ARTHUR TRESS (1940- ) Teen Age Runners (Band Aid Fantasy). 1976; printed 2000s. Silver print, the image measuring 19¼x19 inches (48.9x48.3 cm.), the sheet 24x20 inches (61x50.8 cm.), with Tress' signature, title, negative date, and edition notation 12/50 in ink on recto.
Arthur Tress Blue Collar Fantasy 1979 gelatin silver print image: 15 h x 14.875 w in (38 x 38 cm) sheet: 19.875 h x 16 w in (50 x 41 cm) Signed, titled, dated and numbered to lower edge 'Blue Collar Fantasy, 1979 9/50 Arthur Tress'. This work is number 9 from the edition of 50. Provenance: Collection of Arthur J. Williams This work will ship from Lambertville, New Jersey.
Arthur Tress (Born 1940) 1989 From the artist's Fish Tank Sonata series, signed and inscribed Whiteface Mountain, N.Y. verso in felt tip pen, numbered 12 from an edition of 50. Further inscribed: Hawk echo over the hills As the lone wolf beckons a friend; In this wide open country, Solitude may in fact be his end. Image measures 13 x 15, sheet is 20 x 16, and frame is 21.5 x 23 inches. Without proof of exemption, be aware that internet sales tax applies to all Internet transactions and local sales tax may apply to local pick-up transactions. We happily provide seamless in-house packing and shipping services on nearly everything we sell. Until further notice, we cannot offer international shipping in-house.
Arthur Tress (Born 1940) Man with Classical Statue, Pojo, CA 1994 The image is signed in felt tip pen by the artist lower right, titled lower left, inscribed 8 from an edition of 50 prints, center below the image. Image measures 10 x 10 with a framed size of 16.25 x 15.75 inches. Without proof of exemption, be aware that internet sales tax applies to all Internet transactions and local sales tax may apply to local pick-up transactions. We happily provide seamless in-house packing and shipping services on nearly everything we sell. Until further notice, we cannot offer international shipping in-house.
Arthur Tress (Born 1940) Climbing the Smokestack Circa 1974 The image is signed lower right and inscribed A.P. in felt tip pen below the image, apparently an artist's proof. This photograph is unframed. Image measures 15 x 15, sheet is 20 x 15.75 inches. Without proof of exemption, be aware that internet sales tax applies to all Internet transactions and local sales tax may apply to local pick-up transactions. We happily provide seamless in-house packing and shipping services on nearly everything we sell. Until further notice, we cannot offer international shipping in-house.
Tress, Arthur (American, born 1940), Dejeuner Van Gogh, 1985, Arles (Van Gogh's Lunch),cibachrome print, 15 x 15 inches, signed, numbered, titled, dated, and inscribed Arles on reverse. Provenance: acquired from the artist, framed measuring 23 x 23 inches.
Tress, Arthur (American, born 1940), Crystal Ball Portrait Photograph, circa 1995, gelatin silver print, 7 x 7 inches, signed in ink lower right margin, Provenance: acquired from the artist, framed measuring 15.75 x 15 inches, Tress did a series of crystal ball images in color.
PROPERTY FORMERLY FROM THE COLLECTION OF DR DINESH PAREKH, MELBOURNE ARTHUR TRESS born 1940, American Hermaphrodite between Statues of Venus and Mercury, East Hampton, N.Y. 1973 gelatin silver print 49.5 x 49.5 cm (image); 77.0 x 74.0 cm (framed) edition: 15/50 signed lower right: Arthur Tress numbered lower centre: 15/50 titled and dated lower left: Hermaphrodite Between Statues of Venus and Mercury, East Hampton, N.Y., 1973
NUDE MAN ARTHUR TRESS (1940- ) Nude man in boat. Silver print, the image measuring 400 mm; 15¾ inches square, the sheet 508x406 mm; 20x16 inches, with Tress' signature and edition notation 2/25 in ink on recto. Circa 1970s. Provenance: Acquired directly from the Artist by the Present Owner between 1980-85.
ARTHUR TRESS (1940- ) Bikes & Lovers, New York. Silver print, the image measuring 394x400 mm; 15½x15¾ inches, the sheet 508x406 mm; 20x16 inches, with Tress' signature, title, and edition notation 4/25 in ink on recto. 1978. Provenance: Acquired by the Present Owner in Chicago circa 1980.
ARTHUR TRESS (1940- ) Man with head in bucket. Silver print, the image measuring 260 mm; 10¼ inches square; the sheet 356x279 mm; 14x11 inches, with Tress' signature and edition notation 2/25 in ink on recto. Circa 1970s. Provenance: Acquired directly from the Artist by the Present Owner between 1980-85. Reproduced: Arthur Tress, Facing Up (New York: Bernard Letu Editeur/St. Martins Press, 1980)
New York: Thames and Hudson. 1986. A paperback book featuring over 100 pages of colored, and black and white photos taken by Arthur Tress (American, 1940). He is known for staged surrealism and exposition of the human body. Issued: 1986 Dimensions: 8.5"L x 0.5"W x 9.25"H Manufacturer: Thames and Hudson Country of Origin: United States
Arthur Tress Hockey Player, New York 1972 / printed later gelatin silver print image: 10 h x 10 w in (25 x 25 cm) sheet: 14 h x 11 w in (36 x 28 cm) Signed, titled and dated to lower edge 'Hockey Player N.Y. 1972 Arthur Tress'. This work will ship from Los Angeles, California.
