Adolph Tidemand Paintings & Artwork for Sale | Adolph Tidemand Art Value Price Guide

Jun. 05, 2024
Tidemand, Adolph (1814-1876), The Mother's Lecture 1849
Est: kr400,000 - kr600,000
Signed and dated lower left: A. Tidemand. 1849
Grev Wedels Plass Auksjoner
Jan. 14, 2023
Adolph Tidemand Antique Man Portrait Oil Painting
Est: $5,000 - $15,000
Title: Adolph Tidemand Antique Man Portrait Oil Painting Description: Adolph Tidemand Antique Man Portrait Oil Painting Signature: Lower right Condition of piece: Dirty and darkened, displays craquelure, frame displays a little wear Stretcher Size: 17.25 x 13 inches Frame Size 23 x 18.75 inches Estimated size of packaging: 30x24x5, 33 lbs, this weight is dimensional Other Shipping Info: Zip Code 33701 CALCULATE SHIPPING COSTS HERE Important Info: Commonly Asked Questions Described By: Michelle CNX 1360 6043
Hess Fine Art
Nov. 29, 2022
Adolph Tidemand, A message of Sorrow 1851
Est: kr300,000 -
Signed and dated lower right: A Tidemand Df 51
Grev Wedels Plass Auksjoner
Apr. 26, 2022
ADOLPH TIDEMAND DRAWING
Est: €130 - €300
TIDEMAND, ADOLPH (Mandal 1814-1876 Christiana, Norwegian painter of the Düsseldorf School), pencil drawing: "Grape Harvest", signed "Tidemand" at the bottom center. Landscape with distant mountain ranges, grapevines, workers and wickerworkers; in the foreground a young woman carrying a basket on her head. Pencil study on brownish paper. Dimensions in the mount cut-out 50.5 x 37.5 cm. TIDEMAND, ADOLPH (Mandal 1814-1876 Christiana, norwegischer Maler der Düsseldorfer Schule), Bleistiftzeichnung: "Weinlese", unten mittig signiert "Tidemand". Landschaft mit fernen Höhenzügen, Weinstöcken, Arbeitern und Korbtägern; im Vordergrund eine junge Frau, einen Korb auf dem Kopf tragend. Bleistiftstudie auf bräunlichem Papier. Maße im Passepartoutausschnitt 50,5 x 37,5 cm.
Auktionshaus Rheine
Mar. 08, 2022
ADOLPH TIDEMAND DRAWING
Est: €150 - €300
TIDEMAND, ADOLPH (Mandal 1814-1876 Christiana, Norwegian painter of the Düsseldorf School), pencil drawing: "Grape Harvest", signed "Tidemand" at the bottom center. Landscape with distant mountain ranges, grapevines, workers and wickerworkers; in the foreground a young woman carrying a basket on her head. Pencil study on brownish paper. Dimensions in the mount cut-out 50.5 x 37.5 cm. TIDEMAND, ADOLPH (Mandal 1814-1876 Christiana, norwegischer Maler der Düsseldorfer Schule), Bleistiftzeichnung: "Weinlese", unten mittig signiert "Tidemand". Landschaft mit fernen Höhenzügen, Weinstöcken, Arbeitern und Korbtägern; im Vordergrund eine junge Frau, einen Korb auf dem Kopf tragend. Bleistiftstudie auf bräunlichem Papier. Maße im Passepartoutausschnitt 50,5 x 37,5 cm.
