Lorenzo Baldissera Tiepolo Paintings & Artwork for Sale | Lorenzo Baldissera Tiepolo Art Value Price Guide

Nov. 16, 2024
Lorenzo Tiepolo, The Judgement of a Vestal Virgin
Est: €20,000 - €25,000
This painting is a remarkable and unusual product of the Tiepolo workshop, which has been the subject of intense art historical research - especially by George Knox and Bernard Aikema. Knox, who repeatedly devoted himself to Venetian painting from his dissertation on, wrote: "This painting must be identified as an important addition to the work of the young Lorenzo, to be dated to the mid 1750s." Bernard Aikema, on the other hand, describes it as a workshop work in which the three central figures were painted by Giovanni Battista himself. He refers to drawings by Giovanni Battista, which he identifies as studies for this composition. The study of a standing man with a cape and flat hat in the Victoria and Albert Museum, London (inv. No. D182433.1885), which we recognise on the left of our picture, is particularly convincing. However, drawings by Lorenzo Tiepolo can also be linked to this painting, including a portrait of Palma Giovane from the collection of the British Museum in London after a bust by Alessandro Vittoria. It depicts the standing man to the right of the Vestal Virgin. Lorenzo Tiepolo, born in Venice in 1736, was one of Giovanni Battista's sons and the younger brother of Domenico. He worked in his father's workshop, accompanying him to Würzburg in 1750 and to Madrid in 1762. After his father's death, he remained in the Spanish capital where he died in 1776. The subject of the painting refers to the punishment of the unchaste vestal virgins according to Plutarch, which the English lexicographer John Lemprière (1765-1824) describes in detail in his "Classical Dictionary": "Numa ordered her to be stoned to death, but Tarquinius the Elder dug a large hole under the ground, where a bed was placed with some bread, wine, water and oil and a lighted lamp, and the guilty Vestal Virgin was stripped of her habit and forced to descend into the subterranean cave, which was immediately sealed up, and she was left to die of hunger".
Kunsthaus Lempertz KG
Oct. 28, 2024
Lorenzo Tiepolo "St. Thecla implores the cessation of the plague for the city of Este" etching (703x400 mm. the impression) (defects and restorations)...
Est: €250 - €300
(Venezia 1736 - Madrid 1776) "St. Thecla implores the cessation of the plague for the city of Este" etching (703x400 mm. the impression) (defects and restorations) IT "Santa Tecla implora la cessazione della peste per la città di Este" acquaforte (mm 703x 400 l'impronta) (difetti e restauri)
Il Ponte Auction House
Jul. 04, 2024
A bearded old man crowned with Laurels
Est: £1,500 - £1,800
Attributed to Lorenzo Baldissera Tiepolo Venice 1736 - 1776 Madrid A bearded old man crowned with laurels black chalk heightened with white chalk, on grey prepared paper 180 by 185 mm
Sotheby's
Jun. 11, 2024
Attributed to LORENZO TIEPOLO (Venice, 1736-Somosaguas, 1776). "Study for portrait of a maja. Pastel on vejurado paper.
Est: €7,000 - €9,000
Attributed to LORENZO TIEPOLO (Venice, 1736-Somosaguas, 1776). "Study for portrait of a maja. Pastel on vejurado paper. Measurements: 35,5 x 25,5 cm; 76,5 x 66,5 cm (frame). Lorenzo Tiepolo, son of the famous Giovanni Battista Tiepolo, distinguished himself within the powerful family current as a portraitist and accomplished pastelist. The portrait of the maja shown here can be compared to the collection of pastels preserved in the Spanish royal collections. All of them show popular types resolved with sensual Venetian ranges. They are idealized portraits, through which Tiepolo reinvents the human types to go beyond stereotypes through gestures and costumes. The eighteenth-century aristocracy valued the emulation and sublimation of the popular, as did Goya at the same time. The present painting could be a study of a fragment for a larger composition, in which the variegated atmosphere and the characteristic crossing of glances that Tiépolos used so much in his works (see, for example, "La mielera", Galería de las Colecciones Reales, Madrid). Over time, the figure of Lorenzo Tiepolo has been rediscovered, acquiring a personality of his own, beyond being an imitator of his father's figure. It is now known that he played an important role in the decoration of the ceiling of the Throne Room of the Royal Palace in Madrid (1762-64). His work as a portrait painter deserves to be highlighted, since already in his early works of his youth he reveals his ability to create works of delicate palette and barely visible drawing. The most obvious reference is that of Rosalba Carriera, whom Lorenzo was forced to meet. He was the youngest of Giambattista's ten children. In 1750 he traveled to Wurzburg with his father and his brother Giovanni Domenico, where he worked with them on the decorative fresco cycle of the lavish Wurzburger Residenz. In 1753 he returned to Venice, leaving a good memory in Germany despite his youth, as evidenced by his correspondence years later with Prince-Archbishop Adam Friederich von Seinsheim. On March 31, 1762, Giambattista and his two sons Giandomenico and Lorenzo left for Spain. They will arrive in Madrid on June 4. Lorenzo was not lacking in commissions: in 1763 he painted a series of pastel portraits of the Prince of Asturias and the Infante Don Gabriel. Later (1763-64) he will be busy with the decoration of a Chinese cabinet in the Royal Palace of Madrid. Later he will be in charge of painting the vault of the Cabinet of the Birds and other minor commissions in the same building.
