Mary Bradish Titcomb Sold at Auction Prices

Mary Bradish Titcomb (1858-1927) New England Street Scene 24 x 19 1/2 in. framed 33 x 28 1/2 in.

Mary Bradish Titcomb (1858-1927) New England Street Scene unsigned oil on canvas 24 x 19 1/2 in. framed 33 x 28 1/2 in.

Mary Bradish Titcomb (1858-1927) Summer Afternoon, Half Moon Beach, Gloucester 28 x 36 in. framed 36 x 44 in.

Mary Bradish Titcomb (1858-1927) Summer Afternoon, Half Moon Beach, Gloucester signed 'M. B. Titcomb' (lower right) oil on canvas 28 x 36 in. framed 36 x 44 in.

Mary Bradish Titcomb (1858-1927) Figures Strolling on a Street 18 1/4 x 24 in. framed 27 3/4 x 33 1/2 in.

Mary Bradish Titcomb (1858-1927) Figures Strolling on a Street unsigned oil on canvas 18 1/4 x 24 in. framed 27 3/4 x 33 1/2 in.

Mary Bradish Titcomb (1858-1927) Figures Strolling on a Street 16 1/2 x 14 in. framed 23 1/4 x 21 in.

Mary Bradish Titcomb (1858-1927) Figures Strolling on a Street signed 'M.B. Titcomb' (lower right) oil on canvas 16 1/2 x 14 in. framed 23 1/4 x 21 in.

MARY BRADISH TITCOMB, (American, 1858-1927), Gloucester Marine Railway (Ship on Ways, Gloucester Harbor), watercolor on paper, 13 1/4 x 15 1/4 in., frame: 22 1/8 x 13 3/4 in.

MARY BRADISH TITCOMB (American, 1858-1927) Gloucester Marine Railway (Ship on Ways, Gloucester Harbor) watercolor on paper signed M.B. Titcomb lower left

Mary Bradish Titcomb (1858-1927) A Street in Gloucester 20 x 16 in. framed 27 x 23 in.

Mary Bradish Titcomb (1858-1927) A Street in Gloucester signed 'M.B. Titcomb' (lower left) oil on canvas 20 x 16 in. framed 27 x 23 in.

Mary Bradish Titcomb (1858-1927) A View of Marblehead 16 1/2 x 12 1/4 in. framed 23 x 19 in.

Mary Bradish Titcomb (1858-1927) A View of Marblehead inscribed indistinctly and signed 'M.B. Titcomb' (lower right) oil on canvas 16 1/2 x 12 1/4 in. framed 23 x 19 in.

A grouping of approximately 64 monographs and catalogs pertaining to California and Western Art

