oil on canvas 35 x 50 cm Signed lower right: F. Trombadori Artwork registered in the Archivio della Scuola Romana Photo certificate issued by Archivio della Scuola Roma
oil on board 28.5 x 39 cm Signed lower right: F. Trombadori Artwork registered in the Archivio della Scuola Romana Photo certificate issued by Archivio della Scuola Roma
Still life with fishes Oil on canvas 40 x 61 cm Signed lower right: F. Trombadori Excellent condition, framed with glass; restoration at the centre of the painting
TROMBADORI FRANCESCO (1886 - 1961). Natura morta con pesci.. Signature and year lower right. Donatella Trombadori authenticity certificate on photo. Provenance: Private collection, Rome.. 41,00 x 38,00 cm. 1939.
FRANCESCO TROMBADORI (Siracusa, 1886 - Rome, 1961) View of country trail, 1924/26 ca. Oil on canvas, 43 x 35 cm Signed lower left: F. Trombadori Good conditions, framed without glass; canvas with slight traces of humidity
TROMBADORI FRANCESCO (1886 - 1961). Natura morta.. 1920-1925. Signature lower right. Donatella Trombadori's authenticity certificate on photo.. Cm 65,00 x 55,00.
FRANCESCO TROMBADORI (Siracusa, 1886 - Roma, 1961) Houses Landscape Oil on canvas, 25 x 35 cm Signed lower right “F.Trombadori”, on the back an unreadable stamp of a Rome gallery, painted during the 50s of the XX century Excellent conditions, framed with glass and passepartout
FRANCESCO TROMBADORI (Siracusa 1886 - Roma 1961) Natura morta - 1920/25 Olio su tela Firmato in basso a destra Autentica su fotografia a cura di Donatella Trombadori. Opera archiviata al N. 14853. cm 55 x 65.
Francesco Trombadori - Isola Tiberina Olio su tela cm. 50x60 Firmato in basso a destra. Autentica dell'Archivio della "Scuola Romana", in data 10 Ottobre 2014.
(Siracusa 1886 - Roma 1961) "Composizione con vaso di fiori, ventaglio e libro" olio su tela (cm 52x60,5) Firmato in basso a destra In cornice Provenienza Collezione Cesare e Gina Romiti Opera accompegnata da certificato di autenticità su fotografia rilasciato dal figlio Antonello Trombadori in data 23.1.1986
(Siracusa 1886 - Roma 1961) "Natura morta con funghi" olio su tela (cm 50x29,5) Firmato in basso a destra Al retro: cartigli e timbro In cornice Provenienza Galleria Netta Vespignani, Roma; Collezione Cesare e Gina Romiti Opera accompagnata da certificato di autenticità su fotografia rilasciato dall'Archivio della Scuola Romana, Roma in data 19.6.2000, con il n. 224/00
(Siracusa 1886 - Roma 1961) "Santa Maria del Popolo" oil on canvas (cm 45x55) Signed on bottom right. Back: Society for Fine Arts and Permanent Exhibition cartouche on the occasion of the exhibition "Vitality of figuration" Milan 21 December 1988/29 January 1989 Exhibitions: "Trombadori" Galleria Russo, Rome, April - May 1961, n. 12 in the catalog "Francesco Trobadori. Landscapes of Rome" Palazzo Braschi, Rome, December 1979, p. 5, p.58 n. 52 ill. in color in the catalogue. In frame Work accompanied by a certificate of authenticity on a photograph issued by the Archives of the Roman School, Rome on 19.12.1996, with the n. 162/96 IT "Santa Maria del Popolo" olio su tela (cm 45x55) Firmato in basso a destra. Al retro: cartiglio Società per le Belle Arti ed Esposizione Permanente in occasione della mostra "Vitalità della figurazione" Milano 21 dicembre 1988/ 29 gennaio 1989 Esposizioni: "Trombadori" Galleria Russo, Roma, aprile - maggio 1961, n. 12 in catalogo "Francesco Trobadori. Paesaggi di Roma" Palazzo Braschi, Roma, dicembre 1979, p. 5, p.58 n. 52 ill. a colori in catalogo In cornice Opera accompagnata da certificato di autenticità su fotografia rilasciato dall'Archivio della Scuola Romana, Roma in data 19.12.1996, con il n. 162/96
