Giovanni Battista Tiepolo Paintings & Artwork for Sale | Giovanni Battista Tiepolo Art Value Price Guide

Jan. 28, 2025
GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 18.5IN x 24.5IN (47cm x 62cm)
Est: $1,000 - $1,500
Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a simple, black frame. Acquired from a Metro Washington DC estate. With frame, it measures 29.5 inches x 35.5 inches.
The Rug Life Auctions
Jan. 22, 2025
Attributed to GIOVANI BATTISTA TIEPOLO (Venice, 1696 - Madrid, 1770); XVIII century. "Biblical scene". Tempera on paper. It has faults in the frame.
Est: €1,000 - €1,200
Attributed to GIOVANI BATTISTA TIEPOLO (Venice, 1696 - Madrid, 1770); XVIII century. "Biblical scene". Tempera on paper. It has faults in the frame. Measurements: 30 x 42 cm; 61 x 74 cm (frame). The Venetian Giovanni Battista Tiepolo was one of the greatest painters of the Europe of the XVIII century, and the magnificent first master of the Great Manner, an idealized aesthetic derived from classicism. His art exalts the imagination by translating the world of ancient history, myth, scripture and sacred legends into a grandiose and theatrical language, typical of the late Baroque. Tiepolo developed an aesthetic that, starting from the convention of his formative period, evolved brilliantly, becoming increasingly splendid, celebrating the notion of Italian "capriccio" and "fantasia". He was one of the most important Italian fresco painters of his time, as well as an easel painter and engraver, considered the last great painter of the Baroque era and one of the most outstanding figures of the Italian Rococo. Especially decisive was his birth in Venice; his first teacher was Giorgio Lazzarini, who trained him in the study of the Venetian masters of the 16th century. He learned mainly the chromaticism and the violent chiaroscuro effects of Veronese. He began his career working for the Venetian Cornari and Dolfin families, and around 1718-1720 he executed his first important work, the series of canvases on Queen Zenobia for the Ca'Zenobio palace in his native Venice. He was a very active painter not only in Venice, but also in other areas of northern Italy and, in 1761, he was called to Madrid by Charles III to decorate the Throne Room of the new Royal Palace. Always supported by his sons Domenico and Lorenzo, Tiepolo worked in the palace between 1762 and 1766, and finally decided to remain working for the Spanish court, accepting various royal commissions as a chamber painter. Works by this painter are currently preserved in leading art galleries in Europe and America, such as the Prado Museum, the Metropolitan Museum in New York, the Louvre in Paris, the Academy Gallery in Venice, the Gemäldegalerie in Berlin, the Hermitage in St. Petersburg, the Kunsthistorisches in Vienna, the Thyssen-Bornemisza Museum in Madrid, the National Museum in Stockholm, the Pinacoteca de Brera in Milan and the Rijksmuseum in Amsterdam, among others.
Setdart Auction House
Jan. 14, 2025
GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 19IN x 22IN (48cm x 56cm)
Est: $1,000 - $1,500
Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a green frame. Acquired from a Metro Washington DC estate. With frame, it measures 19 inches x 22 inches.
The Rug Life Auctions
Jan. 07, 2025
GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 18.5IN x 24.5IN (47cm x 62cm)
Est: $1,000 - $1,500
Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a simple, black frame. Acquired from a Metro Washington DC estate. With frame, it measures 29.5 inches x 35.5 inches.
The Rug Life Auctions
Dec. 23, 2024
GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 19IN x 22IN (48cm x 56cm)
Est: $1,000 - $1,500
Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a green frame. Acquired from a Metro Washington DC estate. With frame, it measures 19 inches x 22 inches.
The Rug Life Auctions
Dec. 17, 2024
GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 18.5IN x 24.5IN (47cm x 62cm)
Est: $1,000 - $1,500
Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a simple, black frame. Acquired from a Metro Washington DC estate. With frame, it measures 29.5 inches x 35.5 inches.
The Rug Life Auctions
Dec. 12, 2024
Giambattista Tiepolo 1696 Venezia-1770 Madrid, attribuito a Sant'Ambrogio
Est: €4,000 - €5,000
penna, inchiostro e acquerello bruno su carta
Cambi Casa d'Aste
Dec. 11, 2024
Tiepolo. A whim from the series "Scherzi de Fant
Est: -
Etching signed in plate in the lower corners. Heavyweight linen paper.
Duran Arte y Subastas
Dec. 11, 2024
Tiepolo. Satyr family with obelisk
Est: -
Etching signed in the plate in the lower left corner. Heavyweight linen paper.
Duran Arte y Subastas
Dec. 11, 2024
Tiepolo. Punchinello gives advice
Est: -
Etching, signed with an anagram in the lower right corner. Heavyweight linen paper.
Duran Arte y Subastas
Dec. 03, 2024
GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 19IN x 22IN (48cm x 56cm)
Est: $1,000 - $1,500
Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a green frame. Acquired from a Metro Washington DC estate. With frame, it measures 19 inches x 22 inches.
The Rug Life Auctions
Dec. 03, 2024
GIOVANNI BATTISTA TIEPOLO, CALLED GIAMBATTISTA TIEPOLO (VENICE 1696-1770. G
Est: £1,000,000 - £1,500,000
GIOVANNI BATTISTA TIEPOLO, CALLED GIAMBATTISTA TIEPOLO (VENICE 1696-1770. Guilty Punchinello. oil on canvas 40 x 64 ¾ in. (101.6 x 164.5 cm.).