A grouping of approximately 64 monographs and catalogs pertaining to California and Western Art lot includes: Independent Spirits: Women Painters of the American West, 1890-1945, Autry Museum, UC Press, 1995.; Mathews Masterpieces of the California Decorative Style, SB: Peregrine Smith, 1980.; Annual Exhibition Record of the Art Institute of Chicago 1888-1950, CH: Sound View Press, 1990.; Rinaldo Cuneo: An Evolution of Style, Carmel: Karges Fine Art, 1991.; Phil Dike, Beverly Hills: Hilcrest Press, 1988.; American Epics, Thomas Hart Benton and Hollywood, Peabody Essex Museum, 2016.; the Salt Water of Reynolds Beal, NY: Beacon Hill Fine Art, 1998.; Nature's Forms/ Nature's Forces: The Art of Alexandre Hogue, Norman: UO Press, 1985.; Masterworks of California Impressionism, FFCA Pubs., 1986. E. Charlton Fortune: The Colorful Spirit, SB: Pomegranate, 2017.; Ansel Adams: Yosemite and the Range of Light, Boston: NYGS, 1979.; Lorser Feitelson: The Kinetic Series - Works from 1916-1923, LA: Louis Stern Fine Arts, 2005.; Edward Borein: Cowboy Artist, NY: Doublday, 1974.; Helen Lundeberg and the Illusory Landscape: Five Decades of Painting, LA:Louis Stern, 2004.; Infinite Distance: Architectural Compositions by Helen Lundeberg, LA: Louis Stern, 2007.; George Overbury "Pop" Hart: His Life and Art, Rutgers U. Press, 1986.; Society of Six California Colorists, SF: Bedford Arts, 1988.; William de Leftwich Dodge: Impressions Home and Abroad, NY: Beacon Hill, 1998.; Los Angeles Art Association Loan Exhibit of International Art-1937.; California Design-1910, SB: Peregrine Smith, 1980.; The Paintings of Franz A. Bischoff, BH: Petersen Galleries, 1980.; California Light 1900-1930, Laguna Beach: Laguna Art Museum, 1990.; Karl Baumann, SF: Maxwell Galleries, 1985.; Life in California: 1930-1950, SB: Santa Barbara Historical Museum, 2008.; Stanton MacDonald-Wright, UCLA, 1970.; California Design Eleven, Pasadena: Ward Ritchie Press, 1971.; Lorser Feitelson Drawings, LA: LA Art Association, 1979.; Early Artists in Laguna Beach: The Impressionists, Laguna Art Museum, 1986.; the Art of California: Selected Works from the Collection of the Oakland Museum, 1984.; The Paintings of Sam Hyde Harris, BH: Petersen, 1981.; Mary Bradish Titcomb 1858-1927 (Fenway Studios, 1905-1939) Boston: Vose Galleries, 1998.; Armin Hansen, MPMA, 1993 (2 copies).; Harco Gallery, Catalog No. 19, 1993.; Elmer Bischoff, Laguna: Laguna art Museum, 1987.; William Stanley / Herbert Haseltine, NY: Hirschl & Adler, 1992.; Helen Lundeberg, NY: Graham, 1982.; Contemporary Art, SF: SFMOA, 1940.; ART Official Catalog Golden Gate International Exposition, 1940.; Frontiers of American Art, M.H. De Young Memorial Museum, SF: 1939.; Knud Merrild, LA: Steve Turner Gallery, 1991.; Lorser Feitelson, LA: Barnsdall Park, 1972.; C. Von Schneidau, Petersen Galleries, 1986.; The Blue and The Green Books of Birds, Racine: Whitman Pub. Co. 1931.; Helen Lundeberg, LA: Barnsdall Park, 1979.; Margaret Jordan Patterson 1867-1950, Bakkker, 1990.; Louis Lozowick, Long Beach, 1978.; A Birthday Salute to Helen Lundeberg, LACMA, 1989.; Masterworks of California Impressionism, Tulsa, 1988.; Modernism: The LA Show, 1981.; Along Ipswich River, The Color Woodcuts of Arthur Wesley Dow, NY: Hirschl & Adler, 1991.; The Art of June Wayne, NY: Abrams, 1969.; California Murals, Berkeley, 1979.; John Edward Borein: The Santa Barbara Years, SB: SBHS, 2005.(2 copies); Dan Lutz, LA: Dalzell Galleries, ca. 1950.; Guiding Lights, SB: SBHS, 2009.; Lorser Feitelson: The Late Paintings, LA: Louis Stern, 2009.; The Howards: First Family of Bay Area Modernism, The Oakland museum, 1988.; California's Channel Islands, SLO, 1990.; Coit Tower San Francisco, Volcano Press, 1983.; Exploring Our National Parks and Monuments, Cambridge: Houghton Mifflin, 1949.

MARY BRADISH TITCOMB (1858-1927) Town Across the Water oil on canvas 25 1/4

MARY BRADISH TITCOMB (1858-1927) Town Across the Water oil on canvas 25 1/4 x 30 in. (64.1 x 76.2 cm.)