(Siracusa 1886 - Roma 1961) "Porta del Popolo. Rome" oil on canvas (cm 41x45) Signed on bottom right. In frame Exposure: "Francesco Trombadori. Landscapes of Rome" Palazzo Braschi, Rome, December 1979, p. 5 n. 44, p. 48 ill. in color in the catalogue. Bibliography: D. Guzzi "Edita Broglio and Francesco Trombadori: The heartbeat of silence" in "L'Umanità " January 25, 1980. Work accompanied by a certificate of authenticity on a photograph issued by the Archives of the Roman School, Rome on 15.07.1996, with the n. 155/96 IT "Porta del Popolo, Roma" olio su tela (cm 41x45) Firmato in basso a destra. In cornice Esposizione: "Francesco Trombadori. Paesaggi di Roma" Palazzo Braschi, Roma, dicembre 1979, p. 5 n. 44, p. 48 ill. a colori in catalogo Bibliografia: D. Guzzi "Edita Broglio e Francesco Trombadori: Il palpito del silenzio" in "L'Umanità " 25 gennaio 1980 Opera accompagnata da certificato di autenticità su fotografia rilasciato dall'Archivio della Scuola Romana, Roma in data 15.07.1996, con il n. 155/96
FRANCESCO TROMBADORI Siracusa, 1886 - Rome, 1961 Still Life with Plucked Chicken, 1928 Oil on canvas, 60,5 x 69,5 cm Signed lower right: F. Trombadori LITERATURE AND EXHIBITED: “I Maestri della Scuola Romana”, curated by A. Statuti, Firenze, 2014, pp. 82-83; “Nove Maestri della Scuola Romana”, curated by F. D’Amico, F. Gualdoni, M. Quesada e V. Rivosecchi, Edizioni Seat, Turin, 1992, p. 89; “Trombadori”, curated by M. Fagiolo dell’Arco e V. Rivosecchi, De Luca Editore, Rome, 1986, n° 21.
FRANCESCO TROMBADORI Siracusa, 1886 - Rome, 1961 Cherry blossoms Oil on canvas, 31 x 25,5 cm Signed lower left: F. Trombadori Photo-certificate by Donatella Trombadori, Rome, 2011 LITERATURE AND EXHIBITED: “I Maestri della Scuola Romana”,curated by A. Statuti, Firenze, 2014, p. 84. BIOGRAPHY: Father Antonino is a bookseller, engraver and modeler of crib puppets. During his youth, Francesco attended the technical school. In 1907 he moved to Rome where he attended the courses of the Academy of Fine Arts and the free school of the nude. Among the teachers there is Giuseppe Cellini, among the classmates we find Cipriano Efisio Oppo, Amerigo Bartoli, Mario Broglio, Virgilio Guidi. In 1911 he held his first solo show, in the Foyer of the Teatro Massimo in Syracuse. In 1913 he began to frequent the studio of Enrico Lionne (1875-1921) confirming his tendency towards pointillist painting, which was very popular in Rome at the time. In 1915 he left for the war: in August 1916 he was wounded on Podgora in the action for the capture of Gorizia. At the end of the conflict, Trombadori is back in Rome. He assiduously attends the Third Room of the Aragno Coffee. He is also in contact with Bragaglia's environment, as evidenced by a series of photodynamic portraits and his presence in the Index. The relationship of esteem will continue even when the artist enters his "neoclassical" phase. Since 1920 he has lived in Villa Strohl-fern. In 1921 he was appointed professor of drawing at the Technical Institute of Civitavecchia. He participates in the 1st Roman Biennale. He also works as an illustrator, for Henry Barbusse's short story book "The Man and the Woman". In 1922, at the "Amatori e Cultori" he presented "Siracusa mia!", Which can be considered as the point of arrival of his pointillist period. In the early 1920s, Trombadori devoted a lot of time to the study of ancient painting, looking for a personal path in the difficult relationship between avant-garde and tradition. The Second Roman Biennale, in 1923, is an opportunity to compare his work with that of other "fellow travelers", from Antonio Donghi to Carlo Socrate to Nino Bertoletti, with whom he exhibits in a "neoclassical" intonation room and purist. . In 1924 he exhibited at the Venice Biennale and at