Eduardo Urculo Paintings & Artwork for Sale | Eduardo Urculo Art Value Price Guide

Feb. 25, 2025
Eduardo Urculo. Untitled
Est: -
Silkscreen on paper. Signed and dated (71) in the lower right corner. Numbered (38/300) in the lower left corner. Published by Galería SEN, Madrid.
Duran Arte y Subastas
Feb. 25, 2025
Eduardo Urculo. No title
Est: -
Etching and aquatint on Guarro paper with the publisher's dry stamp. Signed in the lower right corner. Numbered (171/225) in the lower left corner.
Duran Arte y Subastas
Feb. 11, 2025
EDUARDO ÚRCULO - Untitled
Est: -
EDUARDO ÚRCULO Santurce 1938-Madrid 2003 Untitled. 1991 Etching on Arches paper Signed in pencil and dated 1991 Numbered 95/100 Dimensions 52.5 x 35.5 cm (print); 76 x 56.5 cm (paper) Published by Abel Ruski, Madrid 1991 BIBLIOGRAPHY Victoria Hidalgo Nieto, "Úrculo. Obra Gráfica 1957-2000", Ed. Ayuntamiento de Madrid (Junta Municipal de Retiro) 2001, No. 73, Page 169
Subastas Segre
Feb. 11, 2025
EDUARDO ÚRCULO - The Embrace
Est: -
EDUARDO ÚRCULO Santurce 1938-Madrid 2003 The Embrace. 1997 Silkscreen on handmade Paperki paper Signed in pencil Numbered 14/75 Dimensions 76 x 57 cm Edited by Designios, Madrid 1997 BIBLIOGRAPHY Victoria Hidalgo Nieto, "Úrculo. Graphic Works 1957-2000", Ed. Ayuntamiento de Madrid (Junta Municipal de Retiro) 2001, No. 104, Page 231
Subastas Segre
Feb. 11, 2025
Eduardo Urculo - Monument
Est: -
EDUARDO ÚRCULO Santurce 1938-Madrid 2003 Monument. c. 2001 Polished bronze on a wooden base Signed Measurements 30 cm (height) The monumental work is located in the City of Oviedo
Subastas Segre
Feb. 11, 2025
EDUARDO ÚRCULO - Villagers
Est: -
EDUARDO ÚRCULO Santurce 1938-Madrid 2003 Villagers. 1965 Watercolor on paper Signed and dated 1965 Measurements 31.5 x 24 cm
Subastas Segre
Feb. 11, 2025
EDUARDO ÚRCULO - The armchair
Est: -
EDUARDO ÚRCULO Santurce 1938-Madrid 2003 The armchair. 1979 Acrylic on canvas Signed Signed, titled and dated on the back 1979 Measurements 140 x 120 cm PROVENANCE (stamp on the back) Sen Gallery, Madrid Private collection EXHIBITIONS 1997 (24 September-25 November), "Eduardo Úrculo. Retrospective 1957-1997", Conde Duque Cultural Centre, Madrid BIBLIOGRAPHY Victoria Hidalgo (curator), "Eduardo Úrculo. Retrospective Exhibition 1957-1997", Ed. Madrid City Council, Madrid 1997, p. 79
Subastas Segre
Feb. 11, 2025
EDUARDO ÚRCULO - Two nudes
Est: -
EDUARDO ÚRCULO Santurce 1938-Madrid 2003 Two nudes. 1991 Wax on paper Signed and dated 1991 Signed, dated and titled on the back Measurements 118 x 124 cm
Subastas Segre
Jan. 28, 2025
Eduardo Urculo. Untitled
Est: -
Oil on canvas. Signed and inscribed on the back (No. 4). Provenance: - Private collection. Crack marks at the bottom.
Duran Arte y Subastas
Jan. 28, 2025
Eduardo Urculo. Untitled
Est: -
Silkscreen on paper. Signed and dated (73) in the lower right corner. Numbered (82/100) in the lower left corner.
Duran Arte y Subastas
Jan. 28, 2025
Eduardo Urculo. Untitled
Est: -
Silkscreen on paper. Signed and dated (73) in the lower right corner. Numbered (82/100) in the lower left corner.
Duran Arte y Subastas
Jan. 21, 2025
EDUARDO ÚRCULO Santurce (Vizcaya) (1938) / Madrid (2003) "Untitled", 1971
Est: €150 - €200
Silkscreen on paper Signed, dated and justified in pencil at the bottom 87/300 Measurements: Frame: 50 x 39 cm
Ansorena
Dec. 18, 2024
EDUARDO URCULO FERNÁNDEZ (Santurce, 1938 - Madrid, 2003) "Untitled"
Est: €4,000 - €5,000
EDUARDO URCULO FERNÁNDEZ (Santurce, 1938 - Madrid, 2003) "Untitled" Encaustic painting Signed and dated in 1991 153 x 123 cm 4.000 - 5.000 €
Bayeu Subastas
Dec. 18, 2024
EDUARDO URCULO FERNÁNDEZ (Santurce, 1938 - Madrid, 2003) "Two women with scarves"
Est: €700 - €800
EDUARDO URCULO FERNÁNDEZ (Santurce, 1938 - Madrid, 2003) "Two women with scarves" Mixed media on paper Signed and dated 1965 25 x 32 cm 700 - 800 €