Arthur TRESS (1940-) Bride and Groom, New York, 1970 Tirage argentique signé, titré, daté et numéroté 49/50 sous l'image 38 x 37,5 cm sur une feuille 50 x 40 cm Collection Pierre Borhan La collection « masculine » de Pierre Borhan Pierre Borhan s’est passionné pour la photographie à la fin des années 1970. Dès lors, magazines, livres, expositions, entretiens avec des photographes et des spécialistes qualifiés nourrirent son engouement. Son premier livre, Voyons Voir, fut publié par Créatis en 1980. Le masculin devint naturellement l’un de ses thèmes de prédilection. Il lui permit de s’insinuer dans ses recherches et dans ses choix iconographiques quand il prépara certaines expositions, certains ouvrages, comme Jan Saudek (Paris Musées, 1987), Splendeurs et misères du corps (Benteli, 1988, prix Nadar 1989), Raymond Voinquel : les acteurs du rêve (AFDPP, 1998), Toni Catany, l’artiste en son paradis (Lunwerg, 2000), Les vérités du sexe (Marval, 2003), Mario Testino : Sir (Taschen, 2015). Dans cette veine, il est l’auteur d’un livre qui fait date : Hommes pour Hommes / homoérotisme et homosexualité masculine dans l’histoire de la photographie depuis 1840 (éditions des Deux Terres, 2007). The Vendome Press publia l’édition américaine : Man to Man : A History of Gay Photography. Rizzoli se chargea de l’édition italienne : Uomini per Uomini. Jonathan Cape Ltd fit sienne l’édition anglaise : Men for Men. Christian Brandstätter Verlag, l’édition en langue allemande. Depuis 2007, ces éditions (23 000 exemplaires) font référence pour les professionnels et les amateurs avertis. Achetées à des galeries ou directement à des photographes pour lesquels il écrivit un texte ou fit une sélection emblématique de leurs créations, les épreuves proposées dans cette vente sont les coups de coeur constitutifs d’une collection créée au fil de rencontres et de missions institutionnelles. Peu importe que les modèles soient des sportifs, des mannequins, des complices aguicheurs ou des amis assumés : ils s’offrent, grâce aux artistes qui les ont mis en lumière, à l’imagination de tout un chacun. Beauté, charme, sex-appeal, admiration, attraction, fantasme. Parmi les « vedettes » de la vente, figurent aussi bien des Européens hors du commun (Walter Pfeiffer, Jan Saudek, Paul Blanca) que des Américains : David Vance, Tom Bianchi, l’un et l’autre auteur de plus de dix livres ; David Morgan qui trouva son bonheur avec Beach (2001) et suscita bien des désirs ; Jim French, maître d’un male fine art débridé, de Man (1972) à Opus Deorum (1992) ; Arthur Tress dont une rétrospective fut présentée en Californie au Getty Center en 2023. Auxquels se joint un Egyptien : Youssef Nabil qui est représenté par la galerie Nathalie Obadia à Paris et dont la notoriété défie les frontières. Pierre Borhan se confie : « Mon être est imprégné par l’attrait (sensoriel, sexuel, affectif) des hommes. J’ai toujours senti que cet attrait était indélébile en moi. » Sa collection en témoigne. Arthur TRESS (1940-) Bride and Groom, New York, 1970 Silver print signed, titled, dated and numbered 49/50 under the image 38 x 37.5 cm on one sheet 50 x 40 cm Pierre Borhan Collection Pierre Borhan's "masculine" collection Pierre Borhan's passion for photography began in the late 1970s. From magazines, books, exhibitions, interviews with photographers and qualified with photographers and qualified specialists. His first book, Voyons Voir, was published by Créatis in 1980. The masculine naturally became one of his favorite themes. It into his research and iconographic choices when preparing certain when he prepared certain exhibitions and books, such as Jan Saudek (Paris Musées, 1987), Splendeurs et misères du corps (Benteli, 1988, Prix Nadar 1989), Raymond Voinquel: les acteurs du rêve (AFDPP, 1998), Toni Catany, l'artiste en son paradis (Lunwerg, 2000), Les vérités du sexe (Marval, 2003), Mario Testino: Sir (Taschen, 2015). In this vein, he is the author of a landmark book: Hommes pour Hommes / homoeroticism and male homosexuality in the history of photography since 1840 (éditions des Deux Terres, 2007). The Vendome Press published the American edition: Man to Man: A History of Gay Photography. Rizzoli Italian edition: Uomini per Uomini. Jonathan Cape Ltd. the English edition: Men for Men. Christian Brandstätter Verlag, the German-language German-language edition. Since 2007, these editions (23,000 copies) have set the standard for professionals and connoisseurs alike. Purchased from galleries or directly from the photographers for whom he for whom he wrote a text or made an emblematic selection of their creations, the prints the prints offered in this sale are the "coups de coeur" that make up a collection collection created through meetings and institutional missions. No matter whether the models are sportsmen, models, teasing accomplices friends: they offer themselves, thanks to the artists who have brought them to light to everyone's imagination. Beauty, charm, sex appeal, admiration, attraction, fantasy. Among the "stars" of the sale are a number of outstanding Europeans (Walter Pfeiffer, Jan Saudek, Paul Blanca) and Americans: David Vance, Tom Bianchi Vance, Tom Bianchi, both authors of more than ten books; David Morgan who found his happiness with Beach (2001) and aroused many desires; Jim French, master of unbridled male fine art, from Man (1972) to Opus Deorum (1992); Arthur Tress, whose retrospective was presented in California at the Getty Center in 2023. They are joined by an Egyptian: Youssef Nabil, who is represented by the Nathalie Obadia gallery in Paris, and whose reputation defies borders. Pierre Borhan confides: "My being is impregnated by the attraction (sensory, sexual, emotional) of men. I've always felt that this attraction was indelible in me. His collection bears witness to this. Arthur TRESS (1940-) Novios, Nueva York, 1970 Grabado en plata firmado, titulado, fechado y numerado 49/50 bajo la imagen 38 x 37,5 cm sobre hoja de 50 x 40 cm Colección Pierre Borhan Colección "masculina" de Pierre Borhan Pierre Borhan se apasionó por la fotografía a finales de la década de 1970. Desde revistas, libros, exposiciones y entrevistas con fotógrafos y cualificados con fotógrafos y especialistas cualificados. Su primer libro, Voyons Voir, fue publicado por Créatis en 1980. La forma masculina se convirtió naturalmente en uno de sus temas favoritos. Se en sus investigaciones y elecciones iconográficas cuando preparaba ciertas exposiciones cuando preparaba ciertas exposiciones y libros, como Jan Saudek (Musées de Paris, 1987), Splendeurs et misères du corps (Benteli, 1988, Prix Nadar 1989), Raymond Voinquel: les acteurs du rêve (AFDPP, 1998), Toni Catany, l'artiste en son paradis (Lunwerg, 2000), Les vérités du sexe (Marval, 2003), Mario Testino: Sir (Taschen, 2015). En