia 1576) Busto di Cristo Olio su tavola Cornice non coeva in legno intagliato e dorato L'opera è corredata da expertise a cura del professore Maurizio Marini (l'expertise sarà riprodotto in forma digitale). cm 49 x 36,5.
Benedetto Trionfante Auction House s.r.l
Jun. 27, 2023
Tiziano Vecellio Venere che benda Amore
Est: €1,000 - €1,500
Il dipinto qui presentato riprende un particolare della celebre composizione del maestro veneto, attualmente conservata presso il Museo di Villa Borghese a Roma.
Cambi Casa d'Aste
Jun. 13, 2023
VECELLIO TIZIANO (1485 - 1576) From. Venus and Adonis
Est: €5,000 - €8,000
VECELLIO TIZIANO (1485 - 1576). From. Venus and Adonis. Cm 124,50 x 138,00.
Capitolium Art
Mar. 30, 2023
EUROPEAN SCHOOL after Tiziano Vecellio, called Titian (1488–1576) 19th century A young woman in furs Oil on canvas
Est: $400 - $600
EUROPEAN SCHOOL after Tiziano Vecellio, called Titian (1488–1576) 19th century A young woman in furs Oil on canvas 83 x 62.5cm OTHER NOTES: After Titian's circa 1536 painting in the Kunsthistorisches Museum, Vienna (inv. Gemäldegalerie, 89).
Leonard Joel
Feb. 25, 2023
Porcelain miniature painting girl with fruit bowl, after Tiziano Vecellio (1485-1576), Porzellan Bildplatte Mädchen mit Fruchtschale Miniaturmalerei,
Est: €200 -
porcelain around 1900, girl with fruit bowl after an original by Titian around 1555, reverse with sticky note, oval painting H 11.5 cm x W 9 cm, ceremonial frame 23.5 x 21.5 cm
Antikauktion Krefeld
Feb. 21, 2023
Tiziano Vecellio (Pieve di Cadore 1488/1490 - Venezia 1576) seguace di
Est: €1,000 - €1,500
Tiziano Vecellio (Pieve di Cadore 1488/1490 - Venezia 1576) seguace di Ritratto di Francesco Maria della Rovere duca di Urbino Olio su tela incollata a tavola 21 x 19 cm Tiziano Vecellio (Pieve di Cadore 1488/1490 - Venice 1576) follower of Portrait of Francesco Maria della Rovere, Duke of Urbino Oil on canvas on panel 21 x 19 cm
Lucas Aste
Jan. 24, 2023
AFTER TIZIANO VECELLIO, CALLED TITIAN (CIRCA 1488-1576), ANONYMOUS, Portrait of Suleyman the Magnificent
Est: $150,000 - $250,000
AFTER TIZIANO VECELLIO, CALLED TITIAN (CIRCA 1488-1576), ANONYMOUS, Portrait of Suleyman the Magnificent Block & Sheet 870 x 349 mm.
Christie's
Dec. 10, 2022
E. SADELER (*1570) after TIZIAN (*1488), Portrait of Marcus Salvius Otho, around 1600, Copper engrav
Est: €450 - €600
Egidius II Sadeler (around 1570 Antwerp - 1629 Prag) after Tizian: Tiziano Vecellio (around 1488 Belluno - 1576 Venice): Portrait of the Roman Emperor Marcus Salvius Otho (32 AD-69), c. 1600, Copper engraving Technique: Copper engraving on Paper Inscription: At the lower part signed in the printing plate: "AEgidius sadeler S.C.M. sculp. / Titianus inventor / Marcus sadeler excudit.". Upper middle inscribed in the printing plate: "M. SYLVIS OTHO.". At the lower part further inscription: "VIII. Ad regnum ingressus fuit hic vt apertus Othonie/Per miseram facta proditione necem: Hic idem fuit extremus regni exitus. Auli Vi sibi cum gladijs adueniente Super. / Suspector magni et quoniam fuit iste Neronis, Nomine quem voluit saepe referre Nero, Rettulit atque fuga: ac manibus tum denique mortem Persimilem sibi et hic coscijt suis.". Date: c. 1600 