Christie's
Nov. 27, 2024
GIAMBATTISTA TIEPOLO
Est: €5,000 - €8,000
(Venezia, 1696 - Madrid, 1770) Sant'Antonio da Padova Olio su tela, cm 120X61 Provenienza: Milano, collezione Giuseppe Beltrami Milano, collezione privata (1949) Bibliografia: P. Molmenti, G. B. Tiepolo, la sua vita e le sue opere, Milano 1909, p. 341 (come Domenico Tiepolo) E. Sack, Giambattista und Domenico Tiepolo, Ihr Leben und Hire Werke, Hamburg 1910, p. 312, n. 94(come Domenico Tiepolo, ma giudicata simile ai lavori di Aranjuez) P. Molmenti, Tiepolo. La vie et l'oeuvre du Peintre, Parigi 1911, tav. 251 Nei pionieristici studi di Molmenti e di Sack, questa piccola pala fu assegnata a Giandomenico Tiepolo, quando il pittore guarda alle ultime creazioni spagnole del padre. Tuttavia, il confronto fra i due studiosi si avvaleva di una riproduzione fotografica e da allora il dipinto non fu più oggetto di studio. Il suo riapparire ha pertanto permesso a Giorgio Fossaluzza una riconsiderazione critica del dipinto, proponendo di ricondurlo al catalogo di Giambattista, ravvisandovi una data d'esecuzione al quarto decennio, vale a dire, nel momento in cui l'autore evolve con maggiore evidenza. Sono gli anni in cui Tiepolo porta a termine gli affreschi di Udine e le tele di palazzo Dolfin a Venezia, oggi conservate a Vienna, New York e Pietroburgo- ed è in questa fase che si colloca l'opera, connotata da una sciolta conduzione pittorica e una peculiare costruzione scenica, la medesima che riconosciamo negli affreschi e nelle pale d'altare di questo momento, la cui articolazione compositiva si fa accentuatamente verticale. A confronto possiamo qui ricordare la pala di Pieve di Sacco, l'Adorazione del Bambino custodita nella Sacrestia dei canonici della Basilica di San Marco, l'Educazione della Vergine di Santa Maria della Fava e la pala realizzata per la chiesa padovana di San Prosdocimo oggi custodita all'Accademia di Venezia. Rispetto a queste opere, la tela in esame presenta però una riuscita fermezza compositiva nell'enfatizzare la centralità della figura e il suo atteggiamento meditativo nel momento in cui riceve il serto di gigli. Nondimeno, l'opera condivide con le creazioni degli anni Trenta una peculiare agilità delle stesure e una più consapevole sensibilità cromatica, riconoscibile nel panneggio rosato che avvolge il Bimbo e nel tessuto blu che spicca al centro della composizione, artificio che equilibra e ravviva con le sue screziature la scena. Quanto al riscontro tipologico, il volto squadrato e teso del Santo, sapientemente costruito dalla gradazione chiaroscurale, rammenta ancora le opere degli anni Venti ma, soprattutto, indica un preciso confronto con il San Rocco della collezione Von Pannwitz a Bennebrock e di collezione Cicogna a Milano (Gemin, Pedrocco 1993, pp. 306 cat. 184, 309 cat. 196). Si ringrazia Giorgio Fossaluzza per l'attribuzione. Bibliografia di riferimento: M. Gemin, F. Pedrocco, Giambattista Tiepolo. I dipinti. Opera completa, Venezia 1993, ad vocem F. Pedrocco, Giambattista Tiepolo: gli esordi, in Giambattista Tiepolo, catalogo della mostra a cura di A. Bayer, K. Christiansen, G. Nepi Scirè, F. Pedrocco, G. Romanelli, Milano 1996, pp. 37-51 G.M. Pilo, Per la giovinezza di Giovan Battista Tiepolo, in Arte Documento, 10, 1996, pp. 168-173
Wannenes Art Auctions
Nov. 27, 2024
Tiepolo, Giovanni Battista: Nymphe mit kleinem Satyr und zwei Ziegen
Est: €1,500 - €1,800
Ninfa con un piccolo satiro - Nymphe mit kleinem Satyr und zwei Ziegen. Radierung. 14 x 17,5 cm. De Vesme 7, Rizzi (1970) 32, Rizzi (1971) 33, Succi 45. Wz. Fragment. Ganz augezeichneter, klarer Druck mit breitem Rand. Marginale Gebrauchsspuren, verso vereinzelte schwache Leimrestchen, sonst in sehr schöner Erhaltung. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Nov. 27, 2024
Tiepolo, Giovanni Battista: Der hl. Joseph und das Christuskind
Est: €1,200 - €1,500
Der hl. Joseph und das Christuskind. Radierung. 9,6 x 8,8 cm. De Vesme 2, Rizzi (1970) 27 I (von II), Rizzi (1971) 28 I (von II). Die kleine, einfühlsam beobachtete Darstellung des hl. Joseph mit dem Christkind ist von großer Seltenheit. Ausgezeichneter Druck vor der Nummer, mit feinem Rändchen um die teils mitdruckende Plattenkante. Die linke obere und untere Ecke minimal ausgerissen und hinterlegt, verso vereinzelte Montierungsreste, sonst sehr gut erhaltenes Exemplar. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Nov. 26, 2024
GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 18.5IN x 24.5IN (47cm x 62cm)
Est: $1,000 - $1,500
Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a simple, black frame. Acquired from a Metro Washington DC estate. With frame, it measures 29.5 inches x 35.5 inches.