Bayeu Subastas
Dec. 18, 2024
EDUARDO ÚRCULO FERNÁNDEZ (Santurce, Vizcaya, 1938 - Madrid, 2003). "Portrait of Albert Camus". Silkscreen on paper. Copy 31/40. Signed and justified at the bottom.
Est: €150 - €200
EDUARDO ÚRCULO FERNÁNDEZ (Santurce, Vizcaya, 1938 - Madrid, 2003). "Portrait of Albert Camus". Silkscreen on paper. Copy 31/40. Signed and justified at the bottom. Measurements: 44 x 33 cm; 47 x 36,5 cm (frame). Painter and sculptor, one of the best exponents of pop art in Spain, Eduardo Úrculo began painting as a child, without any artistic training, and in 1957 he published his first illustrated strips in the Oviedo newspaper "La Nueva España". Shortly afterwards he moved to Madrid and began to take classes at the Círculo de Bellas Artes. In 1959 he went to Paris, where he furthered his training at the Académie de la Grande Chaumière. In 1967 he made a trip to Northern Europe, and it was then that he first came into contact with American pop. In the eighties he lived in New York, where he carried out important projects. In 1992 he returned to Paris. In this last period he added to his repertoire the theme of the traveler confronted with the great modern city, an ironic variant of the figure of the romantic overwhelmed by the landscape. This formal evolution could be seen through the numerous individual exhibitions he held around the world since 1959, as well as in anthologies (Centro Cultural de la Villa de Madrid, 1997, and Museo del Grabado Español Contemporáneo de Marbella, 2000). Úrculo is currently present in numerous museums and collections of modern art, including the Museo Nacional Centro de Arte Reina Sofía, the Galleria Nazionale d'Arte Moderno in Rome, the Biblioteca Nacional de Madrid, the Museo de Arte Contemporáneo de Bogotá, the AENA, Testimoni and Fundesco collections, the Museo del Dibujo Castillo de Larrés, the Museo de Arte Contemporáneo de Vilafamés and others.
Setdart Auction House
Dec. 18, 2024
EDUARDO ÚRCULO FERNÁNDEZ (Santurce, Vizcaya, 1938 - Madrid, 2003). "Monumentalis Podias", 1977. Silkscreen folder, copy 10/100. Eight silkscreen prints on paper. Signed, dated and numbered by hand.
Est: €2,000 - €3,000
EDUARDO ÚRCULO FERNÁNDEZ (Santurce, Vizcaya, 1938 - Madrid, 2003). "Monumentalis Podias", 1977. Silkscreen folder, copy 10/100. Eight silkscreen prints on paper. Signed, dated and numbered by hand. Measurements: 94 x 66 cm. Painter and sculptor, one of the best exponents of pop art in Spain, Eduardo Úrculo began to paint as a child, without any artistic training, and in 1957 he published his first illustrated strips in the Oviedo newspaper "La Nueva España". Shortly afterwards he moved to Madrid and began to take classes at the Círculo de Bellas Artes. In 1959 he went to Paris, where he furthered his training at the Académie de la Grande Chaumière. In 1967 he made a trip to Northern Europe, and it was then that he first came into contact with American pop art. In the 1980s he lived in New York, where he carried out important projects. In 1992 he returned to Paris. In the latter period he added to his repertoire the theme of the traveller confronted with the great modern city, an ironic variant of the figure of the romantic overwhelmed by the landscape. This formal evolution could be seen through the numerous individual exhibitions he held around the world since 1959, as well as in anthologies (Centro Cultural de la Villa de Madrid, 1997, and Museo del Grabado Español Contemporáneo de Marbella, 2000). Úrculo is currently present in numerous museums and collections of modern art, including the Museo Nacional Centro de Arte Reina Sofía, the Galleria Nazionale d'Arte Moderno in Rome, the Biblioteca Nacional de Madrid, the Museo de Arte Contemporáneo de Bogotá, the AENA, Testimoni and Fundesco collections, the Museo del Dibujo Castillo de Larrés, the Museo de Arte Contemporáneo de Vilafamés and others.