esta línea, es autor de un libro de referencia: Hommes pour Hommes / homoerotismo y homosexualidad masculina en la historia de la fotografía depuis 1840 (éditions des Deux Terres, 2007). Vendome Press publicó la edición americana: Man to Man: A History of Gay Photography. Rizzoli la edición italiana: Uomini per Uomini. Jonathan Cape Ltd. la edición inglesa: Men for Men. Christian Brandstätter Verlag produjo la la edición en alemán. Desde 2007, estas ediciones (23.000 ejemplares) son las obras de referencia para profesionales y aficionados informados. Adquiridas en galerías o directamente a los fotógrafos para los que para los que escribió un texto o hizo una selección emblemática de sus creaciones, las estampas las estampas ofrecidas en esta venta son los "coups de coeur" que componen una colección colección creada a través de encuentros y misiones institucionales. No importa que los modelos sean deportistas, modelos, cómplices burlones amigos: se ofrecen, gracias a los artistas que los han sacado a la luz a la imaginación de todos. Belleza, encanto, sex appeal, admiración, atracción, fantasía. Entre las "estrellas" de la venta figuran varios europeos destacados, como Walter Pfeiffer (Walter Pfeiffer, Jan Saudek, Paul Blanca) y estadounidenses: David Vance, Tom Bianchi Vance, Tom Bianchi, ambos autores de más de diez libros; David Morgan que encontró la felicidad con Beach (2001) y despertó mucho deseo; Jim French, maestro del arte masculino desenfrenado, de Man (1972) a Opus Deorum (1992); Arthur Tress, cuya retrospectiva se presentó en California, en el Getty Center en 2023. A ellos se une un egipcio: Youssef Nabil, que está representado por la galería Nathalie Obadia de París, y cuya reputación desafía las fronteras. fronteras. Pierre Borhan confiesa: "Mi ser está impregnado por la atracción (sensorial, sexual, emocional) de los hombres. Siempre he sentido que esta atracción era indeleble en mí". Su colección da fe de ello. Arthur TRESS (1940-) Braut und Bräutigam, New York, 1970 Silberabzug signiert, betitelt, datiert und nummeriert 49/50 unter dem Bild. 38 x 37,5 cm auf einem Blatt 50 x 40 cm. Sammlung Pierre Borhan Die "maskuline" Sammlung von Pierre Borhan Pierre Borhan begeisterte sich Ende der 1970er Jahre für die Fotografie. Ab Zeitschriften, Bücher, Ausstellungen, Interviews mit Fotografen und Fachleuten qualifizierten Fachleuten nährten seine Begeisterung. Sein erstes Buch, Voir Voir Voir, wurde 1980 von Créatis veröffentlicht. Das Männliche wurde natürlich zu einem ihrer Lieblingsthemen. Es ermöglichte es ihm, sich in seine Recherchen und seine ikonografische Auswahl einzuschleichen. als er bestimmte Ausstellungen und Bücher vorbereitete, wie Jan Saudek (Paris Musées, 1987), Splendeurs et misères du corps (Benteli, 1988, Prix Nadar 1989), Raymond Voinquel: les acteurs du rêve (AFDPP, 1998), Toni Catany, l'artiste en son paradis (Lunwerg, 2000), Les vérités du sexe (Marval, 2003), Mario Testino: Sir (Taschen, 2015). In diesem Zusammenhang ist er der Autor eines bahnbrechenden Buches: Hommes pour Hommes /. Homoerotik und männliche Homosexualität in der Geschichte der Fotografie seit 1840 (éditions des Deux Terres, 2007). The Vendome Press veröffentlichte die amerikanische Ausgabe: Man to Man: A History of Gay Photography. Rizzoli übernahm übernahm die italienische Ausgabe: Uomini per Uomini. Jonathan Cape Ltd. machte seine eigene die englische Ausgabe: Men for Men. Christian Brandstätter Verlag die deutschsprachige Ausgabe. in deutscher Sprache. Seit 2007 gelten diese Ausgaben (23.000 Exemplare) als Referenz für für Fachleute und erfahrene Amateure. Gekauft von Galerien oder direkt von Fotografen, für die er einen Text verfasste oder eine symbolträchtige Auswahl ihrer Werke traf. Abzüge, die in dieser Auktion angeboten werden, sind die Favoriten einer Sammlung von Sammlung, die im Laufe von Begegnungen und institutionellen Missionen entstanden ist. Wenig Dabei spielt es keine Rolle, ob es sich bei den Modellen um Sportler, Models, Komplizen Sie werden von den Künstlern, die sie in Szene gesetzt haben, als Geschenk angeboten. ins Rampenlicht gestellt, der Fantasie eines jeden Menschen. Schönheit, Charme, Sexappeal, Bewunderung, Anziehung, Fantasie. Zu den "Stars" der Auktion gehören sowohl außergewöhnliche Europäer wie (Walter Pfeiffer, Jan Saudek, Paul Blanca) als auch Amerikaner: David Vance, Tom Bianchi, beide Autoren von mehr als zehn Büchern; David Morgan der mit Beach (2001) sein Glück fand und viele Wünsche weckte; Jim French, Meister einer ungezügelten male fine art, von Man (1972) bis Opus Deorum (1992); Arthur Tress, dessen Retrospektive in Kalifornien im Getty Center im Jahr 2023 zu sehen war. Dazu gesellt sich ein Ägypter: Youssef Nabil, der von der von der Galerie Nathalie Obadia in Paris vertreten wird und dessen Bekanntheitsgrad alle Grenzen sprengt. Grenzen überschreitet. Pierre Borhan vertraut sich an: "Mein Wesen ist durchdrungen von der Anziehungskraft (sinnlich, sexuell, affektive) der Männer geprägt. Ich habe immer gespürt, dass diese Anziehungskraft unauslöschlich in mir ist". Seine Sammlung zeugt davon. Arthur TRESS (1940-) Sposa e sposo, New York, 1970 Stampa argentata firmata, intitolata, datata e numerata 49/50 sotto l'immagine 38 x 37,5 cm su un foglio di 50 x 40 cm Collezione Pierre Borhan La collezione "maschile" di Pierre Borhan Pierre Borhan si è appassionato alla fotografia alla fine degli anni Settanta. Da riviste, libri, mostre e interviste riviste, libri, mostre e interviste con fotografi e specialisti qualificati. con fotografi e specialisti qualificati. Il suo primo libro, Voyons Voir, è stato pubblicato da Créatis nel 1980. La forma maschile divenne naturalmente uno dei suoi temi preferiti. Essa nella sua ricerca e nelle sue scelte iconografiche quando preparava certe mostre quando preparava alcune mostre e libri, come Jan Saudek (Musées di Parigi, 1987), Splendeurs et misères du corps (Benteli, 1988, Prix Nadar 1989), Raymond Voinquel: les acteurs du rêve (AFDPP, 1998), Toni Catany, l'artiste en son paradis (Lunwerg, 2000), Les vérités du sexe (Marval, 2003), Mario Testino: Sir (Taschen, 2015). In questo ambito, è autore di un libro fondamentale: Hommes pour Hommes / omoerotismo e omosessualità maschile nella storia della fotografia depuis 1840 (éditions des Deux Terres, 2007). La Vendome Press ha pubblicato l'edizione americana: Man to Man: A History of Gay Photography. Rizzoli l'edizione italiana: Uomini per Uomini. Jonathan Cape Ltd. l'edizione inglese: Men for Men. Christian Brandstätter Verlag ha prodotto l'edizione edizione in lingua tedesca. Dal 2007, queste edizioni (23.000 copie) sono le opere di riferimento per professionisti e amatori informati. per professionisti e amatori informati. Acquistate presso le gallerie o direttamente dai fotografi per i