The Rug Life Auctions
Nov. 26, 2024
Giovanni Battista Tiepolo (1696-1770); Two plates, from Scherzi (2 works);
Est: $2,500 - $3,500
Giovanni Battista Tiepolo (1696-1770) Two plates, from Scherzi (2 works) (Rizzi 13; 15), 1735-40 Two etchings on laid paper each with a partial unidentified watermark, each Rizzi's first state (of 2), each with margins. (2 works) Titles Include: The Happy Satyr and his Family; Six People watching a Snake plate 8 7/8 x 7in (22.5 x 17.8cm); 8 7/8 x 6 15/16in (22.5 x 17.6cm) sheet 11 1/4 x 8 15/16in (28.6 x 22.7cm); 15 1/4 x 10 3/4in (38.7 x 27.3cm)
Bonhams
Nov. 26, 2024
Giovanni Battista Tiepolo (1696-1770); Two plates, from Scherzi (2 works);
Est: $3,000 - $5,000
Giovanni Battista Tiepolo (1696-1770) Two plates, from Scherzi (2 works) (Rizzi 8; 16), c. 1743–50 Two etchings on laid paper each with partial unidentified watermarks, each Rizzi's first state (of 2), one with margins, the other with thread margins. (2 works) Titles Include: Seated Magician, Boy and Four Figures; Two Astrologers and a Boy plate 8 7/8 x 7in (22.5 x 17.8cm); 8 15/16 x 6 7/8in (22.6 x 17.5cm) sheet 9 5/8 x 7 13/16in (24.4 x 19.8cm); 9 3/16 x 7 1/16in (23.3 x 17.9cm)
Bonhams
Nov. 26, 2024
Giovanni Battista Tiepolo (1696-1770); Two plates, from Scherzi (2 works);
Est: $3,000 - $5,000
Giovanni Battista Tiepolo (1696-1770) Two plates, from Scherzi (2 works) (Rizzi 14; 17), c. 1735–40 Two etchings on laid paper one with partial unidentified watermark, each Rizzi's first state (of 2), one with thread margins, the other with margins. (2 works) Titles Include: Satyr Family with Obelisk; Two Magicians and Two Boys plate 8 7/8 x 6 15/16in (22.4 x 17.6cm); 8 11/16 x 6 15/16in (22 x 17.5cm) sheet 9 x 7 1/16in (22.9 x 17.9cm); 9 1/2 x 7 3/4in (24.1 x 19.7cm)
Bonhams
Nov. 22, 2024
Tiepolo, Giovanni Battista (1696-1770) (circle/ in the style of). (The Holy Virgin and child).
Est: €700 - €900
Tiepolo, Giovanni Battista (1696-1770) (circle/ in the style of). (The Holy Virgin and child). Drawing, pen and ink, brown wash, 25x21 cm. - Paper brittle and frayed along outer edges; browned and offsetting along edges.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Nov. 16, 2024
G. TIEPOLO (1696-1770), Allegory of the glory of heroes with priestess Hero, Reproduction
Est: €45 - €75
Giovanni Battista Tiepolo (1696 - 1770 ): Allegory of the glory of heroes With priestess Hero, her tower and tumbling angels, 18th century, Reproduction Technique: Reproduction on Paper Inscription: Lower middle signed in the printing plate: "Ioannes Batta Tiepolo inv. et pinx.". Date: 18th century Description: Heavenly scene with angels and putti. The focus is on the priestess Hero in front of a high tower. The composition has a narrative quality that suggests a divine or mythological scene. The pyramid-like structure and the splendid staging convey a transcendence reminiscent of Baroque ceiling frescoes. Keywords: Heavenly scene; Baroque; Mythology; Goddess; Angel; Pyramid; Homage; Transcendence; Figures; Clouds; Narrative; References; Work of art; Dynamics; Composition; Ceiling fresco; Sacred; Symbolism; Divinity; Splendour; Hero; Glory of heroes, 18th century, Baroque, Mythology, France, Size: Paper: 49,2 cm x 40,8 cm (19,4 x 16,1 in), Depiction: 44,4 cm x 34,3 cm (17,5 x 13,5 in)
Fichter Kunsthandel
Nov. 15, 2024
Giovanni Battista Tiepolo (1696 Venedig - Madrid 1770) – 2 Bll.: L'astrologo e il giovane soldato - Donna che posa le mani su un vaso, soldato e schiavo
Est: €1,200 - €1,400
2 Bll.: L'astrologo e il giovane soldato (Der Astrologe mit dem jungen Soldaten) - Donna che posa le mani su un vaso, soldato e schiavo (Frau mit den Händen auf einer Vase, ein Soldat und ein Sklave) (2 sheets: L'astrologo e il giovane soldato (The astrologer with the young soldier) - Donna che posa le mani su un vaso, sold Etching on laid paper. (Circa 1740). 13.9 x 17.7 cm (sheet size 16.2 cm x 20.6 cm) and 13.4 x 17.3 cm (sheet size 18.7 x 22.6 cm).
Karl & Faber
Nov. 12, 2024
GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 19IN x 22IN (48cm x 56cm)
Est: $1,000 - $1,500
Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a green frame. Acquired from a Metro Washington DC estate. With frame, it measures 19 inches x 22 inches.