Setdart Auction House
May. 16, 2024
Lorenzo Tiepolo, The Judgement of a Vestal Virgin
Est: €35,000 - €45,000
This painting is a remarkable and unusual product of the Tiepolo workshop, which has been the subject of intense art historical research - especially by George Knox and Bernard Aikema. Knox, who repeatedly devoted himself to Venetian painting from his dissertation on, wrote: "This painting must be identified as an important addition to the work of the young Lorenzo, to be dated to the mid 1750s." Bernard Aikema, on the other hand, describes it as a workshop work in which the three central figures were painted by Giovanni Battista himself. He refers to drawings by Giovanni Battista, which he identifies as studies for this composition. The study of a standing man with a cape and flat hat in the Victoria and Albert Museum, London (inv. No. D182433.1885), which we recognise on the left of our picture, is particularly convincing. However, drawings by Lorenzo Tiepolo can also be linked to this painting, including a portrait of Palma Giovane from the collection of the British Museum in London after a bust by Alessandro Vittoria. It depicts the standing man to the right of the Vestal Virgin. Lorenzo Tiepolo, born in Venice in 1736, was one of Giovanni Battista's sons and the younger brother of Domenico. He worked in his father's workshop, accompanying him to Würzburg in 1750 and to Madrid in 1762. After his father's death, he remained in the Spanish capital where he died in 1776. The subject of the painting refers to the punishment of the unchaste vestal virgins according to Plutarch, which the English lexicographer John Lemprière (1765-1824) describes in detail in his "Classical Dictionary": "Numa ordered her to be stoned to death, but Tarquinius the Elder dug a large hole under the ground, where a bed was placed with some bread, wine, water and oil and a lighted lamp, and the guilty Vestal Virgin was stripped of her habit and forced to descend into the subterranean cave, which was immediately sealed up, and she was left to die of hunger".
Kunsthaus Lempertz KG
Feb. 28, 2024
Pastel on paper attributed to Lorenzo Tiepolo (Venice, 1736-Somosaguas, Madrid, 1776) 18th century
Est: €30,000 - €32,500
Measurements: 60 x 50 cm, framed measurements: 75 x 60 cm. Exhib: Cabeza de Evangelista, pstl, 59x49 (Galerie Velasquez, Madrid, exh. 1972, repr. cat. p. 64). Provenance: important noble Madrid collection, Spain.
Templum Fine Art Auctions
Dec. 07, 2023
Head of an evangelist
Est: £10,000 - £15,000
Lorenzo Baldissera Tiepolo Venice 1736–1776 Madrid Head of an evangelist pastel sight size: 605 x 485 mm.; 22¾ x 19⅛ in.
Sotheby's
Jun. 07, 2023
Tiepolo, Lorenzo Baldissera: Triumph der Venus
Est: €5,000 - €7,500
Triumph der Venus (Il Trionfo di Venere). Radierung nach Giovanni Battista Tiepolo. 66,5 x 50,8 cm. De Vesme 9, Rizzi (1970) 226 III, Rizzi (1971) 230, Succi 8 III. Wz. Großes bekröntes Wappen und Tre Lune mit Nebenmarke W. -- -- Über das Leben des Lorenzo Tiepolo ist relativ wenig bekannt. Er wurde in der Werkstatt des Giambattista Tiepolo ausgebildet und folgte seinem Vater im jugendlichen Alter von vierzehn Jahren nach Würzburg, wo er bei der Ausführung der Fresken in der fürstbischöflichen Residenz mitgearbeitet hat. 1761 erscheint sein Name als Mitglied der venezianischen Malerzunft. Im darauffolgenden Jahr verläßt Lorenzo seine Geburtsstadt Venedig für immer und begibt sich in der Begleitung seines Vaters und Bruders an den spanischen Hof in Madrid. Das seltene druckgraphische Schaffen umfasst insgesamt zehn Blatt. Lorenzos Radierungen nach Erfindungen des Vaters weisen ihn als einen überraschend begabten und sensiblen Meister aus, der seinem älteren Bruder Giandomenico als Radierer in puncto graphischer Finesse und Ausdruckskraft zweifelsohne überlegen sein dürfte. Ausgezeichneter, lebendiger und harmonischer Druck mit breitem Rand um die Plattenkante oben und unten, links und rechts mit gleichmäßigem Rand. Die Nummer in der linken oberen Ecke nur schwach druckend. Unauffällige geglättete Mittelfalte, einzelne unauffällige, sorgfältig ausgebesserte Randläsuren, sonst - auch in Anbetracht der Blattgröße - sehr schönes Exemplar. -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Mar. 31, 2023
LORENZO TIEPOLO
Est: CHF800 - CHF1,200
LORENZO TIEPOLO (Venice 1736–1776 Madrid) Monumento alla gloria degli eroi (The glorification of the ruler's virtues: Glory, Victory and Loyalty in the Skies ...). Circa 1759. Etching on laid paper with three watermarks: 1. three crescents; 2. crowned letter 'W'; 3. large coat of arms. 66.5 x 50.5 cm (sheet size: 71.2 x 52.5 cm). De Vesme 7 III (of III); Succi 9 III (of III); Rizzi, 228 III (of III, with the number '43' at upper left). - A fine, strong, and clear impression, printing with rich contrast, with margins around the platemark. With a barely perceptible smoothed central fold. The upper margin with three tears extending into the image. The lower margin and the side margins with small damages outside of the subject. The margins partly somewhat creased, the corners bumped. The paper with even subtle browning and somewhat foxed in places, mainly in the margins/marginal areas. With light traces of wear. Despite the aforementioned defects, good overall impression. --------------- LORENZO TIEPOLO (Venedig 1736–1776 Madrid) Monumento alla gloria degli eroi (Die Verherrlichung der Herrschertugenden: Ruhm, Sieg und Treue in den Lüften ...). Um 1759. Radierung auf Bütten mit drei Wz.. 1. Drei Halbmonde; 2. Bekrönter Buchstabe 'W'; 3. Grosses Wappen. Im unteren Blattrand gestochen bezeichnet und signiert: Joannes Batta Tiepolo inv. et pinx. Laurentius Tiepolo filius del et inc. 66,5 x 50,5 cm (Bogengrösse: 71,2 x 52,5 cm). De Vesme 7 III (von III); Succi 9 III (von III); Rizzi, 228 III (von III, mit der Nummer '43' oben links). - Schöner, kräftiger, kontrastreicher und klarer Druck mit Rand um die Plattenkante. Mit kaum wahrnehmbarer geglätteter Mittelfalte. Der obere Rand mit drei Einrissen, die bis in die Darstellung reichen. Der untere Rand und die Seitenränder mit kleinen Läsuren ausserhalb der Darstellung. Die Ränder teils etwas knittrig, die Ecken gestaucht. Das Papier ist gleichmässig dezent gebräunt und überwiegend in den Rändern bzw. Randbereichen stellenweise etwas stockfleckig. Mit leichten Gebrauchsspuren. Trotz der genannten Mängel guter Gesamteindruck. ---------------