Auktionshaus Rheine
Jan. 11, 2022
ADOLPH TIDEMAND DRAWING
Est: €150 - €300
TIDEMAND, ADOLPH (Mandal 1814-1876 Christiana, Norwegian painter of the Düsseldorf School), pencil drawing: "Grape Harvest", signed "Tidemand" at the bottom center. Landscape with distant mountain ranges, grapevines, workers and wickerworkers; in the foreground a young woman carrying a basket on her head. Pencil study on brownish paper. Dimensions in the mount cut-out 50.5 x 37.5 cm. TIDEMAND, ADOLPH (Mandal 1814-1876 Christiana, norwegischer Maler der Düsseldorfer Schule), Bleistiftzeichnung: "Weinlese", unten mittig signiert "Tidemand". Landschaft mit fernen Höhenzügen, Weinstöcken, Arbeitern und Korbtägern; im Vordergrund eine junge Frau, einen Korb auf dem Kopf tragend. Bleistiftstudie auf bräunlichem Papier. Maße im Passepartoutausschnitt 50,5 x 37,5 cm.
Auktionshaus Rheine
Dec. 07, 2021
ADOLPH TIDEMAND DRAWING
Est: €150 - €300
TIDEMAND, ADOLPH (Mandal 1814-1876 Christiana, Norwegian painter of the Düsseldorf School), pencil drawing: "Grape Harvest", signed "Timand" at the bottom center. Landscape with distant mountain ranges, grapevines, workers and wickerworkers; in the foreground a young woman carrying a basket on her head. Pencil study on brownish paper. Dimensions in the mount cut-out 50.5 x 37.5 cm. TIDEMAND, ADOLPH (Mandal 1814-1876 Christiana, norwegischer Maler der Düsseldorfer Schule), Bleistiftzeichnung: "Weinlese", unten mittig signiert "Timand". Landschaft mit fernen Höhenzügen, Weinstöcken, Arbeitern und Korbtägern; im Vordergrund eine junge Frau, einen Korb auf dem Kopf tragend. Bleistiftstudie auf bräunlichem Papier. Maße im Passepartoutausschnitt 50,5 x 37,5 cm.
Auktionshaus Rheine
Nov. 24, 2021
Adolph Tidemand, Velgjørenhet 1852
Est: kr300,000 - kr400,000
Signert og datert nede t.v.: Ad. Tidemand 1852.
Grev Wedels Plass Auksjoner
Nov. 25, 2020
Adolph Tidemand (1814-1876), A Mother Teaching 1856
Est: kr700,000 -
Signed and dated lower left: A. Tidemand 1856.
Grev Wedels Plass Auksjoner
Nov. 27, 2019
Adolph Tidemand (1814-1876), A Message of Sorrow 1851
Est: kr300,000 - kr400,000
Oil on canvas 31x38 Signed and dated lower right: A Tidemand Df 51
Grev Wedels Plass Auksjoner
Sep. 23, 2015
Adolph Tidemand (1814-1876), Family Scene, Oil, 1859
Est: €40,000 - €52,000
Oil on canvas Germany/Norway, 1859 Adolph Tidemand (1814-1876) – Norwegian painter, draftsman, graphic artist and illustrator; important international representative of the Düsseldorf School Signed and dated lower left ‘A. TIDEMAND. 59’ Catalogue raisonné: Not listed at Dietrichson Dimensions: 50 x 43.5 cm Frame: 61 x 55 cm Good condition Provenance: Private collection, Magdeburg (bought in Düsseldorf in 1970) Characteristic family scene by Adolph Tidemand, who followed the tradition of realism and national romanticism; the last achieved hammer prices of similar motifs fetched up to €187,000 at international auctions Estimate by Auctionata Expert: 80,000 Euro Adolph Tidemand was a great national romantic representative in Norwegian art, especially in genre painting of the 1840/50s. With his works he inspired not only Norwegian, Swedish and German painters, but also famous writers like Ibsen and Bjørnson. The offered genre scene shows a domestic family scene with mother reading a story to her children. The work is painted in earthy tones and captivates through the animated nature of the sitters. Condition: The painting is in good condition, consistent with age. The edges show faint marks, where the frame has rubbed, as well as a number of chippings especially along the lower end. The paint surface is a bit craquelured and shows a fine horizontal scratch of c. 10 cm at the height of the girl. Inspection under UV light reveals a few retouchings to the faces and the clothes. The stretcher measures 50 x 43,5 cm. Adolph Tidemand (1814-1876) Born in the southern Norwegian town of Mandal, Adolph Tidemand studied