quali ha scritto un testo o realizzato un'opera. per i quali ha scritto un testo o ha fatto una selezione emblematica delle loro creazioni, le stampe le stampe proposte in questa vendita sono i "coups de coeur" che compongono una collezione collezione creata attraverso incontri e missioni istituzionali. Non importa non importa se i modelli sono sportivi e donne, modelle, complici di scherzi amici: si offrono, grazie agli artisti che li hanno portati alla luce, all'immaginazione di tutti. all'immaginazione di tutti. Bellezza, fascino, sex appeal, ammirazione, attrazione, fantasia. Tra le "star" della vendita ci sono alcuni europei di spicco, tra cui Walter Pfeiffer (Walter Pfeiffer, Jan Saudek, Paul Blanca) e americani: David Vance, Tom Bianchi Vance, Tom Bianchi, entrambi autori di più di dieci libri; David Morgan che ha trovato la felicità con Beach (2001) e ha suscitato molto desiderio; Jim French, maestro dell'arte maschile sfrenata, da Man (1972) a Opus Deorum (1992); Arthur Tress, che ha trovato la felicità con Beach (2001) e ha suscitato molto desiderio. (1992); Arthur Tress, la cui retrospettiva è stata presentata in California al Getty Center nel 2023. Center nel 2023. A loro si aggiunge un egiziano: Youssef Nabil, rappresentato da Nathalie Obadia. rappresentato dalla galleria Nathalie Obadia di Parigi e la cui fama sfida i confini. confini. Pierre Borhan confida: "Il mio essere è impregnato dall'attrazione (sensoriale, sessuale, emotiva) degli uomini, emozionale) degli uomini. Ho sempre sentito che questa attrazione era indelebile in me". La sua collezione lo testimonia. 阿瑟-特雷斯（1940 年） 新郎新娘，纽约，1970 年 银质版画，画面下有签名、标题、年代和编号 49/50 38 x 37.5 厘米，纸张 50 x 40 厘米 皮埃尔-博尔汉收藏 皮埃尔-博尔汉的 "阳刚 "系列 皮埃尔-博尔汉在 20 世纪 70 年代末对摄影产生了浓厚的兴趣。他从 杂志、书籍、展览以及与摄影师和资深专家的访谈。 与摄影师和资深专家的访谈。他的第一本书《Voyons Voir》于 1980 年由 Créatis 出版。 男性形象自然成为她最喜爱的主题之一。这 在他筹备某些展览时，男性形象成为他的研究和图标选择的一部分。 当他准备某些展览和书籍时，如《扬-索德克》（Jan Saudek (巴黎博物馆，1987 年）、《Splendeurs et misères du corps》（Benteli，1988 年，纳达尔奖 1989年）、《雷蒙德-沃因奎尔：梦想的行动者》（AFDPP，1998年）、《托尼-卡塔尼、 L'artiste en son paradis》（Lunwerg，2000 年）、《Les vérités du sexe》（Marval，2003 年）、 马里奥-特斯蒂诺：爵士》（Taschen，2015 年）。 此外，他还著有一本具有里程碑意义的书：Hommes pour Hommes /《同性恋与男性同性恋》。 摄影史上的同性恋和男同性恋 Depuis1840》（大地出版社，2007 年）。旺多姆出版社出版了 美国版：《男人对男人：同性恋摄影史》（Man to Man: A History of Gay Photography）。Rizzoli 意大利语版：Uomini per Uomini。乔纳森-开普有限公司（Jonathan Cape Ltd. 出版了英文版：Men for Men。Christian Brandstätter Verlag 出版社出版了德文版。 德语版。自 2007 年以来，这些版本（23,000 册）一直是专业人士和知情爱好者的参考书。 自 2007 年以来，这些版本（23,000 册）一直是专业人士和业余爱好者的参考书。 从画廊或直接从他为之撰写文字或制作作品的摄影师处购买 他为这些摄影师撰写了文字或制作了具有代表性的作品选集。 本场拍卖会上的版画作品是 "魂牵梦绕 "的收藏品。 通过邂逅和机构使命创建的收藏。无论 模特是男女运动员、模特、逗乐的伙伴 还是朋友：由于艺术家们的努力，他们将自己的形象展现在大家面前 每个人的想象力。美丽、魅力、性感、 欣赏、吸引、幻想。 此次拍卖的 "明星 "中不乏杰出的欧洲艺术家，其中包括 Walter Pfeiffer (Walter Pfeiffer、Jan Saudek、Paul Blanca）和美国人：David Vance、Tom Bianchi 万斯、汤姆-比安奇，他们都是十余部作品的作者；大卫-摩根 他在《海滩》（2001 年）中找到了幸福，并引起了人们的强烈渴望；吉姆 弗伦奇，肆无忌惮的男性艺术大师，从《男人》（1972 年）到《Opus Deorum》（1992 年 (1992）；阿瑟-特雷斯（Arthur Tress），他的回顾展将于 2023 年在加利福尼亚的盖蒂 中心举办的回顾展。加入他们行列的还有一位埃及人：优素福-纳比勒（Youssef Nabil）。 他由巴黎的 Nathalie Obadia 画廊代理，其声誉超越国界。 他的声誉不分国界。 皮埃尔-博尔汉坦言："我的存在被男人的吸引力（感官、性、情感）所浸染、 感官、性、情感）。我一直觉得这种吸引力对我来说是不可磨灭的。 他的作品集就是最好的见证。
Arthur TRESS (1940-) Berlin, 2004 Tirage numérique signé, titré et daté sous l'image 25 x 20 cm Collection Pierre Borhan La collection « masculine » de Pierre Borhan Pierre Borhan s’est passionné pour la photographie à la fin des années 1970. Dès lors, magazines, livres, expositions, entretiens avec des photographes et des spécialistes qualifiés nourrirent son engouement. Son premier livre, Voyons Voir, fut publié par Créatis en 1980. Le masculin devint naturellement l’un de ses thèmes de prédilection. Il lui permit de s’insinuer dans ses recherches et dans ses choix iconographiques quand il prépara certaines expositions, certains ouvrages, comme Jan Saudek (Paris Musées, 1987), Splendeurs et misères du corps (Benteli, 1988, prix Nadar 1989), Raymond Voinquel : les acteurs du rêve (AFDPP, 1998), Toni Catany, l’artiste en son paradis (Lunwerg, 2000), Les vérités du sexe (Marval, 2003), Mario Testino : Sir (Taschen, 2015). Dans cette veine, il est l’auteur d’un livre qui fait date : Hommes pour Hommes / homoérotisme et homosexualité masculine dans l’histoire de la photographie depuis 1840 (éditions des Deux Terres, 2007). The Vendome Press publia l’édition américaine : Man to Man : A History of Gay Photography. Rizzoli se chargea de l’édition italienne : Uomini per Uomini. Jonathan Cape Ltd fit sienne l’édition anglaise : Men for Men. Christian Brandstätter Verlag, l’édition en langue allemande. Depuis 2007, ces éditions (23 000 exemplaires) font référence pour les professionnels et les amateurs avertis. Achetées à des galeries ou directement à des photographes pour lesquels il écrivit un texte ou fit une sélection emblématique de leurs créations, les épreuves proposées dans cette vente sont les coups de coeur constitutifs d’une collection créée au fil de rencontres et de missions institutionnelles. Peu importe que les modèles soient des sportifs, des mannequins, des complices aguicheurs ou des amis assumés : ils s’offrent, grâce aux artistes qui les ont mis en lumière, à l’imagination de tout un chacun. Beauté, charme, sex-appeal, admiration, attraction, fantasme. Parmi les « vedettes » de la vente, figurent aussi bien des Européens hors du commun (Walter Pfeiffer, Jan Saudek, Paul Blanca) que des Américains : David Vance, Tom Bianchi, l’un et l’autre auteur de plus de dix livres ; David Morgan qui trouva son bonheur avec Beach (2001) et suscita bien des désirs ; Jim French, maître d’un male fine art débridé, de Man (1972) à Opus Deorum (1992) ; Arthur Tress dont une rétrospective fut présentée en Californie au Getty Center en 2023. Auxquels se joint un Egyptien : Youssef Nabil qui est représenté par la galerie Nathalie Obadia à Paris et dont la notoriété défie les frontières. Pierre Borhan se confie : « Mon être est imprégné par l’attrait (sensoriel, sexuel, affectif) des hommes. J’ai toujours senti que cet attrait était indélébile en moi. » Sa collection en témoigne. Arthur TRESS (1940-) Berlin, 2004 Digital print signed, titled and dated below the image 25 x 20 cm Pierre Borhan Collection Pierre Borhan's "masculine" collection Pierre Borhan's passion for photography began in the late 1970s. From then on, magazines, books, exhibitions and interviews with photographers and qualified specialists fueled his passion. His first book, Voyons Voir, was published by Créatis in 1980. The masculine naturally became one of her favorite themes. It allowed him to insinuate himself into his research and iconographic choices when preparing certain exhibitions and books, such as Jan Saudek (Paris Musées, 1987), Splendeurs et misères du corps (Benteli, 1988, Prix Nadar 1989), Raymond Voinquel: les acteurs du rêve (AFDPP, 1998), Toni