The Rug Life Auctions
Nov. 04, 2024
GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 18.5IN x 24.5IN (47cm x 62cm)
Est: $1,000 - $1,500
Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a simple, black frame. Acquired from a Metro Washington DC estate. With frame, it measures 29.5 inches x 35.5 inches.
The Rug Life Auctions
Oct. 26, 2024
E. DONADINI (*1847) after TIEPOLO (*1696), Cleopatra's banquet, Pencil
Est: €450 - €600
Ermenegildo Antonio Donadini (1847 Split - 1936 Radebeul) after Giovanni Battista Tiepolo (1696 - 1770 ): Cleopatra's banquet, 19th century, Pencil Technique: Pencil on Paper, mounted on Cardboard Date: 19th century Description: According to ancient tradition, a work by Ermenegildo Antonio Donadini. Keywords: Box, concert hall, theatre, celebrities, pillars, 19th century, Classicism, Music, Italy, Size: Paper: 73,5 cm x 48,9 cm (28,9 x 19,3 in)
Fichter Kunsthandel
Oct. 24, 2024
Giambattista Tiepolo "Adoration of the Magi" etching (492x359 mm. the sheet) number three at upper left inscribed at lower right in pen ''Tiepolo Gio Battista" on verso stamp of Caironi collection (Lugt 426) watermark not identified framed ...
Est: €1,000 - €1,200
(Venezia 1696 - Madrid 1770) "Adoration of the Magi" etching (492x359 mm. the sheet) number three at upper left inscribed at lower right in pen ''Tiepolo Gio Battista" on verso stamp of Caironi collection (Lugt 426) watermark not identified framed (defects) IT "Adorazione dei Magi" acquaforte (mm 492x359 il foglio) numero tre in alto a sinistra iscritto in basso a destra a penna "Tiepolo Gio Battista" al verso timbro di collezione Caironi (Lugt 426) filigrana non individuata in cornice (difetti)
Il Ponte Auction House
Oct. 24, 2024
Giambattista Tiepolo "Nymph with a little satyr" etching (143x177 mm. the sheet) (defects)...
Est: €250 - €300
(Venezia 1696 - Madrid 1770) "Nymph with a little satyr" etching (143x177 mm. the sheet) (defects) IT "Ninfa con un piccolo satiro" acquaforte (mm 143x177 il foglio) (difetti)
Il Ponte Auction House
Oct. 23, 2024
GIOVANNI BATTISTA TIEPOLO (1696-1770). Adoration of the Magi. Plate: 17 x 1
Est: $7,000 - $10,000
GIOVANNI BATTISTA TIEPOLO (1696-1770). Adoration of the Magi. Plate: 17 x 11 ½ in. (432 x 291 mm.) Sheet: 18 ¾ x 13 1⁄16 in. (476 x 330 mm.).
Christie's
Oct. 22, 2024
GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 19IN x 22IN (48cm x 56cm)
Est: $1,000 - $1,500
Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a green frame. Acquired from a Metro Washington DC estate. With frame, it measures 19 inches x 22 inches.
The Rug Life Auctions
Oct. 19, 2024
Convent Painting Of The Madonna
Est: $500 - $1,000
Large framed oil on canvas after the painting, "The Immaculate Conception" by Giovanni Battista Tiepolo (1696-1770). This subject was a favorite to copy amongst nuns with artistic talent. They were meant to hang in their church or convent and are seldom signed. This example has age to it with surface cracking and evidence of repairs on the rear side of the canvas (see photos. Frame measures 48" tall, 38" wide.
Donley Auction Services
Oct. 15, 2024
GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 18.5IN x 24.5IN (47cm x 62cm)
Est: $1,000 - $1,500
Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a simple, black frame. Acquired from a Metro Washington DC estate. With frame, it measures 29.5 inches x 35.5 inches.
The Rug Life Auctions
Oct. 08, 2024
Tiepolo, Giovanni Battista - nach: Excellentissimo viro Friderico Comiti Savorniano senatori
Est: €360 - €600
Tiepolo, Giovanni Battista (nach). Excellentissimo viro Friderico Comiti Savorniano senatori. Crayonmanier. 43 x 31,5 cm (Plattenrand). Venedig, Innocente Alessandri und Pietro Scattaglia, 1760-1770. -- Früher Druck in Crayonmanier (auch Kreidemanier), die um 1750 erfunden wurde, nach dem großen Barock- und Rokokokünstler Giovanni Battista Tiepolo (1696-1770). – Etwas fleckig mit einigen Löchlein, Mittelfalz und Einrissen (teils verso hinterlegt). Eselsohr, leicht knittrig.
Bassenge Auctions
Oct. 01, 2024
GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 19IN x 22IN (48cm x 56cm)
Est: $1,000 - $1,500
Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a green frame. Acquired from a Metro Washington DC estate. With frame, it measures 19 inches x 22 inches.