Koller Auctions
Feb. 18, 2023
Tiepolo, Lorenzo
Est: €550 - €800
(1736 Venedig - Madrid 1776). Triumph des Mars. Radierung im Oval nach G.B.Tiepolo (um 1765). Plgr. ca 55 x 39,5 cm, Blgr. ca. 58 x 41 cm. Rechte Rd auf Plattenkante beschn. - De Vesme 8. Rizzi 229. - 2 Einrisse, davon 1 (rechts) bis ca. 3 cm i.d.Darstellung. R
Kiefer Buch- und Kunstauktionen
Oct. 13, 2022
(i) Roman historical scene (ii) Scene of a sacrifice
Est: €30,000 - €50,000
Lorenzo Baldissera Tiepolo 1736 - 1776 Roman historical scene Scene of a sacrifice a pair, both oil and gold painting on canvas (i) 20¼ in. by 22⅛ in. 51,5 cm by 56,2 cm; (ii) 20⅛ in. by 22⅛ in. 51,1 cm by 56,2 cm (2) ____________________________________________ Lorenzo Baldissera Tiepolo 1736 - 1776 Scène de l'histoire romaine Scène de sacrifice huile et peinture dorée sur toile, une paire (i) 20¼ in. by 22⅛ in. 51,5 cm by 56,2 cm; (ii) 20⅛ in. by 22⅛ in. 51,1 cm by 56,2 cm (2) Bid on Sotheby's
Sotheby's
Jun. 30, 2022
Lorenzo Tiepolo, 1736 Venedig – 1776
Est: €50,000 - €70,000
DAS KONZERT Pastell auf Papier, auf Leinwand. 30,5 x 41 cm. Verso fälschlich später bezeichnet „117 du Catalogur Rosalba“. Darstellung zweier junger musizierender Figuren, die eng hintereinander positioniert, nur in Kopfbildnissen gezeigt sind. Im Vordergrund vertieft sich ein Mädchen aufmerksam in ein Notenblatt, das einem aufgestellten Buch aufliegt. Das dunkle, leicht lockige Haar mittelgescheitelt, mit einem schmalen rosafarbenen Band durchzogen. Über ihre entblößte Schulter zieht ein breites goldenes Halsband mit Rechteckgliedern, mit Perlen besetzt. Dahinter der im Profil wiedergegebene Kopf eines Jünglings mit braunem Haar, der das Griffbrett eines Saiteninstruments umgreift, wohl einer Laute. Ob das Mädchen das Notenblatt für Gesang betrachtet oder ein im Bild nicht sichtbares Tasteninstrument bedient, lässt sich nicht bestimmen. Ihr hellblaues Tuch, das ihre linke Schulter bedeckt und sich hinter dem Rücken fortsetzt, gibt eine Farbnote, die der Helligkeit der Pastellwirkung entgegenkommt. Die Darstellung des Paares vermittelt den lebensnahen Eindruck unbeobachteter Intimität. Die Zartheit in der Wiedergabe der Gesichter findet in der Wahl der lichten Pastellfarben ihre Entsprechung. Das Pastell, das ganz den Charme des Venezianischen Rokoko eingefangen hat, zusammen mit der Sanftheit der Gesichter, ist zweifellos als ein Werk von Rang anzusehen. Der Maler Lorenzo Baldissera Tiepolo war – von zehn Kindern – ein jüngerer Sohn des Giovanni Battista Tiepolo (1696-1770) und der Maria Cecilia Guardi, sowie Bruder des Giovanni Domenico (1727-1804). Aus seiner kurzen Lebens- und Wirkungszeit sind uns auch nur entsprechend wenige Werke überkommen. Allen jedoch ist sein charakteristischer, hellfarbiger Stil gemeinsam, der nicht zuletzt in den Pastellen auch in der Nähe der Malerin Rosalba Carriera zu sehen ist. Wie Domenico war er Schüler des Vaters, den beide auf den Reisen nach Würzburg (Treppenhaus) und Madrid begleiteten und an dessen Werken mitwirkten. Lorenzo hatte sich allerdings von dem Malstil seines Vaters weitgehend befreit, nahm Anregungen von Giovanni Battista Piazzetta (1683-1754) auf und arbeitete sowohl in Pastell-, als auch in Öltechniken, schuf aber auch Radierungen. Schon vor seiner Reise zusammen mit dem Vater nach Madrid machte er sich einen Namen als Portraitist, wobei die Bildnisse seiner eigenen Familie (1761-1762) bekannt geworden sind. Von einer Reihe seiner Pastelle, die 1773 und im Folgejahr entstanden, sind 26 bekannt geworden, zwölf davon finden sich in den Königlichen Nationalsammlungen Spaniens. A.R. Provenienz: Firino-Martell-Collection, Frankreich. (1320042) (11) Lorenzo Tiepolo, 1736 Venice – 1776 THE CONCERT Pastel on paper, laid on canvas. 30.5 x 41 cm. Provenance: Firino-Martell Collection, France.
Hampel Fine Art Auctions
Jun. 09, 2022
PITTORE VENETO DEL XVIII SECOLO
Est: €3,000 - €5,000
Teste di carattere Olio su tela, cm 60X51 (2) I dipinti recano una attribuzione collezionistica a Lorenzo Tiepolo (Venezia, 1736 - Madrid, 1776), figlio minore di Giambattista e fratello di Giandomenico. Il pittore si formò nella bottega familiare. Nel 1750 è documentata la sua presenza a Würzburg, dove il padre era stato chiamato a decorare a fresco la residenza del principe, vescovo Philipp von Greiffenklau. Nel 1761 è invece registrato nella Fraglia degli artisti e ciò indica che risiede nella città lagunare e svolge la propria professione in autonomia, ma l'anno successivo Giambattista riceve l'incarico da parte di Carlo III di Spagna di decorare il Palacio de Oriente, ossia il nuovo Palazzo di corte e i Tiepolo si trasferirono a Madrid. Nella capitale spagnola Lorenzo fu subito attivo eseguendo ritratti, opere a tema religioso, di soggetto profano e, come in questo caso, a riproporre opere che evocano le tele paterne.