Setdart Auction House
Dec. 17, 2024
EDUARDO ÚRCULO Santurce 1938-Madrid 2003 Woman with Butterfl
Est: -
EDUARDO ÚRCULO Santurce 1938-Madrid 2003 Woman with Butterfly I. 1970 Silkscreen on paper Signed in pencil and dated 1970 Numbered 38/70 Dimensions 70 x 50 cm Published by the Artist, Madrid 1970 BIBLIOGRAPHY -Victoria Hidalgo Nieto, "Úrculo. Graphic Work 1957-2000", Ed. Ayuntamiento de Madrid (Junta Municipal de Retiro) 2001, No. 16, Page 55
Subastas Segre
Dec. 17, 2024
EDUARDO ÚRCULO Santurce 1938-Madrid 2003 Hole in 1. 1993
Est: -
EDUARDO ÚRCULO Santurce 1938-Madrid 2003 Hole in 1. 1993 Wax on paper Signed and dated 1993 Signed and titled on the back Measurements 121 x 162.5 cm
Subastas Segre
Dec. 10, 2024
Eduardo Urculo. Study II - The Luenca
Est: -
Gouache on paper. Signed, dated (61) and titled in the upper center.
Duran Arte y Subastas
Oct. 30, 2024
EDUARDO ÚRCULO Santurce 1938-Madrid 2003 Portrait ...
Est: -
EDUARDO ÚRCULO Santurce 1938-Madrid 2003 Portrait of Albert Camus. 2001 Silkscreen on Super Alpha paper Signed in pencil Numbered 31/40 Dimensions 45 x 35 cm Published by Círculo del Arte, Barcelona 2001
Subastas Segre
Oct. 22, 2024
Eduardo Urculo. Untitled
Est: -
Oil on canvas. Signed and dated (73) in the lower left corner. Provenance: - Private collection.
Duran Arte y Subastas
Oct. 22, 2024
Eduardo Úrculo. Seated character (1983)
Est: -
Offset on paper. Signed and dated (83) in the lower right corner. Numbered (12/200) in the lower left corner.
Duran Arte y Subastas
Oct. 15, 2024
EDUARDO URCULO FERNÁNDEZ (Santurce, 1938 - Madrid, 2003) "Untitled" Engraving
Est: €200 - €350
EDUARDO URCULO FERNÁNDEZ (Santurce, 1938 - Madrid, 2003) "Untitled" Engraving Signed, dedicated and numbered 65/150 30 x 30 cm 200 - 350 €
Bayeu Subastas
Oct. 15, 2024
EDUARDO URCULO FERNÁNDEZ (Santurce, 1938 - Madrid, 2003) "Scarecrow"
Est: €1,500 - €2,000
EDUARDO URCULO FERNÁNDEZ (Santurce, 1938 - Madrid, 2003) "Scarecrow" Gouache on paper Signed and dated in1964 60 x 98,4 cm 1.500 - 2.000 €
Bayeu Subastas
Sep. 24, 2024
Eduardo Urculo. Untitled
Est: -
Ink and gouache on paper. Signed and dated (73) in the lower right corner. Provenance: - Private collection.
Duran Arte y Subastas
Sep. 17, 2024
EDUARDO ÚRCULO - Untitled. 1996
Est: -
EDUARDO ÚRCULO Santurce 1938-Madrid 2003 Untitled. 1996 Silkscreen on handmade Paperki paper Signed in pencil and dated 1996 Numbered 10/100 Dimensions 52 x 64 cm Print Erik Kirksaether, Madrid 1996 BIBLIOGRAPHY Victoria Hidalgo Nieto, "Úrculo. Obra Gráfica 1957-2000", Ed. Ayuntamiento de Madrid (Junta Municipal de Retiro) 2001, No. 100, Page 223
Subastas Segre
Sep. 17, 2024
EDUARDO ÚRCULO - Like a column of light singing. 1973
Est: -
EDUARDO ÚRCULO Santurce 1938-Madrid 2003 Like a column of light singing. 1973 Acrylic on canvas Signed and dated 1973 Back signed, dated and titled Measurements 200 x 180 cm
Subastas Segre
Jul. 23, 2024
EDUARDO URCULO Santurce (Vizcaya) (1938) / Madrid (2003) "Still Life", 1994
Est: €7,500 - €10,000
Mixed technique on paper with an engraving base Signed and dated in the lower right corner Measurements: 89 x 100 cm
Ansorena
Jul. 09, 2024
EDUARDO ÚRCULO FERNÁNDEZ (Santurce, Vizcaya, 1938 - Madrid, 2003). "Embrace", 1997. Silkscreen on paper, copy 74/75. Signed, dated and justified by hand.
Est: €1,800 - €2,000
