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Paolo Uccello Sold at Auction Prices

Painter, b. 1396 - d. 1475

Paolo Uccello (1397 – 10 December 1475), born Paolo di Dono, was a Florentine painter and mathematician who was notable for his pioneering work on visual perspective in art. In his book Lives of the Most Excellent Painters, Sculptors, and Architects, Giorgio Vasari wrote that Uccello was obsessed by his interest in perspective and would stay up all night in his study trying to grasp the exact vanishing point. While his contemporaries used perspective to narrate different or succeeding stories, Uccello used perspective to create a feeling of depth in his paintings. His best known works are the three paintings representing the battle of San Romano, which were wrongly entitled the Battle of Sant'Egidio of 1416 for a long period of time.

Paolo worked in the Late Gothic tradition, emphasizing colour and pageantry rather than the classical realism that other artists were pioneering. His style is best described as idiosyncratic, and he left no school of followers. He has had some influence on twentieth-century art and literary criticism (e.g., in the Vies imaginaires by Marcel Schwob, Uccello le poil by Antonin Artaud and O Mundo Como Ideia by Bruno Tolentino).

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      • Paolo Uccello Sei sedie mod. Tomasa
        Mar. 27, 2024

        Paolo Uccello Sei sedie mod. Tomasa

        Est: €3,000 - €5,000

        Struttura pieghevole in legno. Marchio a fuocoProd. Gavina, Italia, 1983

        Cambi Casa d'Aste
      • Paolo Uccello - Tomasa
        Jul. 07, 2022

        Paolo Uccello - Tomasa

        Est: €4,000 - €5,000

        Tomasa six oak chairs. Simon-Ultramobile Manufacture.

        Finarte
      • AFTER PAOLO UCCELLO (1397-1475), BATTLE OF SAN ROMANO, 20TH CENTURY 200 x 300cm
        Mar. 20, 2016

        AFTER PAOLO UCCELLO (1397-1475), BATTLE OF SAN ROMANO, 20TH CENTURY 200 x 300cm

        Est: $6,000 - $8,000

        AFTER PAOLO UCCELLO (1397-1475), BATTLE OF SAN ROMANO, 20TH CENTURY 200 x 300cm

        Leonard Joel
      • AFTER PAOLO UCCELLO (Italian
        May. 18, 2014

        AFTER PAOLO UCCELLO (Italian

        Est: £1,500 - £3,000

        AFTER PAOLO UCCELLO (Italian, 1397-1475), 'The battle of San Romano', oil on canvas, 182.5cm x 320cm.

        Lots Road Auctions
      • FOLLOWER OF PAOLO UCCELLO
        Jan. 25, 2012

        FOLLOWER OF PAOLO UCCELLO

        Est: $15,000 - $25,000

        FLORENCE 1397 - 1475 A LION CONFRONTING A DRAGON Pen and brown ink; bears inscription on the backing sheet: Tocco - in - penna di Domenico Beccafumi/ detto il macarino, Pittore Sanese del Secolo XVI. 146 by 221 mm

        Sotheby's
      • - Paolo Uccello , 1397 - 1475 The Madonna and child enthroned tempera on panel, gold ground, in an integral frame
        Jul. 08, 2009

        - Paolo Uccello , 1397 - 1475 The Madonna and child enthroned tempera on panel, gold ground, in an integral frame

        Est: £60,000 - £80,000

        Inscribed on the base of the frame: 'AVA.MARIA.GRACIA.PLENA.DO: ' tempera on panel, gold ground, in an integral frame

        Sotheby's
      • Circle of Paolo Uccello (Florence c. 1397-1475)
        Apr. 06, 2006

        Circle of Paolo Uccello (Florence c. 1397-1475)

        Est: $50,000 - $70,000

        The Madonna and Child before a parapet with two adoring Angels, a hortus conclusus beyond oil on panel 9 1/4 x 6 1/2 in. (23.5 x 16.5 cm.)

        Christie's
      • Paolo Uccello (Florence c. 1397-1475)
        Jul. 11, 2001

        Paolo Uccello (Florence c. 1397-1475)

        Est: $70,500 - $98,700

        The Madonna Enthroned inscribed 'AVA.MARIA.GRACIA.PLENA.DO:' (on the base of the frame) on gold ground panel in an integral frame 313/4 x 21 in. (80.7 x 53.3 cm.) PROVENANCE with Malmedy, Cologne, from where acquired by Dr. Pickardt, by whom sold to the aunt of the present owner, September 1967, as 'Francesco d'Antonio'. NOTES Everett Fahy, to whom we are very grateful, attributed this picture with certainty to Paolo Uccello, having examined the picture in the original. He notes that 'the drawing of the drapery and the pose of the Madonna and Child are charcteristic of Ucello's early, flamboyant Gothic phase' (letter 19 October 2000). He points out its striking similarity to the pose, and execution, of the midwife holding the newborn Mary in Ucello's fresco of The Birth of Mary (Chapel of the Assunta, Prato Cathedral). Furthermore, it can be compared with the early frescoed lunette of The Madonna and Child, detached from the Casa dei Beccuto and now in the Museo di San Marco, Florence (see A. Padoa Rizzo, La Cappella dell'Assunta nel Duomo di Prato, Prato, 1997). Although the flesh tones of the present picture are abraded, thus revealing the freely incised underdrawing, one can still appreciate the glazes of the volume of the heavy drapery of the Madonna's mantle, painted in tones of dark blue, contrasting with its bright yellow lining. Ucello has employed a similar method of drawing by incision in the halo of the Madonna and Child. The sophisticated pattern of the gold brocade of the red cloth and its black and white border are typical of the artist's interest in geometry.

        Christie's
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