John Vanderbank Paintings & Artwork for Sale | John Vanderbank Art Value Price Guide

Oct. 24, 2024
John Vanderbank (1694-1739): Portrait of Adimral Techell
Est: $2,000 - $4,000
Oil on canvas, unsigned, with label from The Reynolds Galleries, London, lined. 49 x 40 in., 59 x 49 in. (frame).
STAIR
Oct. 09, 2024
JOHN VANDERBANK (BRITISH 1694 - 1739), THE HONOURABLE JOHN SPENCER CIRCA 1732
Est: £15,000 - £25,000
JOHN VANDERBANK (BRITISH 1694 - 1739)THE HONOURABLE JOHN SPENCER CIRCA 1732Oil on canvasInscribed (lower left)240 x 144.5cm (94¼ x 56¾ in.)UnframedProvenance:Presumably commissioned by the sitters father-in-law, John Carteret, 2nd Earl GranvilleThence by descentLady Louisa Carteret, who married Thomas Thynne, 2nd Viscout WeymouthThence by descentHenry Frederick Thynne, 1st Baron Carteret (1735 - 1763)Thence by descentHis sale, Christie's London, The Thynne Heirlooms, 1 May 1911, lot 54 (to Cohen)Private Collection, EnglandSale, Christie's, London, 11 July 1997, lot 54 (as attributed to Stephen Slaughter)Private Collection, South AfricaLiterature:Herbert Minton Cundall, Handbook for Hertfordshire, Bedfordshire and Huntingdonshire; with Maps and Plans, John Murray, London, 1895, p.130The Honourable John Spencer was born on the 13th May 1708 and was the youngest son of Charles Spencer, 3rd Earl of Sunderland and his wife Anne Churchill, daughter of the 1st Duke and Duchess of Marlborough. John was only 7 when his mother died and he was consequentially bought up by his grandmother, the infamous Sarah, Duchess of Marlborough. Unlike his brothers, John had not inherited a title, despite this, his grandmother wrote that I design to set up the only grandson I have now that is a commoner, John Spencer, who has a very considerable fortune for a younger brother, and I will it as good as most elder brothers. This was certainly the case and the inheritance from his grandmother allowed John to live an immensely comfortable life. After attending Eton, he undertook a Grand Tour between 1725 and 1727 going to France, Switzerland and Italy. In 1732, John Spencer succeeded his cousin, William Godolphin, Marquess of Blandford, as the Member of Parliament for Woodstock, a seat he held until his death in 1746. He is also listed as one of the founding governors for the Foundling Hospital, set up to educate and house deserted young children. On the death of his father, in 1722, he inherited vast swathes of land, notably the family estates in Northamptonshire, including Althorp, as well as already having the properties given to him by his grandmother, including Wimbledon Park. Shortly after he came into his inheritance, he married Georgiana Caroline Carteret, the third daughter and co-heir of John Carteret, 2nd Earl Granville.John Vanderbank was the son of John Vanderbank senior, the leading tapestry weaver in the country who supplied the Royal Family with tapestries and introduced the less formal chinoiserie style in textiles. After training under his father and the artist Jonathan Richardson, Vanderbank became one of the first pupils at Sir Godfrey Kneller's art academy in 1711, where he continued his training before founding his own academy in 1720. One of Vanderbank's earliest commissions was his 1719 portrait of the 3rd Duke of Marlborough (Government Art Collection, London), John Spencer's older brother, on horseback. This was such a success that other aristocratic commissions soon started to follow, including from King George II and Queen Caroline which cemented his position as a leading Court portraitist.This interesting full-length portrait depicting John Spencer in Hussar's uniform was noted by art historian Minton Cundall as hanging in the drawing room at Haynes Park in 1895, alongside the portrait of Spencer's wife Georgiana Carteret, also by Vanderbank and now in the collection of the Earl Spencer at Althorp. It is highly probable that these two works were commissioned by John Carteret, 2nd Earl Granville for the couple's marriage in 1732, and hung together as pendant works. John Spencer was a popular figure at Court and great friends with Frederick, Prince of Wales. Indeed, his portrait is also captured by the equestrian artist John Wootton in a series of works in the Royal Collection showing the Prince of Wales accompanied by courtiers whilst shooting and hunting. Spencer's position at Court was reflected in his appointment as the Ranger of Windsor Great Park, after the death of his grandmother in 1744, who held the position previously. Unusually, the rich Hussar's uniform which Spencer wears seems to have been chosen as Court fancy dress rather than to indicate a military position. Spencer was a politician and landowner rather than a military man and there does not appear to be any record of him serving with an Hussar regiment. Vanderbank's capability in recreating the rich materials and textiles of this exotic uniform gives the sitter an added gravitas and the size of the portrait gives additional swagger to an impressive composition.