Wannenes Art Auctions
Nov. 20, 2021
Lorenzo Tiepolo, The Vigin with Child
Est: €40,000 - €50,000
RefMas121121 Framed under glas This pastel is one of the few religious works in Lorenzo Tiepolo's œuvre and probably dates from his Spanish period. In 1762 the painter, who was born in 1736, travelled to Spain with his father Giovanni Battista Tiepolo and his older brother Giovanni Domenico to carry out a commission from the Spanish king for the Madrid palace. While his father suffered rivalry and criticism from Anton Raphael Mengs in Madrid and soon died, Lorenzo remained in Spain and continued to work for the court. He specialised in pastels and used the technique to create portraits and fanciful half-length figures for the royal family and the Spanish nobility. The pastel technique had been perfected and made famous before him by the Venetian Rosalba Carriera. Stylistically, the present work shows Lorenzo's turning away from his father's art towards a classicist ideal of beauty, then in fashion, which is influenced by Correggio and Reni.
Kunsthaus Lempertz KG
Nov. 03, 2021
LORENZO TIEPOLO (Venice 1726-1776 Venice) The Holy Family.
Est: $5,000 - $8,000
LORENZO TIEPOLO (Venice 1726-1776 Venice) The Holy Family. Brush and brown ink and wash on cream laid paper. 270x200 mm; 10 1/2x7 3/4 inches. Provenance: Private collection, Massachusetts. George Knox has seen this drawing in person and suggested the attribution to Lorenzo Tiepolo. Knox noted that the current drawing is a reworked version of The Holy Family, pen and ink and brown wash, by Lorenzo's father, Giovanni B. Tiepolo (1696-1770), which sold at Christie's, London, July 1, 1991.
Swann Auction Galleries
Oct. 25, 2021
ATTRIBUÉ À LORENZO TIEPOLO (1736-1776) - Figure d’homme barbu
Est: €3,000 - €4,000
ATTRIBUÉ À LORENZO TIEPOLO (1736-1776) Figure d’homme barbu Huile sur panneau parqueté. Encadrée. 47 x 40 cm
Cornette de Saint-Cyr-Bruxelles
Oct. 20, 2021
Lorenzo Tiepolo The triumph of Venus, after Giovanni Battista Tiepolo Etching, third state of three, 670x510 mm. Framed (defects)...
Est: €400 - €500
(Venezia 1736 - Madrid 1776) The triumph of Venus, after Giovanni Battista Tiepolo Etching, third state of three, 670x510 mm. Framed (defects) IT Il Carro di Venere, da Giovanni Battista Tiepolo Acquaforte nel terzo stato di tre, mm 670x510 In cornice (difetti)
Il Ponte Auction House
Sep. 21, 2021
LORENZO TIEPOLO (attr. a)
Est: €700 - €1,200
(Venezia, 1736 - Madrid, 1776) Studio di testa a monocromo Olio su tela, cm 39,5X30,5 Il dipinto reca una interessante attribuzione a Lorenzo Tiepolo e risolto a grisaille suggerisce che sia uno studio. Figlio minore di Giambattista e fratello di Giandomenico, il pittore si formì nella bottega familiare, nel 1750 è documentata la sua presenza a Würzburg, dove il padre era stato chiamato a decorare a fresco la residenza del principe, vescovo Philippe von Greiffenklau. Nel 1761 è invece registrato nella Fraglia degli artisti e ciì indica che risiede nella città lagunare e svolge la propria professione in autonomia ma l'anno successivo, Giambattista riceve l'incarico da parte di Carlo III di Spagna di decorare il Palacio de Oriente, ossia il nuovo Palazzo di corte e i Tiepolo si trasferirono a Madrid. Nella capitale spagnola Lorenzo fu subito attivo eseguendo ritratti, opere a tema religioso e di soggetto profano.
Wannenes Art Auctions
May. 19, 2021
Lorenzo Tiepolo (1736-1776)-attributed
Est: €100 - €200
Lorenzo Tiepolo (1736-1776)-attributed, Portrait of a Lady with pearl necklace, pastel on canvas, framed, described on the reverse
Deutsch Auktionen
Mar. 29, 2021
Lorenzo Tiepolo (1736-1776) (a
Est: -
Lorenzo Tiepolo (1736-1776) (attrib.), standing Hellbardier, pointing at his weapons on the ground. Pen-and-ink drawing in brown over black chalk on laid paper, bottom left old inscribed ''Tiepolo'', above collector's stamp, 33.8 x 23.3 cm, behind passepartout 45.5 x 34 cm
Historia Auctionata
Feb. 10, 2021
Lorenzo TIEPOLO. S. Tecla.
Est: €6,000 - €8,000
TIEPOLO, Lorenzo. S. Tecla. 1736 - 1776 Acquaforte e bulino. Stato: II/ II. Con l’iscrizione al margine inferiore. Misure: Lastra: mm. 705 x 400; Inciso: mm. 637 x 375. Ampi margini Iscr.: nell’inciso b. dx.: Gio. Batta Tiepolo f. ; sotto: Lorenzo Tiepolo inc.; marg. inf centro: Joannes Batta Tiepolo inv. et pin.; sotto: Laurentius Tiepolo filius del. et inc. . Abile restauro al centro dell’incisione visibile principalmente al verso. Filigrana “scudo con braccio e spadino”. Ottima impressione con ampi margini in belle condizioni. Questa splendida acquaforte costituisce un capolavoro nella storia dell’incisione. Succi: “L’eccezionale morbidezza dell’intaglio, i meditati passaggi chiaroscurali dal nero vellutato del primo piano al bianco argenteo del gruppo con il benedicente, esaltano lo smagliante cromatismo della grande pala del duomo di Este, fulgido esempio della grande arte di Giambattista. La tela venne collocata sull’altare maggiore alla vigilia di Natale dell’anno 1759. La stampa fu fatturata a Mariette in un esemplare ante-litteram tra il 1761 e il 1762 ed è pertanto databile con sicurezza al 1760-61”. Essa figura in tutte le quattro edizioni del Catalogo di Giandomenico con il titolo Miracolo di S. Tecla.