The Rug Life Auctions
Sep. 26, 2024
GIOVANNI BATTISTA TIEPOLO, 1696 VENEDIG – 1770 MADRID, WERKSTATT DES
Est: €8,000 - €10,000
Gemäldepaar BUSSE, DEMUT UND WAHRHEIT sowie MUT UND GERECHTIGKEIT Öl auf Leinwand. Doubliert. 39 x 46,5 cm. Die Darstellungen zeigen Deckenbild-Eckpartien aus dem Kapitelsaal in der Scuola Grande dei Carmini, Venedig, im Sestiere Dorsoduro, für den Tiepolo von 1739 bis 1749 die Bilder schuf. Dabei handelt es sich um an die Decke montierte Ölgemälde. Die beiden vorliegenden Gemälde entsprechen inhaltlich zweien von den vier Eckbildern des Saales (ca. 240 x 240 cm.), dessen großes Hauptbild 1749 als letztes eingefügt wurde, mit der Darstellung der Maria, die dem Heiligen Simon Stock das Scapulier überreicht. Sämtliche begleitende Teilbilder stellen Allegorien dar. Hier die Themen „Mut und Gerechtigkeit“, sowie „Buße, Demut und Wahrheit“. Dabei ist die „Buße“ mit gebräuntem Gesicht mit einem Kreuz gezeigt, die „Demut“ in Weiß mit einem Lamm, die „Wahrheit“ hält ein Sieb. Im Gegenstück ist der „Mut“ als weibliche Allegorie vorgestellt, die sich an eine Säule als Symbol der Stärke lehnt, während die „Gerechtigkeit“ das Schwert hält. Putten in Wolken bzw. auf gemaltem Gebälk bereichern die Gruppen. Die Ecken in den vorliegenden Gemälden sind in Braun abgesetzt, und unterscheiden sich von den Abgrenzungen an der Raumdecke durch Stuckrahmungen. Dabei ist zu beobachten, dass zudem etliche Details nicht der Ausführung im Saal entsprechen. So zeigen die Deckenbilder je eine große rundbogige Abgrenzung, während dies bei den vorliegenden kleinen Vorlagen noch nicht berücksichtigt ist. Auch unterscheidet sich in dem erstgenannten Bild die Darstellung des Architektur-Gesimses wesentlich von der Ausführung: der in der großen Ausführung gemalte Perlstab fehlt hier, ebenso der Kopf unterhalb des Gesimsvorsprungs rechts. Im Deckenbild ist links unten auf dem Stein die Datierung „1744“ zu sehen. Auch im Gegenstück sind einige Unterschiede zur Deckenbild-Ausführung zu erkennen. Die Lichtführung auf dem ockerfarbenen Kleid der Justitia ist wesentlich auf „Zacken“ reduziert, den roten Quasten an der Hellebarde fehlen noch die Quasten. Die vorliegenden Unterschiede zwischen den beiden Ölbildern sind vielfältig und lassen darauf schließen, dass es sich hierbei nicht um bloße Kopien der Deckenbilder handelt. Vielmehr ist anzunehmen, dass diese Werke als Vorlagen für die endgültige Ausführung dienten. Die in den Bildern erkennbaren, scharf gezeichneten, dunklen Begrenzungslinien unterstützen diese Annahme zusätzlich. Angesichts des enormen Aufgebots an Malern in der Werkstatt von Tiepolo ist es nahezu unmöglich, präzise Zuordnungen zu treffen. Es ist jedoch anzunehmen, dass für die Erstellung solcher Vorlagen lediglich die engsten Vertrauten des Meisters in Betracht gezogen wurden. (1411591) (11) Giambattista Tiepolo, 1696 Venice - 1770 Madrid, workshop of Oil on canvas. Relined. 39 x 46.5 cm. A pair of paintings PENANCE, HUMILITY and TRUTH and COURAGE AND JUSTICE The paintings depict corner sections of ceiling paintings from the chapter house in the Scuola Grande dei Carmini in the Sestiere Dorsoduro in Venice, for which Tiepolo created the paintings between 1739 and 1749. The content of the two paintings on offer for sale in this lot correspond to two of the four corner paintings in the hall (approx. 240 x 240 cm). Several details do not match the execution in the hall. The counterpart also shows striking differences to the execution of the ceiling painting. (†)
Hampel Fine Art Auctions
Sep. 26, 2024
GIOVANNI BATTISTA TIEPOLO, 1696 VENEDIG – 1770 MADRID, KREIS DES
Est: €7,000 - €9,000
VARIANTE ZUM GASTMAHL DER CLEOPATRA Öl auf Leinwand. Doubliert. 91 x 123 cm. Ungerahmt. Dem Fresko Tiepolos im Palazzo Labbia entweder vorausgehend oder folgend, zeigt die hier angebotene Darstellung hinter einer à jour gearbeiteten und reliefierten Brüstung mehrere Musikanten beim Spiel ihrer Instrumente. Hinter ihnen werden Pilastervorlagen einer architektonischen Struktur gezeigt, die auch im Palazzo Labbia gezeigt werden, bei der Version in der National Gallery in Melbourne jedoch fehlen. Literatur: Vgl. Roger Fry, Cleopatra´s Feast by G. B. Tiepolo, The Burlington Magazine, Bd. 63, Nr. 366. Vgl. Everett Fahy, Tiepolo´s Meeting of Antony and Cleopatra, The Burlington Magazine, Bd. 113, Nr. 825, Venetian Painting. Vgl. Keith Christiansen, Giambattista Tiepolo 1696-1770, Museo Del Settecento Veneziano, Ausstellungskatalog, 5. September - 9. Dezember 1996 und im Metropolitan Museum of Art, New York, 22. Januar - 27. April 1997, New York 1996. (1411291) (3) (13)
Hampel Fine Art Auctions
Sep. 24, 2024
GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 18.5IN x 24.5IN (47cm x 62cm)
Est: $1,000 - $1,500
Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a simple, black frame. Acquired from a Metro Washington DC estate. With frame, it measures 29.5 inches x 35.5 inches.