Dreweatts 1759 Fine Sales
Oct. 02, 2024
JOHN VANDERBANK (BRITISH 1694-1739)
Est: £600 - £800
JOHN VANDERBANK (BRITISH 1694-1739) STUDY FOR A GROUP PORTRAIT OF THREE WOMEN ON A TERRACE signed der V and dated 1737 lower right, recto with another unfinished study for the same scene,verso inscribed A H 13 and with artist's name in a later hand upper left pen and brown ink over pencil on laid paper, recto pen and brown ink, verso 20 x 31cm; 7¾ x 12¼in together with two further sketches of putti by the same hand, and a family scene by Antonio Pietro Francesco Zucchi (1726-1795) and four putti by Samuel De Wilde (1751-1832), signed with initials and dated 1806 various sizes, all unframed (5) Provenance the first: Leonard Gordon Duke (1890-1971)
Olympia Auctions
Aug. 01, 2024
JOHN VANDERBANK (BRITISH 1694-1739), PORTRAIT OF A GENTLEMAN
Est: £600 - £800
JOHN VANDERBANK (BRITISH 1694-1739)PORTRAIT OF A GENTLEMANOil on canvas, feigned ovalSigned and dated '1725' (lower left)74 x 61.5cm (29 x 24 in.)Provenance:Clark Galleries, TowcesterPlease note measurements do not include the frame unless stated.
Dreweatts 1759 Fine Sales
Jun. 12, 2024
JOHN VANDERBANK (BRITISH 1694-1739), PORTRAIT OF A GENTLEMAN
Est: £1,500 - £2,500
JOHN VANDERBANK (BRITISH 1694-1739)PORTRAIT OF A GENTLEMANOil on canvas, feigned ovalSigned and dated '1725' (lower left)74 x 61.5cm (29 x 24 in.)Provenance:Clark Galleries, Towcester
Dreweatts 1759 Fine Sales
Dec. 08, 2023
JOHN VANDERBANK (LONDON 1694-1739) - Portrait of Miss Dorothy Long (1703-1758), three-quarter-length, in a white...
Est: £4,000 - £6,000
JOHN VANDERBANK (LONDON 1694-1739) Portrait of Miss Dorothy Long (1703-1758), three-quarter-length, in a white... oil on canvas 49 7⁄8 x 40 3⁄8 in. (126.7 x 102.5 cm.)
Christie's
Nov. 15, 2023
JOHN VANDERBANK (BRITISH 1694 - 1739), EMBARKATION OF KING CHARLES II
Est: £1,500 - £2,500
JOHN VANDERBANK (BRITISH 1694 - 1739)EMBARKATION OF KING CHARLES IIOil on canvas40.5 x 35cm (15¾ x 13¾ in.)Provenance:The Jeffree Will Trust SettlementThe Royal Party, probably depicting Charles II flanked by James, Duke of York and Henry, Duke of Gloucester
Dreweatts 1759 Fine Sales
Jul. 07, 2023
JOHN VANDERBANK (LONDON 1694-1739) Portrait of Miss Dorothy Long (1703-1758
Est: £8,000 - £12,000
JOHN VANDERBANK (LONDON 1694-1739) Portrait of Miss Dorothy Long (1703-1758), three-quarter-length, in a white... oil on canvas 49 7/8 x 40 3/8 in. (126.7 x 102.5 cm.)