Bado e Mart
Dec. 09, 2020
Lorenzo Tiepolo (1736-1776), Sainte Famille, 1762, plume et lavis bistre sur traces de sanguine, 24,5x16,5 cm
Est: CHF5,000 - CHF7,000
Lorenzo Tiepolo (1736-1776), Sainte Famille, 1762, plume et lavis bistre sur traces de sanguine, 24,5x16,5 cm Lorenzo Tiepolo (1736-1776), Sainte Famille, 1762, plume et lavis bistre sur traces de sanguine, 24,5x16,5 cm, Annoté en bas à gauche "B. Tiepolo 1762"Provenance: Mr Oliver ( '), "Space ' Sprui '"bridge, The Parker Gallery, Albemarle Street, Londres, coll. part., FranceNote: D'après une page du cahier que, à son départ pour Madrid en 1762, Giambattista Tiepolo a donné à l'église S. Maria della Salute à Venise, où son fils Giuseppe Maria était prêtre
Piguet Hôtel des Ventes | Genève
Oct. 15, 2020
LORENZO TIEPOLO. S. TECLA.
Est: €6,500 - €8,500
Lorenzo TIEPOLO. 1736 - 1776 S. Tecla. Acquaforte e bulino. Stato: II/ II. Con lÂ’iscrizione al margine inferiore. Misure: Lastra: mm. 705 x 400; Inciso: mm. 637 x 375. Ampi margini Iscr.: nellÂ’inciso b. dx.: Gio. Batta Tiepolo f.; sotto: Lorenzo Tiepolo inc.; marg. inf centro: Joannes Batta Tiepolo inv. et pin.; sotto: Laurentius Tiepolo filius del. et inc. Questa splendida acquaforte costituisce un capolavoro nella storia dellÂ’incisione. Succi: Â“LÂ’eccezionale morbidezza dellÂ’intaglio, i meditati passaggi chiaroscurali dal nero vellutato del primo piano al bianco argenteo del gruppo con il benedicente, esaltano lo smagliante cromatismo della grande pala del duomo di Este, fulgido esempio della grande arte di Giambattista. La tela venne collocata sullÂ’altare maggiore alla vigilia di Natale dellÂ’anno 1759. La stampa fu fatturata a Mariette in un esemplare ante-litteram tra il 1761 e il 1762 ed Ã¨ pertanto databile con sicurezza al 1760-61Â”. Essa figura in tutte le quattro edizioni del Catalogo di Giandomenico con il titolo Miracolo di S. Tecla. Ottima impressione con ampi margini in belle condizioni. Abile restauro al centro dellÂ’incisione visibile principalmente al verso. Filigrana Â“scudo con braccio e spadinoÂ”. Bibl.: De Vesme, 1906, 3; Sack, 1910, 3; Rizzi, 223; Succi, 1988, N. 6.
Bado e Mart
Jul. 02, 2020
EFFIGY OF THE THEBAN GENERAL EPAMINONDAS
Est: €6,000 - €8,000
LORENZO TIEPOLO (Venice, 1736 - Madrid, 1776), ATTRIBUTED TO Effigy of the Theban general Epaminondas Oil on canvas, cm. 59,5x48. Framed Brush inscription upper left: “EPAMINONDAS”.
Bertolami Fine Art s.r.l.
Jun. 16, 2020
Lorenzo TIEPOLO Venise, 1736 - Madrid, 1776 Visage de sainte Agathe Crayon noir, estompe et touche de pastel bleu
Est: €15,000 - €20,000
Lorenzo TIEPOLO Venise, 1736 - Madrid, 1776 Visage de sainte Agathe Crayon noir, estompe et touche de pastel bleu Annoté ''GB Tiepolo f.i.g.m. n° 2978'' au verso The face of Sainte Agathe, black pen, stump and blue pastel, inscribed, by L. Tiepolo h: 35,50 w: 27,30 cm Provenance : Collection Bossi ; Collection Carl C. F. Beyerlen ; Sa vente, Stuttgart, 27 mars 1882 ; Vente anonyme ; Londres, Christie''s, 19 avril 1988, n° 23 (comme Giandomenico Tiepolo) ; Vente anonyme ; Paris, Auction Art, 29 novembre 2010, n° 23 (comme Lorenzo Tiepolo) ; Collection particulière, Paris Commentaire : Christel Thiem et Bernard Aikema se sont récemment penchés sur le problème d''attribution du grand nombre d''études de têtes réalisées par Giambattista, Giovanni Domenico et Lorenzo Tiepolo1. Sur la base de ces travaux et de ceux réalisés précédemment par George Knox2, on distingue maintenant deux groupes de dessins chez Lorenzo : ceux travaillés à l''encre, souvent des esquisses rapides de fragments de fresques, et ceux réalisés au crayon noir ou à la sanguine avec des rehauts de craie blanche. Le présent dessin, flanqué d''un trait bleu en zig zag, visible à droite, fait partie d''un petit groupe de feuilles sur papier blanc, fréquemment rehaussées par une touche de bleu ou de rouge dont la paternité revient aujourd''hui à Lorenzo. Notre dessin peut-être mis en rapport avec Le martyre de Sainte Agathe, peint vers 1755 par Giambattista Tiepolo pour les sœurs bénédictines de Lendinara, aujourd''hui à Berlin au Kaiser Friedrich Museum (fig. 1)3. Lorenzo collabora très jeune avec son frère aîné Giovanni Domenico aux travaux de son père, Giambattista, au sein du grand atelier familial. Dès seize ans il l''accompagna à Würzburg pour aider à l''élaboration du cycle de fresques du palais du prince évêque. Comme son frère Giovanni Domenico, il copia et grava un grand nombre d''œuvres de son père. Une copie du certificat du Dr. George Knox, en date du 1er juillet 2010, sera remise à l''acquéreur. 