Catany, l'artiste en son paradis (Lunwerg, 2000), Les vérités du sexe (Marval, 2003), Mario Testino: Sir (Taschen, 2015). In this vein, he is the author of a landmark book: Hommes pour Hommes / homoerotisme et homosexualité masculine dans l'histoire de la photographie depuis 1840 (éditions des Deux Terres, 2007). The Vendome Press published the American edition: Man to Man: A History of Gay Photography. Rizzoli published the Italian edition: Uomini per Uomini. Jonathan Cape Ltd produced the English edition: Men for Men. Christian Brandstätter Verlag, the German-language edition. Since 2007, these editions (23,000 copies) have been the benchmark for professionals and connoisseurs alike. Bought from galleries or directly from photographers for whom he wrote a text or made an emblematic selection of their creations, the prints offered in this sale are the "coups de coeur" of a collection created through meetings and institutional missions. Whether the models are athletes, models, flirtatious accomplices or outspoken friends, thanks to the artists who have brought them to light, they are available to everyone's imagination. Beauty, charm, sex appeal, admiration, attraction, fantasy. Among the "stars" of the sale are both outstanding Europeans (Walter Pfeiffer, Jan Saudek, Paul Blanca) and Americans: David Vance, Tom Bianchi, both authors of more than ten books; David Morgan, who found his happiness with Beach (2001) and aroused much desire; Jim French, master of unbridled male fine art, from Man (1972) to Opus Deorum (1992); Arthur Tress, whose retrospective was presented in California at the Getty Center in 2023. They are joined by an Egyptian, Youssef Nabil, who is represented by Galerie Nathalie Obadia in Paris and whose renown defies borders. Pierre Borhan confides: "My being is impregnated by the attraction (sensory, sexual, emotional) of men. I've always felt that this attraction was indelible in me. His collection bears witness to this. Arthur TRESS (1940-) Berlín, 2004 Impresión digital firmada, titulada y fechada bajo la imagen 25 x 20 cm Colección Pierre Borhan Colección "masculina" de Pierre Borhan La pasión de Pierre Borhan por la fotografía comenzó a finales de los años setenta. Desde entonces, revistas, libros, exposiciones y entrevistas con fotógrafos y especialistas cualificados alimentaron su pasión. Su primer libro, Voyons Voir, fue publicado por Créatis en 1980. Lo masculino se convirtió naturalmente en uno de sus temas favoritos. Le permitió insinuarse en sus investigaciones y elecciones iconográficas a la hora de preparar algunas exposiciones y libros, como Jan Saudek (Musées de Paris, 1987), Splendeurs et misères du corps (Benteli, 1988, Premio Nadar 1989), Raymond Voinquel : les acteurs du rêve (AFDPP, 1998), Toni Catany, l'artiste en son paradis (Lunwerg, 2000), Les vérités du sexe (Marval, 2003), Mario Testino : Sir (Taschen, 2015). En esta línea, es autor de un libro de referencia: Hommes pour Hommes / homoerotisme et homosexualité masculine dans l'histoire de la photographie depuis 1840 (éditions des Deux Terres, 2007). The Vendome Press publicó la edición estadounidense: Man to Man: A History of Gay Photography. Rizzoli publicó la edición italiana: Uomini per Uomini. Jonathan Cape Ltd publicó la edición inglesa: Men for Men. Christian Brandstätter Verlag publicó la edición alemana. Desde 2007, estas ediciones (23.000 ejemplares) son la referencia para profesionales y aficionados informados. Compradas a galerías o directamente a fotógrafos para los que escribió un texto o hizo una selección emblemática de sus creaciones, las estampas que se ofrecen en esta venta son lo más destacado de una colección creada a través de encuentros y misiones institucionales. No importa si se trata de estrellas del deporte, modelos, cómplices coquetas o amigas francas: gracias a los artistas que las sacaron a la luz, están al alcance de la imaginación de todos. Belleza, encanto, sex-appeal, admiración, atracción, fantasía. Entre las "estrellas" de la venta hay tanto europeos destacados (Walter Pfeiffer, Jan Saudek, Paul Blanca) como estadounidenses: David Vance, Tom Bianchi, ambos autores de más de diez libros; David Morgan, que encontró la felicidad con Beach (2001) y despertó mucho deseo; Jim French, maestro del arte masculino desenfrenado, de Man (1972) a Opus Deorum (1992); Arthur Tress, cuya retrospectiva se presentó en California, en el Getty Center, en 2023. A ellos se une un egipcio, Youssef Nabil, representado por la galería Nathalie Obadia de París, y cuya reputación desafía las fronteras. Pierre Borhan confiesa: "Mi ser está impregnado por la atracción (sensorial, sexual, emocional) de los hombres. Siempre he sentido que esta atracción era indeleble en mí". Su colección da fe de ello. Arthur TRESS (1940-) Berlin, 2004 Digitaler Abzug, unter dem Bild signiert, betitelt und datiert. 25 x 20 cm Sammlung Pierre Borhan Die "männliche" Sammlung von Pierre Borhan Pierre Borhan begeisterte sich Ende der 1970er Jahre für die Fotografie. Von da an nährten Zeitschriften, Bücher, Ausstellungen, Interviews mit Fotografen und qualifizierten Fachleuten seine Begeisterung. Sein erstes Buch, Voyons Voir, wurde 1980 von Créatis veröffentlicht. Das Männliche wurde natürlich zu einem ihrer bevorzugten Themen. Es erlaubte ihm, sich in seine Recherchen und ikonografischen Entscheidungen einzuschleichen, wenn er bestimmte Ausstellungen und Bücher vorbereitete, wie Jan Saudek (Paris Musées, 1987), Splendeurs et misères du corps (Benteli, 1988, Nadar-Preis 1989), Raymond Voinquel: les acteurs du rêve (AFDPP, 1998), Toni Catany, l'artiste en son paradis (Lunwerg, 2000), Les vérités du sexe (Marval, 2003), Mario Testino: Sir (Taschen, 2015). In diesem Sinne ist er der Autor eines bahnbrechenden Buches: Hommes pour Hommes / Homoerotik und männliche Homosexualität in der Geschichte der Fotografie seit 1840 (éditions des Deux Terres, 2007). The Vendome Press veröffentlichte die amerikanische Ausgabe: Man to Man: A History of Gay Photography. Rizzoli besorgte die italienische Ausgabe: Uomini per Uomini. Jonathan Cape Ltd. machte sich die englische Ausgabe zu eigen: Men for Men. Christian Brandstätter Verlag die deutschsprachige Ausgabe. Seit 2007 sind diese Ausgaben (23.000 Exemplare) die Referenz für Fachleute und erfahrene Amateure. Die in dieser Auktion angebotenen Abzüge wurden von Galerien oder direkt von Fotografen gekauft, für die er einen Text schrieb oder eine symbolträchtige Auswahl ihrer Kreationen traf. Sie sind die Favoriten einer Sammlung, die im Laufe von Begegnungen und institutionellen Missionen entstanden ist. Es spielt keine Rolle, ob es sich bei den Modellen um Sportler, Mannequins, neckische Komplizen oder selbstbewusste Freunde handelt: Dank der Künstler, die sie ins rechte Licht gerückt haben, bieten sie sich