Santi di Tito Sold at Auction Prices

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  • Santi di Tito (Sansepolcro 1536-1602 Florence)
    Jul. 09, 2015

    Santi di Tito (Sansepolcro 1536-1602 Florence)

    Est: £100,000 - £150,000

    Santi di Tito (Sansepolcro 1536-1602 Florence) Portrait of a gentleman, three-quarter-length, in a black embroidered silk doublet and cloak, with a ruff, holding gloves and a letter in his left hand, a lute on the table oil on poplar panel 42 5/8 x 30 5/8 in. (108.3 x 77.9 cm.)

    Christie's
  • Santi di Tito
    Jan. 29, 2014

    Santi di Tito

    Est: $20,000 - $25,000

    Pen and brown ink and wash, heightened with white, over black chalk, squared in black chalk, on blue paper; within brown ink framing lines,202 by 151 mm; 8 by 6 in

    Sotheby's
  • Artwork by - Santi di Tito
    Apr. 17, 2013

    Artwork by - Santi di Tito

    Est: €80,000 - €120,000

    Artwork by - Santi di Tito

    Dorotheum
  • Santi di Tito, 1536 - 1603, zug.
    Apr. 11, 2013

    Santi di Tito, 1536 - 1603, zug.

    Est: €2,000 - €3,000

    Santi di Tito, 1536 - 1603, zug. MADONNA MIT DEM KIND Höhe: 6 cm. 16. Jahrhundert. Ovalminiatur. In Ölfarben auf Kupfer. (890934)

    Hampel Fine Art Auctions
  • SANTI DI TITO SANSEPOLCRO 1536 - 1602 FLORENCE
    Jan. 26, 2006

    SANTI DI TITO SANSEPOLCRO 1536 - 1602 FLORENCE

    Est: $80,000 - $120,000

    PORTRAIT OF A GIRL IN A YELLOW DRESS HOLDING A BOUQUET OF FLOWERS measurements note 23 by 17 1/2 in.; 58.5 by 44.5 cm. inscribed on the reverse of the panel with an inventory number 2 oil on panel NOTE In his biography of Santi di Tito, Baldinucci notes the artist's special talent for portraiture: "Fu portato dal genio, non meno che dal desiderio del guadagno, a fare ritratti, come quegli che possedendo una istraordinaria sicurezza nel disegno, gli conducea con gran facilità e somigliantissimi dal vivo (He was moved by his artistic ability, as well as a desire for profit, to paint portraits-- and like all those who have exceptional skill in drawing, it leads them with great ease to make striking likenesses taken from life) [F. Baldinucci, Notizie... Florence 1846, reissued 1974, vol. II, p. 540]." The writer then goes on to list numerous examples in the collections of some of the most prominent families in Florence. The present panel is typical of the type of portrait which the artist produced, reflecting the continuted influence of his master Bronzino tempered with his own more naturalistic approach.

    Sotheby's
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