EDUARDO ÚRCULO FERNÁNDEZ (Santurce, Vizcaya, 1938 - Madrid, 2003). "Embrace", 1997. Silkscreen on paper, copy 74/75. Signed, dated and justified by hand. Measurements: 76 x 57 cm; 94 x 75 cm (frame). Following his particular aesthetic, Úrculo composes his works through enigmatic objects and indeterminate, anonymous figures, which, distantly inspired by fashion illustrations and art deco posters, evoke a whole range of the contemporary popular imaginary. Painter and sculptor, one of the best exponents of pop art in Spain, Eduardo Úrculo began painting as a child, without any artistic training, and in 1957 he published his first illustrated strips in the Oviedo newspaper "La Nueva España". Shortly after, he moved to Madrid and began taking classes at the Círculo de Bellas Artes. During these years he earned his living as an illustrator and set designer, and cultivated a painting marked by social expressionism. In 1959 he went to Paris, where he furthered his training at the Académie de la Grande Chaumière. In the French capital he worked as a graphic designer and met Eduardo Westerdahl, whose influence made his painting evolve towards abstraction. However, four years later he returned to figuration and social criticism. In 1967 he made a trip to Northern Europe, and it was then that he first came into contact with American pop. From then on, Úrculo's work will be marked by a realism based on a very vivid coloring and, well into the seventies, by erotic, satirical and critical themes. In the eighties he lived in New York, where he carried out important projects. In 1992 he returned to Paris. In this last period he added to his repertoire the theme of the traveler confronted with the great modern city, an ironic variant of the figure of the romantic overwhelmed by the landscape. This formal evolution could be seen through the numerous individual exhibitions he held around the world since 1959, as well as in anthologies (Centro Cultural de la Villa de Madrid, 1997, and Museo del Grabado Español Contemporáneo de Marbella, 2000). Úrculo is currently present in numerous museums and collections of modern art, among them the Museo Nacional Centro de Arte Reina Sofía, the Galleria Nazionale d'Arte Moderno in Rome, the Biblioteca Nacional de Madrid, the Museo de Arte Contemporáneo de Bogotá, the AENA, Testimoni and Fundesco collections, the Museo del Dibujo Castillo de Larrés, the Museo de Arte Contemporáneo de Vilafamés and others.
Setdart Auction House
Jul. 02, 2024
EDUARDO ÚRCULO Santurce 1938-Madrid 2003 She ...
Est: -
EDUARDO ÚRCULO Santurce 1938-Madrid 2003 She offers me her astral waist. 1971 Acrylic on canvas Back signed, titled and dated 1971 Measurements 162 x 130 cm EXHIBITIONS 1997 (September 24-November 25), "Eduardo Úrculo. Retrospective exhibition 1957-1997", Centro Cultural de la Villa, Madrid BIBLIOGRAPHY Victoria Hidalgo, "Eduardo Úrculo. Retrospective exhibition 1957-1997", Ed. Madrid City Council, 1997, page. 55
Subastas Segre
Jun. 13, 2024
EDUARDO ÚRCULO FERNÁNDEZ (Santurce, Vizcaya, 1938 - Madrid, 2003). "Monumentalis Podias", 1977. Silkscreen folder, copy 10/100. Eight silkscreen prints on paper. Signed, dated and numbered by hand.
Est: €2,000 - €3,000
EDUARDO ÚRCULO FERNÁNDEZ (Santurce, Vizcaya, 1938 - Madrid, 2003). "Monumentalis Podias", 1977. Silkscreen folder, copy 10/100. Eight silkscreen prints on paper. Signed, dated and numbered by hand. Measurements: 94 x 66 cm. Painter and sculptor, one of the best exponents of pop art in Spain, Eduardo Úrculo began to paint as a child, without any artistic training, and in 1957 he published his first illustrated strips in the Oviedo newspaper "La Nueva España". Shortly afterwards he moved to Madrid and began to take classes at the Círculo de Bellas Artes. In 1959 he went to Paris, where he furthered his training at the Académie de la Grande Chaumière. In 1967 he made a trip to Northern Europe, and it was then that he first came into contact with American pop art. In the 1980s he lived in New York, where he carried out important projects. In 1992 he returned to Paris. In the latter