The Rug Life Auctions
Sep. 20, 2024
GIOVANNI BATTISTA TIEPOLO
Est: CHF9,000 - CHF12,000
GIOVANNI BATTISTA TIEPOLO (Venice 1696–1770 Madrid) Head of an antique hero with helmet. Pen and brush and brown ink, black pencil. On laid paper with watermark: lily on a bar (cut) 25 x 20.4 cm. Framed. Provenance: - Private collection, Switzerland. ------------------------------------------------- GIOVANNI BATTISTA TIEPOLO (Venedig 1696–1770 Madrid) Kopf eines antiken Helden mit Helm. Feder und Pinsel in Braun, schwarzer Stift. Auf Bütten mit Wz. Lilie auf einem Stab (beschnitten). 25 x 20,4 cm. Gerahmt. Provenienz: - Schweizer Privatbesitz.
Koller Auctions
Sep. 12, 2024
Giovanni Battista Tiepolo: Die Heilige Familie mit zwei Engeln und einem Jüngling
Est: CHF16,000 - CHF20,000
Giovanni Battista Tiepolo (Venedig 1696 - 1770 Madrid) Die Heilige Familie mit zwei Engeln und einem Jüngling Feder in Bister, laviert, auf Bütten mit Wasserzeichen / Pen and brown ink, wash, on laid paper with watermark Um 1760 27,1x20,5 cm / 27.1x20.5 cm Provenienz / Provenance Vom Künstler (vor 1762) oder seinem Sohn Lorenzo Tiepolo (1736-1776) übergeben an die Bibliothek des Convento Somasco der Kirche Santa Maria della Salute in Venedig (in dem ein anderer Sohn, Giuseppe Maria Tiepolo, als Priester lebte) Slg. Graf Leopoldo Cicognara (1767-1834), Venedig Slg. Antonio Canova (1757-1822), Venedig Slg. Monsignor Giovanni Battista Sartori Canova Slg. Francesco Pesaro Slg. Col. Edward Cheney, Badger Hall, Shropshire, Ankauf 1842. Durch Erbgang an dessen Schwager Slg. Col. Alfred Capel Cure, Blake Hall, Essex Auktion Sotheby’s, London, 29. September 1885, Teil von Los 1024 E. Parsons and Sons, London Tomas Harris, London Artemis Fine Arts, London Slg. Eberhard W. Kornfeld, Bern, Lugt 913b, erworben im November 1988 Given by the artist (before 1762) or his son Lorenzo Tiepolo (1736-1776) to the library of the Library of the Convento Somasco of the church of Santa Maria della Salute in Venice (where another son, Giuseppe Maria Tiepolo, lived as a priest) Collection of Count Leopoldo Cicognara (1767-1834), Venice Collection Antonio Canova (1757-1822), Venice Collection Monsignor Giovanni Battista Sartori Canova Collection Francesco Pesaro Collection Edward Cheney, Badger Hall, Shropshire, purchased in 1842, by inheritance to his brother-in-law Collection Alfred Capel Cure, Blake Hall, Essex Sotheby's auction, London, 29 September 1885, part of lot 1024 E. Parsons and Sons, London Tomas Harris, London Artemis Fine Arts, London The Eberhard W. Kornfeld Collection, Bern, Lugt 913b, acquired in November 1988 Zustand / Condition Etwas durchschlagender Leimfleck links oben, sonst tadellos und frisch Some glue stain at upper left, otherwise immaculate and fresh Erläuterungen / Comments Die Zeichnung war ursprünglich Teil eines der Alben in der Sammlung Cheney. Dieses enthielt etwa 70 Variationen Tiepolos zum Thema der Heiligen Familie sowie der Ruhe auf der Flucht nach Ägypten. Die Blätter entstanden wohl in dem Jahrzehnt nach Tiepolos Rückkehr aus Würzburg 1753. Vor seiner Abreise nach Madrid 1762 überliess er die Alben dem Somasco Kloster. George Knox datiert die Mehrheit dieser Zeichnungen in die Jahre 1754 bis 1762 und schlägt vor, die Blätter als in sich geschlossene Kunstwerke zu begreifen. Sie demonstrieren Tiepolos Reife und Brillanz als Zeichner und spielen virtuos mit dem visuellen Dialog zwischen dem weissen Fond des Papiers und den mit grösster Sicherheit gesetzten Linien und Lavierungen. The drawing was originally part of one of the albums in the Cheney Collection. This contained around 70 variations by Tiepolo on the theme of the Holy Family and the Rest on the Flight into Egypt. The sheets were probably created in the decade after Tiepolo's return from Würzburg in 1753, and he left the albums to the Somasco Monastery before his departure for Madrid in 1762. George Knox dates the majority of these drawings to the years 1754 to 1762 and suggests that the sheets should be understood as self-contained works of art. They demonstrate Tiepolo's maturity and brilliance as a draughtsman and are a virtuoso handling of the visual dialogue between the white background of the paper and the lines and washes applied with the utmost confidence. MWST / VAT Mehrwertsteuer auf dem Zuschlagspreis plus Aufgeld / VAT on hammer price plus buyer's premium Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 12.09.2024; 21:00 h (MEST / CET) For further information visit our website (www.kornfeld.ch) Versandkosten / Shipping cost Schweiz / Switzerland: CHF 130.- Europa / Europe: CHF 230.- Übrige Länder / Other countries: CHF 290.-
Galerie Kornfeld Auktionen AG
Sep. 12, 2024
Giovanni Battista Tiepolo: Die Heilige Familie mit zwei Engeln
Est: CHF16,000 - CHF20,000