Description: Engraving by Sadeler, Egidius (1570 Antwerp - Prague 1629) and Sadeler, Marcus Christoph (before 1614 Munich - Prague 1660) after Titian (1477 Pieve di Cadore - Venice 1576). Marcus Salvius Otho (32-69 AD) was one of the four Roman emperors of the four-emperor year 69. On the copper engraving it is particularly striking that his right arm is bare, but his left arm is in 17th century armour. It is an interesting portrait of an ancient personage who, however, seems to have been transported to the 17th century by the armour. Person: Depicted: Marcus Salvius Otho (32 Ferentium - 69 Brixellum) Roman Emperor Keywords: Rome, Roman Empire, Antiquity, Empire, Emperor, Emperor portrait, Armour, Imperium Romanum, 17th century, Renaissance, Portraits, Italy, Rome (Latium),
Fichter Kunsthandel
Nov. 29, 2022
TIZIANO VECELLIO (PIEVE DI CADORE 1488/1490 - VENEZIA 1576) SEGUACE
Est: €600 - €1,000
Tiziano Vecellio (Pieve di Cadore 1488/1490 - Venezia 1576) seguace di Ritratto di imperatore Olio su tela 114 x 94 cm Su commissione di Federico Gonzaga, tra il 1537 e il 1538 Tiziano Vecellio realizzò dodici ritratti di imperatori romani. Secondo quanto riporta Vasari, la serie completa risulta collocata nell'anticamera della Stanza di Troia nel Palazzo Ducale di Mantova. Nel 1628 i dipinti furono acquistati da Carlo I, quindi trasferiti in Inghilterra e successivamente in Spagna, dove vennero distrutti nell'incendio dell'Alcazar del 1734. Di essi rimane memoria nelle incisioni di Egidio Sadeler, nei disegni di Jacopo Strada e in numerose copie: le più famose ed interessanti sono quelle conservate presso la Pinacoteca Nazionale di Siena, eseguite da Ludovico Dondi e quelle di Bernardino Campi nella Galleria Nazionale di Capodimonte a Napoli. Tiziano Vecellio (Pieve di Cadore 1488/1490 - Venice 1576) follower of Portrait of an emperor Oil on canvas 114 x 94 cm
Lucas Aste
Nov. 15, 2022
Titian, 1488 - 1576, Mary Magdalene
Est: €200 - €400
Titian 1488 - 1576 Mary Magdalene Copper engraving from 1566 Cornelius Cort fec. 1533 - 1578 34,5 x 27,5 cm
Tiberius Auctions
Oct. 06, 2022
Kopie Tizian Magdalena / Copy after Titian, Magdalena
Est: -
(Tiziano Vecellio), Tizian (um 1490 Pieve di Cadore (Belluno) - 1576 Venedig) Kopie nach ''Maddalena penitente'' (Die büßende Magdalena). Öl auf Leinwand, wohl erste Hälfte 20. Jh. Unsigniert. Rückseitig mit Stempel des ''Museo Nazionale di Napoli''. In Schmuckrahmen. 47 x 37 cm, 69 x 59 cm (Ra). Malschicht etwas berieben, kleine bis kleinste Retuschen. Diese Motiv hatte Tizian mehrfach ausgeführt, Variationen in Ausdruck und landschaftlicher Gestaltung auslebend. Die vorliegende Kopie wurde wohl nach einer in der Sammlung des Museo Nazionale di Capodimonte in Neapel befindlichen Ausführung angefertigt, wo sich einige der bedeutendsten Tizian-Werke befinden. In Wien wurde jüngst eine neuentdeckte Variation aus Tizians Hand veräußert, die der Sammlung des schwedischen Königshauses entstammte. Penitential Magdalen. Oil on canvas. Copy after Tizian by unknown, pres. first half 20th century. Backside with stamp and remarks from the Museum Capodimonte in Naples (Italy). Ornamtental frame. Paint a bit rubbed, smaller retouches.