under Johan Ludvig Lund (1777-1867) at the Art Academy in Copenhagen, from 1832 to 1837. He then moved to Düsseldorf, where he was further trained by Theodor Hildebrandt (1804-1874) and Friedrich Wilhelm Schadow (1788-1862). In 1841/42 he traveled via Munich to Rome. Tidemend finally settled in Düsseldorf in 1845, but regularly traveled to Norway, where he found a great source of inspiration for his rural genre scenes. Tidemand was an international follower of the Düsseldorf School and one of the most popular representatives of Norwegian national romanticism. In 1867 Tidemand was represented at the World Exhibition in Paris. One year later he was appointed honorary professor at the Düsseldorf Kunstakademie. Tidemand occasionally also painted portraits and history paintings that he usually planned in sketches and studies, of which many are still preserved today. The National Gallery in Oslo keeps a great selection of his works today, as well as the National Museum in Stockholm and the Trøndelag Art Museum in Trondheim. (cbo) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.
Auctionata Paddle8 AG
Jun. 23, 2015
Adolph Tidemand (1814-1876), Family Scene, Oil, 1859
Est: €45,000 - €58,500
Oil on canvas Germany/Norway, 1859 Adolph Tidemand (1814-1876) – Norwegian painter, draftsman, graphic artist and illustrator; important international representative of the Düsseldorf School Signed and dated lower left ‘A. TIDEMAND. 59’ Catalogue raisonné: Not listed at Dietrichson Dimensions: 50 x 43.5 cm Frame: 61 x 55 cm Good condition Provenance: Private collection, Magdeburg (bought in Düsseldorf in 1970) Characteristic family scene by Adolph Tidemand, who followed the tradition of realism and national romanticism; the last achieved hammer prices of similar motifs fetched up to €187,000 at international auctions Estimate by Auctionata Expert: 90,000 Euro Adolph Tidemand was a great national romantic representative in Norwegian art, especially in genre painting of the 1840/50s. With his works he inspired not only Norwegian, Swedish and German painters, but also famous writers like Ibsen and Bjørnson. The offered genre scene shows a domestic family scene with mother reading a story to her children. The work is painted in earthy tones and captivates through the animated nature of the sitters. Condition: The painting is in good condition, consistent with age. The edges show faint marks, where the frame has rubbed, as well as a number of chippings especially along the lower end. The paint surface is a bit craquelured and shows a fine horizontal scratch of c. 10 cm at the height of the girl. Inspection under UV light reveals a few retouchings to the faces and the clothes. The stretcher measures 50 x 43,5 cm. Adolph Tidemand (1814-1876) Born in the southern Norwegian town of Mandal, Adolph Tidemand studied under Johan Ludvig Lund (1777-1867) at the Art Academy in Copenhagen, from 1832 to 1837. He then moved to Düsseldorf, where he was further trained by Theodor Hildebrandt (1804-1874) and Friedrich Wilhelm Schadow (1788-1862). In 1841/42 he traveled via Munich to Rome. Tidemend finally settled in Düsseldorf in 1845, but regularly traveled to Norway, where he found a great source of inspiration for his rural genre scenes. Tidemand was an international follower of the Düsseldorf School and one of the most popular representatives of Norwegian national romanticism. In 1867 Tidemand was represented at the World Exhibition in Paris. One year later he was appointed honorary professor at the Düsseldorf Kunstakademie. Tidemand occasionally also painted portraits and history paintings that he usually planned in sketches and studies, of which many are still preserved today. The National Gallery in Oslo keeps a great selection of his works today, as well as the National Museum in Stockholm and the Trøndelag Art Museum in Trondheim. (cbo) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.