Christie's
May. 17, 2023
Attributed to John Vanderbank (1694- 1739) Portrait formerly known as Madame d'Aguessau
Est: €4,000 - €6,000
Attributed to John Vanderbank (1694- 1739) Portrait formerly known as Madame d'Aguessau Canvas 124 x 99 (Old restorations) Attribué à John Vanderbank (1694- 1739) Portrait dit autrefois de madame d'Aguessau Toile 124 x 99 (Restaurations anciennes)
Piasa
Apr. 28, 2023
John Vanderbank (attributed to)
Est: $1,000 - $2,000
John Vanderbank (attributed to) (British, 1694-1739) PORTRAIT OF A NOBLE GENTLEMAN (Arthur Vansittart, 1691-1760) oil on canvas, framed, unsigned old labels annotations on verso H30" W25" Provenance: Georgia estate
Charlton Hall
Apr. 26, 2023
ATTRIBUTED TO JOHN VANDERBANK (1694-1739) Full Length Portrait of Frances Neale, Seated on an Architectural Terrace, wearing a red dress and lace bonnet, her right arm stroking a pet dog Oil on canvas, 125 x 100cm In a 18th century carved giltw
Est: €8,000 - €12,000
ATTRIBUTED TO JOHN VANDERBANK (1694-1739) Full Length Portrait of Frances Neale, Seated on an Architectural Terrace, wearing a red dress and lace bonnet, her right arm stroking a pet dog Oil on canvas, 125 x 100cm In a 18th century carved giltwood frame With an old label verso, inscribed in ink: Frances Neale third youngest daughter and co-heiress of John Neale of Allesley County Warwick MP for Coventry 1722 to 1741. She was born at Allesley in 1723 and was married on the 20th October 1742, to Sir John Turner of Washam Norfolk 3rd and last Baronet. She died 7th March and was buried at Washam. She was the mother of Robert Huley and Lady Folkes. This portrait is by Vanderbank.
Adam's
Feb. 22, 2023
JOHN VANDERBANK THE YOUNGER (BRITISH 1694-1739) EQUESTRIAN PORTRAIT OF A MAN IN ARMOUR
Est: £1,000 - £1,500
JOHN VANDERBANK THE YOUNGER (BRITISH 1694-1739) EQUESTRIAN PORTRAIT OF A MAN IN ARMOUR Signed and dated 1728, oil on panel (63.5cm x 53cm (30in x 21in))
Lyon & Turnbull
Jan. 28, 2023
John Vanderbank (British, 1694-1739), "Portraits of Mr. and Mrs. Charles Taylor"
Est: $1,000 - $1,500
John Vanderbank (British, 1694-1739) "Portraits of Mr. and Mrs. Charles Taylor", 1726 pair of oils on canvas each signed and dated mid left. One unframed, the other in a Georgian gesso and giltwood frame. 30" x 25", framed 35-1/4" x 31"
New Orleans Auction Galleries
Dec. 03, 2022
John Vanderbank (British, 1694-1739), "Portraits of Mr. and Mrs. Charles Taylor"
Est: $2,000 - $4,000
John Vanderbank (British, 1694-1739) "Portraits of Mr. and Mrs. Charles Taylor", 1726 pair of oils on canvas each signed and dated mid left. One unframed, the other in a Georgian gesso and giltwood frame. 30" x 25", framed 35-1/4" x 31"
New Orleans Auction Galleries
Oct. 20, 2022
Newton (Sir Isaac).- Vanderbank the Younger (John), Follower of. Portrait of Sir Isaac Newton, oil on canvas, [c. 1730-1750]
Est: £1,500 - £2,000
Newton (Sir Isaac).- Vanderbank the Younger (John, 1694-1739), Follower of. Portrait of a gentleman, with plain coat and white cravat, traditionally identified as Sir Isaac Newton (1642-1727), oil on canvas, 74 x 57 cm (29 1/8 x 22 1/2 in), framed, [c.1730-1750]. ⁂ Possibly an idealised portrayal of Newton, loosely incorporating the famous paintings of Godfrey Kneller, Enoch Seeman, and more notably John Vanderbank.
Forum Auctions - UK
Aug. 27, 2022
ATTR. JOHAN VAN DER BANCK, OIL PORTRAIT OF A LADY
Est: $1,000 - $2,000
Attributed to Johan van der Banck/John Vanderbank (British 1686-1739), undated and untitled portrait, oil on canvas bust length painting of a lady in a green dress with a pearl necklace, in ovolo, apparently unsigned, September 8, 1952 Godfrey inventory label en verso, framed. Provenance: From the Private Collection of Helen Spitler, Cumming, Georgia. Canvas approx. h. 30", w. 25"; Overall h. 35", w. 30".