1. Chr. Thiem, "Lorenzo Tiepolo as a Draftsman", in ''Master Drawings'' 32,1994, p. 315-369 et B. Aikema, "Los dibujos de Lorenzo Tiepolo", in ''Lorenzo Tiepolo'', Madrid 1999, p. 146-189 2. G. Knox, ''Tiepolo, a bicentenary exhibition, 1770 - 1970 : drawings, mainly from American collections, by Giambattista Tiepolo and the members of his circle'', cat. exp., Harvard University, Fogg Art Museum, 1970 3. A. Morassi, ''Tiepolo'', Londres, 1955, ill. 51
Artcurial
Jun. 03, 2020
Tiepolo, Lorenzo Baldissera: Rinaldo verlässt Armida
Est: €400 - €600
Rinaldo abbandona Armida (Rinaldo verlässt Armida). Radierung nach Giovanni Battista Tiepolo. 20,7 x 27,8 cm. Um 1752. De Vesme 6, Rizzi (1970) 223 I (von II), Rizzi (1971) 227 I (von II). Das druckgraphische Schaffen des jüngsten Sohnes des Giambattista zählt lediglich zehn Blatt und ist selten. Seine Radierungen nach Erfindungen des Vaters weisen ihn als einen überraschend begabten und sensiblen Meister aus, der seinem älteren Bruder Giandomenico als Radierer in puncto graphischer Finesse und tonaler Wirkung eindeutig überlegen sein dürfte. Guter Druck mit feinem Rändchen um die Darstellung, vor der Schrift. Etwas stockfleckig und vergilbt, sonst gut erhalten. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Jun. 03, 2020
Tiepolo, Lorenzo Baldissera: Rinaldo verlässt Armida
Est: €1,500 - €1,800
Rinaldo abbandona Armida (Rinaldo verlässt Armida). Radierung nach Giovanni Battista Tiepolo. 20,9 x 28,4 cm. De Vesme 6, Rizzi (1971) 227 II. Wz. Großes gekröntes Wappen mit Schwert. Das druckgraphische Schaffen des jüngsten Sohnes des Giambattista zählt lediglich zehn Blatt und ist selten. Seine Radierungen nach Erfindungen des Vaters weisen ihn als einen überraschend begabten und sensiblen Meister aus, der seinem älteren Bruder Giandomenico als Radierer in puncto graphischer Finesse und tonaler Wirkung eindeutig überlegen sein dürfte. Ganz ausgezeichneter, gegensatzreicher, minimal trockener Druck mit gleichmäßigem Rand um die gratige Plattenkante. Minimale Alters- und Handhabungsspuren, sonst vorzüglich erhalten. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Dec. 18, 2019
TIEPOLO. S. Tecla.
Est: €6,000 - €8,000
TIEPOLO, Lorenzo. S. Tecla. 1736 - 1776 Acquaforte e bulino. Stato: II/ II. Con l’iscrizione al margine inferiore. Misure: Lastra: mm. 705 x 400; Inciso: mm. 637 x 375. Ampi margini Iscr.: nell’inciso b. dx.: Gio. Batta Tiepolo f. ; sotto: Lorenzo Tiepolo inc.; marg. inf centro: Joannes Batta Tiepolo inv. et pin.; sotto: Laurentius Tiepolo filius del. et inc. Abile restauro al centro dell’incisione visibile principalmente al verso. Filigrana “scudo con braccio e spadino”. Ottima impressione con ampi margini in belle condizioni. Questa splendida acquaforte costituisce un capolavoro nella storia dell’incisione. Succi: “L’eccezionale morbidezza dell’intaglio, i meditati passaggi chiaroscurali dal nero vellutato del primo piano al bianco argenteo del gruppo con il benedicente, esaltano lo smagliante cromatismo della grande pala del duomo di Este, fulgido esempio della grande arte di Giambattista. La tela venne collocata sull’altare maggiore alla vigilia di Natale dell’anno 1759. La stampa fu fatturata a Mariette in un esemplare ante-litteram tra il 1761 e il 1762 ed è pertanto databile con sicurezza al 1760-61”. Essa figura in tutte le quattro edizioni del Catalogo di Giandomenico con il titolo Miracolo di S. Tecla.
Bado e Mart
Nov. 21, 2019
LORENZO TIEPOLO (Venice, 1736 - Madrid, 1776), ATTRIBUTED TO - Bust of old philosopher with beard
Est: €8,000 - €12,000
LORENZO TIEPOLO (Venice, 1736 - Madrid, 1776), ATTRIBUTED TO Bust of old philosopher with beard Oil on canvas, cm. 59x50. Framed Antique brush inscriptio on the back: "ME HIZO EL AÑO DE 1764" (PAINTED ME THE YEAR 1764).
Bertolami Fine Art s.r.l.
Jul. 15, 2019
Lorenzo TIEPOLO. S. Tecla.