period he added to his repertoire the theme of the traveller confronted with the great modern city, an ironic variant of the figure of the romantic overwhelmed by the landscape. This formal evolution could be seen through the numerous individual exhibitions he held around the world since 1959, as well as in anthologies (Centro Cultural de la Villa de Madrid, 1997, and Museo del Grabado Español Contemporáneo de Marbella, 2000). Úrculo is currently present in numerous museums and collections of modern art, including the Museo Nacional Centro de Arte Reina Sofía, the Galleria Nazionale d'Arte Moderno in Rome, the Biblioteca Nacional de Madrid, the Museo de Arte Contemporáneo de Bogotá, the AENA, Testimoni and Fundesco collections, the Museo del Dibujo Castillo de Larrés, the Museo de Arte Contemporáneo de Vilafamés and others.
Setdart Auction House
Jun. 11, 2024
EDUARDO URCULO FERNÁNDEZ (Santurce, 1938 - Madrid, 2003) "Two women with scarves"
Est: €1,000 - €1,500
EDUARDO URCULO FERNÁNDEZ (Santurce, 1938 - Madrid, 2003) "Two women with scarves" Mixed media on paper Signed and dated 1965 25 x 32 cm 1.000 - 1.500 €
Bayeu Subastas
May. 28, 2024
ÚRCULO, EDUARDO (1938 - 2003)
Est: -
Screen printing on paper. Signed in the lower right corner. Numbered (71/150) in the lower left corner.
Duran Arte y Subastas
May. 28, 2024
ÚRCULO, EDUARDO (1938 - 2003)
Est: -
Serigraphy. Signed in the lower right corner. Numbered 51/150 in the lower left corner.
Duran Arte y Subastas
May. 28, 2024
ÚRCULO, EDUARDO (1938 - 2003)
Est: -
Serigraphy. Signed in the lower right corner. Numbered 30/75 in the lower left corner.
Duran Arte y Subastas
May. 13, 2024
EDUARDO ÚRCULO FERNÁNDEZ (Santurce, Vizcaya, 1938 - Madrid, 2003). "Los amates", 1992. Mixed media, gouache, acrylic and pastel on paper. Signed in the lower right corner. Signed, dated and titled on the back.
Est: €7,000 - €8,000
EDUARDO ÚRCULO FERNÁNDEZ (Santurce, Vizcaya, 1938 - Madrid, 2003). "Los amates", 1992. Mixed media, gouache, acrylic and pastel on paper. Signed in the lower right corner. Signed, dated and titled on the back. Measurements: 130 x 122 cm; 133 x 125 cm (frame). Painter and sculptor, one of the best exponents of pop art in Spain, Eduardo Úrculo began painting as a child, without any artistic training, and in 1957 he published his first illustrated strips in the Oviedo newspaper "La Nueva España". Shortly after, he moved to Madrid and began taking classes at the Círculo de Bellas Artes. During these years he earned his living as an illustrator and set designer, and cultivated a painting marked by social expressionism. In 1959 he went to Paris, where he furthered his training at the Académie de la Grande Chaumière. In the French capital he worked as a graphic designer and met Eduardo Westerdahl, whose influence made his painting evolve towards abstraction. However, four years later he returned to figuration and social criticism. In 1967 he made a trip to Northern Europe, and it was then that he first came into contact with American pop. From then on, Úrculo's work will be marked by a realism based on a very vivid coloring and, well into the seventies, by erotic, satirical and critical themes. In the eighties he lived in New York, where he carried out important projects. In 1992 he returned to Paris. In this last period he added to his repertoire the theme of the traveler confronted with the great modern city, an ironic variant of the figure of the romantic overwhelmed by the landscape. This formal evolution could be seen through the numerous individual exhibitions he held around the world since 1959, as well as in anthologies (Centro Cultural de la Villa de Madrid, 1997, and Museo del Grabado Español Contemporáneo de Marbella, 2000). Úrculo is currently present in numerous museums and collections of modern art, among them the Museo Nacional Centro de Arte Reina Sofía, the Galleria Nazionale d'Arte Moderno in Rome, the Biblioteca Nacional de Madrid, the Museo de Arte Contemporáneo de Bogotá, the AENA, Testimoni and Fundesco collections, the Museo del Dibujo Castillo de Larrés, the Museo de Arte Contemporáneo de Vilafamés and others.