MARY BRADISH TITCOMB, American (1858-1927), "Polly's Sister", oil on canvas, 28 x 22 inches

MARY BRADISH TITCOMB American, (1858-1927) "Polly's Sister" oil on canvas signed lower right "M.B. Titcomb"

MARY BRADISH TITCOMB, American (1858-1937), Morning Coffee, oil on canvas, 16 x 20 inches

MARY BRADISH TITCOMB American, (1858-1937) Morning Coffee oil on canvas signed lower right "M.B. Titcomb"

MARY BRADISH TITCOMB, American (1858-1927), "Polly's Farm", oil on canvas, 27 x 21 1/2 inches

MARY BRADISH TITCOMB American, (1858-1927) "Polly's Farm" oil on canvas unsigned, estate stamp on the stretcher

Mary Bradish Titcomb. "Lawn Cottage / Sebago Lake"

Mary Bradish Titcomb (1858-1927). "Lawn Cottage / Sebago Lake", 1892. Graphite on paper, 7 1/16 x 10 3/4 inches, inscribed "Lawn Cottage / Sebago Lake" in the artist�??s hand on lower left; conservation-mounted in frame with window mat. Mary Bradish Titcomb, leading woman artist of the Boston School of Impressionists in the late 19th and early 20th century, was born in Windham, New Hampshire, in 1858. Her formal art education was at the Boston Normal Art School and later, the Boston Museum School where she studied under Boston Impressionists Edmund C. Tarbell, Frank W. Benson and later, Philip Hale. For many years she was an art teacher in the Boston area, eventually quitting in 1901 to devote herself to painting full-time. She completed a number of portraits during her life, but is best remembered for her impressionist landscapes and coastal villages of New England. In the early 1890s Titcomb summered in coastal Maine, prior to establishing her studio and home residence in Marblehead, Massachusetts.

MARY BRADISH TITCOMB (1856-1927). Portland.

Graphite drawing on woven paper, 7 1/16 x 10 3/4 inches, showing a schooner and other boats at anchor in Portland harbor; inscribed “Portland” in the artist’s hand; conservation-mounted in frame with window mat. From an 1892 sketchbook of Maine scenes by Mary Bradish Titcomb, leading woman artist of the Boston School of Impressionists in the late 19th and early 20th century.

MARY BRADISH TITCOMB, Massachusetts/New Hampshire, 1858-1927, Sketch of a Plymouth home., Pencil on paper, 8.5" x 10" sight. Framed...

MARY BRADISH TITCOMB Massachusetts/New Hampshire, 1858-1927 Sketch of a Plymouth home. Inscribed in pencil upper right. Unsigned but taken from the artist's sketchbook. Pencil on paper, 8.5" x 10" sight. Framed 15.5" x 17.5".

MARY BRADISH TITCOMB, Massachusetts/New Hampshire, 1858-1927, A view of Plymouth Harbor., Pencil on paper, 8.5" x 10" sight. Framed...

MARY BRADISH TITCOMB Massachusetts/New Hampshire, 1858-1927 A view of Plymouth Harbor. Inscribed in pencil upper right "Plymouth 93". Unsigned but taken from the artist's sketchbook. Pencil on paper, 8.5" x 10" sight. Framed 15.5" x 17.5".

Mary Bradish Titcomb, (1858 - 1927 Marblehead, MA), Monterey cypress coastal, Oil on canvas laid to board, 15.5" H x 12" W

Mary Bradish Titcomb (1858 - 1927 Marblehead, MA) Monterey cypress coastal Oil on canvas laid to board Signed lower right: M.B. Titcomb 15.5" H x 12" W

MARY BRADISH TITCOMB, American, 1858-1927, Figures by a lake at sunset. Figures on a pier enjoying a sunset., Watercolor on board, 9...

MARY BRADISH TITCOMB American, 1858-1927 Figures by a lake at sunset. Figures on a pier enjoying a sunset. Signed lower left "M.B. Titcomb". Watercolor on board, 9" x 11.75". Unframed.

Mary Bradish Titcomb - Seated Woman

Mary Bradish Titcomb Am. 1856–1927 Seated Woman Signed "M.B. Titcomb" l.r. Oil on canvas 27 1/2 x 21 1/2 in. 69.9 x 54.6 cm

MARY BRADISH TITCOMB, Massachusetts/New Hampshire, 1858-1927, "Street in Marblehead"., Oil on canvas laid down on board, 7.75" x 5.5...