Auctionata Paddle8 AG
May. 23, 2013
ADOLPH TIDEMAND
Est: £50,000 - £70,000
PROPERTY FROM AN ENGLISH PRIVATE COLLECTION NORWEGIAN 1814 - 1876 A HARDANGER INTERIOR, YOUNG GIRL KNITTING signed and dated A. Tidemand 74 lower left oil on canvas 93 by 73cm., 36 by 28in.
Sotheby's
Nov. 27, 2012
Adolph Tidemand: The priest visiting an old man to give him the Holy Communion.
Est: kr4,000,000 - kr6,000,000
Sognebud. Norwegian peasant's hut with a priest visiting an old man to give him the Holy Communion. Signed and dated A. Tidemand Df. (Düsseldorf) 1850. The year of execution of the painting is 1860. It has wrongly been dated 1850 by a restorer. Oil on canvas. 102 x 127 cm.
Bruun Rasmussen Auctioneers
Nov. 22, 2011
ADOLPH TIDEMAND
Est: £25,000 - £35,000
PROPERTY OF A GERMAN PRIVATE COLLECTOR NORWEGIAN 1814 - 1876 THE READER (JAN TANNE) signed and dated Tidemand / 74 lower right oil on canvas 60 by 43.5cm., 23¾ by 17¼in.
Sotheby's
Apr. 19, 2011
Adolph Tidemand (1814-1876). A view in Mandab,
Est: £300 - £500
Adolph Tidemand (1814-1876). A view in Mandab, traditionally identified as the artists home. Pen and ink. Signed lower left, Inscribed and dated 1829 lower right, 9 x 14.5cm (31/2 x 53/4 in). Provenance: by descent from the artist. Mandal was the birth place of Tidemand, this drawing was executed when he was 15 years old.
Dreweatts 1759
Sep. 27, 2010
Adolph Tidemand: Interior with a young girl holding a book.
Est: kr75,000 - kr90,000
Interior with a young girl holding a book. Signed and dated A. Tidemand 1871. Oil on panel. 42 x 31 cm. Unframed.
Bruun Rasmussen Auctioneers
May. 31, 2010
Adolph Tidemand: Interior with a child on his grandfather's knee.
Est: kr50,000 - kr60,000
Interior with a child on his grandfather's knee. Signed and dated A. T. 1868. Oil on panel. 17 x 20 cm.
Bruun Rasmussen Auctioneers
Apr. 18, 2008
Adolph Tidemand , Norwegian 1814-1876 Portrait of a Young Girl oil on canvas
Est: $15,000 - $20,000
signed A. Tidemand , inscribed Erkrath , and dated 1851 (lower right) oil on canvas
Sotheby's
Jan. 30, 2007
Circle of Adolphe Tidemand (Norwegian, 1814-1876)
Est: €2,500 - €3,500
Reading from the story book with signature 'Ad. Tidemand' (lower right) oil on canvas 26 x 32.5 cm.