der Fantasie eines jeden an. Schönheit, Charme, Sexappeal, Bewunderung, Anziehungskraft, Fantasie. Zu den "Stars" der Auktion gehören sowohl außergewöhnliche Europäer (Walter Pfeiffer, Jan Saudek, Paul Blanca) als auch Amerikaner: David Vance, Tom Bianchi, beide Autoren von mehr als zehn Büchern; David Morgan, der mit Beach (2001) sein Glück fand und viele Wünsche weckte; Jim French, Meister einer ungezügelten male fine art von Man (1972) bis Opus Deorum (1992); Arthur Tress, dessen Retrospektive 2023 im Getty Center in Kalifornien gezeigt wurde. Dazu gesellt sich ein Ägypter: Youssef Nabil, der von der Galerie Nathalie Obadia in Paris vertreten wird und dessen Bekanntheitsgrad die Grenzen überschreitet. Pierre Borhan vertraut sich an: "Mein Wesen ist durchdrungen von der (sensorischen, sexuellen, emotionalen) Anziehungskraft der Männer. Ich habe immer gespürt, dass diese Anziehungskraft unauslöschlich in mir ist". Seine Sammlung zeugt davon. Arthur TRESS (1940-) Berlino, 2004 Stampa digitale firmata, intitolata e datata sotto l'immagine 25 x 20 cm Collezione Pierre Borhan La collezione "maschile" di Pierre Borhan La passione di Pierre Borhan per la fotografia inizia alla fine degli anni Settanta. Da allora riviste, libri, mostre e interviste con fotografi e specialisti qualificati hanno alimentato la sua passione. Il suo primo libro, Voyons Voir, è stato pubblicato da Créatis nel 1980. Il maschile divenne naturalmente uno dei suoi temi preferiti. Gli ha permesso di insinuarsi nella ricerca e nelle scelte iconografiche durante la preparazione di alcune mostre e libri, come Jan Saudek (Paris Musées, 1987), Splendeurs et misères du corps (Benteli, 1988, Premio Nadar 1989), Raymond Voinquel : les acteurs du rêve (AFDPP, 1998), Toni Catany, l'artiste en son paradis (Lunwerg, 2000), Les vérités du sexe (Marval, 2003), Mario Testino : Sir (Taschen, 2015). In questo ambito, è autore di un libro fondamentale: Hommes pour Hommes / homoerotisme et homosexualité masculine dans l'histoire de la photographie depuis 1840 (éditions des Deux Terres, 2007). La Vendome Press ha pubblicato l'edizione americana: Man to Man: A History of Gay Photography. Rizzoli ha pubblicato l'edizione italiana: Uomini per Uomini. Jonathan Cape Ltd ha prodotto l'edizione inglese: Men for Men. Christian Brandstätter Verlag ha prodotto l'edizione tedesca. Dal 2007, queste edizioni (23.000 copie) sono il punto di riferimento per i professionisti e i dilettanti informati. Acquistate da gallerie o direttamente da fotografi per i quali ha scritto un testo o ha fatto una selezione emblematica delle loro creazioni, le stampe proposte in questa vendita sono i punti salienti di una collezione creata attraverso incontri e missioni istituzionali. Non importa che i modelli siano star dello sport, modelle, complici civettuole o amici schietti: grazie agli artisti che li hanno portati alla luce, sono a disposizione dell'immaginario di tutti. Bellezza, fascino, sex appeal, ammirazione, attrazione, fantasia. Tra le "star" della vendita ci sono sia europei di spicco (Walter Pfeiffer, Jan Saudek, Paul Blanca) che americani: David Vance, Tom Bianchi, entrambi autori di più di dieci libri; David Morgan, che con Beach (2001) ha trovato la felicità e suscitato molto desiderio; Jim French, maestro dell'arte maschile sfrenata, da Man (1972) a Opus Deorum (1992); Arthur Tress, la cui retrospettiva è stata presentata in California al Getty Center nel 2023. A loro si aggiunge un egiziano, Youssef Nabil, rappresentato dalla galleria Nathalie Obadia di Parigi, la cui fama sfida le frontiere. Pierre Borhan confida: "Il mio essere è permeato dall'attrazione (sensoriale, sessuale, emotiva) degli uomini. Ho sempre sentito che questa attrazione era indelebile in me". La sua collezione lo testimonia. 阿瑟-特雷斯（1940-） 柏林，2004 年 数字印刷品，图片下有签名、标题和日期 25 x 20 厘米 皮埃尔-博尔汉收藏 皮埃尔-博尔汉的 "阳刚 "系列 皮埃尔-博尔汉对摄影的热情始于 20 世纪 70 年代末。从那时起，杂志、书籍、展览以及对摄影师和资深专家的采访都激发了他的热情。1980 年，Créatis 出版了他的第一本书《Voyons Voir》。男性自然而然地成为她最喜欢的主题之一。这使他在筹备某些展览和书籍时，能够将自己融入到研究和图标选择中，例如 Jan Saudek（巴黎博物馆，1987 年）、Splendeurs et misères du corps（Benteli，1988 年；Nadar 奖，1989 年）、Raymond Voinquel : les acteurs du rêve（AFDPP，1998 年）、Toni Catany, l'artiste en son paradis（Lunwerg，2000 年）、Les vérités du sexe（Marval，2003 年）、Mario Testino : Sir（Taschen，2015 年）。在这方面，他还撰写了一本具有里程碑意义的著作：Hommes pour Hommes / homoerotisme et homosexualité masculine dans l'histoire de la photographie depuis 1840（《1840 年摄影史中的同性恋与男性同性恋》）（大地出版社，2007 年）。Vendome Press 出版了美国版：Man to Man: A History of Gay Photography。Rizzoli 出版了意大利语版：Uomini per Uomini。Jonathan Cape Ltd 出版了英文版：Men for Men。Christian Brandstätter Verlag 出版了德文版。自 2007 年以来，这些版本（23,000 册）一直是专业人士和知情业余爱好者的基准。此次拍卖的版画是从画廊或直接从摄影师手中购买的，他为这些摄影师撰写了文字或制作了具有象征意义的作品选集。无论模特是体育明星、模特、调情的同伙还是直言不讳的朋友：多亏了艺术家们将他们展现在世人面前，让每个人都有了想象的空间。美丽、魅力、性感、欣赏、吸引、幻想。本次拍卖会的 "明星 "中既有杰出的欧洲人（沃尔特-菲佛、扬-绍德克、保罗-布兰卡），也有美国人：大卫-万斯和汤姆-比安奇，他们都出版过十多本著作；大卫-摩根，他在《海滩》（2001 年）中找到了幸福，并激起了许多欲望；吉姆-弗伦奇，肆无忌惮的男性艺术大师，从《男人》（1972 年）到《Opus Deorum》（1992 年）；阿瑟-特雷斯，他的回顾展将于 2023 年在加利福尼亚盖蒂中心展出。与他们一起参展的还有埃及人优素福-纳比勒（Youssef Nabil），他是巴黎 Nathalie Obadia 画廊的代表，声名远播，不受国界限制。皮埃尔-博尔汉坦言："我的存在被男人的吸引力（感官、性、情感）所渗透。我一直觉得这种吸引力对我来说是不可磨灭的。他的作品集就是最好的见证。
ARTHUR TRESS (1940- ) Surfers, Florida. Silver print, the image measuring 10¼ inches (26 cm.) square, the sheet 14x11 inches (35.6x27.9 cm.), with Tress' signature, title, and edition notation 4/25 in ink on recto. 1977 Provenance: The Estate of Evelyne Z. Daitz, New York
ARTHUR TRESS (1940- ) The Railroader, from Facing Up. Silver print, the image measuring 10¼ inches (26 cm.) square, the sheet 14x11 inches (35.6x27.9 cm.), with Tress' signature, title, and date 8/77 in ink on recto. 1977
Arthur Tress (b.1940) Arthur Tress (b.1940) YMCA FANTASY, 1980. Vintage silver gelatin print, image size 264 x 257, sheet size 355 x 280mm, signed, titled, dated, dedicated 'For Emmanuel', and annotated 'A.P.' by the photographer in green ink lower margin recto, with various struck-through annnotations verso, and numbered 12.15. Framed, frame size 400 x 375mm. Provenance: The artist direct to Emmanuel Cooper (1938-2012). Emmanuel Cooper was a British potter, writer, and LGBTQ rights activist who published widely on homosexuality in Western art and the male nude in photography; his groundbreaking title 'The Sexual Perspective: Homosexuality and Art in the Last 100 Years in the West' was published by Routledge in 1986. The present image by Arthur Tress, titled 'YMCA Fantasy', was gifted to Cooper by Tress and dedicated to him in the lower margin, after the inclusion of Tress's work in 'The Sexual Perspective'. Cooper would also go on to write the introduction for Tress' 1988 publication "Machinations"; correspondence between Cooper and Tress related to 'Machinations' is now held in Cooper's visual arts/political archive the Bishopsgate Institute Collection, London.