Est: €6,500 - €8,500
Lorenzo TIEPOLO. 1736 - 1776 S. Tecla. Etching and burin. State: II/ II. Inscription on lower margin. Measures: Lastra: mm. 705 x 400; engraving: mm. 637 x 375. Wide margins. Iscr.: in the engraving on right bottom: Gio. Batta Tiepolo f.; lower: Lorenzo Tiepolo inc.; on bottom in the middle: Joannes Batta Tiepolo inv. et pin.; sotto: Laurentius Tiepolo filius del. et inc. This wonderful etching is a masterpiece in the history of engraving. Succi: Â“LÂ’eccezionale morbidezza dellÂ’intaglio, i meditati passaggi chiaroscurali dal nero vellutato del primo piano al bianco argenteo del gruppo con il benedicente, esaltano lo smagliante cromatismo della grande pala del duomo di Este, fulgido esempio della grande arte di Giambattista. La tela venne collocata sullÂ’altare maggiore alla vigilia di Natale dellÂ’anno 1759. La stampa fu fatturata a Mariette in un esemplare ante-litteram tra il 1761 e il 1762 ed Ã¨ pertanto databile con sicurezza al 1760-61Â”. It appears in all four editions of the Catalog of Giandomenico with the title Miracle of St. Tecla. Excellent impression with wide margins in good condition. Skilled restoration in the center of the incision visible mainly on the verso. Watermark "shield with arm and sword".. Bibl.: De Vesme, 1906, 3; Sack, 1910, 3; Rizzi, 223; Succi, 1988, N. 6.
Bado e Mart
Jun. 03, 2019
LORENZO TIEPOLO 18th C. Couple of philosophers
Est: -
LORENZO TIEPOLO Venecia 1736 Pareja de filósofos 61,3 x 49 cm
Isbilya Subastas
May. 02, 2019
* Lorenzo Tiepolo (Italian, 1736-1776) Rinaldo and Armida
Est: £1,500 - £2,000
Lorenzo Tiepolo (Italian, 1736-1776) Rinaldo and Armida (De Vesme 4; Rizzi 225) Etching, c.1750, on laid, with watermark Imperial with three crescents, the second, final state, with wide margins, 271 x 338mm (10 6/8 x 13 1/4in)(PL); 372 x 449mm (14 5/8 x 17 3/4in)(SH) Provenance: With Colnaghi, London (with their stock number c. 35332 in pencil recto).
Bonhams
Mar. 07, 2019
LORENZO TIEPOLO (attr. a)
Est: €1,500 - €2,500
(Venezia, 1736 - Madrid, 1776) Ritratto d'uomo in veste di orientale Olio su tela, cm 46X34 Il dipinto reca una interessante attribuzione a Lorenzo Tiepolo, che di primo acchito sembra contrastare l'impressione fortemente rembrandtiana. Tuttavia, l'analisi delle stesure fa percepire una valenza affatto italianizzate, ben diversa da quella nordica e tipica del maestro di Leida. Anche la datazione si distanzia, mostrando una maggiore coerenza tecnica con opere di epoca settecentesca, suggerendo di conseguenza di trovarci al cospetto di un abile falsificazione, fatto per nulla inusuale per la pittura lagunare sin dai tempi rinascimentali. Basti qui ricordare le prove giorgionesche di Pietro Muttoni detto il Della Vecchia. Inoltre, non si deve dimenticare quanto l'arte nordica abbia influenzato l'arte veneta e qui evochiamo quel sapore fiammingo espresso in non poche tele del Maggiotto, ma ancor più, tornando a Rembrandt, le famose teste di carattere prodotte dai Tiepolo. È quindi verosimile supporre che il sodale Lorenzo abbia esercitato una simile dubbia attività, maggiormente dopo il suo trasferimento in Spagna, dove sia pur elogiato, le fonti lo descrivono quasi indigente.
Wannenes Art Auctions
Dec. 18, 2018
* Lorenzo Tiepolo (Italian, 1736-1776) Rinaldo and Armida
Est: £2,000 - £3,000
Lorenzo Tiepolo (Italian, 1736-1776) Rinaldo and Armida (De Vesme 4, Rizzi 225) Etching, circa 1750, on laid paper, with watermark Imperial with three crescents, the second, final state, with wide margins, pale mount staining in the margins, otherwise in good conditionPlate 271 x 338mm. (10 6/8 x 13 1/4in.); Sheet 372 x 449mm. (14 5/8 x 17 3/4in.) Provenance: With Colnaghi, London (with their stock number c. 35332 in pencil recto)
Bonhams
Nov. 29, 2018
LORENZO TIEPOLO (attr. a)
Est: €300 - €500
(Venezia, 1736 - Madrid, 1776) Ritratto di uomo con turbante Olio su tela, cm 54X44 Il dipinto reca una interessante attribuzione a Lorenzo Tiepolo, che di primo acchito sembra contrastare l'impressione fortemente rembrandtiana. Tuttavia, l'analisi delle stesure fa percepire una valenza affatto italianizzate, ben diversa da quella nordica e tipica del maestro di Leida. Anche la datazione si distanzia, mostrando una maggiore coerenza tecnica con opere di epoca settecentesca, suggerendo di conseguenza di trovarci al cospetto di un abile falsificazione, fatto per nulla inusuale per la pittura lagunare sin dai tempi rinascimentali. Basti qui ricordare le prove giorgionesche di Pietro Muttoni detto il Della Vecchia. Inoltre, non si deve dimenticare quanto l'arte nordica abbia influenzato l'arte veneta e qui evochiamo quel sapore fiammingo espresso in non poche tele del Maggiotto, ma ancor più, tornando a Rembrandt, le famose teste di carattere prodotte dai Tiepolo. E' quindi verosimile supporre che il sodale Lorenzo abbia esercitato una simile dubbia attività, maggiormente dopo il suo trasferimento in Spagna, dove sia pur elogiato, le fonti lo descrivono quasi indigente.
Wannenes Art Auctions
Jul. 12, 2018
TIEPOLO. S. Tecla.
Est: €5,000 - €6,000
Lorenzo TIEPOLO. 1736 - 1776 S. Tecla. Etching and burin. State: II/ II.Inscription on lower margin. Measures: Lastra: mm. 705 x 400; engraving: mm. 637 x 375. Wide margins. Iscr.: in the engraving on right bottom: Gio. Batta Tiepolo f.; lower: Lorenzo Tiepolo inc.;on bottom in the middle: Joannes Batta Tiepolo inv. et pin.; sotto: Laurentius Tiepolo filius del. et inc.
Bado e Mart
Sep. 26, 2017
Lorenzo Baldissera Tiepolo (1736-1776) after Giovanni Domenico Tiepolo Rinaldo and Armida, etching, circa 1753.