Ahlers & Ogletree Inc.
Nov. 16, 2021
JOHN VANDERBANK (BRITISH 1694-1739), PORTRAIT OF ARTHUR BARNARDISTON ESQ
Est: £2,000 - £3,000
JOHN VANDERBANK (BRITISH 1694-1739)PORTRAIT OF ARTHUR BARNARDISTON ESQOil on canvas, painted ovalSigned and dated 1733 and later inscribed with sitter's name and date of death 'ob. 1737' (lower left)75.5 x 63cm (29½ x 24¾ in.)Provenance: The Barnardiston family at Brightwell Hall until brought to Weston Hall in 1744Thence by descent at Weston Hall. Literature:Sir George Sitwell, A brief history of Weston Hall, Northamptonshire, and of the families that possessed it, London, privately printed 1927, p. 44.F. Sitwell, Weston Hall, Towcester, Northamptonshire: A Brief Guide, Northampton, 1993, p. 5.Catalogue Note:This portrait of Arthur Barnardiston (d. 1737) was painted a year after his marriage in 1732 to Mary Jennens (d. 1788) of Weston Hall. In 1726, Barnardiston was a resident of Smyrna in Turkey where he was involved in the Levant Trade, specifically the importing and exporting of cloth, and later, the insurance of ships sailing to the East, a highly profitable business he remained in until his death in 1737. Following his inheritance of Brightwell Hall, Suffolk, from his older brother, he returned to England to claim his legacy, and in 1731, was making improvements to the Brightwell estate. For the mansion, he acquired paintings from the Low Countries and France, cabinets from Italy, and a collection of Chinese porcelain (Sir George Sitwell, A brief history of Weston Hall, Northamptonshire, and of the families that possessed it, London, privately printed 1927, p. 43). Arthur and Mary Barnardiston divided their time between Brightwell and a house in Bedford Row, London depending on the season. In 1744, this portrait, together with most of the Barnardiston pictures, was removed from Brightwell, and in 1773, they arrived at Weston Hall. John Vanderbank (1694-1739) was an English painter and illustrator of Dutch origin, who from 1711 to 1720 worked at the court painter, Godfrey Kneller's Academy before establishing his own school in St. Martin's Lane with fellow artist, Louis Chéron. As a portrait painter, he undertook Royal commissions including George I (1726; Windsor Castle, Berkshire, RCIN 404412) and Queen Caroline (1736; Goodwood House, West Sussex), in addition to other notable figures such as Sir Isaac Newton (1725; version, London, Royal Society) and Thomas Guy (London, Guy's Hospital).
Dreweatts 1759 Fine Sales
Nov. 16, 2021
JOHN VANDERBANK (BRITISH 1694-1739), PORTRAIT OF RICHARD JENNENS (1710-1777)
Est: £4,000 - £6,000
JOHN VANDERBANK (BRITISH 1694-1739)PORTRAIT OF RICHARD JENNENS (1710-1777)Oil on canvasSigned and dated 1739 (lower right)127 x 102cm (50 x 40 in.)Literature:Sir George Sitwell, A brief history of Weston Hall, Northamptonshire, and of the families that possessed it, London, privately printed 1927, p. 34.F. Bamford, 'Weston Hall, Northamptonshire - I: The Home of Sir Sacheverell and Lady Sitwell', Country Life, 22 January 1976, p. 178, fig. 9.F. Sitwell, Weston Hall, Towcester, Northamptonshire: A Brief Guide, Northampton, 1993, p. 5.Catalogue Note:Richard Jennens (1710-73) was the only son and heir of Mrs Susanna Jennens (1688-1760) of Weston Hall, which he inherited on his mother's death in 1760. In 1731, he went on a grand tour to the continent where he bought Dutch-school paintings (Sir George Sitwell, A brief history of Weston Hall, Northamptonshire, and of the families that possessed it, London, privately printed 1927, p. 35). The same year, he succeeded to Princethorp, Warwickshire, sold later to purchase Thorp Mandeville, near Weston, in 1742-43. He died of gout age sixty-three in Bath. For unknown reasons, his will was deemed invalid, and he died intestate. His estate was thus divided equally between his two sisters; Weston Hall went to Mary Barnardiston, and Thorp Mandeville to Anne Peareth.John Vanderbank (1694-1739) was an English painter and illustrator of Dutch origin, who from 1711 to 1720 worked at the court painter, Godfrey Kneller's Academy before establishing his own school in St. Martin's Lane with fellow artist, Louis Chéron. As a portrait painter, he undertook Royal commissions including George I (1726; Windsor Castle, Berkshire, RCIN 404412) and Queen Caroline (1736; Goodwood House, West Sussex), in addition to other notable figures like Sir Isaac Newton (1725; version, London, Royal Society) and Thomas Guy (London, Guy's Hospital).