Arthur Tress (b.1940) Arthur Tress (b.1940) LUMBERJACK FANTASY, 1980. Vintage silver gelatin print, image size 265 x 255mm, sheet size 327 x 280mm, signed, titled, dated, dedicated 'For Emmanuel', and annotated 'A.P.' by the photographer in green ink lower margin recto, annotated 'Arthur Tress' in ink with various struck-through annnotations verso, and numbered 12.14. Framed, frame size 400 x 375mm. Provenance: The artist direct to Emmanuel Cooper (1938-2012). Emmanuel Cooper was a British potter, writer and LGBTQ activist who who published widely on homosexuality in Western art and the male nude in photography; his groundbreaking title 'The Sexual Perspective: Homosexuality and Art in the Last 100 Years in the West' was published by Routledge in 1986. The present image by Arthur Tress, titled 'Lumberjack Fantasy', was gifted to Cooper by Tress and dedicated to him in the lower margin, after the inclusion of Tress's work in 'The Sexual Perspective'. Cooper would also go on to write the introduction for Tress' 1988 publication "Machinations"; correspondence between Cooper and Tress related to 'Machinations' is now held in Cooper's visual arts/political archive the Bishopsgate Institute Collection, London.
Man in the Mud, Central Park Gelatin silver print Signed, titled, numbered and dated in ink on recto "3 of 50" 10.75 x 10.5 inches (sight) 24 x 20.25 inches (frame) Overall good condition.
ARTHUR TRESS (1940- ) The Dream Collection portfolio. This exceedingly rare portfolio is complete with 12 photographs. From the planned edition of 50, only five sets were finished and boxed. Silver prints, the images each measuring 10 3/4 inches (27.3 cm.) square, the mounts 18x14 inches (45.7x35.6 cm.), each with Tress' signature and title in ink on mount recto and the edition notation 4/50 also in ink on mount verso. FROM AN UNREALIZED LIMITED EDITION OF 50, THIS NUMBER 4. Folio-sized silver-stamped and blind stamped gray box; the colophon with Tress' signature and the set number in ink and text by Duane Michals; contents loose as issued. Self-published, 1968-75 Man with Sheep, 1971 * Boy in Flood Dream, 1972 * Boy with Hockey Gloves, 1968 * Mother & Daughter, nd * The Music Lesson, circa 1974 * Claire de Lune, 1975 * Tarot Card - Harmony, nd * Ghost in Attic, circa 1973 * The Trainer, circa 1977 * Wounded Owl, 1970 * Boy in Mud Dream, 1974 * Girl with Goldfish, 1971 Provenance: The Estate of Evelyne Z. Daitz, New York
ARTHUR TRESS (1940- ) The Voyeur. Silver print, the image measuring 10 1/4 inches (26 cm.) square, the sheet 14x11 inches (35.6x27.9 cm.), with Tress' signature, title, and edition notation 1/25 in ink on recto. 1970s; printed circa 1990 Provenance: The Estate of Evelyne Z. Daitz, New York
Arthur Tress (American, born 1940). A limited edition black and white photographic art print. Titled "Groom With White Arabian, CA.". A figural work modeled in an idyllic forest landscape depicting a nude male figure, seen from behind, with a white horse. Signed, numbered 3/50 and dated 1996 at bottom, with additional information and notes by artist on verso. Unframed. Work Size: 7.5 x 7.5 in. Dimensions: 10 X 8 X .1 in. Condition: Good overall condition having average surface wear. Estate fresh to the market. Shipping: Hill Auction Gallery offers in-house ground contiguous USA domestic shipping, excluding New Mexico, for $25 plus insurance. Gallery will refer third party shippers for international buyers. Purchaser pick up available upon request.
ARTHUR TRESS (1940 - ) Standing nude figure. Silver print, the image measuring 273x260 mm; 10 3/4x10 1/4 inches, the sheet 355x279 mm; 14x11 inches, with Tress' signature and edition notation 1/25 in ink on recto. 1970s; printed early 1980s. Provenance: Acquired directly from the Artist by the Present Owner between 1980-85 This image was reproduced on the cover of Tress' title Facing Up, (1980) one of the first male nude fine art publications to be produced by a mainstream publisher. The book was also one of the first that took as its theme documenting the New York sexual underground of the pre-AIDS era. Innovative and introspective, Tress' photographs are rich in fantasy and playfulness, bending observed reality into surreal tableau. Reproduced: Arthur Tress, Facing Up (New York: Bernard Letu Editeur/St. Martins Press), cover
ARTHUR TRESS (1940 - ) Man and bicycle. Silver print, the image measuring 260 mm; 10 1/4 inches square, the sheet 355x279 mm; 14x11 inches, with Tress' signature and edition notation 1/25 in ink on recto. 1970s; printed early 1980s. Provenance: Acquired directly from the Artist by the Present Owner between 1980-85 This image was reproduced in Tress' title Facing Up (1980), one of the first male nude fine art publications to be produced by a mainstream publisher. The book was also one of the first that took as its theme documenting the New York sexual underground of the pre-AIDS era. Innovative and introspective, Tress' photographs are rich in fantasy and playfulness, bending observed reality into surreal tableau. Reproduced: Arthur Tress, Facing Up (New York: Bernard Letu Editeur/St. Martins Press), p. 38
ARTHUR TRESS (Brooklyn, 1940). Gelatin and silver salts print "UNTITLED". Signed lower right. 39x38cm 51x40cm approx. on paper ARTHUR TRESS (Brooklyn, 1940). Stampa alla gelatina e ai sali d'argento "SENZA TITOLO". Firma in basso a destra. 39x38 cm 51x40 cm ca. su carta
TRESS, ARTHUR (b. 1940) Making leaves [Cold Spring, N.Y., 1978]. Gelatin silver print. 16 1/4 x 15 7/8 inches (412 x 402 mm), signed in ink (l.r) in lower margin of recto, numbered 1/25 and titled. Minor silvering noted in raking light. C Estate of Dominick Procaccino
TRESS, ARTHUR (b. 1940) [Man with barbells] 1970s, likely vintage. Gelatin silver print dry-mounted to card, 7 1/2 x 7 3/8 (194 x 188 mm), signed in ink on mount (l.r.) and marked "Artist Proof." Some lightstain to mat, traces of old mount on verso. Framed. C Estate of Dominick Procaccino
TRESS, ARTHUR (b. 1940) Marcia's Fantasy #1, 1970, likely vintage. Gelatin silver print dry-mounted to card, 7 1/2 x 7 3/8 (194 x 188 mm), signed in ink on mount (l.r.), titled (l.l.) and marked "Artist Proof." Some lightstain to mat, traces of old mount on verso. Framed. C Estate of Dominick Procaccino
TRESS, ARTHUR (b. 1940) The Gift [N.Y., 1977]. Gelatin silver print. 10 1/2 x 10 1/2 inches (263 x 262 mm), signed in ink (l.r) in lower margin of recto, numbered 14/25. Minor silvering noted in raking light. C Estate of Dominick Procaccino
Arthur Tress (born 1940) Untitled (Figure in white robes,) 1980s Gelatin silver print, printed 1980s, signed in ink in the margin. image: 19 x 14 3/4in. (48.2 x 37.5cm.) sheet: 20 x 16in. (50.8 x 40.6cm.)