Est: £300 - £500
Lorenzo Baldissera Tiepolo (1736-1776) Rinaldo abandoning Armida, after Giovanni Domenico Tiepolo Etching, circa 1753, on laid paper with watermark of graduated triple crescents, with countermark of the letter 'W' below a trefoil-topped crown, a delicate impression of the second state (of two), with the number 13 upper right, platemark 206 x 284 mm. (8 1/8 x 11 1/4 in), sheet 282 x 360 mm. (11 1/8 x 14 1/4 in). Provenance: Unidentified collector's ink stamp verso [Not in Lugt] Literature: De Vesme 6 ii/ii
Forum Auctions - UK
Jun. 12, 2017
ATTRIBUTED TO LORENZO BALDISSERA TIEPOLO, (ITALIAN 1736-1776), HEAD STUDY
Est: $2,000 - $4,000
ATTRIBUTED TO LORENZO BALDISSERA TIEPOLO (italian 1736-1776) HEAD STUDY Red chalk on pale blue paper Sheet size: 8 1/2 x 6 in. (21.6 x 15.2cm) provenance: Collection of Dr. George Laporte (Lugt 1170). Collection of Paul Garnier (per hand-written notation on card affixed to frame verso). Collection of Jean Gaspard Félix Ravaisson-Mollien (per hand-written notation on card affixed to frame verso). Private Collection, New York, New York.
Freeman's | Hindman
Jan. 25, 2017
LORENZO TIEPOLO (1736-1776) AFTER GIOVANNI Rinaldo and Armida
Est: $2,500 - $3,500
LORENZO TIEPOLO (1736-1776) AFTER GIOVANNI Rinaldo and Armida Plate 271 x 338 mm., Sheet 372 x 449 mm.
Christie's
Jan. 25, 2017
Tiepolo (Lorenzo Baldissera), Rinaldo abandoning Armida, etching after Giovanni DomenicoTiepolo
Est: £500 - £700
Tiepolo (Lorenzo Baldissera, 1736-1776), Rinaldo abandoning Armida, after Giovanni Domenico Tiepolo, etching, a delicate impression, on laid paper with watermark of graduated triple crescents, with countermark of the letter 'W' below a trefoil-topped crown, second state (of two) with the number 13 upper right, plate mark: 206 x 284 mm. (8 1/8 x 11 1/4 in), sheet: 282 x 360 mm. (11 1/8 x 14 1/4 in) Provenance: Unidentified collector's ink stamp verso [Not in Lugt] Literature: De Vesme 6.II
Forum Auctions - UK
Jan. 27, 2016
LORENZO BALDISSERA TIEPOLO | Recto: Oriental figures by an obelisk Verso: Two figures
Est: $16,000 - $18,000
Pen and brown ink and wash over black chalk (recto and verso)
Sotheby's
Jan. 27, 2016
LORENZO BALDISSERA TIEPOLO | Head of a youth turned to the left
Est: $120,000 - $180,000
Black chalk with stumping and red, green and brown chalk
Sotheby's
Aug. 09, 2015
"Vendedor de Agua y Limon" litho by Tiepolo
Est: $100 - $200
" Vendedor de Agua y Limon", (The Lemon Water Seller) at the Palacio Real in Madrid, Spain. Lithograph of a Lorenzo Tiepolo, (1736-1776) 17 3/4" H x 23 3/4" W. Print in very good condition. Needs to be reframed.
Greenwich Auction
Aug. 09, 2015
"La Mielera", Litho by Lorenzo Tiepolo, Spain
Est: $100 - $200
"La Mielera", (The Honey Seller) at the Palacio Real in Madrid, Spain. Lithograph of a Lorenzo Tiepolo, (1736-1776) 17 3/4" H x 23 3/4" W. Print in very good condition. Needs to be reframed.
Greenwich Auction
May. 28, 2015
Tiepolo, Lorenzo Baldissera: Das Wunder des Heiligen Antonius von Padua
Est: €1,500 - €1,800
Das Wunder des Heiligen Antonius von Padua (S. Antonio). Radierung nach Giovanni Battista und Giovanni Domenico Tiepolo. 35,3 x 21,3 cm. De Vesme 2, Rizzi (1970) 219, Rizzi (1971) 223 III, Succi 4 III. Wz. Tre Lune. Mit der Nummer und der Adresse, sowie der Verkürzung des Schriftrandes. Prachtvoller, lebendiger Druck mit Rand um die Facette. Schwache Gebrauchsspuren, einzelne dünne Stellen im Papier in den äußeren weißen Rändern, sonst tadellos. Selten, wir konnten im Auktionshandel der letzten 20 Jahre nur zwei weitere Exemplare nachweisen.
Bassenge Auctions
Apr. 11, 2015
"Vendedor de Agua y Limon" litho by Tiepolo
Est: $100 - $200
" Vendedor de Agua y Limon", (The Lemon Water Seller) at the Palacio Real in Madrid, Spain. Lithograph of a Lorenzo Tiepolo, (1736-1776) 17 3/4" H x 23 3/4" W. Print in very good condition. Needs to be reframed.
Greenwich Auction
Apr. 11, 2015
"La Mielera", Litho by Lorenzo Tiepolo, Spain
Est: $100 - $200
"La Mielera", (The Honey Seller) at the Palacio Real in Madrid, Spain. Lithograph of a Lorenzo Tiepolo, (1736-1776) 17 3/4" H x 23 3/4" W. Print in very good condition. Needs to be reframed.
Greenwich Auction
Mar. 25, 2015
LORENZO BALDISSERA TIEPOLO (VENISE 1736-1772 Tête de jeune fille de profil
Est: €2,500 - €3,500
LORENZO BALDISSERA TIEPOLO (VENISE 1736-1772 Tête de jeune fille de profil (recto); Tête de jeune garçon vu de face (verso) pierre noire, craie blanche, sur papier bleu 31 x 32.5 cm.
Christie's