Setdart Auction House
Apr. 24, 2024
Eduardo Úrculo. No title
Est: -
Etching and aquatint on Guarro paper are the publisher's dry stamp. Signed in the lower right corner. Numbered (171/225) in the lower left corner.
Duran Arte y Subastas
Apr. 11, 2024
EDUARDO ÚRCULO FERNÁNDEZ (Santurce, Vizcaya, 1938 - Madrid, 2003). Untitled, 1994. Mixed media, gouache, collage and pastel on etching on paper.
Est: €4,000 - €5,000
EDUARDO ÚRCULO FERNÁNDEZ (Santurce, Vizcaya, 1938 - Madrid, 2003). Untitled, 1994. Mixed media, gouache, collage and pastel on etching on paper. It has a transversal fold that affects the central area of the work. Signed and dated in the lower left corner. Measurements: 94 x 127, 5 cm; 104 x 138 cm (frame). In this work the artist rescues a very recurrent theme in the history of art, which deals with the relationship between the model and the artist. The model turns her back to the painter, while the painter turns his back to the viewer. Painter and sculptor, one of the best exponents of pop art in Spain, Eduardo Úrculo began painting as a child, without any artistic training, and in 1957 he published his first illustrated strips in the Oviedo newspaper "La Nueva España". Shortly afterwards he moved to Madrid, and began to take classes at the Círculo de Bellas Artes. During these years he earned his living as an illustrator and set designer, and cultivated a painting marked by social expressionism. In 1959 he went to Paris, where he furthered his training at the Académie de la Grande Chaumière. In the French capital he worked as a graphic designer and met Eduardo Westerdahl, whose influence made his painting evolve towards abstraction. However, four years later he returned to figuration and social criticism. In 1967 he made a trip to Northern Europe, and it was then that he first came into contact with American pop. From then on, Úrculo's work will be marked by a realism based on a very vivid coloring and, well into the seventies, by erotic, satirical and critical themes. In the eighties he lived in New York, where he carried out important projects. In 1992 he returned to Paris. In this last period he added to his repertoire the theme of the traveler confronted with the great modern city, an ironic variant of the figure of the romantic overwhelmed by the landscape. This formal evolution could be seen through the numerous individual exhibitions he held around the world since 1959, as well as in anthologies (Centro Cultural de la Villa de Madrid, 1997, and Museo del Grabado Español Contemporáneo de Marbella, 2000). Úrculo is currently present in numerous museums and collections of modern art, among them the Museo Nacional Centro de Arte Reina Sofía, the Galleria Nazionale d'Arte Moderno in Rome, the Biblioteca Nacional de Madrid, the Museo de Arte Contemporáneo de Bogotá, the AENA, Testimoni and Fundesco collections, the Museo del Dibujo Castillo de Larrés, the Museo de Arte Contemporáneo de Vilafamés and others.
Setdart Auction House
Apr. 09, 2024
EDUARDO URCULO Santurce (Vizcaya) (1938) / Madrid (2003) "Untitled", 1974
Est: €1,500 - €2,000
Five serigraphs on paper All of them justified 65/150, signed and dated in pencil at the bottom. They are presented in a folder from the "Girasol" collection published by the Sen Gallery in Madrid. Measurements: 65 x 49 cm each
Ansorena
Apr. 09, 2024
EDUARDO URCULO Santurce (Vizcaya) (1938) / Madrid (2003) “Podicis Monumentalia”, 1977