Kunstauktionshaus Günther
Sep. 22, 2022
Tizian, „Tiziano Vecellio“, 1485/90 bei Belluno – 1576 Venedig, Nachfolge
Est: €3,000 - €5,000
Portrait der Caterina Cornaro, Königin von Zypern (Kopie nach Tizian) Öl auf Leinwand. Altdoubliert. 84,5 x 69 cm. In dekorativem, vergoldetem Rahmen. Idealbildnis der jungen Königin von Zypern nach links in prachtvollem weinrotem Seidenkleid mit Perlen, darüber ein offener Umhang mit Goldstickerei und goldener Bordüre, erneut mit Perlen versehen. Auf ihrem Haupt eine wertvolle goldene, mit Edelsteinen und Perlen verzierte Krone mit Schleier. Sie wird dargestellt als die Heilige Katharina von Alexandrien mit ihrem Martyrerattribut, einem Rad, das im Hintergrund rechts unten gezeigt wird. Feine, detailgenaue Malerei. Provenienz: Verso Aufkleber “Tho. Agnew & Sons, Manchester (Kunsthandlung)“. John Brandon Collection, Glasgow, 1919. Anmerkung 1: Das Originalgemälde der Dargestellten von Tizian von 1542 befindet sich in den Uffizien in Florenz. Das zeitgenössische Portrait der Caterina Cornaro von Gentile Bellini, um 1500, zeigt die Königin von kräftigerer Statur und lässt in der Darstellung Tizians ein Idealbildnis erkennen. Anmerkung 2: Caterina Cornaro (1454 Venedig-1510 Asolo) war von 1474 bis 1489 letzte Königin von Zypern. Der Urgroßvater ihres Vaters Marco Corner war von 1365 bis 1368 Doge von Venedig. Ihre Familie unterhielt seit Generationen Geschäftsbeziehungen mit Zypern. (1280093) (18)
Hampel Fine Art Auctions
Sep. 20, 2022
Tiziano Vecellio (Pieve di Cadore 1488/1490 - Venezia 1576) cerchia di
Est: €700 - €1,000
Tiziano Vecellio (Pieve di Cadore 1488/1490 - Venezia 1576) cerchia di Paesaggio con mulino, torri e case Acquerello e tracce di matita nera 140 x 235 mm Un interessante confronto si ottiene comparando il mulino dell'opera in questione, prima casa a sinistra, con l'analoga costruzione posta nella medesima posizione all'interno di due disegni di Tiziano conservati a Chatsworth nella Devonshire Collection, titolati Paesaggio con edifici e Coppia di innamorati. L'opera è stilisticamente molto affine alla cerchia di pittori cresciuti nel XVI secolo in Veneto, coinvolti dall'arte di Tiziano e dal suo rapporto poetico con la natura ed il paesaggio. Ci riferiamo a Girolamo Tessari detto Girolamo del Santo, Francesco Vecellio, Giulio e Domenico Campagnola e Bonifacio de' Pitati, detto Bonifacio Veronese. Tiziano Vecellio (Pieve di Cadore 1488/1490 - Venice 1576) circle of Landscape with mill, towers and houses Watercolor and traces of black pencil 140 x 235 mm An interesting comparison can be obtained by comparing the mill of the artwork in question, the first house on the left, with the similar building placed in the same position in two drawings by Tiziano kept at Chatsworth in the Devonshire Collection, entitled Landscape with buildings and Couple of lovers.
Lucas Aste
Sep. 20, 2022
Tiziano Vecellio (Pieve di Cadore 1488/1490 - Venezia 1576) allievo di
Est: €5,000 - €8,000
Tiziano Vecellio (Pieve di Cadore 1488/1490 - Venezia 1576) allievo di Giove e Antiope Olio su tela 108 x 140 cm L'opera è corredata dalla fotocopia di un'indagine scientifica ed estetica del Professor Alessandro Strini, disponibile su richiesta via mail. Il soggetto di quest'opera è stato dipinto in più varianti da Tiziano Vecellio. La versione più famosa è conservata al Louvre di Parigi, ed è conosciuta anche come Venere del Pardo. Una seconda versione che rappresenta solo i visi dei personaggi, oggi perduta, è tramandata grazie all’incisione di A. H. Payne. Una terza versione, da cui deriva l’opera in esame, è anch’essa perduta e la si conosce grazie all’incisone di Abraham Raimbach. L'opera è da assegnare alla produzione della stretta cerchia del Tiziano e realizzata in un periodo posteriore alla sua morte . Il riferimento va dunque all'entourage del maestro e a quei pittori cresciuti affianco a Tiziano nei suoi quasi cinquant'anni di attività. La fonte principale degli aiutanti fu la sua famiglia, quindi troviamo il fratello Francesco Vecellio, il figlio Orazio Vecellio e i suoi due cugini Cesare Vecellio e Marco Vecellio. Fuori dal campo parentale, ritroviamo Girolamo Dente detto Girolamo di Tiziano, Polidoro da Lanciano o Polidoro de' Renzi, Parrasio Michiel, Damiano Mazza e Camillo Ballini. Infine, tra coloro che fecero brillare il verbo tizianesco per tutto il XVI secolo e che lo traghettarono nel XVII secolo, si ricordano Simone Peterzano, Leonardo Corona, Giovanni Contarini e Jacopo Palma il Giovane. Tiziano Vecellio (Pieve di Cadore 1488/1490 - Venice 1576) pupil of Jupiter and Antiope Oil on canvas 108 x 140 cm The artwork is accompanied by a copy of scientific and aesthetic investigation by Professor Alessandro Strini, available on request via email.
Lucas Aste