Arthur Tress, American Photographer b. 1940. This is an excellent lot of 6 nude photographs of men staged in various displays of an erotic nature. There are three typed pages that articulates the photographer's intent. Quantity: 12 Size 10 x 8 in Photographer Arthur Tress Condition: (1 to 5) 3 Arthur Tress American photographer b. 1940. He is known for his staged surrealism and exposition of the human body. Photographs from the archive of After Dark and Dance Magazine editor William Como. After Dark was an essential source on dance, theater, performance art, ballet, and cinema of the late 60 and 1970s and a foundational piece of gay cultural history that influenced a generation of artists.
ARTHUR TRESS (1940- ) Man [Tava] and Ocelot, New York. Silver print, the image measuring 10 1/8x10 1/4 inches (25.7x26 cm.), the sheet 14x11 inches (35.6x27.9 cm.), with Tress' signature, title, and edition notation 2/25 in ink on recto. 1978; printed circa 1990 Provenance: The Estate of Evelyne Z. Daitz, New York
ARTHUR TRESS (1940- ) Music Lesson. Silver print, the image measuring 10 3/4 inches (27.3 cm.) square, the sheet 14x11 inches (35.6x27.9 cm.), with Tress' signature and title in ink on recto. Circa 1974; printed circa 1990 Provenance: The Estate of Evelyne Z. Daitz, New York
Arthur Tress (born 1940) Girl Catching Goldfish, Chateau Breteuil, France, 1974 Gelatin silver print, printed later, signed, titled 'Chateau' and numbered '22/50' in ink in the margin. 10 x 10 1/4in (25.4 x 26cm) sheet 14 x 11in (35.6 x 28cm) For further information on this lot please visit the Bonhams website
Arthur Tress (born 1940) Brother and Sister, Montauk NY, Gelatin silver print, Signed, dated and editioned '3/25' on the margin. 10 x 10in ( 25.5 x 25.5cm) sheet 14 x 11 (35.6 x 28cm) For further information on this lot please visit the Bonhams website
ARTHUR TRESS (1940 - ) Groom and the White Arabian, CA. Silver print, the image measuring 375 mm; 14 3/4 inches square, the sheet 508x406 mm; 20x16 inches, with Tress' signature, title, date, and edition notation 2/50 in ink on recto. 1996.
ARTHUR TRESS (1940 - ) Blue Collar Fantasy. Silver print, the image measuring 260 mm; 10 1/4 inches square, the sheet 357x279 mm; 14x11 inches, with Tress' signature, title, and edition notation 2/25 in ink on recto. 1979.
Arthur Tress (1940), Hermaphrodite behind Venus and Mercury, East Hampton, NY, 1973, faded signature, title, and number (along the lower margin) and stamped with the artist's copyright (on the reverse), gelatin silver print, image 27,5x27,5 cm, full sheet 35x28 cm, Literature: 'Arthur Tress', Edition Stemmle (publ.), Zurich 1995, another copy illustrated on the cover.
Arthur Tress (born 1940) Blue Collar Fantasy, New York, 1979 Gelatin silver print, printed c. 1979, signed, titled, dated and numbered '6/50' in ink in the margin. 15 3/8 x 15 1/4in (39 x 38.7cm) sheet 20 x 24in (50.8 x 61cm) For further information on this lot please visit the Bonhams website
Arthur Tress (born 1940) Girl Catching Goldfish, Chateau Breteuil, France, 1974 Gelatin silver print, printed later, signed, titled 'Chateau' and numbered '22/50' in ink in the margin. 10 x 10 1/4in (25.4 x 26cm) sheet 14 x 11in (35.6 x 28cm) For further information on this lot please visit the Bonhams website
ARTHUR TRESS (B. 1940) ARTHUR TRESS (B. 1940) Kent on Slide, New York, 1978, from an edition of /50. Silver gelatin print, mounted and framed under glass, image size, 380 x 380mm, mount size, 640 x 610mm, titled, dated, and numbered recto, with typed label affixed mount verso.
Arthur Tress (b. 1940, American) Head of statue in the desert Gelatin silver print on paper Unsigned, with the artist's studio stamp verso Image: 7.5" H x 7.5" W; Sheet: 10" H x 8" W
ARTHUR TRESS (1940 - ) Man with Sheep. Silver print, the image measuring 273.1 mm; 10 3/4 inches square, the sheet 355.6x279.4 mm; 14x11 inches, with Tress' signature, title, and edition notation 14/50, in ink, on recto, and the date, in pencil, on verso. 1982.
![TRESS, ARTHUR (b. 1940) Making leaves [Cold Spring, N.Y., 1978]. Gelatin silver print. 16 1/4 x 15 7/8 inches (412 x 402 mm)...](https://stageimg.invaluable.com/housePhotos/doyle/62/744562/H0061-L334258079.jpg)
![TRESS, ARTHUR (b. 1940) [Man with barbells] 1970s, likely vintage.](https://stageimg.invaluable.com/housePhotos/doyle/62/744562/H0061-L334258166.jpg)
![TRESS, ARTHUR (b. 1940) The Gift [N.Y., 1977]. Gelatin silver print. 10 1/2 x 10 1/2 inches (263 x 262 mm), signed in ink (l...](https://stageimg.invaluable.com/housePhotos/doyle/62/744562/H0061-L334258112.jpg)
![ARTHUR TRESS (1940- ) Man [Tava] and Ocelot, New York.](https://stageimg.invaluable.com/housePhotos/Swann/83/743483/H0132-L325097076.jpg)
![Arthur Tress, Am. b. 1940, Two Photographs: 1] Shadow Series, #26 2] Shadow Series, #53, 1-2] Gelatin silver print, matted, 1-2] 7 1/4" x 7 3/8" actual, 20" x 16" matted](https://stageimg.invaluable.com/housePhotos/barridoff/82/743282/H0151-L324675689.JPG)