Dreweatts 1759 Fine Sales
Sep. 21, 2021
JOHN VANDERBANK THE YOUNGER (LONDON 1694-1739) Portrait of Henry, Viscount
Est: £3,000 - £5,000
JOHN VANDERBANK THE YOUNGER (LONDON 1694-1739) Portrait of Henry, Viscount Cornbury (1710-1753), half-length, in a red-edged... oil on canvas, unlined 29 5/8 x 25 in. (75.2 x 63.5 cm.)
Christie's
Sep. 14, 2021
JOHN VANDERBANK (LONDON 1694-1739) Portrait of Mary Bellings (1716-1769),
Est: £8,000 - £12,000
JOHN VANDERBANK (LONDON 1694-1739) Portrait of Mary Bellings (1716-1769), wife of Henry, 7th Lord Arundell of... oil on canvas 61 ¼ x 40 in. (155.6 x 104.6 cm.)
Christie's
Aug. 12, 2021
John Vanderbank English, 1694-1739 Head of a Young Woman
Est: $300 - $500
John Vanderbank English, 1694-1739 Head of a Young Woman Chalk on paper Signed with initials J. V. and dated 1724 (lc) Black, white and red chalk on paper 12 1/2 x 9 3/4 inches (31.7 x 24.8 cm) Provenance: Marilyn Pink Master Prints and Drawings, Los Angeles Collecton of Paul Waite, Madison, Wisconsin C An Upper East Side Private Collection
DOYLE Auctioneers & Appraisers
Jul. 09, 2021
JOHN VANDERBANK (LONDON 1694-1739) Portrait of Francis Bacon (1561-1626), t
Est: £10,000 - £15,000
JOHN VANDERBANK (LONDON 1694-1739) Portrait of Francis Bacon (1561-1626), three-quarter-length, in his Lord... oil on canvas 50 ¼ x 40 in. (127.6 x 101.6 cm.)
Christie's
Jul. 07, 2021
John Vanderbank (London 1694-1739) Portrait of a lady, as Diana, three-quarter-length, with a leopard shawl
Est: £5,000 - £7,000
John Vanderbank (London 1694-1739) Portrait of a lady, as Diana, three-quarter-length, with a leopard shawl oil on canvas 121.5 x 100cm (47 13/16 x 39 5/16in). For further information on this lot please visit the Bonhams website
Bonhams
Nov. 18, 2020
ATTRIBUTED TO JOHN VANDERBANK (ENGLISH 1694-1739) THREE QUARTER LENGTH PORTRAIT OF THE RT. HON. LADY FITZWALTER, DAUGHTER OF THE HON. CHARLES BERTIE PICTURE
Est: £3,000 - £5,000
ATTRIBUTED TO JOHN VANDERBANK (ENGLISH 1694-1739) THREE QUARTER LENGTH PORTRAIT OF THE RT. HON. LADY FITZWALTER, DAUGHTER OF THE HON. CHARLES BERTIE PICTURE inscribed, oil on canvas (127cm x 101.5cm (50in x 40in)) Footnote: Provenance: Uffington, Lincolnshire; Ayton Castle, Berwickshire
Lyon & Turnbull
Oct. 20, 2020
JOHN VANDERBANK (LONDON 1694-1739),
Est: $20,000 - $30,000
JOHN VANDERBANK (LONDON 1694-1739) Portrait of two girls of the Somerset family oil on canvas 52 3/4 x 45 3/4 in. (133.9 x 116.2 cm.) ,
Christie's
Sep. 23, 2020
Circle of John Vanderbank (1694-1739)
Est: £1,200 - £1,800
Circle of John Vanderbank (1694-1739) Circle of John Vanderbank (1694-1739) Portrait of Richard Hamond Esq. (1708-1776) of South Wootton and West Acre High House, Norfolk, three-quarter length, in a blue velvet waistcoat and blue velvet overcoat and long grey curled wig, holding a glove inscribed Richard Hamond Esq / High House / son of Anthony Hamond Esq / of Wootton / obit 1776 aged 68 l.l., oil on canvas 126 x 99cm Provenance: Cheffins, Cambridge, West Acre High House sale, 24 November 2010, Lot 533; Wood Hall, Arkesden, Essex Literature: 'Portraits in Norfolk Country Houses', Prince Duleep Singh, 1927, no. 24.