the Exhibition of twenty Italian artists at the Pesaro gallery in Milan. At the Third Roman Biennale in 1925 he exhibited in the same room as de Chirico (an artist to whom he is linked by a relationship of mutual esteem and friendship) by Antonio Donghi, Francesco Di Cocco and Filippo De Pisis. Also in 1925 he began his career as an art critic, publishing in "L'Epoca" two writings dedicated to Fattori and the death of Spadini and in "L'Opviso" a text on the Italian artistic situation. Since the spring of 1925, Trombadori has been in contact with Margherita Sarfatti and with the organizing committee of the "Novecento Italiano", who, in addition to inviting him as an artist, commissioned him to encourage the participation of other exponents of the Roman environment, from Bandinelli to De Chirico to Bartoli to Donghi. In February 1926 the first exhibition of the Italian twentieth century was inaugurated at Palazzo della Permanente in Milan, in which he participated with three works. Even more interesting for the Roman aspects of the "twentieth century" is the exhibition of the "Ten artists of the Italian twentieth century" which is presented by Margherita Sarfatti as part of the XCIII Fine Arts Exhibition of the Società Amatori e Cultori. The nucleus is represented by Virgilio Guidi and Carlo Socrate, Gisberto Ceracchini, Riccardo Francalancia, Trombadori presents four canvases (two landscapes and two still lifes). In his painting a new interest in the landscape begins to appear, frequently exhibited in national and international exhibitions. In 1931 he participated with three works at the First Quadrennial, also publishing various reviews in "Gente nostra", useful for understanding his preferences on the Italian scene. We recall that in 1930 Trombadori also carefully reviewed the exhibition of two young "expressionists": Mafai and Scipione. He continues his participation in the exhibitions of the Italian twentieth century, which in this period are mainly held abroad (Buenos Aires 1930, Stockholm 1931, Oslo 1932). In 1931 he participated with a painting in the Exhibition of Contemporary Italian Painting in the Baltimore museum (USA). A small solo exhibition is welcomed by the 1932 Venice Biennale. Among other exhibitions from the 1930s we can mention the various editions of the Venice Biennale, the Rome Quadriennale, and the Trade Unions, in which he always participates with small groups of works. In 1938 the first monograph of him appears for the editions of "Circoli", forty works introduced by a text by Adriano Grande. His collaboration in "Circoli" is very intense and qualitatively high, with articles ranging from book reviews to seventeenth-century painting. At the beginning of the 1940s there is a rather curious moment to report, represented by the paintings painted for the aeronautics salon at the Venice Biennale in 1942 and then also exhibited at the Aeronautical Art Exhibition of the Rome Gallery (1943). An escape from the usual repertoire but perhaps also a sign of the difficulties of work in the war period. The last period of the war is particularly hard: in April 1944 was arrested by the Koch gang which operated in Rome in the service of the Germans and the Fascists. He is confined to the Jaccarino pension to get news of his son Antonello wanted by the SS. After the war, a new pictorial period begins, dedicated to an original and refined reading of the Roman landscape in a neo-metaphysical key. Among the exhibitions we can remember the personal exhibitions at the Galleria del Pincio (Rome 1951) at the "Tartaruga" (Rome 1955) at the Centro San Babila (Milan 1960) at the Galleria Russo (Rome 1961). From 1950 onwards he frequently returned to Sicily. BIBLIOGRAPHY: "Trombadori", exhibition catalog edited by M. Fagiolo dell’Arco, V. Rivosecchi, Rome, 1986; V. Rivosecchi, Trombadori, in "Nine masters of the Roman school", Turin 1992; General catalog of the Municipal Gallery of Modern and Contemporary Art, edited by G. Bonasegale, Rome 1995; "Venice and the Biennale. The paths of taste", curated by F. Scotton, Venice 1995. Excellent condition Frame, glass, passepartout
