Juan de (1611) Toledo Sold at Auction Prices

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    • ATRIBUIDO A JUAN DE TOLEDO
      Jul. 21, 2023

      ATRIBUIDO A JUAN DE TOLEDO

      Est: €1,300 - €2,000

      Atribuido a Juan de Toledo (Lorca, Murcia, c.1611/1618-?-1665) Batalla. Óleo sobre lienzo. Etiqueta de la Sala Parés, Barcelona, en el bastidor. A comparar con la obra también atribuida a Juan de Toledo conservada en el Museo del Prado. Abandonó la milicia para instruirse en el arte de la pintura, iniciándose al parecer con su padre. Se instaló durante algunos años en Granada, entregado a la pintura de batallas, marinas y obras de carácter religioso. En 1641 se encontraba en Murcia, trabajando junto a Pedro de Orrente, y permaneció en la ciudad del Segura hasta 1645. En su época se le celebró especialmente por sus composiciones bélicas, aunque la mayor parte de sus obras conservadas son de carácter religioso. Según el tratadista Palomino sus referentes artísticos son los pintores italianos Cerquozzi y Falcone. Bibliografía de referencia: "Juan de Toledo. Un pintor en la España de los Austrias", por María Victoria Caballero Gómez. Real Academia Alfonso X el Sabio. Murcia, 1985. y "El capitán pintor Juan de Toledo", por José Luis Morales y Marín. Goya, Nº 134. Págs.: 80-83. Madrid, 1976. 54 x 80 cm.

      Aletheia Subastas
    • JUAN DE TOLEDO (Lorca?, 1618-Madrid, 1665). "Scene with gentleman". Oil on canvas. It has a 19th century frame.
      Sep. 07, 2022

      JUAN DE TOLEDO (Lorca?, 1618-Madrid, 1665). "Scene with gentleman". Oil on canvas. It has a 19th century frame.

      Est: €1,500 - €2,000

      JUAN DE TOLEDO (Lorca?, 1618-Madrid, 1665). "Scene with a gentleman". Oil on canvas. It has a 19th century frame. Measurements: 41,5 x 57 cm: 48 x 63 cm (frame). Due to its stylistic characteristics, this canvas can be related to the artistic guidelines of Juan de Toledo, a Spanish Baroque painter to whom a great number of battle scenes have been attributed, always close to Flemish painting. The present work can be related to the heroic actions of the Spaniards who defended Vienna from the Turkish siege of 1529. This type of battle scene developed extensively due to the subject matter, which not only extolled the victories of those who had taken part in the battle. In addition to this testimonial feature, these paintings also reflected historical scenes. This genre was highly valued and was considered the best in the history of art for extolling the virtues and noble spirit of the acts. According to Palomino's writings, Juan de Toledo was born in 1611, but there is not much biographical information about the artist. It is known that he worked for the army before turning to painting. He began to train with his father, and after settling in Spain, he began to work in the studio of Pedro Orrente. In 1959 he was in Madrid, where he is believed to have died. Although he died without achieving stability in his career as an artist, he was highly appreciated and valued by critics, especially for his war paintings, although most of his output was linked to religious themes.

      Setdart Auction House
    • JUAN DE TOLEDO (Lorca?, 1618-Madrid, 1665). "Scene with gentleman". Oil on canvas. It has a 19th century frame.
      Feb. 23, 2022

      JUAN DE TOLEDO (Lorca?, 1618-Madrid, 1665). "Scene with gentleman". Oil on canvas. It has a 19th century frame.

      Est: €1,500 - €2,000

      JUAN DE TOLEDO (Lorca?, 1618-Madrid, 1665). "Scene with a gentleman". Oil on canvas. It has a 19th century frame. Measurements: 41,5 x 57 cm: 48 x 63 cm (frame). Due to its stylistic characteristics, this canvas can be related to the artistic guidelines of Juan de Toledo, a Spanish Baroque painter to whom a great number of battle scenes have been attributed, always close to Flemish painting. The present work can be related to the heroic actions of the Spaniards who defended Vienna from the Turkish siege of 1529. This type of battle scene developed extensively due to the subject matter, which not only extolled the victories of those who had taken part in the battle. In addition to this testimonial feature, these paintings also reflected historical scenes. This genre was highly valued and was considered the best in the history of art for extolling the virtues and noble spirit of the acts. According to Palomino's writings, Juan de Toledo was born in 1611, but there is not much biographical information about the artist. It is known that he worked for the army before turning to painting. He began to train with his father, and after settling in Spain, he began to work in the studio of Pedro Orrente. In 1959 he was in Madrid, where he is believed to have died. Although he died without achieving stability in his career as an artist, he was highly appreciated and valued by critics, especially for his war paintings, although most of his output was linked to religious themes.

      Setdart Auction House
    • ATTRIBUTED TO JUAN DE TOLEDO (LORCA, 1611-MADRID, 1665) BATTLE OF LEPANTO.
      Apr. 29, 2021

      ATTRIBUTED TO JUAN DE TOLEDO (LORCA, 1611-MADRID, 1665) BATTLE OF LEPANTO.

      Est: €1,500 - €2,250

      Attributed to Juan de Toledo (Lorca, 1611-Madrid, 1665) Battle of Lepanto. Oil on canvas. Relining. 54 x 81 cm.

      Aletheia Subastas
    • Attributed to Juan de Toledo (Lorca? 1618 - Madrid, 1665) "Batle scene"
      Dec. 18, 2019

      Attributed to Juan de Toledo (Lorca? 1618 - Madrid, 1665) "Batle scene"

      Est: €3,000 - €3,500

      Attributed to Juan de Toledo (Lorca? 1618 - Madrid, 1665) "Batle scene" Oil on canvas Tag of Sala Parés (Barcelona) 80 x 54 cm 3.000 - 3.500 €

      Goya Subastas
    • Attributed to Juan de Toledo (Murcia 1611-1645 Madrid)
      Apr. 06, 2017

      Attributed to Juan de Toledo (Murcia 1611-1645 Madrid)

      Est: £1,500 - £2,000

      Attributed to Juan de Toledo (Murcia 1611-1645 Madrid) Shipping in a rough sea; A whaling scene a pair, oil on panel 24.7 x 35.2cm (9 3/4 x 13 7/8in). (2) Footnotes Provenance The Collection of Illmo. Sr. D. Jose Ma, Alava, Spain, no. 15 and 16 (according to labels on the reverse) The Sadolin Collection, Copenhagen, nos 35 and 36 (according to stencil on the reverse) The Collection of L. Leighton With Brian Koetser, London, Spring 1965

      Bonhams
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