Est: €1,500 - €2,000
9 serigraphs on paper Folder with text by Camilo JosE Cela, signed, dated and numbered in pencil 86/100. Dedicated in pencil: "For Micheline and Michel these Madrid dreams of the spring of '77", signed by Urculo and located in Les Roches dated September 29, 1980. They are presented in a 95.5 x 67.5 cm box. Multitud Gallery Editions, Madrid. (has some moisture stains) Measurements: 94 x 66 cm
Ansorena
Mar. 20, 2024
Eduardo Úrculo. No title
Est: -
Screen printing on Michel paper. Signed in the lower right corner. Numbered (77/90) in the lower left corner. Edited by Aena Foundation.
Duran Arte y Subastas
Mar. 19, 2024
EDUARDO URCULO - Untitled
Est: -
EDUARDO ÚRCULO Santurce 1938-Madrid 2003 Untitled. 1972 Watercolor, ink and pastel on paper Signed and dated 1972 Measurements 36 x 30 cm
Subastas Segre
Mar. 14, 2024
EDUARDO URCULO FERNÁNDEZ (Santurce, 1938 - Madrid, 2003) Screen print
Est: €100 - €150
EDUARDO URCULO FERNÁNDEZ (Santurce, 1938 - Madrid, 2003) "Untitled" Screen print Signed in pencil dated 1978 and numbered 129/200 34,5 x 24,5 cm 100 - 150 €
Bayeu Subastas
Mar. 14, 2024
EDUARDO URCULO FERNÁNDEZ (Santurce, 1938 - Madrid, 2003) "Lolita"
Est: €250 - €300
EDUARDO URCULO FERNÁNDEZ (Santurce, 1938 - Madrid, 2003) "Lolita" Screen print Signed and dated P.A. in 1972 69 x 64 cm 250 - 300 €
Bayeu Subastas
Jan. 30, 2024
EDUARDO ÚRCULO FERNÁNDEZ (Santurce, Vizcaya, 1938 - Madrid, 2003). "Monumentalis Podias", 1977. Silkscreen folder, copy 10/100. Eight silkscreen prints on paper. Signed, dated and numbered by hand.
Est: €2,000 - €3,000
EDUARDO ÚRCULO FERNÁNDEZ (Santurce, Vizcaya, 1938 - Madrid, 2003). "Monumentalis Podias", 1977. Silkscreen folder, copy 10/100. Eight silkscreen prints on paper. Signed, dated and numbered by hand. Measurements: 94 x 66 cm. Painter and sculptor, one of the best exponents of pop art in Spain, Eduardo Úrculo began to paint as a child, without any artistic training, and in 1957 he published his first illustrated strips in the Oviedo newspaper "La Nueva España". Shortly afterwards he moved to Madrid and began to take classes at the Círculo de Bellas Artes. In 1959 he went to Paris, where he furthered his training at the Académie de la Grande Chaumière. In 1967 he made a trip to Northern Europe, and it was then that he first came into contact with American pop art. In the 1980s he lived in New York, where he carried out important projects. In 1992 he returned to Paris. In the latter period he added to his repertoire the theme of the traveller confronted with the great modern city, an ironic variant of the figure of the romantic overwhelmed by the landscape. This formal evolution could be seen through the numerous individual exhibitions he held around the world since 1959, as well as in anthologies (Centro Cultural de la Villa de Madrid, 1997, and Museo del Grabado Español Contemporáneo de Marbella, 2000). Úrculo is currently present in numerous museums and collections of modern art, including the Museo Nacional Centro de Arte Reina Sofía, the Galleria Nazionale d'Arte Moderno in Rome, the Biblioteca Nacional de Madrid, the Museo de Arte Contemporáneo de Bogotá, the AENA, Testimoni and Fundesco collections, the Museo del Dibujo Castillo de Larrés, the Museo de Arte Contemporáneo de Vilafamés and others.
Setdart Auction House
Jan. 24, 2024
Eduardo Úrculo. No title
Est: -
Sririgraphy on paper. Signed in the lower right corner. Numbered (P/A - Artist's Proof) in the lower left corner.
Duran Arte y Subastas
Jan. 10, 2024
EDUARDO ÚRCULO FERNÁNDEZ (Santurce, Vizcaya, 1938 - Madrid, 2003). "Conspiracy in New York", 1998. Acrylic on canvas. Signed in the lower left corner. Titled and dated on the back.
Est: €22,000 - €24,000