Sworders
Jul. 22, 2020
Circle of John Vanderbank the Younger (1694-1739)
Est: £3,000 - £5,000
Circle of John Vanderbank the Younger (1694-1739) Circle of John Vanderbank the Younger (1694-1739) Portrait of Mrs James Hoste of South Wootton and Sandringham, nee Hamond (1710-1759), three-quarter length, in a blue dress and gold cloak Oil on canvas 125 x 100cm, in a carved frame Provenance: By descent within the family of the sitter at West Acre High House, Norfolk; Cheffins, Cambridge, 'West Acre High House' sale, 24 November 2010, Lot 519; Wood Hall, Arkesden, Essex. Literature: 'Portraits in Norfolk Houses', Prince Duleep Singh, 1927, No. 36. Susan Hamond was the daughter of Anthony Hamond and Susan Walpole, daughter of Robert Walpole, and was sister to Robert, 1st Earl of Oxford. She married Major James Hoste of Sandringham, Norfolk, and they had two daughters.
Sworders
Jul. 22, 2020
Circle of John Vanderbank (1694-1739)
Est: £1,500 - £2,500
Circle of John Vanderbank (1694-1739) Circle of John Vanderbank (1694-1739) Portrait of Richard Hamond Esq. (1708-1776) of South Wootton and West Acre High House, Norfolk, three-quarter length, in blue velvet waistcoat and blue velvet overcoat and long grey curled wig, holding a glove Inscribed l.l. Richard Hamond Esq / High House / son of Anthony Hamond Esq / of Wootton / obit 1776 aged 68, oil on canvas 126 x 99cm Provenance: Cheffins, Cambridge, West Acre High House sale, 24 November 2010, Lot 533; Wood Hall, Arkesden, Essex. Literature: 'Portraits in Norfolk Country Houses', Prince Duleep Singh, 1927, no. 24.
Sworders
Mar. 10, 2020
Attributed to John Vanderbank (British 1694-1739) Portrait of a gentleman
Est: £500 - £700
Attributed to John Vanderbank (British 1694-1739)Portrait of a gentleman, said to be Mr Clapham of Braithwaite Hall, YorkshireOil on canvas, reduced35.5 x 31cm (13¾ x 12 in.)Provenance: Sale, Christie's, London, 13 October 1986, lot 160This lot is to be sold without reserve
Dreweatts 1759 Fine Sales
Mar. 10, 2020
John Vanderbank (British 1694-1739) Portrait of Dr Martin Benson (1689-1752) Bishop of Gloucester, half-length, in clerical costume
Est: £3,000 - £5,000
John Vanderbank (British 1694-1739)Portrait of Dr Martin Benson (1689-1752) Bishop of Gloucester, half-length, in clerical costumeOil on canvasSigned and dated 1732 lower right91.5 x 72cm (36 x 28¼ in.)Provenance: Sale, Christie's London, 28 May 1948, lot 162Sale, Christie's London, 24 July 1980, lot 153. Please note: Dreweatts have a George II silver vase shaped caster by John Chartier, London 1733 (lot 2 in the Fine Jewellery, Silver and Watches sale, 18th March 2020) which has the engraved assumed arms of Bishop Benson Please note: Dreweatts have a George II silver vase shaped caster by John Chartier, London 1733 (lot 2 in the Fine Jewellery, Silver and Watches sale, 18th March 2020) which has the engraved assumed arms of Bishop Benson
Dreweatts 1759 Fine Sales
Dec. 02, 2019
JOHN VANDERBANK (British, 1694-1739) Portrait of Sir Thomas Samwell, 2nd Baronet oil on canvas
Est: $3,000 - $6,000
JOHN VANDERBANK (British, 1694-1739) Portrait of Sir Thomas Samwell, 2nd Baronet oil on canvas 125 x 99cm
Leonard Joel
Oct. 26, 2019
Attributed to John Vanderbank (1694-1739): Portrait of a Boy and His Dog
Est: $1,500 - $2,500
Oil on canvas, 1726, signed 'J. Vanderbank' and dated lower left, lined.48 3/4 x 37 in., 63 x 51 in. (frame). p> Property from the Estate of James W. DeLasho
STAIR
Dec. 16, 2018
John Vanderbank the Younger (London 1694-1739) "Portrait of Jacob Tonson"
Est: $5,000 - $10,000
John Vanderbank the Younger (British/London, 1694-1739) "Portrait of Jacob Tonson", oil painting on canvas, period gilt wood frame. Size: 50'' x 40'', 127 x 102 cm (stretcher); 56.75'' x 47.25'', 144 x 120 cm (frame). Provenance: Private Haverford, PA Estate. Sotheby's New York: Thursday, May 27, 2004, lot 211.