oil on board Signed lower right: F. Trombadori PROVENANCE Galleria La Feluca, Rome (stamp on the back) Photo certificate issued by Donatella Trombadori This lot is subject to Artists Resale Rights
FRANCESCO TROMBADORI Siracusa, 1886 - Rome, 1961 Monument to Gioacchino Belli, 1961 Oil on canvas, 20 x 25 cm Signed lower right: F. Trombadori LITERATURE: V. Rivosecchi, “Francesco Trombadori. I paesaggi del silenzio 1945-1961”, Archivio della Scuola Romana, April - May 1999, p. 129
FRANCESCO TROMBADORI Siracusa, 1886 - Rome, 1961 Still life with apples and birds Oil on canvas, 36 x 50 cm Signed lower right: F. Trombadori Photo-certificate by Archivi della Scuola Romana, Rome, 2016
FRANCESCO TROMBADORI (Siracusa 1886 - Roma 1961) La lettera Matita su carta, cm. 24 x 20 Firma in basso a destra PROVENIENZA Galleria Fidia, Roma (timbro al retro)
china su carta, cm 22x16. Firma in basso a destra F.Trombadori. Provenienza collezione Alderighi, Roma - china on paper, 22x16 cm. signed on the lower right F.Trombadori. Provenance of the Alderighi collection, Rome
FRANCESCO TROMBADORI (Siracusa 1886 - Roma 1961) Donna seduta China su carta, cm. 22,5 x 16,5 Firma in basso a destra PROVENIENZA Collezione Alderighi, Roma
Signed oil painting on canvas featuring still life. Signed F. Trombadori lower right. Imperfections, age. Height: 27 1/4"; Width: 31 1/4". Image size: 22 5/8" x 26 1/2". STERLING ASSOCIATES STRIVES TO PROVIDE ACCURATE, OBJECTIVE, & FAIR INFORMATION ON ALL LOTS. WE WILL BE HAPPY TO ANSWER ANY QUESTIONS AND PROVIDE ADDITIONAL PHOTOS. WE ADVISE THAT YOU, OR SOMEONE ON YOUR BEHALF, INSPECT ANY ITEM(S) AND COME TO YOUR OWN CONCLUSIONS BEFORE BIDDING. ALL SALES ARE FINAL. PLEASE SEE TERMS & CONDITIONS.
Mattino al mare, 1966 olio su tavola, cm 23 x 30Firmato in basso a sinistra: F. Trombadori Autentica di Donatella Trombadori su fotografia oil on board, cm 23 x 30, signed lower left
FRANCESCO TROMBADORI Siracusa, 1886 - Rome, 1961 Landascape Oil on canvas, 48,5 x 60 cm circa Signed lower left: F. Trombadori Label on the back of Il Gabbiano Gallery in Rome
FRANCESCO TROMBADORI Siracusa 1886 - Rome 1961 Apples and birds still life Oil on canvas, 35 x 50 cmSigned lower right Photo-certificate of authenticity by Scuola Romana FRANCESCO TROMBADORI Siracusa 1886 - Roma 1961 Natura morta con mele e uccelliOlio su tela, 35 x 50 cmFirma in basso a destra Autentica su foto Scuola Romana
FRANCESCO TROMBADORI Syracuse 1886 – Rome 1961 The Tiber Island Oil on canvas, 50 x 60 cm Signed lower right: F. Trombadori Photo-certificate of authenticity from the Archive Scuola Romana, October 10th 2014
FRANCESCO TROMBADORI Siracusa 1886 - Roma 1961 Passaggio a livello, 1950 Olio su tavoletta, cm. 60 x 35 Firma in basso a destra Parere orale di Duccio Trombadori; ;
Mattino a Ponte Sisto signed 'F Trombadori' (lower right); bears signature and title (on handwritten label verso), oil on canvas 34.5 x 50cm (13 9/16 x 19 11/16in).
Francesco Trombadori (1886-1961) Senza titolo firmato F. Trombadori (in basso a destra) olio su tela cm 38x43 Eseguito alla fine degli anni '20 Autentica su fotografia di Donatella Trombadori, Roma, datata 9 aprile 2010
Francesco Trombadori (1886-1961) Natura morta con ortaggi e frutta signed 'F.Trombadori' (lower left) oil on canvas 21¾ x 25½ in. (55.6 x 64.8 cm.) Painted circa 1923