EDUARDO ÚRCULO FERNÁNDEZ (Santurce, Vizcaya, 1938 - Madrid, 2003). "Conspiracy in New York", 1998. Acrylic on canvas. Signed in the lower left corner. Titled and dated on the back. Measurements: 90 x 90 cm; 105 x 105 cm (frame). In the eighties, Eduardo Úrculo accustomed us to this type of scenes with anonymous characters who turn their backs to us, uprooted travelers who seem to have escaped from some film noir movie. With the theme of the traveler facing the big city or wandering through its margins, it was a sort of ironic variant or postmodern update of the figure of the romantic character overwhelmed by the landscape. More specifically, in this New York scene, iconic urban elements such as the Empire State Building and the Twin Towers are cut out like totemic idols before a group of mysterious men of whom we only see their backs covered with trench coats and Borsalino hats. Úrculo plays with the cliché of suspense, while chromatically combining the hats with the colors of the towers. Likewise, seen from the present (post-2001), the title of the painting and the presence of the World Trade Center towers are disturbingly premonitory. Painter and sculptor, one of the best exponents of pop art in Spain, Eduardo Úrculo began painting as a child, without any artistic training, and in 1957 he published his first illustrated strips in the Oviedo newspaper "La Nueva España". Shortly afterwards he moved to Madrid and began to take classes at the Círculo de Bellas Artes. In 1959 he went to Paris, where he furthered his training at the Académie de la Grande Chaumière. In 1967 he made a trip to Northern Europe, and it was then that he first came into contact with American pop. In the eighties, he lived in New York, where he carried out important projects. In 1992 he returned to Paris. He held numerous individual exhibitions around the world since 1959, as well as in anthologies (Centro Cultural de la Villa de Madrid, 1997, and Museo del Grabado Español Contemporáneo de Marbella, 2000). Úrculo is currently present in numerous museums and collections of modern art, among them the Museo Nacional Centro de Arte Reina Sofía, the Galleria Nazionale d'Arte Moderno in Rome, the Biblioteca Nacional de Madrid, the Museo de Arte Contemporáneo de Bogotá, the AENA, Testimoni and Fundesco collections, the Museo del Dibujo Castillo de Larrés, the Museo de Arte Contemporáneo de Vilafamés and others.
Setdart Auction House
Dec. 27, 2023
Eduardo Úrculo. The return of Williams B.
Est: -
Sculpture made of patinated bronze on a wooden base. Signed in the lower right part. Numbered (51/100) in the lower left corner. The work is a scale of the urban sculpture "The Return of Williams B. Arrensberg", located in Porlier Square in the city of Oviedo, Principality of Asturias, Spain, it stands out among more than a hundred works that adorn the streets of the city. Made in bronze by the sculptor Eduardo Úrculo in 1993, the work, known as "The Traveler", portrays a standing man with a brimmed hat and coat, surrounded by suitcases, resting an umbrella next to them, evoking the image of someone newly arrived in town. The life-size set rests directly on the street floor, without a pedestal, adding a distinctive element to the urban landscape. The sculpture is an artistic and personal tribute, being the portrait of Williams B. Arrensberg, a friend of the sculptor. Reference bibliography: - HIDALGO, Victoria: Eduardo Úrculo Retrospective 1957- 1997 [Cat. Exp.]. Cultural Center of the Town and City Hall of Madrid. Madrid, 1997. Pages. 236-237. (Images of the process of creating the work).
Duran Arte y Subastas

Lots Per Page:

Eduardo Urculo Sold at Auction Prices

Painter

Upcoming Lots

Past Lots

0 Lots

Categories

Auction Date

Seller

Seller Location

Price Range

Popular Artists

Get Invaluable on Your Phone

Bid On-the-Go!