Material Culture
Nov. 03, 2018
Attributed to John Vanderbank (1694-1739): Portrait of a Boy and His Dog
Est: $3,000 - $5,000
Oil on canvas, 1726, signed 'J. Vanderbank' and dated lower left, lined.48 3/4 x 37 in., 63 x 51 in. (frame).
STAIR
Aug. 23, 2018
Vanderbank the Younger (John, 1694-1739) A seated lady with long gown in high-backed chair, pen and brown ink with monochrome wash.
Est: £150 - £200
Vanderbank the Younger (John, 1694-1739) A seated lady with long gown in high-backed chair, pen and brown ink over graphite, with monochrome wash, on laid paper mounted onto support with gilt strip and ink ruled borders, sheet 175 x 133 mm. (6 7/8 x 5 1/4 in), under glass, minor spotting and surface dirt, one small repaired tear in the lower left edge, framed and glazed. Provenance: Colnaghi, London (label on backboard of frame)
Forum Auctions - UK
Jul. 06, 2018
John Vanderbank (London 1694-1739) - Mary, Countess of Delorain (1705-1737), three-quarter length, in a white dress...
Est: £10,000 - £15,000
John Vanderbank (London 1694-1739) Mary, Countess of Delorain (1705-1737), three-quarter length, in a white dress... oil on canvas 49 ¾ x 40 in. (126.4 x 101.6 cm.)
Christie's
Jul. 03, 2018
JOHN VANDERBANK (LONDON 1694-1739) Portrait head study of Don Quixote signed 'Jn V 17
Est: £2,000 - £3,000
JOHN VANDERBANK (LONDON 1694-1739) Portrait head study of Don Quixote signed 'Jn V 1739' (lower right) and with inscription '...bank/ Study for Portrait of Done Quixot' (lower centre, on the mount, in the hand of Horace Walpole according to a later inscription) and with further inscription 'Dr. Oldfeld/ An Ideal Study for the Portrait of Don Quixot. by John Vanderbank' (verso) pen and brown ink 8 1/2 x 6 3/4 in. (21.5 x 17.2 cm.)
Christie's
Jun. 21, 2017
John Vanderbank (1694 - 1739), pen, ink and wash - portrait of a seated man
Est: £300 - £500
John Vanderbank (1694 - 1739), pen, ink and wash - portrait of a seated man, initialled and dated 1730, in glazed ebonised frame, 19.5cm x 14.5cm
Reeman Dansie
Sep. 10, 2016
JOHN VANDERBANK (1694 - 1739) Unframed, mounted, unsigned, pen and ink sket
Est: £150 - £200
JOHN VANDERBANK (1694 - 1739) Unframed, mounted, unsigned, pen and ink sketch on paper, three quarter length portrait of a man, possibly a preparatory sketch for a larger painting, 12cm x 10.7cm.
Biddle & Webb Auctioneers and Valuers
Sep. 07, 2016
Style of John Vanderbank (1686-c.1739) English. Portrait of a Lady, Oil on Copper, Oval, Unframed, 7" x 5.75".
Est: £100 - £200
Style of John Vanderbank (1686-c.1739) English. Portrait of a Lady, Oil on Copper, Oval, Unframed, 7" x 5.75".