MARY BRADISH TITCOMB Massachusetts/New Hampshire, 1858-1927 "Street in Marblehead". No apparent signature. Identified and titled on gallery label verso. Provenance: Adamson-Duvannes Galleries, California. Charles Tyler, Los Angeles. Family of the artist. Private Collection, Los Angeles. Oil on canvas laid down on board, 7.75" x 5.5". Framed 15" x 12".

MARY BRADISH TITCOMB (1858-1927): LADY IN LAVENDER

MARY BRADISH TITCOMB (1858-1927): LADY IN LAVENDER Oil on canvas, signed ''MB Titcomb'' lower left. 40 x 30 in., 44 1/2 x 34 1/2 in. (frame). Provenance: Edward Titcomb, the artist''s brother; by descent in the family; sold Sotheby''s, NY, December 1, 1999, Lot 16.

MARY BRADISH TITCOMB | Lady in Lavender

oil on canvas

MARY BRADISH TITCOMB AMERICAN 1858-1927

Josephine Titcomb Bailey, The Artist's Niece, oil on canvas, 28 x 38 in (71.1 x 96.5 cm), PROVENANCE: Sotheby's 9/28/12, subsequently the artist's signature was identified verso

MARY BRADISH TITCOMB (AMERICAN 1858-1927). DAY COVE SCENE, GLOUCESTER, CIRCA 1915-20.

Oil on board, 8 x 10 inches. Signed "M.B. Titcomb" l.r.Provenance: Vose Galleries, Boston, no. 32304.Literature: "Mary Bradish Titcomb and Her Contemporaries: The Artists of Fenway Studios, 1905-1939," Vose Galleries, Boston, 1998, p. 3.

MARY BRADISH TITCOMB Two sketchbooks.

MARY BRADISH TITCOMB Two sketchbooks. Two bound sketchbooks with pencil and pen and ink and wash drawings, 1892-1903. Both volumes approximately 220x265 mm; 8 3/4x10 1/2 inches (sheets). Both volumes signed and dated in pencil on the first page. Many of the drawings titled and/or dated in pencil.

MARY BRADISH TITCOMB Two sketchbooks.

MARY BRADISH TITCOMB Two sketchbooks. Two bound sketchbooks with pencil, pen and ink and watercolor drawings, 1892-94. 180x275 mm; 7 1/8x10 7/8 inches (sheets); the other 220x265 mm; 8 3/4x10 1/2 inches (sheets). Both volumes signed and dated in pencil, on the first page, and most of the drawings titled in pencil or watercolor.

Gouache 'House in Poplars' by Mary B Titcomb MA

GOUACHE ON BOARD - 'House in Poplars, Marblehead, Mass' by Mary Bradish Titcomb (MA, 1858-1927), signed lower left, french rule museum board mat wiith custom gold metal leaf frame, SS: 16" x 19 1/2", OS: 27" x 30", fine condition.

MARY BRADISH TITCOMB, American (1858-1927), Under the Arbor, oil on canvas, unsigned., 30 1/2 x 25

MARY BRADISH TITCOMB American (1858-1927) Under the Arbor oil on canvas, unsigned. 30 1/2 x 25 Provenance: DeVille Galleries, Beverly Hills, California; Private collection, Los Angeles, California.

MARY BRADISH TITCOMB, American (1856-1927), "Half Moon Beach", oil on canvas, signed lower right., 30 x 24

MARY BRADISH TITCOMB American (1856-1927) "Half Moon Beach" oil on canvas, signed lower right. 30 x 24 Provenance: DeVille Galleries, Los Angeles, California; Private collection, California.

AMERICAN IMPRESSIONIST LANDSCAPE PAINTING

AMERICAN IMPRESSIONIST PAINTING OF BIRCHES AND FOREST: Oil/Canvas, 24" x 20", no visible signature, period frame with wear, 29" x 25, label verso with attribution to Mary Titcomb.