Giovanni Battista Tiepolo (Venedig 1696 - 1770 Madrid) Die Heilige Familie mit zwei Engeln Feder in Bister, mit Pinsellavierung über lockerer Kreidevorzeichnung, auf Bütten / Pen and ink in bister, with brush wash over loose chalk preparatory drawing, on laid paper Um 1754-1762 27,8x19,7 cm, Zeichnung / 27.8x19.7 cm, drawing Provenienz / Provenance Slg. Eberhard W. Kornfeld, Bern, Lugt 913b The Eberhard W. Kornfeld Collection, Bern, Lugt 913b Zustand / Condition An den Ecken auf einem zweiten Bogen feinen Büttenpapiers aufgelegt. Wunderbar frisch erhalten Mounted on a second sheet of fine laid paper at the corners. Wonderfully fresh condition Erläuterungen / Comments Auch wenn sich im Nachlass von Eberhard Kornfeld keine Angaben zur Provenienz dieser Zeichnung finden liessen, kann doch vermutet werden, dass auch sie aus einem der Alben stammte, die entweder vom Künstler selbst oder von seinem Sohn Lorenzo vor der Abreise nach Madrid 1672 zusammengestellt und dem Convento Somasco übergeben wurden (vgl. dazu die Herkunftsgeschichte des folgenden Loses). Dafür sprechen Stil, Thematik und nicht zuletzt auch das Format und die makellos frische Erhaltung dieses wie auch des folgenden Blattes. Bei den umfangreichen Zeichnungskonvoluten handelte es sich um die Summe von fast vier Jahrzehnten zeichnerischer Werkstattpraxis. Die Blätter sind als Variationen des Themas der „Heiligen Familie“ erstaunlich nah miteinander verwandt. Zweifelsohne geht es dem Künstler hier nicht mehr um Beobachtung von Modellen, sondern um das Ausreizen der Möglichkeiten, mit denen eine bestimmte Figurenkonstellation immer wieder neu erfasst werden kann. In jeder Linie, in jeder präzis und doch flüssig gesetzten Lavierung manifestiert sich Tiepolos zeichnerisches Genie, dass schon seine Zeitgenossen in Erstaunen versetzte. Although no information on the provenance of this drawing could be found in Eberhard Kornfeld's estate, it can be assumed that it also came from one of the albums compiled either by the artist himself or by his son Lorenzo before his departure to Madrid in 1672 and given to the Convento Somasco (cf. the provenance history of the following lot). This is supported by the style, subject matter and not least the format and the immaculately fresh condition of this and the following sheet. The extensive group of drawings is the sum of almost four decades of drawing workshop practice. As variations on the theme of the "Holy Family", the sheets are astonishingly closely related to one another. There is no doubt that the artist was no longer concerned with observing models, but with exploring the possibilities of capturing a particular constellation of figures over and over again. Tiepolo's genius as a draughtsman manifests itself in every line, in every precise and yet fluidly applied wash, which already astonished his contemporaries. MWST / VAT Mehrwertsteuer auf dem Zuschlagspreis plus Aufgeld / VAT on hammer price plus buyer's premium Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 12.09.2024; 21:00 h (MEST / CET) For further information visit our website (www.kornfeld.ch) Versandkosten / Shipping cost Schweiz / Switzerland: CHF 130.- Europa / Europe: CHF 230.- Übrige Länder / Other countries: CHF 290.-
Galerie Kornfeld Auktionen AG
Sep. 12, 2024
Giovanni Battista Tiepolo: Die Heilige Familie mit einem Schäfer und einem Engel
Est: CHF24,000 - CHF30,000
Giovanni Battista Tiepolo (Venedig 1696 - 1770 Madrid) Die Heilige Familie mit einem Schäfer und einem Engel Feder in Bister, laviert, auf Bütten mit Wasserzeichen "IP mit Kreis und dreiblättriger Blume" / Pen and brown ink, wash, on laid paper with watermark "IP with circle and three-leaf flower" 30,3x21 cm / 30.3x21 cm Provenienz / Provenance Ermitage, St. Petersburg, Lugt 2681a, mit dem Enteignungstempel "OTCHUJD" Auktion C.G. Boerner, 29. April 1931, Los 237 Slg. Paul Wallraf (1897-1981), Köln Auktion Drouot, Paris, 4. Dezember 1933, Los 23 Slg. Robert von Hirsch, Basel Auktion Sotheby’s, London, 20. Juni 1978, Los 63 Auktion Sotheby’s, London, 3. Juli 1996, Los 80 Slg. Eberhard W. Kornfeld, Bern, Lugt 913b Hermitage, St. Petersburg, Lugt 2681a, with the expropriation stamp "OTCHUJD" Auction C.G. Boerner, 29 April 1931, lot 237 Collection Paul Wallraf (1897-1981), Cologne Drouot auction, Paris, 4 December 1933, lot 23 Collection Robert von Hirsch, Basel Sotheby's auction, London, 20 June 1978, lot 63 Sotheby's auction, London, 3 July 1996, lot 80 The Eberhard W. Kornfeld Collection, Bern, Lugt 913b Zustand / Condition Blatt etwas angestaubt und vereinzelt blass stockfleckig. Der Gesamteindruck sehr schön Sheet somewhat dusty and with occasional pale foxing. The overall impression very fine Erläuterungen / Comments Als das Blatt zuletzt auf dem Markt war, wurde seine Provenienz, wenn auch unter Vorbehalt und als "speculative" bezeichnet, bis auf die Alben zurückgeführt, die Tiepolo vor seiner Abreise 1762 nach Madrid dem Somasco Kloster bei Santa Maria della Salute in Venedig überlassen hatte (siehe hierzu auch unser Los 2179). Definitiv belegbar ist jedoch nur die russische Provenienz, die dann 1931 zum Verkauf des Blattes im Auftrag der Sowjetunion bei C. G. Boerner zur Devisenbeschaffung führte. Stilistisch und motivisch reiht sich die Zeichnung nahtlos in die Reihe der anderen Blätter der sog. Cheney-Alben ein. When the sheet was last on the market, its provenance was traced back, albeit with reservations and labelled as "speculative", to the albums that Tiepolo had left to the Somasco monastery near Santa Maria della Salute in Venice before his departure to Madrid in 1762 (see also lot 2179). However, only the Russian provenance can be definitively proven, which then led to the sale of the sheet in 1931 on behalf of the Soviet Union at C. G. Boerner to raise foreign currency. In terms of style and motif, the drawing fits seamlessly into the series of other sheets in the so-called Cheney albums. MWST / VAT Mehrwertsteuer auf dem Zuschlagspreis plus Aufgeld / VAT on hammer price plus buyer's premium Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 12.09.2024; 20:55 h (MEST / CET) For further information visit our website (www.kornfeld.ch) Versandkosten / Shipping cost Schweiz / Switzerland: CHF 115.- Europa / Europe: CHF 185.- Übrige Länder / Other countries: CHF 235.-
Galerie Kornfeld Auktionen AG
Sep. 10, 2024
GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 19IN x 22IN (48cm x 56cm)
Est: $1,000 - $1,500
Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a green frame. Acquired from a Metro Washington DC estate. With frame, it measures 19 inches x 22 inches.
The Rug Life Auctions
Sep. 03, 2024
GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 18.5IN x 24.5IN (47cm x 62cm)
Est: $1,000 - $1,500
Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a simple, black frame. Acquired from a Metro Washington DC estate. With frame, it measures 29.5 inches x 35.5 inches.
The Rug Life Auctions
Aug. 24, 2024
GIOVANNI BATTISTA TIEPOLO (ITALY/SPAIN, 1696-1770)
Est: $2,000 - $3,000
GIOVANNI BATTISTA TIEPOLO (ITALY/SPAIN, 1696-1770) Hermes Discovers the Caduceus, graphite on laid paper, in gilt cove frame, under brick red mat, UV plexi. OS: 10" x 12", SS: 4 3/4" x 6 1/2".
Thomaston Place Auction Galleries
Aug. 20, 2024
GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 19IN x 22IN (48cm x 56cm)
Est: $1,000 - $1,500
Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a green frame. Acquired from a Metro Washington DC estate. With frame, it measures 19 inches x 22 inches.
The Rug Life Auctions
Aug. 18, 2024
Convent Painting Of The Madonna
Est: $500 - $1,000
Large framed oil on canvas after the painting, "The Immaculate Conception" by Giovanni Battista Tiepolo (1696-1770). This subject was a favorite to copy amongst nuns with artistic talent. They were meant to hang in their church or convent and are seldom signed. This example has age to it with surface cracking and evidence of repairs on the rear side of the canvas (see photos. Frame measures 48" tall, 38" wide.
Donley Auction Services
Aug. 13, 2024
GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 18.5IN x 24.5IN (47cm x 62cm)
Est: $1,000 - $1,500
Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a simple, black frame. Acquired from a Metro Washington DC estate. With frame, it measures 29.5 inches x 35.5 inches.
The Rug Life Auctions
Jul. 30, 2024
GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 19IN x 22IN (48cm x 56cm)
Est: $1,000 - $1,500
Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a green frame. Acquired from a Metro Washington DC estate. With frame, it measures 19 inches x 22 inches.
The Rug Life Auctions
Jul. 23, 2024
GIOVANNI BATTISTA TIEPOLO (1696-1770) LITHOGRAPH TITLED MADONNA OF THE GOLDFINCH WITH MATCHING U.S. STAMP FIRST DAY ISSUE, 18.5IN x 24.5IN (47cm x 62cm)
Est: $1,000 - $1,500
Giovanni Battista Tiepolo (1696-1770) lithograph titled Madonna of the Goldfinch. It is after the original which was painted in 1760 and now hangs in the National Gallery of Art in Washington DC. There is a matching U.S. Postage stamp showing the same painting that is attached to this lithograph and both have been stamped by the USPS on the first day of issue of this stamp which in 10-28-1982. This lithograph was produced by The National Gallery of Art using gallery-quality materials and the color is managed in a manner that produces a reproduction as true to the original as modern technology will allow. It is matted and framed under glass in a simple, black frame. Acquired from a Metro Washington DC estate. With frame, it measures 29.5 inches x 35.5 inches.
The Rug Life Auctions