John Nicholson's Fine Art Auctioneers & Valuers
Jul. 23, 2016
Attr. to John Vanderbank yr. (British, 1694-1739)
Est: $3,000 - $5,000
Attributed to John Vanderbank the Younger (British/London, 1694-1739), "Portrait of a Young Boy with Feathered Headdress, a Spaniel at His Feet", oil on canvas, 44" x 35". Presented in a later giltwood and gesso frame. Provenance: Estate of Elmira Ann Harrison Parnell Gregorie, Baton Rouge, Louisiana.
New Orleans Auction Galleries
Jun. 14, 2016
ATTRIBUTED TO JOHN VANDERBANK THE YOUNGER, (BRITISH 1694-1739), PORTRAIT OF THE NINTH DUCHESS OF NORFOLK, THREE-QUARTER LENGTH
Est: $4,000 - $6,000
ATTRIBUTED TO JOHN VANDERBANK THE YOUNGER (british 1694-1739) PORTRAIT OF THE NINTH DUCHESS OF NORFOLK, THREE-QUARTER LENGTH Oil on canvas 50 x 39 7/8 in. (127 x 101.3cm) provenance: Christie's, London, n.d. The Estate of Dr. William N. Coughlin, Springfield, Illinois.
Freeman's | Hindman
Mar. 09, 2016
ATTRIBUTED TO JOHN VANDERBANK (1686-c.1739) Portrait of a gentleman with long curly wig and wea
Est: £500 - £800
ATTRIBUTED TO JOHN VANDERBANK (1686-c.1739) Portrait of a gentleman with long curly wig and wearing a brown overcoat with white neck scarf, believed to be a councillor, in feigned oval, 74 x 62cm Inscribed in ink to old label verso with the above attribution
Mallams
Dec. 14, 2015
* John Vanderbank the Younger, (British, 1694-1739), Portrait of a Lady, 1735
Est: $4,000 - $6,000
John Vanderbank the Younger (British, 1694-1739) Portrait of a Lady, 1735 oil on canvas signed Jn Vanderbank and dated (lower right) 50 x 40 inches.
Hindman
Dec. 01, 2015
Circle of John Vanderbank, British 1694-1739- Port
Est: £2,000 - £3,000
Circle of John Vanderbank, British 1694-1739- Portrait of a gentleman half-length turned to the right in white stock and blue velvet coat with brocade sleeves; oil on canvas, 80.7x64.9cm
Roseberys
Oct. 07, 2015
ATTRIBUTED TO JOHN VANDERBANK (1686-c.1739) Portra
Est: £800 - £1,200
ATTRIBUTED TO JOHN VANDERBANK (1686-c.1739) Portrait of a gentleman with long curly wig and wearing a brown overcoat with white neck scarf, believed to be a councillor, in feigned oval, 74 x 62cm Inscribed in ink to old label verso with the above attribution
Mallams
Jul. 31, 2015
KATHERINE AFFLECK BY JOHN VANDERBANK (ENGLISH, 1694-1739).
Est: $1,000 - $3,000
KATHERINE AFFLECK BY JOHN VANDERBANK (ENGLISH, 1694-1739). KATHERINE AFFLECK BY JOHN VANDERBANK (ENGLISH, 1694-1739). Oil on canvas, inscribed "Kath Affleck Born, Feby 1718/9 Married Wm Metcalfe esq Died May 1760". Depicts Ms. Affleck in a blue garment with lace collar. 29.25"h. 24.5"w., in a carvedgilt frame, 36.75"h. 31.75"w.
Selkirk Auctioneers & Appraisers
Jul. 31, 2015
MRS. STEPHEN OFFLEY BY JOHN VANDERBANK (ENGLISH, 1694-1739).
Est: $5,000 - $7,000
MRS. STEPHEN OFFLEY BY JOHN VANDERBANK (ENGLISH, 1694-1739). Oil on canvas, unsigned. Depicts Mrs. Stephen Offley, most likely of Norton Hall, wearing a satin dress seen seated in an upholstered George I armchair with engaged columns in the background. 49.25'h. 39.25'w., in an elaborate gilt frame, 56.5'h. 46.5'w.
Selkirk Auctioneers & Appraisers