Christie's
Oct. 24, 2006
ADOLPH TIDEMAND
Est: $400,000 - $600,000
PROPERTY FROM A PRIVATE COLLECTION, MASSACHUSETTS NORWEGIAN, 1814-1876 BESTEMORS BRUDEKRONE measurements 46 1/2 by 40 1/2 in. alternate measurements 118.1 by 102.8 cm signed A. Tidemand and dated 1867 (lower left) oil on canvas PROVENANCE Possibly, Schow, New York Private Collection, Pennsylvania (since circa 1900) Thence by descent to the present owner NOTE The present work is one of a series of paintings by Tidemand, in which a grandmother reveals her brudekrone (bridal crown) to her granddaughter. Decorated with brudabonne (long, colorful ribbons), and noisy, jangling silver ornaments, the crown was an essential element of the Norwegian wedding ritual and was believed to ward off evil spirits. This powerful talisman was passed through generations to ensure a successful marriage. The tender scene is replete with objects that honor familial traditions, as children gather in a room filled with such heirlooms as richly woven wall hangings, precious silver and pewter objects on a high shelf, and a trunk filled with mementos. More then decorative, these items reveal the folk traditions of woodcarving, weaving, embroidery and costume-making of Norway's remote farming communities. In this comfortable room, woven coverlets, crucial in the country's long winters, were also hung as colorful wall hangings, their intricate designs the handiwork of talented farmwives. Like the brudekrone, these textiles followed a woman through her life, used to cover the marriage bed, to wrap a baby at christenings, and drape over coffins. Such materials were stored in linen chests decorated with the rosemaling (rose-painting) of large floral scrolls. Here, Tidemand further embellishes one trunk with the date "1779," suggesting the chest's long legacy, while the other has been opened to reveal a print of King Oscar I and the treasured bunad, woolen red and black traditional clothing, its geometric embroidery specific to the region of this family. Tidemand's work testifies to his training at the Düsseldorf Academy, which promoted paintings of peasant life and landscape characterized by finely nuanced, first person observation. Though eventually settling in the German city, Tidemand often returned to his homeland. In 1843 the artist undertook an extensive tour of Gudbrandsdalen, Sogn and Hardanger, in part inspired by the Norwegian National Romantic movement led by artists, writers, and ethnographers, who promoted the region's unique scenery, society, and history (Magne Malmanger, "The Flight of Time and the Unique Event: Adolph Tidemand in Search of the Norwegian People", trans. Joan Fuglesang, in Der aander en tindrende sommerluft varmt over hardangerfjords vande, Tidemand & Gude, exh. cat., Nasjonalgalleriet, Oslo, September - December 2003, pp. 197-98). These travels were so powerfully memorable that Tidemand explained that they led him "irresistibly" in the direction that determined the remainder of his artistic production. Having completed a large number of precise studies in watercolor and oil, Tidemand found supporting material for his paintings completed in the following decades (Malmanger, p. 198). Many of these sketches informed Bestemors Brudekrone's production. Yet, while the work's numerous details serve as a lasting record of rural Norwegians and their traditions, its appeal extends well beyond ethnographic record. In the soft spilling sunlight illuminating the intimate arrangement of the children eagerly grouped around the smiling grandmother, Tidemand demonstrates his interests in the sentiments of the people as well as their arts and possessions. The foreshortened composition creates an intimate pictorial space, inviting the viewer to closely observe the scene: a portrait of family life easily appreciated beyond Norway's borders. Similar in affect to Jules Breton (see lot 158) and other painters of "peasant life," Tidemand's models memorialize traditions and a way of life that was quickly disappearing. The Norwegian philosopher Marcus Jacob Monrad believed Tidemand's work perfectly illustrated that "the purpose of art is exactly to raise the spirit above the narrow sphere of everyday life, to liberate it, if only for a moment, from the stress and strain of the moment" (Malmagner, p. 194). It is thus easy to understand how Tidemand became one of the first Norwegian painters to gain worldwide fame in the late nineteenth century. The artist's reputation grew to such a degree that his work was found in numerous collections throughout Europe and, as with Bestemors Brudekrone, as far away as Pennsylvania. Pittsburgh was home to Andrew Carnegie and Henry Clay Frick, whose reputations as powerful magnates of industry were matched only by their support of the arts. The city and the surrounding area boasted a community of renowned collectors that eagerly sought after realist works and anecdotal genre scenes, and particularly favored artists with international reputations. Especially appealing to them was the rich detail and understandable narrative of Tidemand's work, which so carefully combined a fine sense of aesthetic value with a comforting message about the importance of family--a universally appealing sentiment despite the artist's specific vision.
Sotheby's
Jun. 15, 2004
ADOLPH TIDEMAND NORWEGIAN, 1814-1876
Est: £60,000 - £80,000
signed, dated and inscribed A. Tidemand 1853 / Df. l.l. oil on canvas
Sotheby's