PROPERTY FROM A PRIVATE COLLECTION, CALIFORNIA MARY BR

PROPERTY FROM A PRIVATE COLLECTION, CALIFORNIA MARY BRADISH TITCOMB (American, 1858-1927) Afternoon Tea Oil on canvas 36 x 26-1/2 inches (91.4 x 67.3 cm)

PROPERTY FROM A PRIVATE COLLECTION, CALIFORNIA MARY BR

PROPERTY FROM A PRIVATE COLLECTION, CALIFORNIA MARY BRADISH TITCOMB (American, 1858-1927) The Green Bowl Oil on canvas 38 x 28-1/4 inches (96.5 x 71.8 cm) Signed lower left: M.B. Titcomb

PROPERTY FROM A PRIVATE COLLECTION, CALIFORNIA MARY BR

PROPERTY FROM A PRIVATE COLLECTION, CALIFORNIA MARY BRADISH TITCOMB (American, 1858-1927) Village Green Oil on canvas 24 x 20 inches (61.0 x 50.8 cm) PROVENANCE: David David, Inc, Philadelphia (label verso).

MARY BRADISH TITCOMB, American (1858-1927), Two Girls, Old Lyme c. 1905, oil on canvas, signed lower left., 40 1/4 x 30 1/8

MARY BRADISH TITCOMB American (1858-1927) Two Girls, Old Lyme c. 1905 oil on canvas, signed lower left. 40 1/4 x 30 1/8 Exhibitions: Santa Barbara Museum of Art, Santa Barbara, California, "America in Art: Fifty Great Paintings Celebrating Fifty Years", June 6-August, 1991.

MARY BRADISH TITCOMB (1858-1927): SELF-PORTRAIT IN PURPLE VELVET

Oil on canvas, relined, 34 1/2 x 24 1/2 in., unsigned.

MARY BRADISH TITCOMB

1858-1927 SELF-PORTRAIT oil on canvas 34 1/4 by 24 1/2 in. 87 by 62.2 cm.

Mary Bradish Titcomb (American, 1858-1927) Through the dunes 30 x 24in

Through the dunes signed 'M.B. Titcomb' (lower right) oil on canvas 30 x 24in

Mary Bradish Titcomb (American, 1858-1927) The Park Bench 25 1/4 x 30 1/4in

The Park Bench signed 'M.B. Titcomb' (lower right) oil on canvas 25 1/4 x 30 1/4in

Mary Bradish Titcomb (American, 1858-1927) Through the Dunes 30 x 24in

Through the Dunes signed 'M.B. Titcomb (lower right) oil on canvas 30 x 24in

The Blue Parasol

Mary Bradish Titcomb (1858-1927) The Blue Parasol signed 'M.B. Titcomb' (lower right) oil on canvas 30¼ x 25¾ in. (76.8 x 65.4 cm.)

MARY BRADISH TITCOMB American (1858-1927) "Rockaway Street - Marblehead, MA"

MARY BRADISH TITCOMB American (1858-1927) "Rockaway Street - Marblehead, MA" c. 1906 watercolor, 15 x 19 (sight), signed lower right.

Mary Bradish Titcomb (1856- 1927 Boston, MA) view of Marblehead s l/r: M.B. Titcomb o/c 12 x 16

Mary Bradish Titcomb (1856- 1927 Boston, MA) view of Marblehead s l/r: M.B. Titcomb o/c 12 x 16

[ Art Work by ] Mary Bradish Titcomb (1856-1927 Boston, MA)

[ Art Work by ] Mary Bradish Titcomb (1856-1927 Boston, MA)

OIL ON CANVAS

OIL ON CANVAS, PORTRAIT OF MRS. BYRON, SIGNED VERSO M. TITCOMB (MARY BRANDISH, AMERICAN 1856-1921) 1921. 36 X 28" (OLD RESTORATIONS)

Mary Bradish Titcomb (American, 1858-1927), Portrait of Mrs. Jane Byron Johnstone, Signed ""M.B. Titcomb"" l.l., partial label on the r